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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D62DE it is the complementary color #629D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D62DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D62DE shade: #A262D9, #B374EC, #C486FF, #D598FF and #E6AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D62DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D62DE shade: #9D62DE, #8C50CB, #7B3EB8, #6A2CA5 and #591A92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D62DE shade: #9D63DD, #BE63DD, #DD63DC, #DD63BB and #DD6399

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D62DE shade: #9D63DD, #7C63DD and #6363DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D62DE shade matches the following richer shades: #9D63DD, #9C54ED and #9C44FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D62DE shade: #9D63DD, #9E72CE, #9F81BF, #9F91B0 and #A0A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D62DE shade: #636BDD, #7B63DD, #9C63DD, #BD63DD and #DD63DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D62DE shade: #7329C4, #8841D6, #9D63DD, #B285E5 and #C8A7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D62DE shade: #9D62DE, #DD638C and #63DD6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D62DE shade: #9D62DE, #DD9C63 and #63DD9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D62DE shade: #9D62DE, #DD638C, #A4DD63 and #63DDB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D62DE shade: #9D62DE, #DD6367, #A4DD63 and #63DDD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

Complementary color

CMYK 38 / 0 / 79 / 38

HEX #629D21

RGB 98 157 33

HSL 88.55, 0.65%, 0.37%

LAB 58.81, -38.71, 54.16

 

CMYK 25 / 55 / 0 / 15

HEX #A262D9

RGB 162 98 217

HSL 272.27, 0.61%, 0.62%

LAB 53.41, 47.89, -51.36

 

CMYK 24 / 51 / 0 / 7

HEX #B374EC

RGB 179 116 236

HSL 271.5, 0.76%, 0.69%

LAB 60.01, 47.01, -51.42

 

CMYK 23 / 47 / 0 / 0

HEX #C486FF

RGB 196 134 255

HSL 270.74, 1%, 0.76%

LAB 66.52, 46.13, -51.44

 

CMYK 16 / 40 / 0 / 0

HEX #D598FF

RGB 213 152 255

HSL 275.53, 1%, 0.8%

LAB 72.11, 41.17, -42.54

 

CMYK 10 / 33 / 0 / 0

HEX #E6AAFF

RGB 230 170 255

HSL 282.35, 1%, 0.83%

LAB 77.75, 36.54, -33.65

 

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

CMYK 31 / 61 / 0 / 20

HEX #8C50CB

RGB 140 80 203

HSL 269.27, 0.54%, 0.55%

LAB 46.48, 48.75, -54.62

 

CMYK 33 / 66 / 0 / 28

HEX #7B3EB8

RGB 123 62 184

HSL 270, 0.5%, 0.48%

LAB 39.78, 49.57, -54.46

 

CMYK 36 / 73 / 0 / 35

HEX #6A2CA5

RGB 106 44 165

HSL 270.74, 0.58%, 0.41%

LAB 33.1, 50.12, -54.08

 

CMYK 39 / 82 / 0 / 43

HEX #591A92

RGB 89 26 146

HSL 271.5, 0.7%, 0.34%

LAB 26.56, 50.04, -53.26

 

CMYK 29 / 55 / 0 / 13

HEX #9D63DD

RGB 157 99 221

HSL 268.52, 0.64%, 0.63%

LAB 53.29, 47.05, -53.86

 

CMYK 14 / 55 / 0 / 13

HEX #BE63DD

RGB 190 99 221

HSL 284.75, 0.64%, 0.63%

LAB 57.16, 55.38, -47.46

 

CMYK 0 / 55 / 0 / 13

HEX #DD63DC

RGB 221 99 220

HSL 300.49, 0.64%, 0.63%

LAB 61.19, 63.24, -40.28

 

CMYK 0 / 55 / 15 / 13

HEX #DD63BB

RGB 221 99 187

HSL 316.72, 0.64%, 0.63%

LAB 59.78, 57.93, -23.76

 

CMYK 0 / 55 / 31 / 13

HEX #DD6399

RGB 221 99 153

HSL 333.44, 0.64%, 0.63%

LAB 58.6, 53.25, -5.94

 

CMYK 29 / 55 / 0 / 13

HEX #9D63DD

RGB 157 99 221

HSL 268.52, 0.64%, 0.63%

LAB 53.29, 47.05, -53.86

 

CMYK 44 / 55 / 0 / 13

HEX #7C63DD

RGB 124 99 221

HSL 252.3, 0.64%, 0.63%

LAB 50.01, 39.31, -59.29

 

CMYK 55 / 55 / 0 / 13

HEX #6363DD

RGB 99 99 221

HSL 240, 0.64%, 0.63%

LAB 48, 34.15, -62.64

 

CMYK 29 / 55 / 0 / 13

HEX #9D63DD

RGB 157 99 221

HSL 268.52, 0.64%, 0.63%

LAB 53.29, 47.05, -53.86

 

CMYK 34 / 65 / 0 / 7

HEX #9C54ED

RGB 156 84 237

HSL 268.24, 0.81%, 0.63%

LAB 51.29, 58.38, -66.08

 

CMYK 38 / 73 / 0 / 1

HEX #9C44FC

RGB 156 68 252

HSL 268.7, 0.97%, 0.63%

LAB 49.77, 69.14, -76.94

 

CMYK 29 / 55 / 0 / 13

HEX #9D63DD

RGB 157 99 221

HSL 268.52, 0.64%, 0.63%

LAB 53.29, 47.05, -53.86

 

CMYK 23 / 45 / 0 / 19

HEX #9E72CE

RGB 158 114 206

HSL 268.7, 0.48%, 0.63%

LAB 55.85, 35.44, -41.3

 

CMYK 17 / 32 / 0 / 25

HEX #9F81BF

RGB 159 129 191

HSL 269.03, 0.33%, 0.63%

LAB 58.82, 23.71, -28.14

 

CMYK 10 / 18 / 0 / 31

HEX #9F91B0

RGB 159 145 176

HSL 267.1, 0.16%, 0.63%

LAB 62.3, 11.27, -14.31

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 55 / 52 / 0 / 13

HEX #636BDD

RGB 99 107 221

HSL 236.07, 0.64%, 0.63%

LAB 49.96, 29.29, -59.47

 

CMYK 44 / 55 / 0 / 13

HEX #7B63DD

RGB 123 99 221

HSL 251.8, 0.64%, 0.63%

LAB 49.92, 39.09, -59.44

 

CMYK 29 / 55 / 0 / 13

HEX #9C63DD

RGB 156 99 221

HSL 268.03, 0.64%, 0.63%

LAB 53.18, 46.81, -54.04

 

CMYK 14 / 55 / 0 / 13

HEX #BD63DD

RGB 189 99 221

HSL 284.26, 0.64%, 0.63%

LAB 57.04, 55.12, -47.66

 

CMYK 0 / 55 / 0 / 13

HEX #DD63DD

RGB 221 99 221

HSL 300, 0.64%, 0.63%

LAB 61.23, 63.41, -40.76

 

CMYK 41 / 79 / 0 / 23

HEX #7329C4

RGB 115 41 196

HSL 268.65, 0.65%, 0.46%

LAB 36.4, 60.36, -67.05

 

CMYK 36 / 70 / 0 / 16

HEX #8841D6

RGB 136 65 214

HSL 268.59, 0.65%, 0.55%

LAB 44.05, 58.01, -64.89

 

CMYK 29 / 55 / 0 / 13

HEX #9D63DD

RGB 157 99 221

HSL 268.52, 0.64%, 0.63%

LAB 53.29, 47.05, -53.86

 

CMYK 22 / 42 / 0 / 10

HEX #B285E5

RGB 178 133 229

HSL 268.13, 0.65%, 0.71%

LAB 63.26, 35.83, -42.4

 

CMYK 15 / 29 / 0 / 7

HEX #C8A7EC

RGB 200 167 236

HSL 268.7, 0.64%, 0.79%

LAB 73.53, 25.07, -30.12

 

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

CMYK 0 / 55 / 37 / 13

HEX #DD638C

RGB 221 99 140

HSL 339.84, 0.64%, 0.63%

LAB 58.22, 51.69, 1.06

 

CMYK 55 / 0 / 52 / 13

HEX #63DD6B

RGB 99 221 107

HSL 123.93, 0.64%, 0.63%

LAB 79.29, -56.98, 45.46

 

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

CMYK 0 / 29 / 55 / 13

HEX #DD9C63

RGB 221 156 99

HSL 28.03, 0.64%, 0.63%

LAB 69.51, 18.11, 39.27

 

CMYK 55 / 0 / 29 / 13

HEX #63DD9C

RGB 99 221 156

HSL 148.03, 0.64%, 0.63%

LAB 80.05, -48.91, 21.81

 

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

CMYK 0 / 55 / 37 / 13

HEX #DD638C

RGB 221 99 140

HSL 339.84, 0.64%, 0.63%

LAB 58.22, 51.69, 1.06

 

CMYK 26 / 0 / 55 / 13

HEX #A4DD63

RGB 164 221 99

HSL 88.03, 0.64%, 0.63%

LAB 82.11, -37.82, 53.25

 

CMYK 55 / 0 / 18 / 13

HEX #63DDB5

RGB 99 221 181

HSL 160.33, 0.64%, 0.63%

LAB 80.57, -43.63, 9.4

 

CMYK 29 / 56 / 0 / 13

HEX #9D62DE

RGB 157 98 222

HSL 268.55, 0.65%, 0.63%

LAB 53.14, 47.83, -54.66

 

CMYK 0 / 55 / 53 / 13

HEX #DD6367

RGB 221 99 103

HSL 358.03, 0.64%, 0.63%

LAB 57.34, 48.06, 21.41

 

CMYK 26 / 0 / 55 / 13

HEX #A4DD63

RGB 164 221 99

HSL 88.03, 0.64%, 0.63%

LAB 82.11, -37.82, 53.25

 

CMYK 55 / 0 / 2 / 13

HEX #63DDD9

RGB 99 221 217

HSL 178.03, 0.64%, 0.63%

LAB 81.5, -34.85, -8.38

 

Description

Color code: HEX #9D62DE | qconv.com Color code: HEX #9D62DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 98 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 98 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 56 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 56% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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