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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D5BB2 it is the complementary color #62A44D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D5BB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D5BB2 shade: #A25BAD, #B36DC0, #C47FD3, #D591E6 and #E6A3F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D5BB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D5BB2 shade: #9D5BB2, #8C499F, #7B378C, #6A2579 and #591366

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D5BB2 shade: #9D5CB2, #B25CAF, #B25C98, #B25C81 and #B25C6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D5BB2 shade: #9D5CB2, #865CB2, #6E5CB2 and #5C5CB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D5BB2 shade matches the following richer shades: #9D5CB2, #A748C5, #B135D9 and #BB21EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D5BB2 shade: #9D5CB2, #936F9E, #89828B, #7F9678 and #75A964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D5BB2 shade: #6E5CB2, #855CB2, #9C5CB2, #B25CB0 and #B25C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D5BB2 shade: #6F3C7F, #87499B, #9D5CB2, #AE78BF and #BF94CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D5BB2 shade: #9D5BB2, #B25C60 and #5CB27A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D5BB2 shade: #9D5BB2, #B29C5C and #5CB29C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D5BB2 shade: #9D5BB2, #B25C60, #71B25C and #5CB2AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D5BB2 shade: #9D5BB2, #B2715C, #71B25C and #5C9CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

Complementary color

CMYK 40 / 0 / 53 / 36

HEX #62A44D

RGB 98 164 77

HSL 105.52, 0.36%, 0.47%

LAB 61.38, -37.87, 38.29

 

CMYK 6 / 47 / 0 / 32

HEX #A25BAD

RGB 162 91 173

HSL 291.95, 0.33%, 0.52%

LAB 49.71, 42.09, -31.9

 

CMYK 7 / 43 / 0 / 25

HEX #B36DC0

RGB 179 109 192

HSL 290.6, 0.4%, 0.59%

LAB 56.41, 41.32, -32.27

 

CMYK 7 / 40 / 0 / 17

HEX #C47FD3

RGB 196 127 211

HSL 289.29, 0.49%, 0.66%

LAB 63.03, 40.55, -32.59

 

CMYK 7 / 37 / 0 / 10

HEX #D591E6

RGB 213 145 230

HSL 288, 0.63%, 0.74%

LAB 69.55, 39.8, -32.88

 

CMYK 8 / 35 / 0 / 2

HEX #E6A3F9

RGB 230 163 249

HSL 286.74, 0.88%, 0.81%

LAB 75.98, 39.08, -33.15

 

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

CMYK 12 / 54 / 0 / 38

HEX #8C499F

RGB 140 73 159

HSL 286.74, 0.37%, 0.45%

LAB 42.53, 42.4, -35.12

 

CMYK 12 / 61 / 0 / 45

HEX #7B378C

RGB 123 55 140

HSL 288, 0.44%, 0.38%

LAB 35.67, 43.03, -34.62

 

CMYK 12 / 69 / 0 / 53

HEX #6A2579

RGB 106 37 121

HSL 289.29, 0.53%, 0.31%

LAB 28.82, 43.3, -33.84

 

CMYK 13 / 81 / 0 / 60

HEX #591366

RGB 89 19 102

HSL 290.6, 0.69%, 0.24%

LAB 22.12, 42.76, -32.5

 

CMYK 12 / 48 / 0 / 30

HEX #9D5CB2

RGB 157 92 178

HSL 285.35, 0.36%, 0.53%

LAB 49.54, 41.1, -35.13

 

CMYK 0 / 48 / 2 / 30

HEX #B25CAF

RGB 178 92 175

HSL 302.09, 0.36%, 0.53%

LAB 52.08, 46.71, -29.22

 

CMYK 0 / 48 / 15 / 30

HEX #B25C98

RGB 178 92 152

HSL 318.14, 0.36%, 0.53%

LAB 51.14, 42.74, -17.19

 

CMYK 0 / 48 / 28 / 30

HEX #B25C81

RGB 178 92 129

HSL 334.19, 0.36%, 0.53%

LAB 50.34, 39.25, -4.73

 

CMYK 0 / 48 / 40 / 30

HEX #B25C6A

RGB 178 92 106

HSL 350.23, 0.36%, 0.53%

LAB 49.69, 36.31, 8.08

 

CMYK 12 / 48 / 0 / 30

HEX #9D5CB2

RGB 157 92 178

HSL 285.35, 0.36%, 0.53%

LAB 49.54, 41.1, -35.13

 

CMYK 25 / 48 / 0 / 30

HEX #865CB2

RGB 134 92 178

HSL 269.3, 0.36%, 0.53%

LAB 46.89, 34.48, -39.49

 

CMYK 38 / 48 / 0 / 30

HEX #6E5CB2

RGB 110 92 178

HSL 252.56, 0.36%, 0.53%

LAB 44.5, 27.93, -43.44

 

CMYK 48 / 48 / 0 / 30

HEX #5C5CB2

RGB 92 92 178

HSL 240, 0.36%, 0.53%

LAB 42.98, 23.44, -45.95

 

CMYK 12 / 48 / 0 / 30

HEX #9D5CB2

RGB 157 92 178

HSL 285.35, 0.36%, 0.53%

LAB 49.54, 41.1, -35.13

 

CMYK 15 / 63 / 0 / 23

HEX #A748C5

RGB 167 72 197

HSL 285.6, 0.52%, 0.53%

LAB 48.11, 57.66, -48.35

 

CMYK 18 / 76 / 0 / 15

HEX #B135D9

RGB 177 53 217

HSL 285.37, 0.68%, 0.53%

LAB 48.14, 71.12, -59.72

 

CMYK 21 / 86 / 0 / 7

HEX #BB21EC

RGB 187 33 236

HSL 285.52, 0.84%, 0.53%

LAB 49.14, 81.58, -68.81

 

CMYK 12 / 48 / 0 / 30

HEX #9D5CB2

RGB 157 92 178

HSL 285.35, 0.36%, 0.53%

LAB 49.54, 41.1, -35.13

 

CMYK 7 / 30 / 0 / 38

HEX #936F9E

RGB 147 111 158

HSL 285.96, 0.2%, 0.53%

LAB 51.88, 22.94, -19.91

 

CMYK 1 / 6 / 0 / 45

HEX #89828B

RGB 137 130 139

HSL 286.67, 0.04%, 0.53%

LAB 55.22, 4.39, -3.9

 

CMYK 15 / 0 / 20 / 41

HEX #7F9678

RGB 127 150 120

HSL 106, 0.13%, 0.53%

LAB 59.6, -14.06, 13.17

 

CMYK 31 / 0 / 41 / 34

HEX #75A964

RGB 117 169 100

HSL 105.22, 0.29%, 0.53%

LAB 64.22, -30.54, 30.23

 

CMYK 38 / 48 / 0 / 30

HEX #6E5CB2

RGB 110 92 178

HSL 252.56, 0.36%, 0.53%

LAB 44.5, 27.93, -43.44

 

CMYK 25 / 48 / 0 / 30

HEX #855CB2

RGB 133 92 178

HSL 268.6, 0.36%, 0.53%

LAB 46.78, 34.2, -39.67

 

CMYK 12 / 48 / 0 / 30

HEX #9C5CB2

RGB 156 92 178

HSL 284.65, 0.36%, 0.53%

LAB 49.42, 40.81, -35.33

 

CMYK 0 / 48 / 1 / 30

HEX #B25CB0

RGB 178 92 176

HSL 301.4, 0.36%, 0.53%

LAB 52.12, 46.89, -29.74

 

CMYK 0 / 48 / 14 / 30

HEX #B25C99

RGB 178 92 153

HSL 317.44, 0.36%, 0.53%

LAB 51.17, 42.9, -17.72

 

CMYK 13 / 53 / 0 / 50

HEX #6F3C7F

RGB 111 60 127

HSL 285.67, 0.36%, 0.37%

LAB 34.28, 34.12, -28.9

 

CMYK 13 / 53 / 0 / 39

HEX #87499B

RGB 135 73 155

HSL 285.37, 0.36%, 0.45%

LAB 41.66, 40.13, -34.13

 

CMYK 12 / 48 / 0 / 30

HEX #9D5CB2

RGB 157 92 178

HSL 285.35, 0.36%, 0.53%

LAB 49.54, 41.1, -35.13

 

CMYK 9 / 37 / 0 / 25

HEX #AE78BF

RGB 174 120 191

HSL 285.63, 0.36%, 0.61%

LAB 58.22, 33.54, -28.94

 

CMYK 6 / 27 / 0 / 20

HEX #BF94CC

RGB 191 148 204

HSL 286.07, 0.35%, 0.69%

LAB 66.99, 26.06, -22.63

 

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

CMYK 0 / 48 / 46 / 30

HEX #B25C60

RGB 178 92 96

HSL 357.21, 0.36%, 0.53%

LAB 49.45, 35.21, 13.73

 

CMYK 48 / 0 / 31 / 30

HEX #5CB27A

RGB 92 178 122

HSL 140.93, 0.36%, 0.53%

LAB 66.15, -38.75, 20.81

 

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

CMYK 0 / 12 / 48 / 30

HEX #B29C5C

RGB 178 156 92

HSL 44.65, 0.36%, 0.53%

LAB 64.97, -0.54, 36.33

 

CMYK 48 / 0 / 12 / 30

HEX #5CB29C

RGB 92 178 156

HSL 164.65, 0.36%, 0.53%

LAB 66.91, -31.42, 3.25

 

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

CMYK 0 / 48 / 46 / 30

HEX #B25C60

RGB 178 92 96

HSL 357.21, 0.36%, 0.53%

LAB 49.45, 35.21, 13.73

 

CMYK 37 / 0 / 48 / 30

HEX #71B25C

RGB 113 178 92

HSL 105.35, 0.36%, 0.53%

LAB 66.61, -37.19, 37.35

 

CMYK 48 / 0 / 3 / 30

HEX #5CB2AD

RGB 92 178 173

HSL 176.51, 0.36%, 0.53%

LAB 67.38, -27.18, -5.48

 

CMYK 12 / 49 / 0 / 30

HEX #9D5BB2

RGB 157 91 178

HSL 285.52, 0.36%, 0.53%

LAB 49.33, 41.64, -35.46

 

CMYK 0 / 37 / 48 / 30

HEX #B2715C

RGB 178 113 92

HSL 14.65, 0.36%, 0.53%

LAB 54.08, 23.33, 22.34

 

CMYK 37 / 0 / 48 / 30

HEX #71B25C

RGB 113 178 92

HSL 105.35, 0.36%, 0.53%

LAB 66.61, -37.19, 37.35

 

CMYK 48 / 12 / 0 / 30

HEX #5C9CB2

RGB 92 156 178

HSL 195.35, 0.36%, 0.53%

LAB 61.02, -14.46, -17.81

 

Description

Color code: HEX #9D5BB2 | qconv.com Color code: HEX #9D5BB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 91 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 91 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 49 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 49% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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