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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7DDE it is the complementary color #628221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7DDE shade: #A27DD9, #B38FEC, #C4A1FF, #D5B3FF and #E6C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7DDE shade: #9D7DDE, #8C6BCB, #7B59B8, #6A47A5 and #593592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7DDE shade: #9C7CDE, #B77CDE, #D17CDE, #DE7CD0 and #DE7CB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7DDE shade: #9C7CDE, #827CDE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7DDE shade matches the following richer shades: #9C7CDE, #986FEB and #9362F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7DDE shade: #9C7CDE, #A189D1, #A596C3, #AAA4B6 and #AEB1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7DDE shade: #7C91DE, #817CDE, #9B7CDE, #B57CDE and #CF7CDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7DDE shade: #6B3ACD, #835BD6, #9C7CDE, #B59DE6 and #CEBEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7DDE shade: #9D7DDE, #DE7CAB and #84DE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7DDE shade: #9D7DDE, #DE9B7C and #7CDE9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7DDE shade: #9D7DDE, #DE7CAB, #BFDE7C and #7CDEAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7DDE shade: #9D7DDE, #DE7C8E, #BFDE7C and #7CDECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

Complementary color

CMYK 25 / 0 / 75 / 49

HEX #628221

RGB 98 130 33

HSL 79.79, 0.6%, 0.32%

LAB 50.3, -26.24, 45.98

 

CMYK 25 / 42 / 0 / 15

HEX #A27DD9

RGB 162 125 217

HSL 264.13, 0.55%, 0.67%

LAB 59.3, 32.97, -42.03

 

CMYK 24 / 39 / 0 / 7

HEX #B38FEC

RGB 179 143 236

HSL 263.23, 0.71%, 0.74%

LAB 65.97, 32.16, -42.01

 

CMYK 23 / 37 / 0 / 0

HEX #C4A1FF

RGB 196 161 255

HSL 262.34, 1%, 0.82%

LAB 72.53, 31.41, -42.01

 

CMYK 16 / 30 / 0 / 0

HEX #D5B3FF

RGB 213 179 255

HSL 266.84, 1%, 0.85%

LAB 78.23, 26.55, -33.04

 

CMYK 10 / 23 / 0 / 0

HEX #E6C5FF

RGB 230 197 255

HSL 274.14, 1%, 0.89%

LAB 83.95, 22.09, -24.15

 

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

CMYK 31 / 47 / 0 / 20

HEX #8C6BCB

RGB 140 107 203

HSL 260.63, 0.48%, 0.61%

LAB 52.29, 33.73, -45.33

 

CMYK 33 / 52 / 0 / 28

HEX #7B59B8

RGB 123 89 184

HSL 261.47, 0.4%, 0.54%

LAB 45.38, 34.75, -45.46

 

CMYK 36 / 57 / 0 / 35

HEX #6A47A5

RGB 106 71 165

HSL 262.34, 0.4%, 0.46%

LAB 38.35, 35.85, -45.59

 

CMYK 39 / 64 / 0 / 43

HEX #593592

RGB 89 53 146

HSL 263.23, 0.47%, 0.39%

LAB 31.22, 37, -45.68

 

CMYK 30 / 44 / 0 / 13

HEX #9C7CDE

RGB 156 124 222

HSL 259.59, 0.6%, 0.68%

LAB 58.75, 33.1, -45.75

 

CMYK 18 / 44 / 0 / 13

HEX #B77CDE

RGB 183 124 222

HSL 276.12, 0.6%, 0.68%

LAB 61.44, 40.64, -41.32

 

CMYK 6 / 44 / 0 / 13

HEX #D17CDE

RGB 209 124 222

HSL 292.04, 0.6%, 0.68%

LAB 64.36, 48.14, -36.55

 

CMYK 0 / 44 / 6 / 13

HEX #DE7CD0

RGB 222 124 208

HSL 308.57, 0.6%, 0.68%

LAB 65.36, 49.47, -27.06

 

CMYK 0 / 44 / 18 / 13

HEX #DE7CB6

RGB 222 124 182

HSL 324.49, 0.6%, 0.68%

LAB 64.42, 45.28, -13.85

 

CMYK 30 / 44 / 0 / 13

HEX #9C7CDE

RGB 156 124 222

HSL 259.59, 0.6%, 0.68%

LAB 58.75, 33.1, -45.75

 

CMYK 41 / 44 / 0 / 13

HEX #827CDE

RGB 130 124 222

HSL 243.67, 0.6%, 0.68%

LAB 56.52, 26.32, -49.42

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 30 / 44 / 0 / 13

HEX #9C7CDE

RGB 156 124 222

HSL 259.59, 0.6%, 0.68%

LAB 58.75, 33.1, -45.75

 

CMYK 35 / 53 / 0 / 8

HEX #986FEB

RGB 152 111 235

HSL 259.84, 0.76%, 0.68%

LAB 56.13, 42.73, -57.2

 

CMYK 41 / 60 / 0 / 3

HEX #9362F8

RGB 147 98 248

HSL 259.6, 0.91%, 0.68%

LAB 53.72, 52.1, -68.34

 

CMYK 30 / 44 / 0 / 13

HEX #9C7CDE

RGB 156 124 222

HSL 259.59, 0.6%, 0.68%

LAB 58.75, 33.1, -45.75

 

CMYK 23 / 34 / 0 / 18

HEX #A189D1

RGB 161 137 209

HSL 260, 0.44%, 0.68%

LAB 61.72, 23.92, -33.78

 

CMYK 15 / 23 / 0 / 24

HEX #A596C3

RGB 165 150 195

HSL 260, 0.27%, 0.68%

LAB 64.77, 14.55, -21.21

 

CMYK 7 / 10 / 0 / 29

HEX #AAA4B6

RGB 170 164 182

HSL 260, 0.11%, 0.68%

LAB 68.37, 5.64, -8.49

 

CMYK 2 / 0 / 5 / 31

HEX #AEB1A9

RGB 174 177 169

HSL 82.5, 0.05%, 0.68%

LAB 71.76, -2.54, 3.71

 

CMYK 44 / 35 / 0 / 13

HEX #7C91DE

RGB 124 145 222

HSL 227.14, 0.6%, 0.68%

LAB 61.49, 12.45, -41.6

 

CMYK 42 / 44 / 0 / 13

HEX #817CDE

RGB 129 124 222

HSL 243.06, 0.6%, 0.68%

LAB 56.44, 26.07, -49.55

 

CMYK 30 / 44 / 0 / 13

HEX #9B7CDE

RGB 155 124 222

HSL 258.98, 0.6%, 0.68%

LAB 58.66, 32.83, -45.9

 

CMYK 18 / 44 / 0 / 13

HEX #B57CDE

RGB 181 124 222

HSL 274.9, 0.6%, 0.68%

LAB 61.23, 40.07, -41.67

 

CMYK 7 / 44 / 0 / 13

HEX #CF7CDE

RGB 207 124 222

HSL 290.82, 0.6%, 0.68%

LAB 64.12, 47.55, -36.93

 

CMYK 48 / 72 / 0 / 20

HEX #6B3ACD

RGB 107 58 205

HSL 260, 0.6%, 0.52%

LAB 38.83, 53.94, -68.35

 

CMYK 39 / 57 / 0 / 16

HEX #835BD6

RGB 131 91 214

HSL 259.51, 0.6%, 0.6%

LAB 48.46, 43.51, -57.77

 

CMYK 30 / 44 / 0 / 13

HEX #9C7CDE

RGB 156 124 222

HSL 259.59, 0.6%, 0.68%

LAB 58.75, 33.1, -45.75

 

CMYK 21 / 32 / 0 / 10

HEX #B59DE6

RGB 181 157 230

HSL 259.73, 0.59%, 0.76%

LAB 69.22, 23.51, -33.63

 

CMYK 13 / 20 / 0 / 7

HEX #CEBEEE

RGB 206 190 238

HSL 260, 0.59%, 0.84%

LAB 79.68, 14.82, -21.75

 

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

CMYK 0 / 44 / 23 / 13

HEX #DE7CAB

RGB 222 124 171

HSL 331.22, 0.6%, 0.68%

LAB 64.07, 43.66, -8.14

 

CMYK 41 / 0 / 44 / 13

HEX #84DE7C

RGB 132 222 124

HSL 115.1, 0.6%, 0.68%

LAB 81.07, -46, 39.72

 

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

CMYK 0 / 30 / 44 / 13

HEX #DE9B7C

RGB 222 155 124

HSL 18.98, 0.6%, 0.68%

LAB 69.77, 21.38, 26.28

 

CMYK 44 / 0 / 30 / 13

HEX #7CDE9B

RGB 124 222 155

HSL 138.98, 0.6%, 0.68%

LAB 81.23, -43.33, 24.1

 

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

CMYK 0 / 44 / 23 / 13

HEX #DE7CAB

RGB 222 124 171

HSL 331.22, 0.6%, 0.68%

LAB 64.07, 43.66, -8.14

 

CMYK 14 / 0 / 44 / 13

HEX #BFDE7C

RGB 191 222 124

HSL 78.98, 0.6%, 0.68%

LAB 84.37, -25.67, 44.56

 

CMYK 44 / 0 / 21 / 13

HEX #7CDEAF

RGB 124 222 175

HSL 151.22, 0.6%, 0.68%

LAB 81.63, -39.48, 14.19

 

CMYK 29 / 44 / 0 / 13

HEX #9D7DDE

RGB 157 125 222

HSL 259.79, 0.6%, 0.68%

LAB 59.08, 32.8, -45.23

 

CMYK 0 / 44 / 36 / 13

HEX #DE7C8E

RGB 222 124 142

HSL 348.98, 0.6%, 0.68%

LAB 63.26, 39.85, 7.2

 

CMYK 14 / 0 / 44 / 13

HEX #BFDE7C

RGB 191 222 124

HSL 78.98, 0.6%, 0.68%

LAB 84.37, -25.67, 44.56

 

CMYK 44 / 0 / 8 / 13

HEX #7CDECC

RGB 124 222 204

HSL 168.98, 0.6%, 0.68%

LAB 82.32, -33.13, -0.17

 

Description

Color code: HEX #9D7DDE | qconv.com Color code: HEX #9D7DDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 125 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 125 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 44 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 44% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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