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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7959 it is the complementary color #6286A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7959 shade: #A27954, #B38B67, #C49D7A, #D5AF8D and #E6C1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7959 shade: #9D7959, #8C6746, #7B5533, #6A4320 and #59310D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7959 shade: #9C7858, #9C6558 and #9C5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7959 shade: #9C7858, #9C8A58, #9B9C58, #899C58 and #779C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7959 shade matches the following richer shades: #9C7858, #B07744, #C47630, #D8741C and #EB7308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7959 shade: #9C7858, #88796B, #757A7F, #617B93 and #4D7DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7959 shade: #9C585C, #9C6558, #9C7858, #9C8A58 and #9C9C58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7959 shade: #674F3A, #826449, #9C7858, #AE8D6F and #BDA28A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7959 shade: #9D7959, #6E9C58 and #5C589C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7959 shade: #9D7959, #589C78 and #78589C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7959 shade: #9D7959, #6E9C58, #587C9C and #85589C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7959 shade: #9D7959, #5A9C58, #587C9C and #9A589C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

Complementary color

CMYK 41 / 19 / 0 / 35

HEX #6286A6

RGB 98 134 166

HSL 208.24, 0.28%, 0.52%

LAB 54.45, -4.07, -20.96

 

CMYK 0 / 25 / 48 / 36

HEX #A27954

RGB 162 121 84

HSL 28.46, 0.32%, 0.48%

LAB 54.02, 11.27, 26.46

 

CMYK 0 / 22 / 42 / 30

HEX #B38B67

RGB 179 139 103

HSL 28.42, 0.33%, 0.55%

LAB 60.81, 10.39, 25.07

 

CMYK 0 / 20 / 38 / 23

HEX #C49D7A

RGB 196 157 122

HSL 28.38, 0.39%, 0.62%

LAB 67.47, 9.65, 23.8

 

CMYK 0 / 18 / 34 / 16

HEX #D5AF8D

RGB 213 175 141

HSL 28.33, 0.46%, 0.69%

LAB 74.02, 9, 22.63

 

CMYK 0 / 16 / 30 / 10

HEX #E6C1A0

RGB 230 193 160

HSL 28.29, 0.58%, 0.76%

LAB 80.46, 8.44, 21.54

 

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

CMYK 0 / 26 / 50 / 45

HEX #8C6746

RGB 140 103 70

HSL 28.29, 0.33%, 0.41%

LAB 46.6, 10.6, 24.36

 

CMYK 0 / 31 / 59 / 52

HEX #7B5533

RGB 123 85 51

HSL 28.33, 0.41%, 0.34%

LAB 39.49, 11.75, 25.96

 

CMYK 0 / 37 / 70 / 58

HEX #6A4320

RGB 106 67 32

HSL 28.38, 0.54%, 0.27%

LAB 32.22, 13.2, 27.69

 

CMYK 0 / 45 / 85 / 65

HEX #59310D

RGB 89 49 13

HSL 28.42, 0.75%, 0.2%

LAB 24.79, 15.07, 29.28

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 35 / 44 / 39

HEX #9C6558

RGB 156 101 88

HSL 11.47, 0.28%, 0.48%

LAB 48.36, 20.6, 16.51

 

CMYK 0 / 44 / 44 / 39

HEX #9C5858

RGB 156 88 88

HSL 0, 0.28%, 0.48%

LAB 45.29, 27.96, 12.3

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 12 / 44 / 39

HEX #9C8A58

RGB 156 138 88

HSL 44.12, 0.28%, 0.48%

LAB 57.99, -0.45, 29.22

 

CMYK 1 / 0 / 44 / 39

HEX #9B9C58

RGB 155 156 88

HSL 60.88, 0.28%, 0.48%

LAB 62.89, -10.66, 35.38

 

CMYK 12 / 0 / 44 / 39

HEX #899C58

RGB 137 156 88

HSL 76.76, 0.28%, 0.48%

LAB 61.48, -18.09, 33.32

 

CMYK 24 / 0 / 44 / 39

HEX #779C58

RGB 119 156 88

HSL 92.65, 0.28%, 0.48%

LAB 60.25, -25.17, 31.51

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 32 / 61 / 31

HEX #B07744

RGB 176 119 68

HSL 28.33, 0.44%, 0.48%

LAB 54.91, 17.03, 36.67

 

CMYK 0 / 40 / 76 / 23

HEX #C47630

RGB 196 118 48

HSL 28.38, 0.61%, 0.48%

LAB 56.98, 25, 49.58

 

CMYK 0 / 46 / 87 / 15

HEX #D8741C

RGB 216 116 28

HSL 28.09, 0.77%, 0.48%

LAB 59.13, 33.75, 60.34

 

CMYK 0 / 51 / 97 / 8

HEX #EB7308

RGB 235 115 8

HSL 28.28, 0.93%, 0.48%

LAB 61.6, 41.55, 68

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 11 / 21 / 47

HEX #88796B

RGB 136 121 107

HSL 28.97, 0.12%, 0.48%

LAB 51.8, 3.36, 9.78

 

CMYK 8 / 4 / 0 / 50

HEX #757A7F

RGB 117 122 127

HSL 210, 0.04%, 0.48%

LAB 50.96, -0.81, -3.38

 

CMYK 34 / 16 / 0 / 42

HEX #617B93

RGB 97 123 147

HSL 208.8, 0.2%, 0.48%

LAB 50.47, -3.26, -16.01

 

CMYK 54 / 25 / 0 / 35

HEX #4D7DA7

RGB 77 125 167

HSL 208, 0.37%, 0.48%

LAB 50.73, -3.88, -27.37

 

CMYK 0 / 44 / 41 / 39

HEX #9C585C

RGB 156 88 92

HSL 356.47, 0.28%, 0.48%

LAB 45.39, 28.43, 10.01

 

CMYK 0 / 35 / 44 / 39

HEX #9C6558

RGB 156 101 88

HSL 11.47, 0.28%, 0.48%

LAB 48.36, 20.6, 16.51

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 12 / 44 / 39

HEX #9C8A58

RGB 156 138 88

HSL 44.12, 0.28%, 0.48%

LAB 57.99, -0.45, 29.22

 

CMYK 0 / 0 / 44 / 39

HEX #9C9C58

RGB 156 156 88

HSL 60, 0.28%, 0.48%

LAB 62.97, -10.24, 35.5

 

CMYK 0 / 23 / 44 / 60

HEX #674F3A

RGB 103 79 58

HSL 28, 0.28%, 0.32%

LAB 35.56, 6.94, 16.26

 

CMYK 0 / 23 / 44 / 49

HEX #826449

RGB 130 100 73

HSL 28.42, 0.28%, 0.4%

LAB 44.72, 8.28, 19.94

 

CMYK 0 / 23 / 44 / 39

HEX #9C7858

RGB 156 120 88

HSL 28.24, 0.28%, 0.48%

LAB 53.17, 9.71, 22.96

 

CMYK 0 / 19 / 36 / 32

HEX #AE8D6F

RGB 174 141 111

HSL 28.57, 0.28%, 0.56%

LAB 60.95, 8.16, 20.72

 

CMYK 0 / 14 / 27 / 26

HEX #BDA28A

RGB 189 162 138

HSL 28.24, 0.28%, 0.64%

LAB 68.38, 6.21, 16.15

 

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

CMYK 29 / 0 / 44 / 39

HEX #6E9C58

RGB 110 156 88

HSL 100.59, 0.28%, 0.48%

LAB 59.7, -28.52, 30.7

 

CMYK 41 / 44 / 0 / 39

HEX #5C589C

RGB 92 88 156

HSL 243.53, 0.28%, 0.48%

LAB 40.66, 19.22, -36.61

 

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

CMYK 44 / 0 / 23 / 39

HEX #589C78

RGB 88 156 120

HSL 148.24, 0.28%, 0.48%

LAB 59.17, -30.09, 12.23

 

CMYK 23 / 44 / 0 / 39

HEX #78589C

RGB 120 88 156

HSL 268.24, 0.28%, 0.48%

LAB 43.32, 27.32, -32.24

 

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

CMYK 29 / 0 / 44 / 39

HEX #6E9C58

RGB 110 156 88

HSL 100.59, 0.28%, 0.48%

LAB 59.7, -28.52, 30.7

 

CMYK 44 / 21 / 0 / 39

HEX #587C9C

RGB 88 124 156

HSL 208.24, 0.28%, 0.48%

LAB 50.56, -3.9, -21.18

 

CMYK 15 / 44 / 0 / 39

HEX #85589C

RGB 133 88 156

HSL 279.71, 0.28%, 0.48%

LAB 44.75, 31.32, -29.89

 

CMYK 0 / 23 / 43 / 38

HEX #9D7959

RGB 157 121 89

HSL 28.24, 0.28%, 0.48%

LAB 53.56, 9.68, 22.92

 

CMYK 42 / 0 / 44 / 39

HEX #5A9C58

RGB 90 156 88

HSL 118.24, 0.28%, 0.48%

LAB 58.65, -35.36, 29.14

 

CMYK 44 / 21 / 0 / 39

HEX #587C9C

RGB 88 124 156

HSL 208.24, 0.28%, 0.48%

LAB 50.56, -3.9, -21.18

 

CMYK 1 / 44 / 0 / 39

HEX #9A589C

RGB 154 88 156

HSL 298.24, 0.28%, 0.48%

LAB 47.3, 37.9, -25.73

 

Description

Color code: HEX #9D7959 | qconv.com Color code: HEX #9D7959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 121 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 121 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 43% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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