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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D8FA9 it is the complementary color #627056. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D8FA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D8FA9 shade: #A28FA4, #B3A1B7, #C4B3CA, #D5C5DD and #E6D7F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D8FA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D8FA9 shade: #9D8FA9, #8C7D96, #7B6B83, #6A5970 and #59475D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D8FA9 shade: #9C8EA8, #A38EA8, #A88EA6, #A88E9F and #A88E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D8FA9 shade: #9C8EA8, #958EA8 and #8E8EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D8FA9 shade matches the following richer shades: #9C8EA8, #9D7EB8, #9F6EC8, #A05ED8 and #A14EE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D8FA9 shade: #9C8EA8, #9B9E98, #9AAE88, #98BE78 and #97CE68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D8FA9 shade: #8E8EA8, #958EA8, #9C8EA8, #A38EA8 and #A88EA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D8FA9 shade: #736381, #887796, #9C8EA8, #B0A5BA and #C5BDCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D8FA9 shade: #9D8FA9, #A88E95 and #8EA892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D8FA9 shade: #9D8FA9, #A89C8E and #8EA89C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D8FA9 shade: #9D8FA9, #A88E95, #9AA88E and #8EA8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D8FA9 shade: #9D8FA9, #A88F8E, #9AA88E and #8EA7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

Complementary color

CMYK 13 / 0 / 23 / 56

HEX #627056

RGB 98 112 86

HSL 92.31, 0.13%, 0.39%

LAB 45.44, -10.47, 12.74

 

CMYK 1 / 13 / 0 / 36

HEX #A28FA4

RGB 162 143 164

HSL 294.29, 0.1%, 0.6%

LAB 61.66, 10.99, -8.45

 

CMYK 2 / 12 / 0 / 28

HEX #B3A1B7

RGB 179 161 183

HSL 289.09, 0.13%, 0.67%

LAB 68.38, 10.61, -8.95

 

CMYK 3 / 11 / 0 / 21

HEX #C4B3CA

RGB 196 179 202

HSL 284.35, 0.18%, 0.75%

LAB 74.98, 10.26, -9.43

 

CMYK 4 / 11 / 0 / 13

HEX #D5C5DD

RGB 213 197 221

HSL 280, 0.26%, 0.82%

LAB 81.46, 9.94, -9.9

 

CMYK 4 / 10 / 0 / 6

HEX #E6D7F0

RGB 230 215 240

HSL 276, 0.45%, 0.89%

LAB 87.83, 9.64, -10.37

 

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

CMYK 7 / 17 / 0 / 41

HEX #8C7D96

RGB 140 125 150

HSL 276, 0.11%, 0.54%

LAB 54.5, 10.64, -11.34

 

CMYK 6 / 18 / 0 / 49

HEX #7B6B83

RGB 123 107 131

HSL 280, 0.1%, 0.47%

LAB 47.45, 11.08, -10.92

 

CMYK 5 / 21 / 0 / 56

HEX #6A5970

RGB 106 89 112

HSL 284.35, 0.11%, 0.39%

LAB 40.21, 11.58, -10.5

 

CMYK 4 / 24 / 0 / 64

HEX #59475D

RGB 89 71 93

HSL 289.09, 0.13%, 0.32%

LAB 32.75, 12.15, -10.08

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 3 / 15 / 0 / 34

HEX #A38EA8

RGB 163 142 168

HSL 288.46, 0.13%, 0.61%

LAB 61.62, 12.71, -10.77

 

CMYK 0 / 15 / 1 / 34

HEX #A88EA6

RGB 168 142 166

HSL 304.62, 0.13%, 0.61%

LAB 62.02, 14.08, -8.99

 

CMYK 0 / 15 / 5 / 34

HEX #A88E9F

RGB 168 142 159

HSL 320.77, 0.13%, 0.61%

LAB 61.8, 12.76, -5.34

 

CMYK 0 / 15 / 10 / 34

HEX #A88E98

RGB 168 142 152

HSL 336.92, 0.13%, 0.61%

LAB 61.6, 11.49, -1.66

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 11 / 15 / 0 / 34

HEX #958EA8

RGB 149 142 168

HSL 256.15, 0.13%, 0.61%

LAB 60.39, 7.85, -12.74

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 15 / 32 / 0 / 28

HEX #9D7EB8

RGB 157 126 184

HSL 272.07, 0.29%, 0.61%

LAB 57.61, 23.22, -26.04

 

CMYK 21 / 45 / 0 / 22

HEX #9F6EC8

RGB 159 110 200

HSL 272.67, 0.45%, 0.61%

LAB 54.75, 36.58, -39.6

 

CMYK 26 / 56 / 0 / 15

HEX #A05ED8

RGB 160 94 216

HSL 272.46, 0.61%, 0.61%

LAB 52.33, 49.27, -52.54

 

CMYK 31 / 66 / 0 / 9

HEX #A14EE8

RGB 161 78 232

HSL 272.34, 0.77%, 0.61%

LAB 50.51, 61.09, -64.5

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 2 / 0 / 4 / 38

HEX #9B9E98

RGB 155 158 152

HSL 90, 0.03%, 0.61%

LAB 64.72, -2.22, 2.75

 

CMYK 11 / 0 / 22 / 32

HEX #9AAE88

RGB 154 174 136

HSL 91.58, 0.19%, 0.61%

LAB 68.69, -13.97, 17.24

 

CMYK 20 / 0 / 37 / 25

HEX #98BE78

RGB 152 190 120

HSL 92.57, 0.35%, 0.61%

LAB 72.8, -25.22, 31.3

 

CMYK 27 / 0 / 50 / 19

HEX #97CE68

RGB 151 206 104

HSL 92.35, 0.51%, 0.61%

LAB 77.11, -35.18, 44.78

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 11 / 15 / 0 / 34

HEX #958EA8

RGB 149 142 168

HSL 256.15, 0.13%, 0.61%

LAB 60.39, 7.85, -12.74

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 3 / 15 / 0 / 34

HEX #A38EA8

RGB 163 142 168

HSL 288.46, 0.13%, 0.61%

LAB 61.62, 12.71, -10.77

 

CMYK 0 / 15 / 1 / 34

HEX #A88EA6

RGB 168 142 166

HSL 304.62, 0.13%, 0.61%

LAB 62.02, 14.08, -8.99

 

CMYK 11 / 23 / 0 / 49

HEX #736381

RGB 115 99 129

HSL 272, 0.13%, 0.45%

LAB 44.45, 12.57, -14.34

 

CMYK 9 / 21 / 0 / 41

HEX #887796

RGB 136 119 150

HSL 272.9, 0.13%, 0.53%

LAB 52.54, 12.74, -14.33

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 5 / 11 / 0 / 27

HEX #B0A5BA

RGB 176 165 186

HSL 271.43, 0.13%, 0.69%

LAB 69.24, 7.95, -9.35

 

CMYK 3 / 7 / 0 / 20

HEX #C5BDCC

RGB 197 189 204

HSL 272, 0.13%, 0.77%

LAB 77.65, 5.58, -6.53

 

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

CMYK 0 / 15 / 11 / 34

HEX #A88E95

RGB 168 142 149

HSL 343.85, 0.13%, 0.61%

LAB 61.52, 10.96, -0.08

 

CMYK 15 / 0 / 13 / 34

HEX #8EA892

RGB 142 168 146

HSL 129.23, 0.13%, 0.61%

LAB 66.39, -13.4, 8.38

 

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

CMYK 0 / 7 / 15 / 34

HEX #A89C8E

RGB 168 156 142

HSL 32.31, 0.13%, 0.61%

LAB 65.01, 1.97, 8.91

 

CMYK 15 / 0 / 7 / 34

HEX #8EA89C

RGB 142 168 156

HSL 152.31, 0.13%, 0.61%

LAB 66.64, -11.44, 3.18

 

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

CMYK 0 / 15 / 11 / 34

HEX #A88E95

RGB 168 142 149

HSL 343.85, 0.13%, 0.61%

LAB 61.52, 10.96, -0.08

 

CMYK 8 / 0 / 15 / 34

HEX #9AA88E

RGB 154 168 142

HSL 92.31, 0.13%, 0.61%

LAB 67.15, -9.8, 11.78

 

CMYK 15 / 0 / 4 / 34

HEX #8EA8A1

RGB 142 168 161

HSL 163.85, 0.13%, 0.61%

LAB 66.77, -10.42, 0.59

 

CMYK 7 / 15 / 0 / 34

HEX #9D8FA9

RGB 157 143 169

HSL 272.31, 0.13%, 0.61%

LAB 61.38, 10.25, -11.76

 

CMYK 0 / 15 / 15 / 34

HEX #A88F8E

RGB 168 143 142

HSL 2.31, 0.13%, 0.61%

LAB 61.59, 9.2, 4.01

 

CMYK 8 / 0 / 15 / 34

HEX #9AA88E

RGB 154 168 142

HSL 92.31, 0.13%, 0.61%

LAB 67.15, -9.8, 11.78

 

CMYK 15 / 1 / 0 / 34

HEX #8EA7A8

RGB 142 167 168

HSL 182.31, 0.13%, 0.61%

LAB 66.68, -8.41, -3.43

 

Description

Color code: HEX #9D8FA9 | qconv.com Color code: HEX #9D8FA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 143 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 143 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 15 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 15% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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