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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D723D it is the complementary color #628DC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D723D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D723D shade: #A27238, #B3844B, #C4965E, #D5A871 and #E6BA84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D723D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D723D shade: #9D723D, #8C602A, #7B4E17, #6A3C04 and #592A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D723D shade: #9D723D, #9D583D, #9D3E3D and #9D3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D723D shade: #9D723D, #9D8C3D, #959D3D, #7B9D3D and #619D3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D723D shade matches the following richer shades: #9D723D, #AF742B, #C17619 and #D37808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D723D shade: #9D723D, #8C704F, #7A6E60, #686D72 and #566B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D723D shade: #9D3F3D, #9D583D, #9D723D, #9D8C3D and #959D3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D723D shade: #624726, #805D31, #9D723D, #B9884B and #C49B69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D723D shade: #9D723D, #559D3D and #4B3D9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D723D shade: #9D723D, #3D9D72 and #723D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D723D shade: #9D723D, #559D3D, #3D689D and #853D9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D723D shade: #9D723D, #3D9D42, #3D689D and #9D3D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

Complementary color

CMYK 49 / 27 / 0 / 24

HEX #628DC2

RGB 98 141 194

HSL 213.13, 0.44%, 0.57%

LAB 57.6, 0.1, -32.08

 

CMYK 0 / 30 / 65 / 36

HEX #A27238

RGB 162 114 56

HSL 32.83, 0.49%, 0.43%

LAB 51.84, 12.86, 38.95

 

CMYK 0 / 26 / 58 / 30

HEX #B3844B

RGB 179 132 75

HSL 32.88, 0.41%, 0.5%

LAB 58.6, 11.6, 37.46

 

CMYK 0 / 23 / 52 / 23

HEX #C4965E

RGB 196 150 94

HSL 32.94, 0.46%, 0.57%

LAB 65.24, 10.54, 36.01

 

CMYK 0 / 21 / 47 / 16

HEX #D5A871

RGB 213 168 113

HSL 33, 0.54%, 0.64%

LAB 71.79, 9.63, 34.63

 

CMYK 0 / 19 / 43 / 10

HEX #E6BA84

RGB 230 186 132

HSL 33.06, 0.66%, 0.71%

LAB 78.23, 8.85, 33.33

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 31 / 70 / 45

HEX #8C602A

RGB 140 96 42

HSL 33.06, 0.54%, 0.36%

LAB 44.39, 12.38, 37.08

 

CMYK 0 / 37 / 81 / 52

HEX #7B4E17

RGB 123 78 23

HSL 33, 0.68%, 0.29%

LAB 37.34, 14.11, 38.29

 

CMYK 0 / 43 / 96 / 58

HEX #6A3C04

RGB 106 60 4

HSL 32.94, 0.93%, 0.22%

LAB 30.17, 16.23, 38.68

 

CMYK 0 / 53 / 100 / 65

HEX #592A00

RGB 89 42 0

HSL 28.31, 1%, 0.17%

LAB 22.93, 18.89, 32.83

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 44 / 61 / 38

HEX #9D583D

RGB 157 88 61

HSL 16.88, 0.44%, 0.43%

LAB 44.92, 25.8, 27.89

 

CMYK 0 / 61 / 61 / 38

HEX #9D3E3D

RGB 157 62 61

HSL 0.62, 0.44%, 0.43%

LAB 39.5, 39.54, 21.04

 

CMYK 0 / 61 / 61 / 38

HEX #9D3D3D

RGB 157 61 61

HSL 0, 0.44%, 0.43%

LAB 39.31, 40.03, 20.8

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 11 / 61 / 38

HEX #9D8C3D

RGB 157 140 61

HSL 49.38, 0.44%, 0.43%

LAB 58.28, -3.61, 43.57

 

CMYK 5 / 0 / 61 / 38

HEX #959D3D

RGB 149 157 61

HSL 65, 0.44%, 0.43%

LAB 62.37, -16.2, 47.89

 

CMYK 22 / 0 / 61 / 38

HEX #7B9D3D

RGB 123 157 61

HSL 81.25, 0.44%, 0.43%

LAB 60.48, -27.07, 45.27

 

CMYK 38 / 0 / 61 / 38

HEX #619D3D

RGB 97 157 61

HSL 97.5, 0.44%, 0.43%

LAB 58.97, -36.91, 43.16

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 34 / 75 / 31

HEX #AF742B

RGB 175 116 43

HSL 33.18, 0.61%, 0.43%

LAB 53.79, 16.78, 47.74

 

CMYK 0 / 39 / 87 / 24

HEX #C17619

RGB 193 118 25

HSL 33.21, 0.77%, 0.43%

LAB 56.45, 22.94, 57.81

 

CMYK 0 / 43 / 96 / 17

HEX #D37808

RGB 211 120 8

HSL 33.1, 0.93%, 0.43%

LAB 59.25, 29.27, 64.81

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 20 / 44 / 45

HEX #8C704F

RGB 140 112 79

HSL 32.46, 0.28%, 0.43%

LAB 49.16, 6.36, 22.51

 

CMYK 0 / 10 / 21 / 52

HEX #7A6E60

RGB 122 110 96

HSL 32.31, 0.12%, 0.43%

LAB 47.15, 2.22, 9.51

 

CMYK 9 / 4 / 0 / 55

HEX #686D72

RGB 104 109 114

HSL 210, 0.05%, 0.43%

LAB 45.76, -0.82, -3.45

 

CMYK 35 / 19 / 0 / 48

HEX #566B84

RGB 86 107 132

HSL 212.61, 0.21%, 0.43%

LAB 44.46, -1.29, -16.34

 

CMYK 0 / 60 / 61 / 38

HEX #9D3F3D

RGB 157 63 61

HSL 1.25, 0.44%, 0.43%

LAB 39.68, 39.06, 21.28

 

CMYK 0 / 44 / 61 / 38

HEX #9D583D

RGB 157 88 61

HSL 16.88, 0.44%, 0.43%

LAB 44.92, 25.8, 27.89

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 11 / 61 / 38

HEX #9D8C3D

RGB 157 140 61

HSL 49.38, 0.44%, 0.43%

LAB 58.28, -3.61, 43.57

 

CMYK 5 / 0 / 61 / 38

HEX #959D3D

RGB 149 157 61

HSL 65, 0.44%, 0.43%

LAB 62.37, -16.2, 47.89

 

CMYK 0 / 28 / 61 / 62

HEX #624726

RGB 98 71 38

HSL 33, 0.44%, 0.27%

LAB 32.35, 7.36, 24.13

 

CMYK 0 / 27 / 62 / 50

HEX #805D31

RGB 128 93 49

HSL 33.42, 0.45%, 0.35%

LAB 42.22, 9.11, 30.51

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 0 / 26 / 59 / 27

HEX #B9884B

RGB 185 136 75

HSL 33.27, 0.44%, 0.51%

LAB 60.28, 11.97, 39.62

 

CMYK 0 / 21 / 46 / 23

HEX #C49B69

RGB 196 155 105

HSL 32.97, 0.44%, 0.59%

LAB 66.67, 8.86, 31.96

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 46 / 0 / 61 / 38

HEX #559D3D

RGB 85 157 61

HSL 105, 0.44%, 0.43%

LAB 58.4, -40.94, 42.36

 

CMYK 52 / 61 / 0 / 38

HEX #4B3D9D

RGB 75 61 157

HSL 248.75, 0.44%, 0.43%

LAB 32.41, 32.44, -50.53

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 61 / 0 / 27 / 38

HEX #3D9D72

RGB 61 157 114

HSL 153.13, 0.44%, 0.43%

LAB 58.34, -38.62, 14.29

 

CMYK 27 / 61 / 0 / 38

HEX #723D9D

RGB 114 61 157

HSL 273.13, 0.44%, 0.43%

LAB 36.65, 41.42, -43.47

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 46 / 0 / 61 / 38

HEX #559D3D

RGB 85 157 61

HSL 105, 0.44%, 0.43%

LAB 58.4, -40.94, 42.36

 

CMYK 61 / 34 / 0 / 38

HEX #3D689D

RGB 61 104 157

HSL 213.13, 0.44%, 0.43%

LAB 43.25, 1.96, -33.24

 

CMYK 15 / 61 / 0 / 38

HEX #853D9D

RGB 133 61 157

HSL 285, 0.44%, 0.43%

LAB 39.17, 46.25, -39.3

 

CMYK 0 / 27 / 61 / 38

HEX #9D723D

RGB 157 114 61

HSL 33.13, 0.44%, 0.43%

LAB 51.31, 11, 35.59

 

CMYK 61 / 0 / 58 / 38

HEX #3D9D42

RGB 61 157 66

HSL 123.13, 0.44%, 0.43%

LAB 57.56, -47.07, 38.79

 

CMYK 61 / 34 / 0 / 38

HEX #3D689D

RGB 61 104 157

HSL 213.13, 0.44%, 0.43%

LAB 43.25, 1.96, -33.24

 

CMYK 0 / 61 / 3 / 38

HEX #9D3D99

RGB 157 61 153

HSL 302.5, 0.44%, 0.43%

LAB 42.47, 51.79, -31.45

 

Description

Color code: HEX #9D723D | qconv.com Color code: HEX #9D723D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 114 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 114 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 61 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 61% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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