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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D99B6 it is the complementary color #626649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D99B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D99B6 shade: #A299B1, #B3ABC4, #C4BDD7, #D5CFEA and #E6E1FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D99B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D99B6 shade: #9D99B6, #8C87A3, #7B7590, #6A637D and #59516A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D99B6 shade: #9D99B7, #A599B7, #AD99B7, #B599B7 and #B799B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D99B6 shade: #9D99B7 and #9999B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D99B6 shade matches the following richer shades: #9D99B7, #938BC5, #897DD3, #7F6FE1 and #7561EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D99B6 shade: #9D99B7, #A7A7A9, #B1B59A, #BCC38C and #C6D17E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D99B6 shade: #99A5B7, #999DB7, #9D99B7, #A599B7 and #AD99B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D99B6 shade: #6F6994, #8681A5, #9D99B7, #B4B1C8 and #CBC9D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D99B6 shade: #9D99B6, #B799AD and #A1B799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D99B6 shade: #9D99B6, #B79D99 and #99B79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D99B6 shade: #9D99B6, #B799AD, #B3B799 and #99B7A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D99B6 shade: #9D99B6, #B799A4, #B3B799 and #99B7AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

Complementary color

CMYK 4 / 0 / 28 / 60

HEX #626649

RGB 98 102 73

HSL 68.28, 0.17%, 0.34%

LAB 42.12, -6.94, 15.92

 

CMYK 8 / 14 / 0 / 31

HEX #A299B1

RGB 162 153 177

HSL 262.5, 0.13%, 0.65%

LAB 64.67, 7.99, -11.29

 

CMYK 9 / 13 / 0 / 23

HEX #B3ABC4

RGB 179 171 196

HSL 259.2, 0.17%, 0.72%

LAB 71.35, 7.69, -11.71

 

CMYK 9 / 12 / 0 / 16

HEX #C4BDD7

RGB 196 189 215

HSL 256.15, 0.25%, 0.79%

LAB 77.9, 7.41, -12.13

 

CMYK 9 / 12 / 0 / 8

HEX #D5CFEA

RGB 213 207 234

HSL 253.33, 0.39%, 0.86%

LAB 84.34, 7.14, -12.54

 

CMYK 9 / 11 / 0 / 1

HEX #E6E1FD

RGB 230 225 253

HSL 250.71, 0.88%, 0.94%

LAB 90.67, 6.89, -12.96

 

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

CMYK 14 / 17 / 0 / 36

HEX #8C87A3

RGB 140 135 163

HSL 250.71, 0.13%, 0.58%

LAB 57.61, 7.69, -14.16

 

CMYK 15 / 19 / 0 / 44

HEX #7B7590

RGB 123 117 144

HSL 253.33, 0.11%, 0.51%

LAB 50.63, 8.04, -13.83

 

CMYK 15 / 21 / 0 / 51

HEX #6A637D

RGB 106 99 125

HSL 256.15, 0.12%, 0.44%

LAB 43.46, 8.43, -13.51

 

CMYK 16 / 24 / 0 / 58

HEX #59516A

RGB 89 81 106

HSL 259.2, 0.13%, 0.37%

LAB 36.08, 8.89, -13.21

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 10 / 16 / 0 / 28

HEX #A599B7

RGB 165 153 183

HSL 264, 0.17%, 0.66%

LAB 65.12, 10.27, -13.95

 

CMYK 5 / 16 / 0 / 28

HEX #AD99B7

RGB 173 153 183

HSL 280, 0.17%, 0.66%

LAB 65.82, 13, -12.84

 

CMYK 1 / 16 / 0 / 28

HEX #B599B7

RGB 181 153 183

HSL 296, 0.17%, 0.66%

LAB 66.54, 15.76, -11.68

 

CMYK 0 / 16 / 4 / 28

HEX #B799B0

RGB 183 153 176

HSL 314, 0.17%, 0.66%

LAB 66.51, 15.13, -7.79

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 16 / 16 / 0 / 28

HEX #9999B7

RGB 153 153 183

HSL 240, 0.17%, 0.66%

LAB 64.14, 6.26, -15.53

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 25 / 29 / 0 / 23

HEX #938BC5

RGB 147 139 197

HSL 248.28, 0.33%, 0.66%

LAB 60.52, 15.63, -28.99

 

CMYK 35 / 41 / 0 / 17

HEX #897DD3

RGB 137 125 211

HSL 248.37, 0.49%, 0.66%

LAB 56.77, 24.51, -42.8

 

CMYK 44 / 51 / 0 / 12

HEX #7F6FE1

RGB 127 111 225

HSL 248.42, 0.66%, 0.66%

LAB 53.29, 34.12, -56.27

 

CMYK 51 / 59 / 0 / 6

HEX #7561EF

RGB 117 97 239

HSL 248.45, 0.82%, 0.66%

LAB 50.17, 44.23, -69.2

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A9

RGB 167 167 169

HSL 240, 0.01%, 0.66%

LAB 68.55, 0.38, -1.04

 

CMYK 2 / 0 / 15 / 29

HEX #B1B59A

RGB 177 181 154

HSL 68.89, 0.15%, 0.66%

LAB 72.71, -6.17, 13.3

 

CMYK 4 / 0 / 28 / 24

HEX #BCC38C

RGB 188 195 140

HSL 67.64, 0.31%, 0.66%

LAB 77.05, -11.42, 26.9

 

CMYK 5 / 0 / 40 / 18

HEX #C6D17E

RGB 198 209 126

HSL 67.95, 0.47%, 0.66%

LAB 81.35, -16.39, 39.88

 

CMYK 16 / 10 / 0 / 28

HEX #99A5B7

RGB 153 165 183

HSL 216, 0.17%, 0.66%

LAB 67.35, -0.42, -10.7

 

CMYK 16 / 14 / 0 / 28

HEX #999DB7

RGB 153 157 183

HSL 232, 0.17%, 0.66%

LAB 65.2, 4.02, -13.93

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 10 / 16 / 0 / 28

HEX #A599B7

RGB 165 153 183

HSL 264, 0.17%, 0.66%

LAB 65.12, 10.27, -13.95

 

CMYK 5 / 16 / 0 / 28

HEX #AD99B7

RGB 173 153 183

HSL 280, 0.17%, 0.66%

LAB 65.82, 13, -12.84

 

CMYK 25 / 29 / 0 / 42

HEX #6F6994

RGB 111 105 148

HSL 248.37, 0.17%, 0.5%

LAB 46.47, 12.17, -22.63

 

CMYK 19 / 22 / 0 / 35

HEX #8681A5

RGB 134 129 165

HSL 248.33, 0.17%, 0.58%

LAB 55.57, 9.61, -18.45

 

CMYK 14 / 16 / 0 / 28

HEX #9D99B7

RGB 157 153 183

HSL 248, 0.17%, 0.66%

LAB 64.46, 7.58, -15.02

 

CMYK 10 / 12 / 0 / 22

HEX #B4B1C8

RGB 180 177 200

HSL 247.83, 0.17%, 0.74%

LAB 73.1, 5.56, -11.27

 

CMYK 6 / 7 / 0 / 15

HEX #CBC9D9

RGB 203 201 217

HSL 247.5, 0.17%, 0.82%

LAB 81.55, 3.7, -7.7

 

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

CMYK 0 / 16 / 5 / 28

HEX #B799AD

RGB 183 153 173

HSL 320, 0.17%, 0.66%

LAB 66.42, 14.58, -6.24

 

CMYK 12 / 0 / 16 / 28

HEX #A1B799

RGB 161 183 153

HSL 104, 0.17%, 0.66%

LAB 72.06, -13.22, 12.75

 

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

CMYK 0 / 14 / 16 / 28

HEX #B79D99

RGB 183 157 153

HSL 8, 0.17%, 0.66%

LAB 66.89, 8.91, 5.63

 

CMYK 16 / 0 / 14 / 28

HEX #99B79D

RGB 153 183 157

HSL 128, 0.17%, 0.66%

LAB 71.6, -15.32, 9.85

 

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

CMYK 0 / 16 / 5 / 28

HEX #B799AD

RGB 183 153 173

HSL 320, 0.17%, 0.66%

LAB 66.42, 14.58, -6.24

 

CMYK 2 / 0 / 16 / 28

HEX #B3B799

RGB 179 183 153

HSL 68, 0.17%, 0.66%

LAB 73.38, -6.64, 14.81

 

CMYK 16 / 0 / 11 / 28

HEX #99B7A3

RGB 153 183 163

HSL 140, 0.17%, 0.66%

LAB 71.75, -14.19, 6.78

 

CMYK 14 / 16 / 0 / 29

HEX #9D99B6

RGB 157 153 182

HSL 248.28, 0.17%, 0.66%

LAB 64.43, 7.36, -14.51

 

CMYK 0 / 16 / 10 / 28

HEX #B799A4

RGB 183 153 164

HSL 338, 0.17%, 0.66%

LAB 66.16, 12.98, -1.58

 

CMYK 2 / 0 / 16 / 28

HEX #B3B799

RGB 179 183 153

HSL 68, 0.17%, 0.66%

LAB 73.38, -6.64, 14.81

 

CMYK 16 / 0 / 6 / 28

HEX #99B7AC

RGB 153 183 172

HSL 158, 0.17%, 0.66%

LAB 71.97, -12.42, 2.18

 

Description

Color code: HEX #9D99B6 | qconv.com Color code: HEX #9D99B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 153 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 153 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 16 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 16% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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