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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D9295 it is the complementary color #626D6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D9295. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D9295 shade: #A29290, #B3A4A3, #C4B6B6, #D5C8C9 and #E6DADC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D9295. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D9295 shade: #9D9295, #8C8082, #7B6E6F, #6A5C5C and #594A49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D9295 shade: #9B9194, #9B9191 and #9B9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D9295 shade: #9B9194, #9B9196, #9B9199, #9A919B and #98919B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D9295 shade matches the following richer shades: #9B9194, #AC808C, #BD6F84, #CE5E7C and #DF4D75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D9295 shade: #9B9194, #8AA29B, #79B3A3, #68C3AB and #58D4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D9295 shade: #9B9199, #9B9196, #9B9194, #9B9191 and #9B9391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D9295 shade: #72676A, #887B7E, #9B9194, #AFA6A9 and #C2BCBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D9295 shade: #9D9295, #9B9A91 and #91989B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D9295 shade: #9D9295, #949B91 and #91949B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D9295 shade: #9D9295, #9B9A91, #919B98 and #91929B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D9295 shade: #9D9295, #999B91, #919B98 and #93919B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

Complementary color

CMYK 10 / 0 / 3 / 57

HEX #626D6A

RGB 98 109 106

HSL 163.64, 0.05%, 0.41%

LAB 45.05, -4.81, 0.25

 

CMYK 0 / 10 / 11 / 36

HEX #A29290

RGB 162 146 144

HSL 6.67, 0.09%, 0.6%

LAB 61.87, 5.58, 3.21

 

CMYK 0 / 8 / 9 / 30

HEX #B3A4A3

RGB 179 164 163

HSL 3.75, 0.1%, 0.67%

LAB 68.59, 5.26, 2.48

 

CMYK 0 / 7 / 7 / 23

HEX #C4B6B6

RGB 196 182 182

HSL 0, 0.11%, 0.74%

LAB 75.18, 4.97, 1.78

 

CMYK 0 / 6 / 6 / 16

HEX #D5C8C9

RGB 213 200 201

HSL 355.38, 0.13%, 0.81%

LAB 81.66, 4.7, 1.12

 

CMYK 0 / 5 / 4 / 10

HEX #E6DADC

RGB 230 218 220

HSL 350, 0.19%, 0.88%

LAB 88.03, 4.45, 0.48

 

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

CMYK 0 / 9 / 7 / 45

HEX #8C8082

RGB 140 128 130

HSL 350, 0.05%, 0.53%

LAB 54.68, 4.92, 0.56

 

CMYK 0 / 11 / 10 / 52

HEX #7B6E6F

RGB 123 110 111

HSL 355.38, 0.06%, 0.46%

LAB 47.64, 5.26, 1.29

 

CMYK 0 / 13 / 13 / 58

HEX #6A5C5C

RGB 106 92 92

HSL 0, 0.07%, 0.39%

LAB 40.4, 5.66, 2.08

 

CMYK 0 / 17 / 18 / 65

HEX #594A49

RGB 89 74 73

HSL 3.75, 0.1%, 0.32%

LAB 32.92, 6.13, 2.95

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 0 / 6 / 3 / 39

HEX #9B9196

RGB 155 145 150

HSL 330, 0.05%, 0.59%

LAB 61.15, 4.63, -1.32

 

CMYK 0 / 6 / 1 / 39

HEX #9B9199

RGB 155 145 153

HSL 312, 0.05%, 0.59%

LAB 61.24, 5.2, -2.9

 

CMYK 1 / 6 / 0 / 39

HEX #9A919B

RGB 154 145 155

HSL 294, 0.05%, 0.59%

LAB 61.21, 5.23, -4.08

 

CMYK 2 / 6 / 0 / 39

HEX #98919B

RGB 152 145 155

HSL 282, 0.05%, 0.59%

LAB 61.04, 4.51, -4.36

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 0 / 26 / 19 / 33

HEX #AC808C

RGB 172 128 140

HSL 343.64, 0.21%, 0.59%

LAB 58.13, 18.86, 0.19

 

CMYK 0 / 41 / 30 / 26

HEX #BD6F84

RGB 189 111 132

HSL 343.85, 0.37%, 0.59%

LAB 55.94, 33.47, 1.88

 

CMYK 0 / 54 / 40 / 19

HEX #CE5E7C

RGB 206 94 124

HSL 343.93, 0.53%, 0.59%

LAB 54.64, 47.28, 5

 

CMYK 0 / 65 / 48 / 13

HEX #DF4D75

RGB 223 77 117

HSL 343.56, 0.7%, 0.59%

LAB 54.32, 59.64, 9.06

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 15 / 0 / 4 / 36

HEX #8AA29B

RGB 138 162 155

HSL 162.5, 0.11%, 0.59%

LAB 64.65, -9.81, 0.82

 

CMYK 32 / 0 / 9 / 30

HEX #79B3A3

RGB 121 179 163

HSL 163.45, 0.28%, 0.59%

LAB 68.71, -22.4, 2.16

 

CMYK 47 / 0 / 12 / 24

HEX #68C3AB

RGB 104 195 171

HSL 164.18, 0.43%, 0.59%

LAB 72.83, -33, 3.66

 

CMYK 58 / 0 / 16 / 17

HEX #58D4B2

RGB 88 212 178

HSL 163.55, 0.59%, 0.59%

LAB 77.51, -42.61, 6.55

 

CMYK 0 / 6 / 1 / 39

HEX #9B9199

RGB 155 145 153

HSL 312, 0.05%, 0.59%

LAB 61.24, 5.2, -2.9

 

CMYK 0 / 6 / 3 / 39

HEX #9B9196

RGB 155 145 150

HSL 330, 0.05%, 0.59%

LAB 61.15, 4.63, -1.32

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 0 / 6 / 6 / 39

HEX #9B9191

RGB 155 145 145

HSL 0, 0.05%, 0.59%

LAB 61.01, 3.7, 1.32

 

CMYK 0 / 5 / 6 / 39

HEX #9B9391

RGB 155 147 145

HSL 12, 0.05%, 0.59%

LAB 61.55, 2.58, 2.1

 

CMYK 0 / 10 / 7 / 55

HEX #72676A

RGB 114 103 106

HSL 343.64, 0.05%, 0.43%

LAB 44.69, 4.92, -0.11

 

CMYK 0 / 10 / 7 / 47

HEX #887B7E

RGB 136 123 126

HSL 346.15, 0.05%, 0.51%

LAB 52.85, 5.53, 0.17

 

CMYK 0 / 6 / 5 / 39

HEX #9B9194

RGB 155 145 148

HSL 342, 0.05%, 0.59%

LAB 61.1, 4.25, -0.26

 

CMYK 0 / 5 / 3 / 31

HEX #AFA6A9

RGB 175 166 169

HSL 340, 0.05%, 0.67%

LAB 68.93, 3.79, -0.39

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBE

RGB 194 188 190

HSL 340, 0.05%, 0.75%

LAB 76.77, 2.47, -0.27

 

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

CMYK 0 / 1 / 6 / 39

HEX #9B9A91

RGB 155 154 145

HSL 54, 0.05%, 0.59%

LAB 63.45, -1.31, 4.84

 

CMYK 6 / 2 / 0 / 39

HEX #91989B

RGB 145 152 155

HSL 198, 0.05%, 0.59%

LAB 62.37, -1.91, -2.45

 

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

CMYK 5 / 0 / 6 / 39

HEX #949B91

RGB 148 155 145

HSL 102, 0.05%, 0.59%

LAB 63.16, -4.44, 4.36

 

CMYK 6 / 5 / 0 / 39

HEX #91949B

RGB 145 148 155

HSL 222, 0.05%, 0.59%

LAB 61.28, 0.32, -4.07

 

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

CMYK 0 / 1 / 6 / 39

HEX #9B9A91

RGB 155 154 145

HSL 54, 0.05%, 0.59%

LAB 63.45, -1.31, 4.84

 

CMYK 6 / 0 / 2 / 39

HEX #919B98

RGB 145 155 152

HSL 162, 0.05%, 0.59%

LAB 63.12, -4.17, 0.33

 

CMYK 6 / 6 / 0 / 39

HEX #91929B

RGB 145 146 155

HSL 234, 0.05%, 0.59%

LAB 60.73, 1.44, -4.87

 

CMYK 0 / 7 / 5 / 38

HEX #9D9295

RGB 157 146 149

HSL 343.64, 0.05%, 0.59%

LAB 61.56, 4.62, -0.13

 

CMYK 1 / 0 / 6 / 39

HEX #999B91

RGB 153 155 145

HSL 72, 0.05%, 0.59%

LAB 63.56, -2.6, 4.98

 

CMYK 6 / 0 / 2 / 39

HEX #919B98

RGB 145 155 152

HSL 162, 0.05%, 0.59%

LAB 63.12, -4.17, 0.33

 

CMYK 5 / 6 / 0 / 39

HEX #93919B

RGB 147 145 155

HSL 252, 0.05%, 0.59%

LAB 60.62, 2.72, -5.02

 

Description

Color code: HEX #9D9295 | qconv.com Color code: HEX #9D9295 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 146 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 146 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 5 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 5% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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