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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D8EC7 it is the complementary color #627138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D8EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D8EC7 shade: #A28EC2, #B3A0D5, #C4B2E8, #D5C4FB and #E6D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D8EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D8EC7 shade: #9D8EC7, #8C7CB4, #7B6AA1, #6A588E and #59467B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D8EC7 shade: #9D8EC7, #AC8EC7, #BC8EC7, #C78EC3 and #C78EB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D8EC7 shade: #9D8EC7 and #8E8EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D8EC7 shade matches the following richer shades: #9D8EC7, #9680D5, #9073E2, #8965F0 and #8357FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D8EC7 shade: #9D8EC7, #A39BB9, #AAA9AC, #B0B79E and #B7C490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D8EC7 shade: #8E9EC7, #8E8FC7, #9C8EC7, #AB8EC7 and #BB8EC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D8EC7 shade: #6D56AC, #8572B9, #9D8EC7, #B5A9D5 and #CDC5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D8EC7 shade: #9D8EC7, #C78EAD and #96C78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D8EC7 shade: #9D8EC7, #C79C8E and #8EC79C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D8EC7 shade: #9D8EC7, #C78EAD, #B9C78E and #8EC7A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D8EC7 shade: #9D8EC7, #C78E9C, #B9C78E and #8EC7B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

Complementary color

CMYK 13 / 0 / 50 / 56

HEX #627138

RGB 98 113 56

HSL 75.79, 0.34%, 0.33%

LAB 45.21, -15.42, 29.58

 

CMYK 16 / 27 / 0 / 24

HEX #A28EC2

RGB 162 142 194

HSL 263.08, 0.3%, 0.66%

LAB 62.44, 17.9, -24.23

 

CMYK 16 / 25 / 0 / 16

HEX #B3A0D5

RGB 179 160 213

HSL 261.51, 0.39%, 0.73%

LAB 69.13, 17.39, -24.43

 

CMYK 16 / 23 / 0 / 9

HEX #C4B2E8

RGB 196 178 232

HSL 260, 0.54%, 0.8%

LAB 75.7, 16.93, -24.65

 

CMYK 15 / 22 / 0 / 2

HEX #D5C4FB

RGB 213 196 251

HSL 258.55, 0.87%, 0.88%

LAB 82.16, 16.5, -24.88

 

CMYK 10 / 16 / 0 / 0

HEX #E6D6FF

RGB 230 214 255

HSL 263.41, 1%, 0.92%

LAB 88.03, 13.06, -17.97

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 22 / 31 / 0 / 29

HEX #8C7CB4

RGB 140 124 180

HSL 257.14, 0.27%, 0.6%

LAB 55.37, 18.05, -27.34

 

CMYK 24 / 34 / 0 / 37

HEX #7B6AA1

RGB 123 106 161

HSL 258.55, 0.23%, 0.52%

LAB 48.38, 18.7, -27.27

 

CMYK 25 / 38 / 0 / 44

HEX #6A588E

RGB 106 88 142

HSL 260, 0.23%, 0.45%

LAB 41.21, 19.43, -27.25

 

CMYK 28 / 43 / 0 / 52

HEX #59467B

RGB 89 70 123

HSL 261.51, 0.27%, 0.38%

LAB 33.85, 20.28, -27.27

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 14 / 29 / 0 / 22

HEX #AC8EC7

RGB 172 142 199

HSL 271.58, 0.34%, 0.67%

LAB 63.54, 22.22, -25.27

 

CMYK 6 / 29 / 0 / 22

HEX #BC8EC7

RGB 188 142 199

HSL 288.42, 0.34%, 0.67%

LAB 65.09, 27.41, -22.76

 

CMYK 0 / 29 / 2 / 22

HEX #C78EC3

RGB 199 142 195

HSL 304.21, 0.34%, 0.67%

LAB 66.08, 30.27, -18.91

 

CMYK 0 / 29 / 10 / 22

HEX #C78EB3

RGB 199 142 179

HSL 321.05, 0.34%, 0.67%

LAB 65.55, 27.4, -10.74

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 29 / 29 / 0 / 22

HEX #8E8EC7

RGB 142 142 199

HSL 240, 0.34%, 0.67%

LAB 60.98, 12.89, -29.44

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 30 / 40 / 0 / 16

HEX #9680D5

RGB 150 128 213

HSL 255.53, 0.5%, 0.67%

LAB 58.72, 26.87, -40.78

 

CMYK 36 / 49 / 0 / 11

HEX #9073E2

RGB 144 115 226

HSL 255.68, 0.66%, 0.67%

LAB 55.77, 36.16, -52.79

 

CMYK 43 / 58 / 0 / 6

HEX #8965F0

RGB 137 101 240

HSL 255.54, 0.82%, 0.67%

LAB 52.86, 46.25, -65.33

 

CMYK 48 / 66 / 0 / 1

HEX #8357FD

RGB 131 87 253

HSL 255.9, 0.98%, 0.67%

LAB 50.37, 56.21, -76.63

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 12 / 16 / 0 / 27

HEX #A39BB9

RGB 163 155 185

HSL 256, 0.18%, 0.67%

LAB 65.54, 8.9, -14.46

 

CMYK 1 / 2 / 0 / 33

HEX #AAA9AC

RGB 170 169 172

HSL 260, 0.02%, 0.67%

LAB 69.4, 0.93, -1.42

 

CMYK 4 / 0 / 14 / 28

HEX #B0B79E

RGB 176 183 158

HSL 76.8, 0.15%, 0.67%

LAB 73.26, -6.93, 11.89

 

CMYK 7 / 0 / 27 / 23

HEX #B7C490

RGB 183 196 144

HSL 75, 0.31%, 0.67%

LAB 77.02, -13.26, 24.68

 

CMYK 29 / 21 / 0 / 22

HEX #8E9EC7

RGB 142 158 199

HSL 223.16, 0.34%, 0.67%

LAB 65.22, 3.76, -22.91

 

CMYK 29 / 28 / 0 / 22

HEX #8E8FC7

RGB 142 143 199

HSL 238.95, 0.34%, 0.67%

LAB 61.24, 12.31, -29.03

 

CMYK 22 / 29 / 0 / 22

HEX #9C8EC7

RGB 156 142 199

HSL 254.74, 0.34%, 0.67%

LAB 62.12, 17.16, -27.59

 

CMYK 14 / 29 / 0 / 22

HEX #AB8EC7

RGB 171 142 199

HSL 270.53, 0.34%, 0.67%

LAB 63.45, 21.9, -25.42

 

CMYK 6 / 29 / 0 / 22

HEX #BB8EC7

RGB 187 142 199

HSL 287.37, 0.34%, 0.67%

LAB 64.99, 27.08, -22.92

 

CMYK 37 / 50 / 0 / 33

HEX #6D56AC

RGB 109 86 172

HSL 256.05, 0.34%, 0.51%

LAB 42.59, 29.62, -42.95

 

CMYK 28 / 38 / 0 / 27

HEX #8572B9

RGB 133 114 185

HSL 256.06, 0.34%, 0.59%

LAB 52.42, 23.05, -34.84

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 15 / 21 / 0 / 16

HEX #B5A9D5

RGB 181 169 213

HSL 256.36, 0.34%, 0.75%

LAB 71.56, 13.03, -20.72

 

CMYK 9 / 13 / 0 / 11

HEX #CDC5E2

RGB 205 197 226

HSL 256.55, 0.33%, 0.83%

LAB 80.96, 8.27, -13.39

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 0 / 29 / 13 / 22

HEX #C78EAD

RGB 199 142 173

HSL 327.37, 0.34%, 0.67%

LAB 65.36, 26.38, -7.64

 

CMYK 25 / 0 / 29 / 22

HEX #96C78E

RGB 150 199 142

HSL 111.58, 0.34%, 0.67%

LAB 75.63, -26.98, 23.49

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 0 / 22 / 29 / 22

HEX #C79C8E

RGB 199 156 142

HSL 14.74, 0.34%, 0.67%

LAB 67.93, 13.95, 13.45

 

CMYK 29 / 0 / 22 / 22

HEX #8EC79C

RGB 142 199 156

HSL 134.74, 0.34%, 0.67%

LAB 75.45, -27.2, 15.72

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 0 / 29 / 13 / 22

HEX #C78EAD

RGB 199 142 173

HSL 327.37, 0.34%, 0.67%

LAB 65.36, 26.38, -7.64

 

CMYK 7 / 0 / 29 / 22

HEX #B9C78E

RGB 185 199 142

HSL 74.74, 0.34%, 0.67%

LAB 77.94, -14.32, 27.01

 

CMYK 29 / 0 / 16 / 22

HEX #8EC7A7

RGB 142 199 167

HSL 146.32, 0.34%, 0.67%

LAB 75.69, -25.1, 10.16

 

CMYK 21 / 29 / 0 / 22

HEX #9D8EC7

RGB 157 142 199

HSL 255.79, 0.34%, 0.67%

LAB 62.2, 17.47, -27.45

 

CMYK 0 / 29 / 22 / 22

HEX #C78E9C

RGB 199 142 156

HSL 345.26, 0.34%, 0.67%

LAB 64.87, 23.67, 1.24

 

CMYK 7 / 0 / 29 / 22

HEX #B9C78E

RGB 185 199 142

HSL 74.74, 0.34%, 0.67%

LAB 77.94, -14.32, 27.01

 

CMYK 29 / 0 / 7 / 22

HEX #8EC7B9

RGB 142 199 185

HSL 165.26, 0.34%, 0.67%

LAB 76.13, -21.38, 1.08

 

Description

Color code: HEX #9D8EC7 | qconv.com Color code: HEX #9D8EC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 142 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 142 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 29 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 29% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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