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Color name
HEX #9D7680

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7680 it is the complementary color #62897F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7680 shade: #A2767B, #B3888E, #C49AA1, #D5ACB4 and #E6BEC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7680 shade: #9D7680, #8C646D, #7B525A, #6A4047 and #592E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7680 shade: #9D757F and #9D7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7680 shade: #9D757F, #9D758A, #9D7595, #9B759D and #90759D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7680 shade matches the following richer shades: #9D757F, #B06276, #C34F6D, #D63C64 and #E9295A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7680 shade: #9D757F, #8A8889, #779B92, #64AE9B and #51C1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7680 shade: #9D7595, #9D758B, #9D7580, #9D7575 and #9D8075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7680 shade: #705058, #88616B, #9D757F, #AE8D96 and #BFA6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7680 shade: #9D7680, #9D9A75 and #75909D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7680 shade: #9D7680, #809D75 and #75809D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7680 shade: #9D7680, #9D9A75, #759D93 and #75789D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7680 shade: #9D7680, #949D75, #759D93 and #7F759D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

Complementary color

CMYK 28 / 0 / 7 / 46

HEX #62897F

RGB 98 137 127

HSL 164.62, 0.17%, 0.46%

LAB 54.05, -15.8, 0.99

 

CMYK 0 / 27 / 24 / 36

HEX #A2767B

RGB 162 118 123

HSL 353.18, 0.19%, 0.55%

LAB 54.1, 18.01, 4.07

 

CMYK 0 / 24 / 21 / 30

HEX #B3888E

RGB 179 136 142

HSL 351.63, 0.22%, 0.62%

LAB 60.91, 17.33, 3.16

 

CMYK 0 / 21 / 18 / 23

HEX #C49AA1

RGB 196 154 161

HSL 350, 0.26%, 0.69%

LAB 67.59, 16.73, 2.34

 

CMYK 0 / 19 / 15 / 16

HEX #D5ACB4

RGB 213 172 180

HSL 348.29, 0.33%, 0.75%

LAB 74.16, 16.18, 1.57

 

CMYK 0 / 17 / 13 / 10

HEX #E6BEC7

RGB 230 190 199

HSL 346.5, 0.44%, 0.82%

LAB 80.61, 15.69, 0.85

 

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

CMYK 0 / 29 / 22 / 45

HEX #8C646D

RGB 140 100 109

HSL 346.5, 0.17%, 0.47%

LAB 46.7, 17.56, 1.35

 

CMYK 0 / 33 / 27 / 52

HEX #7B525A

RGB 123 82 90

HSL 348.29, 0.2%, 0.4%

LAB 39.55, 18.37, 2.33

 

CMYK 0 / 40 / 33 / 58

HEX #6A4047

RGB 106 64 71

HSL 350, 0.25%, 0.33%

LAB 32.23, 19.3, 3.5

 

CMYK 0 / 48 / 42 / 65

HEX #592E34

RGB 89 46 52

HSL 351.63, 0.32%, 0.26%

LAB 24.72, 20.38, 4.95

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 25 / 25 / 38

HEX #9D7575

RGB 157 117 117

HSL 0, 0.17%, 0.54%

LAB 53.14, 15.7, 6.13

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 25 / 12 / 38

HEX #9D758A

RGB 157 117 138

HSL 328.5, 0.17%, 0.54%

LAB 53.73, 19.15, -5.31

 

CMYK 0 / 25 / 5 / 38

HEX #9D7595

RGB 157 117 149

HSL 312, 0.17%, 0.54%

LAB 54.09, 21.17, -11.2

 

CMYK 1 / 25 / 0 / 38

HEX #9B759D

RGB 155 117 157

HSL 297, 0.17%, 0.54%

LAB 54.16, 22.01, -15.78

 

CMYK 8 / 25 / 0 / 38

HEX #90759D

RGB 144 117 157

HSL 280.5, 0.17%, 0.54%

LAB 53.04, 18.2, -17.58

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 44 / 33 / 31

HEX #B06276

RGB 176 98 118

HSL 344.62, 0.33%, 0.54%

LAB 51.01, 33.84, 2.77

 

CMYK 0 / 59 / 44 / 24

HEX #C34F6D

RGB 195 79 109

HSL 344.48, 0.49%, 0.54%

LAB 49.86, 49.08, 6.87

 

CMYK 0 / 72 / 53 / 16

HEX #D63C64

RGB 214 60 100

HSL 344.42, 0.65%, 0.54%

LAB 50.03, 61.92, 13.03

 

CMYK 0 / 82 / 61 / 9

HEX #E9295A

RGB 233 41 90

HSL 344.69, 0.81%, 0.54%

LAB 51.44, 71.9, 21.58

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 1 / 1 / 46

HEX #8A8889

RGB 138 136 137

HSL 330, 0.01%, 0.54%

LAB 56.9, 0.94, -0.28

 

CMYK 23 / 0 / 6 / 39

HEX #779B92

RGB 119 155 146

HSL 165, 0.15%, 0.54%

LAB 61.17, -14.34, 0.65

 

CMYK 43 / 0 / 11 / 32

HEX #64AE9B

RGB 100 174 155

HSL 164.59, 0.31%, 0.54%

LAB 66.02, -27.68, 2.55

 

CMYK 58 / 0 / 15 / 24

HEX #51C1A4

RGB 81 193 164

HSL 164.46, 0.47%, 0.54%

LAB 71.26, -38.89, 5.09

 

CMYK 0 / 25 / 5 / 38

HEX #9D7595

RGB 157 117 149

HSL 312, 0.17%, 0.54%

LAB 54.09, 21.17, -11.2

 

CMYK 0 / 25 / 11 / 38

HEX #9D758B

RGB 157 117 139

HSL 327, 0.17%, 0.54%

LAB 53.77, 19.33, -5.85

 

CMYK 0 / 25 / 18 / 38

HEX #9D7580

RGB 157 117 128

HSL 343.5, 0.17%, 0.54%

LAB 53.44, 17.44, 0.11

 

CMYK 0 / 25 / 25 / 38

HEX #9D7575

RGB 157 117 117

HSL 0, 0.17%, 0.54%

LAB 53.14, 15.7, 6.13

 

CMYK 0 / 18 / 25 / 38

HEX #9D8075

RGB 157 128 117

HSL 16.5, 0.17%, 0.54%

LAB 55.98, 9.4, 10.16

 

CMYK 0 / 29 / 21 / 56

HEX #705058

RGB 112 80 88

HSL 345, 0.17%, 0.38%

LAB 37.64, 14.75, 0.64

 

CMYK 0 / 29 / 21 / 47

HEX #88616B

RGB 136 97 107

HSL 344.62, 0.17%, 0.46%

LAB 45.42, 17.42, 0.63

 

CMYK 0 / 25 / 19 / 38

HEX #9D757F

RGB 157 117 127

HSL 345, 0.17%, 0.54%

LAB 53.41, 17.28, 0.66

 

CMYK 0 / 19 / 14 / 32

HEX #AE8D96

RGB 174 141 150

HSL 343.64, 0.17%, 0.62%

LAB 61.87, 13.94, -0.06

 

CMYK 0 / 13 / 10 / 25

HEX #BFA6AC

RGB 191 166 172

HSL 345.6, 0.16%, 0.7%

LAB 70.4, 10.11, 0.26

 

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

CMYK 0 / 2 / 25 / 38

HEX #9D9A75

RGB 157 154 117

HSL 55.5, 0.17%, 0.54%

LAB 62.98, -5.1, 19.87

 

CMYK 25 / 8 / 0 / 38

HEX #75909D

RGB 117 144 157

HSL 199.5, 0.17%, 0.54%

LAB 58.19, -6.44, -10.01

 

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

CMYK 18 / 0 / 25 / 38

HEX #809D75

RGB 128 157 117

HSL 103.5, 0.17%, 0.54%

LAB 61.64, -17.9, 17.69

 

CMYK 25 / 18 / 0 / 38

HEX #75809D

RGB 117 128 157

HSL 223.5, 0.17%, 0.54%

LAB 53.66, 2.69, -16.86

 

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

CMYK 0 / 2 / 25 / 38

HEX #9D9A75

RGB 157 154 117

HSL 55.5, 0.17%, 0.54%

LAB 62.98, -5.1, 19.87

 

CMYK 25 / 0 / 6 / 38

HEX #759D93

RGB 117 157 147

HSL 165, 0.17%, 0.54%

LAB 61.66, -15.83, 0.79

 

CMYK 25 / 24 / 0 / 38

HEX #75789D

RGB 117 120 157

HSL 235.5, 0.17%, 0.54%

LAB 51.44, 7.4, -20.25

 

CMYK 0 / 25 / 18 / 38

HEX #9D7680

RGB 157 118 128

HSL 344.62, 0.17%, 0.54%

LAB 53.69, 16.86, 0.48

 

CMYK 6 / 0 / 25 / 38

HEX #949D75

RGB 148 157 117

HSL 73.5, 0.17%, 0.54%

LAB 63.09, -10.28, 19.9

 

CMYK 25 / 0 / 6 / 38

HEX #759D93

RGB 117 157 147

HSL 165, 0.17%, 0.54%

LAB 61.66, -15.83, 0.79

 

CMYK 19 / 25 / 0 / 38

HEX #7F759D

RGB 127 117 157

HSL 255, 0.17%, 0.54%

LAB 51.46, 12.45, -20.14

 

Description

Color code: HEX #9D7680 | qconv.com Color code: HEX #9D7680 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 118 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 118 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 18 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 18% 38% C M Y K

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Provide designers and agencies with accurate color values.

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