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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7142 it is the complementary color #628EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7142 shade: #A2713D, #B38350, #C49563, #D5A776 and #E6B989

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7142 shade: #9D7142, #8C5F2F, #7B4D1C, #6A3B09 and #592900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7142 shade: #9E7142, #9E5842 and #9E4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7142 shade: #9E7142, #9E8A42, #999E42, #809E42 and #679E42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7142 shade matches the following richer shades: #9E7142, #B07230, #C2721D and #D4730B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7142 shade: #9E7142, #8C7154, #797066, #676F78 and #556F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7142 shade: #9E4245, #9E5742, #9E7042, #9E8842 and #9B9E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7142 shade: #644729, #815C36, #9E7142, #B68652 and #C39A6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7142 shade: #9D7142, #5D9E42 and #4B429E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7142 shade: #9D7142, #429E70 and #70429E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7142 shade: #9D7142, #5D9E42, #42709E and #82429E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7142 shade: #9D7142, #429E42, #42709E and #9E429E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

Complementary color

CMYK 48 / 25 / 0 / 26

HEX #628EBD

RGB 98 142 189

HSL 210.99, 0.41%, 0.56%

LAB 57.67, -1.98, -29.14

 

CMYK 0 / 30 / 62 / 36

HEX #A2713D

RGB 162 113 61

HSL 30.89, 0.45%, 0.44%

LAB 51.64, 13.78, 36.12

 

CMYK 0 / 27 / 55 / 30

HEX #B38350

RGB 179 131 80

HSL 30.91, 0.39%, 0.51%

LAB 58.41, 12.57, 34.58

 

CMYK 0 / 24 / 49 / 23

HEX #C49563

RGB 196 149 99

HSL 30.93, 0.45%, 0.58%

LAB 65.07, 11.55, 33.13

 

CMYK 0 / 22 / 45 / 16

HEX #D5A776

RGB 213 167 118

HSL 30.95, 0.53%, 0.65%

LAB 71.62, 10.67, 31.76

 

CMYK 0 / 20 / 40 / 10

HEX #E6B989

RGB 230 185 137

HSL 30.97, 0.65%, 0.72%

LAB 78.07, 9.92, 30.49

 

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

CMYK 0 / 32 / 66 / 45

HEX #8C5F2F

RGB 140 95 47

HSL 30.97, 0.5%, 0.37%

LAB 44.18, 13.29, 34.25

 

CMYK 0 / 37 / 77 / 52

HEX #7B4D1C

RGB 123 77 28

HSL 30.95, 0.63%, 0.3%

LAB 37.12, 14.93, 35.74

 

CMYK 0 / 44 / 92 / 58

HEX #6A3B09

RGB 106 59 9

HSL 30.93, 0.84%, 0.23%

LAB 29.94, 16.98, 36.51

 

CMYK 0 / 54 / 100 / 65

HEX #592900

RGB 89 41 0

HSL 27.64, 1%, 0.17%

LAB 22.69, 19.49, 32.58

 

CMYK 0 / 28 / 58 / 38

HEX #9E7142

RGB 158 113 66

HSL 30.65, 0.41%, 0.44%

LAB 51.24, 12.41, 32.84

 

CMYK 0 / 44 / 58 / 38

HEX #9E5842

RGB 158 88 66

HSL 14.35, 0.41%, 0.44%

LAB 45.14, 26.62, 25.29

 

CMYK 0 / 58 / 58 / 38

HEX #9E4242

RGB 158 66 66

HSL 0, 0.41%, 0.44%

LAB 40.51, 38.33, 19.31

 

CMYK 0 / 28 / 58 / 38

HEX #9E7142

RGB 158 113 66

HSL 30.65, 0.41%, 0.44%

LAB 51.24, 12.41, 32.84

 

CMYK 0 / 13 / 58 / 38

HEX #9E8A42

RGB 158 138 66

HSL 46.96, 0.41%, 0.44%

LAB 57.88, -1.68, 40.69

 

CMYK 3 / 0 / 58 / 38

HEX #999E42

RGB 153 158 66

HSL 63.26, 0.41%, 0.44%

LAB 63.03, -14.62, 46.41

 

CMYK 19 / 0 / 58 / 38

HEX #809E42

RGB 128 158 66

HSL 79.57, 0.41%, 0.44%

LAB 61.16, -25.09, 43.81

 

CMYK 35 / 0 / 58 / 38

HEX #679E42

RGB 103 158 66

HSL 95.87, 0.41%, 0.44%

LAB 59.64, -34.71, 41.67

 

CMYK 0 / 28 / 58 / 38

HEX #9E7142

RGB 158 113 66

HSL 30.65, 0.41%, 0.44%

LAB 51.24, 12.41, 32.84

 

CMYK 0 / 35 / 73 / 31

HEX #B07230

RGB 176 114 48

HSL 30.94, 0.57%, 0.44%

LAB 53.47, 18.58, 45.16

 

CMYK 0 / 41 / 85 / 24

HEX #C2721D

RGB 194 114 29

HSL 30.91, 0.74%, 0.44%

LAB 55.68, 25.66, 55.93

 

CMYK 0 / 46 / 95 / 17

HEX #D4730B

RGB 212 115 11

HSL 31.04, 0.9%, 0.44%

LAB 58.3, 32.36, 63.73

 

CMYK 0 / 28 / 58 / 38

HEX #9E7142

RGB 158 113 66

HSL 30.65, 0.41%, 0.44%

LAB 51.24, 12.41, 32.84

 

CMYK 0 / 19 / 40 / 45

HEX #8C7154

RGB 140 113 84

HSL 31.07, 0.25%, 0.44%

LAB 49.53, 6.38, 20.11

 

CMYK 0 / 7 / 16 / 53

HEX #797066

RGB 121 112 102

HSL 31.58, 0.09%, 0.44%

LAB 47.77, 1.66, 6.81

 

CMYK 14 / 8 / 0 / 53

HEX #676F78

RGB 103 111 120

HSL 211.76, 0.08%, 0.44%

LAB 46.46, -1.02, -6.02

 

CMYK 38 / 20 / 0 / 46

HEX #556F8A

RGB 85 111 138

HSL 210.57, 0.24%, 0.44%

LAB 45.82, -2.29, -17.86

 

CMYK 0 / 58 / 56 / 38

HEX #9E4245

RGB 158 66 69

HSL 358.04, 0.41%, 0.44%

LAB 40.57, 38.57, 17.54

 

CMYK 0 / 45 / 58 / 38

HEX #9E5742

RGB 158 87 66

HSL 13.7, 0.41%, 0.44%

LAB 44.91, 27.17, 25

 

CMYK 0 / 29 / 58 / 38

HEX #9E7042

RGB 158 112 66

HSL 30, 0.41%, 0.44%

LAB 50.98, 12.98, 32.53

 

CMYK 0 / 14 / 58 / 38

HEX #9E8842

RGB 158 136 66

HSL 45.65, 0.41%, 0.44%

LAB 57.34, -0.58, 40.06

 

CMYK 2 / 0 / 58 / 38

HEX #9B9E42

RGB 155 158 66

HSL 61.96, 0.41%, 0.44%

LAB 63.19, -13.76, 46.64

 

CMYK 0 / 29 / 59 / 61

HEX #644729

RGB 100 71 41

HSL 30.51, 0.42%, 0.28%

LAB 32.65, 8.6, 22.77

 

CMYK 0 / 29 / 58 / 49

HEX #815C36

RGB 129 92 54

HSL 30.4, 0.41%, 0.36%

LAB 42.14, 10.59, 27.64

 

CMYK 0 / 28 / 58 / 38

HEX #9E7142

RGB 158 113 66

HSL 30.65, 0.41%, 0.44%

LAB 51.24, 12.41, 32.84

 

CMYK 0 / 26 / 55 / 29

HEX #B68652

RGB 182 134 82

HSL 31.2, 0.41%, 0.52%

LAB 59.53, 12.36, 34.97

 

CMYK 0 / 21 / 43 / 24

HEX #C39A6F

RGB 195 154 111

HSL 30.71, 0.41%, 0.6%

LAB 66.41, 9.62, 28.38

 

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

CMYK 41 / 0 / 58 / 38

HEX #5D9E42

RGB 93 158 66

HSL 102.39, 0.41%, 0.44%

LAB 59.14, -38.2, 40.95

 

CMYK 53 / 58 / 0 / 38

HEX #4B429E

RGB 75 66 158

HSL 245.87, 0.41%, 0.44%

LAB 33.69, 29.63, -49.05

 

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

CMYK 58 / 0 / 29 / 38

HEX #429E70

RGB 66 158 112

HSL 150, 0.41%, 0.44%

LAB 58.77, -38.4, 16.03

 

CMYK 29 / 58 / 0 / 38

HEX #70429E

RGB 112 66 158

HSL 270, 0.41%, 0.44%

LAB 37.5, 38.41, -42.73

 

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

CMYK 41 / 0 / 58 / 38

HEX #5D9E42

RGB 93 158 66

HSL 102.39, 0.41%, 0.44%

LAB 59.14, -38.2, 40.95

 

CMYK 58 / 29 / 0 / 38

HEX #42709E

RGB 66 112 158

HSL 210, 0.41%, 0.44%

LAB 45.93, -1.54, -29.62

 

CMYK 18 / 58 / 0 / 38

HEX #82429E

RGB 130 66 158

HSL 281.74, 0.41%, 0.44%

LAB 39.77, 43.13, -38.97

 

CMYK 0 / 28 / 58 / 38

HEX #9D7142

RGB 157 113 66

HSL 30.99, 0.41%, 0.44%

LAB 51.12, 11.97, 32.67

 

CMYK 58 / 0 / 58 / 38

HEX #429E42

RGB 66 158 66

HSL 120, 0.41%, 0.44%

LAB 58.04, -46.23, 39.39

 

CMYK 58 / 29 / 0 / 38

HEX #42709E

RGB 66 112 158

HSL 210, 0.41%, 0.44%

LAB 45.93, -1.54, -29.62

 

CMYK 0 / 58 / 0 / 38

HEX #9E429E

RGB 158 66 158

HSL 300, 0.41%, 0.44%

LAB 43.7, 50.67, -32.49

 

Description

Color code: HEX #9D7142 | qconv.com Color code: HEX #9D7142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 113 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 113 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 58 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 58% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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