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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D74C1 it is the complementary color #628B3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D74C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D74C1 shade: #A274BC, #B386CF, #C498E2, #D5AAF5 and #E6BCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D74C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D74C1 shade: #9D74C1, #8C62AE, #7B509B, #6A3E88 and #592C75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D74C1 shade: #9E75C1, #B275C1, #C175BB, #C175A7 and #C17593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D74C1 shade: #9E75C1, #8975C1 and #7575C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D74C1 shade matches the following richer shades: #9E75C1, #9F65D1, #A055E1 and #A145F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D74C1 shade: #9E75C1, #9C85B1, #9B95A1, #9AA691 and #99B680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D74C1 shade: #7577C1, #8875C1, #9C75C1, #B075C1 and #C175BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D74C1 shade: #75469D, #8959B4, #9E75C1, #B292CE and #C6AEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D74C1 shade: #9D74C1, #C1758B and #75C17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D74C1 shade: #9D74C1, #C19C75 and #75C19C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D74C1 shade: #9D74C1, #C1758B, #9AC175 and #75C1AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D74C1 shade: #9D74C1, #C17775, #9AC175 and #75C0C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

Complementary color

CMYK 29 / 0 / 55 / 45

HEX #628B3E

RGB 98 139 62

HSL 91.95, 0.38%, 0.39%

LAB 53.4, -28.08, 36.26

 

CMYK 14 / 38 / 0 / 26

HEX #A274BC

RGB 162 116 188

HSL 278.33, 0.35%, 0.6%

LAB 55.89, 31.4, -30.94

 

CMYK 14 / 35 / 0 / 19

HEX #B386CF

RGB 179 134 207

HSL 276.99, 0.43%, 0.67%

LAB 62.62, 30.66, -31.11

 

CMYK 13 / 33 / 0 / 11

HEX #C498E2

RGB 196 152 226

HSL 275.68, 0.56%, 0.74%

LAB 69.24, 29.97, -31.29

 

CMYK 13 / 31 / 0 / 4

HEX #D5AAF5

RGB 213 170 245

HSL 274.4, 0.79%, 0.81%

LAB 75.75, 29.33, -31.47

 

CMYK 10 / 26 / 0 / 0

HEX #E6BCFF

RGB 230 188 255

HSL 277.61, 1%, 0.87%

LAB 81.84, 26.91, -27.36

 

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

CMYK 20 / 44 / 0 / 32

HEX #8C62AE

RGB 140 98 174

HSL 273.16, 0.32%, 0.53%

LAB 48.72, 31.82, -34.23

 

CMYK 21 / 48 / 0 / 39

HEX #7B509B

RGB 123 80 155

HSL 274.4, 0.32%, 0.46%

LAB 41.71, 32.7, -34.15

 

CMYK 22 / 54 / 0 / 47

HEX #6A3E88

RGB 106 62 136

HSL 275.68, 0.37%, 0.39%

LAB 34.57, 33.61, -34.04

 

CMYK 24 / 62 / 0 / 54

HEX #592C75

RGB 89 44 117

HSL 276.99, 0.45%, 0.32%

LAB 27.32, 34.48, -33.84

 

CMYK 18 / 39 / 0 / 24

HEX #9E75C1

RGB 158 117 193

HSL 272.37, 0.38%, 0.61%

LAB 55.93, 30.72, -33.77

 

CMYK 8 / 39 / 0 / 24

HEX #B275C1

RGB 178 117 193

HSL 288.16, 0.38%, 0.61%

LAB 58.07, 36.86, -30.27

 

CMYK 0 / 39 / 3 / 24

HEX #C175BB

RGB 193 117 187

HSL 304.74, 0.38%, 0.61%

LAB 59.57, 40.41, -24.4

 

CMYK 0 / 39 / 13 / 24

HEX #C175A7

RGB 193 117 167

HSL 320.53, 0.38%, 0.61%

LAB 58.84, 36.93, -14.07

 

CMYK 0 / 39 / 24 / 24

HEX #C17593

RGB 193 117 147

HSL 336.32, 0.38%, 0.61%

LAB 58.19, 33.8, -3.48

 

CMYK 18 / 39 / 0 / 24

HEX #9E75C1

RGB 158 117 193

HSL 272.37, 0.38%, 0.61%

LAB 55.93, 30.72, -33.77

 

CMYK 29 / 39 / 0 / 24

HEX #8975C1

RGB 137 117 193

HSL 255.79, 0.38%, 0.61%

LAB 53.91, 24.49, -37.08

 

CMYK 39 / 39 / 0 / 24

HEX #7575C1

RGB 117 117 193

HSL 240, 0.38%, 0.61%

LAB 52.24, 18.91, -39.83

 

CMYK 18 / 39 / 0 / 24

HEX #9E75C1

RGB 158 117 193

HSL 272.37, 0.38%, 0.61%

LAB 55.93, 30.72, -33.77

 

CMYK 24 / 52 / 0 / 18

HEX #9F65D1

RGB 159 101 209

HSL 272.22, 0.54%, 0.61%

LAB 53.26, 43.65, -47.09

 

CMYK 29 / 62 / 0 / 12

HEX #A055E1

RGB 160 85 225

HSL 272.14, 0.7%, 0.61%

LAB 51.16, 55.93, -59.51

 

CMYK 33 / 71 / 0 / 5

HEX #A145F1

RGB 161 69 241

HSL 272.09, 0.86%, 0.61%

LAB 49.72, 67.09, -70.85

 

CMYK 18 / 39 / 0 / 24

HEX #9E75C1

RGB 158 117 193

HSL 272.37, 0.38%, 0.61%

LAB 55.93, 30.72, -33.77

 

CMYK 12 / 25 / 0 / 31

HEX #9C85B1

RGB 156 133 177

HSL 271.36, 0.22%, 0.61%

LAB 58.99, 17.33, -19.93

 

CMYK 4 / 7 / 0 / 37

HEX #9B95A1

RGB 155 149 161

HSL 270, 0.06%, 0.61%

LAB 62.54, 4.52, -5.51

 

CMYK 7 / 0 / 13 / 35

HEX #9AA691

RGB 154 166 145

HSL 94.29, 0.11%, 0.61%

LAB 66.66, -8.2, 9.44

 

CMYK 16 / 0 / 30 / 29

HEX #99B680

RGB 153 182 128

HSL 92.22, 0.27%, 0.61%

LAB 70.72, -19.71, 24.33

 

CMYK 39 / 38 / 0 / 24

HEX #7577C1

RGB 117 119 193

HSL 238.42, 0.38%, 0.61%

LAB 52.76, 17.71, -39.01

 

CMYK 30 / 39 / 0 / 24

HEX #8875C1

RGB 136 117 193

HSL 255, 0.38%, 0.61%

LAB 53.82, 24.2, -37.22

 

CMYK 19 / 39 / 0 / 24

HEX #9C75C1

RGB 156 117 193

HSL 270.79, 0.38%, 0.61%

LAB 55.73, 30.12, -34.1

 

CMYK 9 / 39 / 0 / 24

HEX #B075C1

RGB 176 117 193

HSL 286.58, 0.38%, 0.61%

LAB 57.85, 36.24, -30.64

 

CMYK 0 / 39 / 2 / 24

HEX #C175BD

RGB 193 117 189

HSL 303.16, 0.38%, 0.61%

LAB 59.65, 40.78, -25.42

 

CMYK 25 / 55 / 0 / 38

HEX #75469D

RGB 117 70 157

HSL 272.41, 0.38%, 0.45%

LAB 38.89, 37.22, -39.86

 

CMYK 24 / 51 / 0 / 29

HEX #8959B4

RGB 137 89 180

HSL 271.65, 0.38%, 0.53%

LAB 46.66, 37.52, -41.01

 

CMYK 18 / 39 / 0 / 24

HEX #9E75C1

RGB 158 117 193

HSL 272.37, 0.38%, 0.61%

LAB 55.93, 30.72, -33.77

 

CMYK 14 / 29 / 0 / 19

HEX #B292CE

RGB 178 146 206

HSL 272, 0.38%, 0.69%

LAB 65.34, 23.4, -26.37

 

CMYK 9 / 20 / 0 / 15

HEX #C6AEDA

RGB 198 174 218

HSL 272.73, 0.37%, 0.77%

LAB 74.41, 16.83, -18.99

 

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

CMYK 0 / 39 / 28 / 24

HEX #C1758B

RGB 193 117 139

HSL 342.63, 0.38%, 0.61%

LAB 57.96, 32.66, 0.81

 

CMYK 39 / 0 / 35 / 24

HEX #75C17E

RGB 117 193 126

HSL 127.11, 0.38%, 0.61%

LAB 71.84, -37.56, 26.54

 

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

CMYK 0 / 19 / 39 / 24

HEX #C19C75

RGB 193 156 117

HSL 30.79, 0.38%, 0.61%

LAB 66.82, 8.39, 25.62

 

CMYK 39 / 0 / 19 / 24

HEX #75C19C

RGB 117 193 156

HSL 150.79, 0.38%, 0.61%

LAB 72.44, -31.92, 11.31

 

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

CMYK 0 / 39 / 28 / 24

HEX #C1758B

RGB 193 117 139

HSL 342.63, 0.38%, 0.61%

LAB 57.96, 32.66, 0.81

 

CMYK 20 / 0 / 39 / 24

HEX #9AC175

RGB 154 193 117

HSL 90.79, 0.38%, 0.61%

LAB 73.74, -26.35, 34.09

 

CMYK 39 / 0 / 11 / 24

HEX #75C1AB

RGB 117 193 171

HSL 162.63, 0.38%, 0.61%

LAB 72.8, -28.68, 3.68

 

CMYK 19 / 40 / 0 / 24

HEX #9D74C1

RGB 157 116 193

HSL 271.95, 0.38%, 0.61%

LAB 55.59, 30.99, -34.31

 

CMYK 0 / 38 / 39 / 24

HEX #C17775

RGB 193 119 117

HSL 1.58, 0.38%, 0.61%

LAB 57.86, 28.74, 13.4

 

CMYK 20 / 0 / 39 / 24

HEX #9AC175

RGB 154 193 117

HSL 90.79, 0.38%, 0.61%

LAB 73.74, -26.35, 34.09

 

CMYK 39 / 1 / 0 / 24

HEX #75C0C1

RGB 117 192 193

HSL 180.79, 0.38%, 0.61%

LAB 73.11, -22.96, -7.85

 

Description

Color code: HEX #9D74C1 | qconv.com Color code: HEX #9D74C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 116 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 116 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 40 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 40% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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