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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D6C92 it is the complementary color #62936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D6C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D6C92 shade: #A26C8D, #B37EA0, #C490B3, #D5A2C6 and #E6B4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D6C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D6C92 shade: #9D6C92, #8C5A7F, #7B486C, #6A3659 and #592446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D6C92 shade: #9D6C92, #9D6C84, #9D6C77 and #9D6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D6C92 shade: #9D6C92, #9A6C9D, #8D6C9D, #806C9D and #736C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D6C92 shade matches the following richer shades: #9D6C92, #B0589D, #C444A7, #D830B2 and #EC1CBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D6C92 shade: #9D6C92, #897F87, #75937C, #61A771 and #4DBB66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D6C92 shade: #8D6C9D, #9A6C9D, #9D6C92, #9D6C85 and #9D6C78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D6C92 shade: #6D4965, #86597C, #9D6C92, #AD84A4 and #BE9DB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D6C92 shade: #9D6C92, #9D806C and #6C9D94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D6C92 shade: #9D6C92, #929D6C and #6C929D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D6C92 shade: #9D6C92, #9D806C, #6C9D76 and #6C889D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D6C92 shade: #9D6C92, #9D8F6C, #6C9D76 and #6C799D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

Complementary color

CMYK 33 / 0 / 26 / 42

HEX #62936D

RGB 98 147 109

HSL 133.47, 0.2%, 0.48%

LAB 56.65, -24.8, 14.99

 

CMYK 0 / 33 / 13 / 36

HEX #A26C8D

RGB 162 108 141

HSL 323.33, 0.23%, 0.53%

LAB 52.21, 26.66, -9.28

 

CMYK 0 / 30 / 11 / 30

HEX #B37EA0

RGB 179 126 160

HSL 321.51, 0.26%, 0.6%

LAB 59.01, 25.93, -9.94

 

CMYK 0 / 27 / 9 / 23

HEX #C490B3

RGB 196 144 179

HSL 319.62, 0.31%, 0.67%

LAB 65.7, 25.25, -10.54

 

CMYK 0 / 24 / 7 / 16

HEX #D5A2C6

RGB 213 162 198

HSL 317.65, 0.38%, 0.74%

LAB 72.27, 24.63, -11.11

 

CMYK 0 / 22 / 6 / 10

HEX #E6B4D9

RGB 230 180 217

HSL 315.6, 0.5%, 0.8%

LAB 78.74, 24.06, -11.64

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 36 / 9 / 45

HEX #8C5A7F

RGB 140 90 127

HSL 315.6, 0.22%, 0.45%

LAB 44.83, 26.53, -12.3

 

CMYK 0 / 41 / 12 / 52

HEX #7B486C

RGB 123 72 108

HSL 317.65, 0.26%, 0.38%

LAB 37.71, 27.36, -11.61

 

CMYK 0 / 49 / 16 / 58

HEX #6A3659

RGB 106 54 89

HSL 319.62, 0.33%, 0.31%

LAB 30.46, 28.21, -10.77

 

CMYK 0 / 60 / 21 / 65

HEX #592446

RGB 89 36 70

HSL 321.51, 0.42%, 0.25%

LAB 23.09, 28.98, -9.64

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 31 / 16 / 38

HEX #9D6C84

RGB 157 108 132

HSL 330.61, 0.2%, 0.52%

LAB 51.34, 23.28, -5.34

 

CMYK 0 / 31 / 24 / 38

HEX #9D6C77

RGB 157 108 119

HSL 346.53, 0.2%, 0.52%

LAB 50.95, 21.17, 1.79

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 2 / 31 / 0 / 38

HEX #9A6C9D

RGB 154 108 157

HSL 296.33, 0.2%, 0.52%

LAB 51.87, 26.85, -19.28

 

CMYK 10 / 31 / 0 / 38

HEX #8D6C9D

RGB 141 108 157

HSL 280.41, 0.2%, 0.52%

LAB 50.48, 22.45, -21.53

 

CMYK 18 / 31 / 0 / 38

HEX #806C9D

RGB 128 108 157

HSL 264.49, 0.2%, 0.52%

LAB 49.19, 18.13, -23.62

 

CMYK 27 / 31 / 0 / 38

HEX #736C9D

RGB 115 108 157

HSL 248.57, 0.2%, 0.52%

LAB 48.01, 13.95, -25.54

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 50 / 11 / 31

HEX #B0589D

RGB 176 88 157

HSL 312.95, 0.36%, 0.52%

LAB 50.27, 44.98, -21.5

 

CMYK 0 / 65 / 15 / 23

HEX #C444A7

RGB 196 68 167

HSL 313.59, 0.52%, 0.52%

LAB 50.29, 61.42, -27.12

 

CMYK 0 / 78 / 18 / 15

HEX #D830B2

RGB 216 48 178

HSL 313.57, 0.68%, 0.52%

LAB 51.75, 74.39, -31.04

 

CMYK 0 / 88 / 20 / 7

HEX #EC1CBD

RGB 236 28 189

HSL 313.56, 0.85%, 0.52%

LAB 54.38, 83.98, -33.08

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 7 / 1 / 46

HEX #897F87

RGB 137 127 135

HSL 312, 0.04%, 0.52%

LAB 54.29, 5.32, -2.96

 

CMYK 20 / 0 / 16 / 42

HEX #75937C

RGB 117 147 124

HSL 134, 0.12%, 0.52%

LAB 58.14, -15.34, 8.75

 

CMYK 42 / 0 / 32 / 35

HEX #61A771

RGB 97 167 113

HSL 133.71, 0.28%, 0.52%

LAB 62.82, -34.01, 21.21

 

CMYK 59 / 0 / 45 / 27

HEX #4DBB66

RGB 77 187 102

HSL 133.64, 0.45%, 0.52%

LAB 68.08, -49.8, 33.8

 

CMYK 10 / 31 / 0 / 38

HEX #8D6C9D

RGB 141 108 157

HSL 280.41, 0.2%, 0.52%

LAB 50.48, 22.45, -21.53

 

CMYK 2 / 31 / 0 / 38

HEX #9A6C9D

RGB 154 108 157

HSL 296.33, 0.2%, 0.52%

LAB 51.87, 26.85, -19.28

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 31 / 15 / 38

HEX #9D6C85

RGB 157 108 133

HSL 329.39, 0.2%, 0.52%

LAB 51.37, 23.45, -5.88

 

CMYK 0 / 31 / 24 / 38

HEX #9D6C78

RGB 157 108 120

HSL 345.31, 0.2%, 0.52%

LAB 50.98, 21.33, 1.24

 

CMYK 0 / 33 / 7 / 57

HEX #6D4965

RGB 109 73 101

HSL 313.33, 0.2%, 0.36%

LAB 35.9, 20.24, -10.15

 

CMYK 0 / 34 / 7 / 47

HEX #86597C

RGB 134 89 124

HSL 313.33, 0.2%, 0.44%

LAB 43.75, 24.39, -12.18

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 24 / 5 / 32

HEX #AD84A4

RGB 173 132 164

HSL 313.17, 0.2%, 0.6%

LAB 59.95, 21.14, -10.9

 

CMYK 0 / 17 / 4 / 25

HEX #BE9DB6

RGB 190 157 182

HSL 314.55, 0.2%, 0.68%

LAB 68.34, 16.49, -8.34

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 18 / 31 / 38

HEX #9D806C

RGB 157 128 108

HSL 24.49, 0.2%, 0.52%

LAB 55.78, 8.1, 15.06

 

CMYK 31 / 0 / 6 / 38

HEX #6C9D94

RGB 108 157 148

HSL 168.98, 0.2%, 0.52%

LAB 61.17, -18.42, -0.55

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 7 / 0 / 31 / 38

HEX #929D6C

RGB 146 157 108

HSL 73.47, 0.2%, 0.52%

LAB 62.77, -12.39, 24.38

 

CMYK 31 / 7 / 0 / 38

HEX #6C929D

RGB 108 146 157

HSL 193.47, 0.2%, 0.52%

LAB 58.21, -10.33, -10.05

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 18 / 31 / 38

HEX #9D806C

RGB 157 128 108

HSL 24.49, 0.2%, 0.52%

LAB 55.78, 8.1, 15.06

 

CMYK 31 / 0 / 25 / 38

HEX #6C9D76

RGB 108 157 118

HSL 132.24, 0.2%, 0.52%

LAB 60.44, -24.76, 15.27

 

CMYK 31 / 13 / 0 / 38

HEX #6C889D

RGB 108 136 157

HSL 205.71, 0.2%, 0.52%

LAB 55.31, -4.74, -14.41

 

CMYK 0 / 31 / 7 / 38

HEX #9D6C92

RGB 157 108 146

HSL 313.47, 0.2%, 0.52%

LAB 51.8, 25.77, -12.89

 

CMYK 0 / 9 / 31 / 38

HEX #9D8F6C

RGB 157 143 108

HSL 42.86, 0.2%, 0.52%

LAB 59.79, -0.33, 20.55

 

CMYK 31 / 0 / 25 / 38

HEX #6C9D76

RGB 108 157 118

HSL 132.24, 0.2%, 0.52%

LAB 60.44, -24.76, 15.27

 

CMYK 31 / 23 / 0 / 38

HEX #6C799D

RGB 108 121 157

HSL 224.08, 0.2%, 0.52%

LAB 51.03, 3.97, -20.93

 

Description

Color code: HEX #9D6C92 | qconv.com Color code: HEX #9D6C92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 7 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 7% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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