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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7A6C it is the complementary color #628593. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7A6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7A6C shade: #A27A67, #B38C7A, #C49E8D, #D5B0A0 and #E6C2B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7A6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7A6C shade: #9D7A6C, #8C6859, #7B5646, #6A4433 and #593220

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7A6C shade: #9D7A6C, #9D6C6C and #9D6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7A6C shade: #9D7A6C, #9D876C, #9D946C, #989D6C and #8B9D6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7A6C shade matches the following richer shades: #9D7A6C, #B07158, #C46944, #D86030 and #EC581C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7A6C shade: #9D7A6C, #89827F, #758B93, #6193A7 and #4D9CBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7A6C shade: #9D6C78, #9D6C6C, #9D796C, #9D876C and #9D946C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7A6C shade: #6D5349, #866659, #9D7A6C, #AD9084 and #BEA69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7A6C shade: #9D7A6C, #859D6C and #6C719D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7A6C shade: #9D7A6C, #6C9D79 and #796C9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7A6C shade: #9D7A6C, #859D6C, #6C8F9D and #836C9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7A6C shade: #9D7A6C, #769D6C, #6C8F9D and #926C9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

Complementary color

CMYK 33 / 10 / 0 / 42

HEX #628593

RGB 98 133 147

HSL 197.14, 0.2%, 0.48%

LAB 53.47, -8.68, -11.46

 

CMYK 0 / 25 / 36 / 36

HEX #A27A67

RGB 162 122 103

HSL 19.32, 0.24%, 0.52%

LAB 54.64, 12.91, 16.45

 

CMYK 0 / 22 / 32 / 30

HEX #B38C7A

RGB 179 140 122

HSL 18.95, 0.27%, 0.59%

LAB 61.43, 12.18, 15.27

 

CMYK 0 / 19 / 28 / 23

HEX #C49E8D

RGB 196 158 141

HSL 18.55, 0.32%, 0.66%

LAB 68.1, 11.55, 14.21

 

CMYK 0 / 17 / 25 / 16

HEX #D5B0A0

RGB 213 176 160

HSL 18.11, 0.39%, 0.73%

LAB 74.66, 11, 13.22

 

CMYK 0 / 16 / 22 / 10

HEX #E6C2B3

RGB 230 194 179

HSL 17.65, 0.5%, 0.8%

LAB 81.11, 10.51, 12.3

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 26 / 36 / 45

HEX #8C6859

RGB 140 104 89

HSL 17.65, 0.22%, 0.45%

LAB 47.23, 12.27, 14.07

 

CMYK 0 / 30 / 43 / 52

HEX #7B5646

RGB 123 86 70

HSL 18.11, 0.27%, 0.38%

LAB 40.1, 13.17, 15.42

 

CMYK 0 / 36 / 52 / 58

HEX #6A4433

RGB 106 68 51

HSL 18.55, 0.35%, 0.31%

LAB 32.78, 14.27, 17

 

CMYK 0 / 44 / 64 / 65

HEX #593220

RGB 89 50 32

HSL 18.95, 0.47%, 0.24%

LAB 25.29, 15.67, 18.9

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 14 / 31 / 38

HEX #9D876C

RGB 157 135 108

HSL 33.06, 0.2%, 0.52%

LAB 57.64, 4.14, 17.61

 

CMYK 0 / 6 / 31 / 38

HEX #9D946C

RGB 157 148 108

HSL 48.98, 0.2%, 0.52%

LAB 61.16, -3.09, 22.39

 

CMYK 3 / 0 / 31 / 38

HEX #989D6C

RGB 152 157 108

HSL 66.12, 0.2%, 0.52%

LAB 63.24, -9.99, 25.09

 

CMYK 11 / 0 / 31 / 38

HEX #8B9D6C

RGB 139 157 108

HSL 82.04, 0.2%, 0.52%

LAB 62.24, -15.14, 23.59

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 36 / 50 / 31

HEX #B07158

RGB 176 113 88

HSL 17.05, 0.36%, 0.52%

LAB 53.76, 22.11, 24.16

 

CMYK 0 / 46 / 65 / 23

HEX #C46944

RGB 196 105 68

HSL 17.34, 0.52%, 0.52%

LAB 54.3, 33.06, 36.59

 

CMYK 0 / 56 / 78 / 15

HEX #D86030

RGB 216 96 48

HSL 17.14, 0.68%, 0.52%

LAB 55.26, 44.41, 48.79

 

CMYK 0 / 63 / 88 / 7

HEX #EC581C

RGB 236 88 28

HSL 17.31, 0.85%, 0.52%

LAB 56.97, 54.74, 59.97

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 5 / 7 / 46

HEX #89827F

RGB 137 130 127

HSL 18, 0.04%, 0.52%

LAB 54.88, 2.07, 2.56

 

CMYK 20 / 5 / 0 / 42

HEX #758B93

RGB 117 139 147

HSL 196, 0.12%, 0.52%

LAB 56.44, -6.02, -6.89

 

CMYK 42 / 12 / 0 / 35

HEX #6193A7

RGB 97 147 167

HSL 197.14, 0.28%, 0.52%

LAB 58.23, -11.37, -15.79

 

CMYK 59 / 17 / 0 / 27

HEX #4D9CBB

RGB 77 156 187

HSL 196.91, 0.45%, 0.52%

LAB 60.73, -15.06, -23.37

 

CMYK 0 / 31 / 24 / 38

HEX #9D6C78

RGB 157 108 120

HSL 345.31, 0.2%, 0.52%

LAB 50.98, 21.33, 1.24

 

CMYK 0 / 31 / 31 / 38

HEX #9D6C6C

RGB 157 108 108

HSL 0, 0.2%, 0.52%

LAB 50.66, 19.55, 7.89

 

CMYK 0 / 23 / 31 / 38

HEX #9D796C

RGB 157 121 108

HSL 15.92, 0.2%, 0.52%

LAB 53.95, 12.09, 12.52

 

CMYK 0 / 14 / 31 / 38

HEX #9D876C

RGB 157 135 108

HSL 33.06, 0.2%, 0.52%

LAB 57.64, 4.14, 17.61

 

CMYK 0 / 6 / 31 / 38

HEX #9D946C

RGB 157 148 108

HSL 48.98, 0.2%, 0.52%

LAB 61.16, -3.09, 22.39

 

CMYK 0 / 24 / 33 / 57

HEX #6D5349

RGB 109 83 73

HSL 16.67, 0.2%, 0.36%

LAB 37.7, 9.24, 10.02

 

CMYK 0 / 24 / 34 / 47

HEX #866659

RGB 134 102 89

HSL 17.33, 0.2%, 0.44%

LAB 46.03, 10.9, 12.31

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 0 / 17 / 24 / 32

HEX #AD9084

RGB 173 144 132

HSL 17.56, 0.2%, 0.6%

LAB 62.08, 8.99, 10.44

 

CMYK 0 / 13 / 17 / 25

HEX #BEA69D

RGB 190 166 157

HSL 16.36, 0.2%, 0.68%

LAB 69.93, 7.26, 7.86

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 15 / 0 / 31 / 38

HEX #859D6C

RGB 133 157 108

HSL 89.39, 0.2%, 0.52%

LAB 61.81, -17.46, 22.94

 

CMYK 31 / 28 / 0 / 38

HEX #6C719D

RGB 108 113 157

HSL 233.88, 0.2%, 0.52%

LAB 48.8, 8.75, -24.37

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 31 / 0 / 23 / 38

HEX #6C9D79

RGB 108 157 121

HSL 135.92, 0.2%, 0.52%

LAB 60.5, -24.19, 13.69

 

CMYK 23 / 31 / 0 / 38

HEX #796C9D

RGB 121 108 157

HSL 255.92, 0.2%, 0.52%

LAB 48.54, 15.86, -24.68

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 15 / 0 / 31 / 38

HEX #859D6C

RGB 133 157 108

HSL 89.39, 0.2%, 0.52%

LAB 61.81, -17.46, 22.94

 

CMYK 31 / 9 / 0 / 38

HEX #6C8F9D

RGB 108 143 157

HSL 197.14, 0.2%, 0.52%

LAB 57.34, -8.67, -11.36

 

CMYK 17 / 31 / 0 / 38

HEX #836C9D

RGB 131 108 157

HSL 268.16, 0.2%, 0.52%

LAB 49.48, 19.12, -23.16

 

CMYK 0 / 22 / 31 / 38

HEX #9D7A6C

RGB 157 122 108

HSL 17.14, 0.2%, 0.52%

LAB 54.21, 11.52, 12.88

 

CMYK 25 / 0 / 31 / 38

HEX #769D6C

RGB 118 157 108

HSL 107.76, 0.2%, 0.52%

LAB 60.82, -23.05, 21.44

 

CMYK 31 / 9 / 0 / 38

HEX #6C8F9D

RGB 108 143 157

HSL 197.14, 0.2%, 0.52%

LAB 57.34, -8.67, -11.36

 

CMYK 7 / 31 / 0 / 38

HEX #926C9D

RGB 146 108 157

HSL 286.53, 0.2%, 0.52%

LAB 51, 24.14, -20.68

 

Description

Color code: HEX #9D7A6C | qconv.com Color code: HEX #9D7A6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 122 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 122 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 31 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 31% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Fantasy
Link: http://www.fantasy444ar.it

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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