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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D98BC it is the complementary color #626743. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D98BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D98BC shade: #A298B7, #B3AACA, #C4BCDD, #D5CEF0 and #E6E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D98BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D98BC shade: #9D98BC, #8C86A9, #7B7496, #6A6283 and #595070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D98BC shade: #9E99BC, #A799BC, #B199BC, #BA99BC and #BC99B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D98BC shade: #9E99BC and #9999BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D98BC shade matches the following richer shades: #9E99BC, #948BCA, #8A7DD7, #8070E5 and #7662F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D98BC shade: #9E99BC, #A7A6AE, #B1B4A1, #BBC293 and #C5CF86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D98BC shade: #99A7BC, #999DBC, #9D99BC, #A799BC and #B099BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D98BC shade: #6E679B, #8680AC, #9E99BC, #B5B2CC and #CDCBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D98BC shade: #9D98BC, #BC99B0 and #A2BC99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D98BC shade: #9D98BC, #BC9D99 and #99BC9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D98BC shade: #9D98BC, #BC99B0, #B7BC99 and #99BCA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D98BC shade: #9D98BC, #BC99A6, #B7BC99 and #99BCAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

Complementary color

CMYK 5 / 0 / 35 / 60

HEX #626743

RGB 98 103 67

HSL 68.33, 0.21%, 0.33%

LAB 42.31, -8.42, 19.71

 

CMYK 11 / 17 / 0 / 28

HEX #A298B7

RGB 162 152 183

HSL 259.35, 0.18%, 0.66%

LAB 64.61, 9.82, -14.75

 

CMYK 11 / 16 / 0 / 21

HEX #B3AACA

RGB 179 170 202

HSL 256.88, 0.23%, 0.73%

LAB 71.28, 9.48, -15.11

 

CMYK 11 / 15 / 0 / 13

HEX #C4BCDD

RGB 196 188 221

HSL 254.55, 0.33%, 0.8%

LAB 77.83, 9.17, -15.47

 

CMYK 11 / 14 / 0 / 6

HEX #D5CEF0

RGB 213 206 240

HSL 252.35, 0.53%, 0.87%

LAB 84.27, 8.87, -15.84

 

CMYK 10 / 12 / 0 / 0

HEX #E6E0FF

RGB 230 224 255

HSL 251.61, 1%, 0.94%

LAB 90.48, 7.81, -14.29

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 17 / 21 / 0 / 34

HEX #8C86A9

RGB 140 134 169

HSL 250.29, 0.17%, 0.59%

LAB 57.55, 9.62, -17.68

 

CMYK 18 / 23 / 0 / 41

HEX #7B7496

RGB 123 116 150

HSL 252.35, 0.14%, 0.52%

LAB 50.57, 10.03, -17.43

 

CMYK 19 / 25 / 0 / 49

HEX #6A6283

RGB 106 98 131

HSL 254.55, 0.14%, 0.45%

LAB 43.42, 10.5, -17.2

 

CMYK 21 / 29 / 0 / 56

HEX #595070

RGB 89 80 112

HSL 256.88, 0.17%, 0.38%

LAB 36.04, 11.03, -17

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 11 / 19 / 0 / 26

HEX #A799BC

RGB 167 153 188

HSL 264, 0.21%, 0.67%

LAB 65.46, 12, -16.23

 

CMYK 6 / 19 / 0 / 26

HEX #B199BC

RGB 177 153 188

HSL 281.14, 0.21%, 0.67%

LAB 66.34, 15.37, -14.82

 

CMYK 1 / 19 / 0 / 26

HEX #BA99BC

RGB 186 153 188

HSL 296.57, 0.21%, 0.67%

LAB 67.17, 18.45, -13.48

 

CMYK 0 / 19 / 4 / 26

HEX #BC99B4

RGB 188 153 180

HSL 313.71, 0.21%, 0.67%

LAB 67.1, 17.64, -9.09

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 19 / 19 / 0 / 26

HEX #9999BC

RGB 153 153 188

HSL 240, 0.21%, 0.67%

LAB 64.31, 7.39, -18.08

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 27 / 31 / 0 / 21

HEX #948BCA

RGB 148 139 202

HSL 248.57, 0.37%, 0.67%

LAB 60.8, 17.17, -31.35

 

CMYK 36 / 42 / 0 / 16

HEX #8A7DD7

RGB 138 125 215

HSL 248.67, 0.53%, 0.67%

LAB 57.05, 25.85, -44.6

 

CMYK 44 / 51 / 0 / 10

HEX #8070E5

RGB 128 112 229

HSL 248.21, 0.69%, 0.67%

LAB 53.85, 34.9, -57.62

 

CMYK 51 / 60 / 0 / 5

HEX #7662F2

RGB 118 98 242

HSL 248.33, 0.85%, 0.67%

LAB 50.68, 44.73, -70.05

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 4 / 5 / 0 / 32

HEX #A7A6AE

RGB 167 166 174

HSL 247.5, 0.05%, 0.67%

LAB 68.42, 1.9, -4

 

CMYK 2 / 0 / 11 / 29

HEX #B1B4A1

RGB 177 180 161

HSL 69.47, 0.11%, 0.67%

LAB 72.6, -4.47, 9.33

 

CMYK 4 / 0 / 24 / 24

HEX #BBC293

RGB 187 194 147

HSL 68.94, 0.28%, 0.67%

LAB 76.83, -10.3, 22.89

 

CMYK 5 / 0 / 35 / 19

HEX #C5CF86

RGB 197 207 134

HSL 68.22, 0.43%, 0.67%

LAB 80.86, -14.84, 35.18

 

CMYK 19 / 11 / 0 / 26

HEX #99A7BC

RGB 153 167 188

HSL 216, 0.21%, 0.67%

LAB 68.05, -0.41, -12.43

 

CMYK 19 / 16 / 0 / 26

HEX #999DBC

RGB 153 157 188

HSL 233.14, 0.21%, 0.67%

LAB 65.37, 5.14, -16.47

 

CMYK 16 / 19 / 0 / 26

HEX #9D99BC

RGB 157 153 188

HSL 246.86, 0.21%, 0.67%

LAB 64.63, 8.69, -17.56

 

CMYK 11 / 19 / 0 / 26

HEX #A799BC

RGB 167 153 188

HSL 264, 0.21%, 0.67%

LAB 65.46, 12, -16.23

 

CMYK 6 / 19 / 0 / 26

HEX #B099BC

RGB 176 153 188

HSL 279.43, 0.21%, 0.67%

LAB 66.25, 15.03, -14.96

 

CMYK 29 / 34 / 0 / 39

HEX #6E679B

RGB 110 103 155

HSL 248.08, 0.21%, 0.51%

LAB 46.15, 14.9, -27.28

 

CMYK 22 / 26 / 0 / 33

HEX #8680AC

RGB 134 128 172

HSL 248.18, 0.21%, 0.59%

LAB 55.57, 11.86, -22.48

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 11 / 13 / 0 / 20

HEX #B5B2CC

RGB 181 178 204

HSL 246.92, 0.2%, 0.75%

LAB 73.56, 6.17, -12.76

 

CMYK 7 / 8 / 0 / 13

HEX #CDCBDD

RGB 205 203 221

HSL 246.67, 0.21%, 0.83%

LAB 82.33, 4.08, -8.67

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 0 / 19 / 6 / 26

HEX #BC99B0

RGB 188 153 176

HSL 320.57, 0.21%, 0.67%

LAB 66.98, 16.91, -7.03

 

CMYK 14 / 0 / 19 / 26

HEX #A2BC99

RGB 162 188 153

HSL 104.57, 0.21%, 0.67%

LAB 73.51, -15.45, 14.8

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 0 / 16 / 19 / 26

HEX #BC9D99

RGB 188 157 153

HSL 6.86, 0.21%, 0.67%

LAB 67.36, 10.8, 6.37

 

CMYK 19 / 0 / 16 / 26

HEX #99BC9D

RGB 153 188 157

HSL 126.86, 0.21%, 0.67%

LAB 73.01, -17.89, 11.84

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 0 / 19 / 6 / 26

HEX #BC99B0

RGB 188 153 176

HSL 320.57, 0.21%, 0.67%

LAB 66.98, 16.91, -7.03

 

CMYK 3 / 0 / 19 / 26

HEX #B7BC99

RGB 183 188 153

HSL 68.57, 0.21%, 0.67%

LAB 75.03, -7.78, 17.16

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 0 / 19 / 12 / 26

HEX #BC99A6

RGB 188 153 166

HSL 337.71, 0.21%, 0.67%

LAB 66.69, 15.15, -1.86

 

CMYK 3 / 0 / 19 / 26

HEX #B7BC99

RGB 183 188 153

HSL 68.57, 0.21%, 0.67%

LAB 75.03, -7.78, 17.16

 

CMYK 19 / 0 / 7 / 26

HEX #99BCAF

RGB 153 188 175

HSL 157.71, 0.21%, 0.67%

LAB 73.44, -14.41, 2.67

 

Description

Color code: HEX #9D98BC | qconv.com Color code: HEX #9D98BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 152 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 152 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 19 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 19% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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