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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA493 it is the complementary color #625B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA493 shade: #A2A48E, #B3B6A1, #C4C8B4, #D5DAC7 and #E6ECDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA493 shade: #9DA493, #8C9280, #7B806D, #6A6E5A and #595C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA493 shade: #9DA492, #A1A492, #A4A292, #A49D92 and #A49892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA493 shade: #9DA492, #98A492, #93A492, #92A496 and #92A49B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA493 shade matches the following richer shades: #9DA492, #9FB482, #A2C472, #A5D462 and #A8E452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA493 shade: #9DA492, #9A94A2, #9784B2, #9474C2 and #9164D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA493 shade: #A4A292, #A2A492, #9DA492, #98A492 and #93A492

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA493 shade: #747C68, #88917C, #9DA492, #B1B7A9 and #C5CABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA493 shade: #9DA493, #92A49D and #A492A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA493 shade: #9DA493, #929DA4 and #A4929D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA493 shade: #9DA493, #92A49D, #9992A4 and #A49299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA493 shade: #9DA493, #92A4A2, #9992A4 and #A49294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

Complementary color

CMYK 9 / 16 / 0 / 58

HEX #625B6C

RGB 98 91 108

HSL 264.71, 0.09%, 0.39%

LAB 39.85, 6.45, -8.66

 

CMYK 1 / 0 / 13 / 36

HEX #A2A48E

RGB 162 164 142

HSL 65.45, 0.11%, 0.6%

LAB 66.66, -4.67, 11.18

 

CMYK 2 / 0 / 12 / 29

HEX #B3B6A1

RGB 179 182 161

HSL 68.57, 0.13%, 0.67%

LAB 73.29, -4.8, 10.33

 

CMYK 2 / 0 / 10 / 22

HEX #C4C8B4

RGB 196 200 180

HSL 72, 0.15%, 0.75%

LAB 79.81, -4.92, 9.53

 

CMYK 2 / 0 / 9 / 15

HEX #D5DAC7

RGB 213 218 199

HSL 75.79, 0.2%, 0.82%

LAB 86.21, -5.03, 8.76

 

CMYK 3 / 0 / 8 / 7

HEX #E6ECDA

RGB 230 236 218

HSL 80, 0.32%, 0.89%

LAB 92.52, -5.14, 8.02

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 4 / 0 / 12 / 43

HEX #8C9280

RGB 140 146 128

HSL 80, 0.08%, 0.54%

LAB 59.61, -5.58, 8.8

 

CMYK 4 / 0 / 15 / 50

HEX #7B806D

RGB 123 128 109

HSL 75.79, 0.08%, 0.46%

LAB 52.68, -5.49, 9.69

 

CMYK 4 / 0 / 18 / 57

HEX #6A6E5A

RGB 106 110 90

HSL 72, 0.1%, 0.39%

LAB 45.57, -5.39, 10.66

 

CMYK 3 / 0 / 23 / 64

HEX #595C47

RGB 89 92 71

HSL 68.57, 0.13%, 0.32%

LAB 38.26, -5.26, 11.72

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 2 / 0 / 11 / 36

HEX #A1A492

RGB 161 164 146

HSL 70, 0.09%, 0.61%

LAB 66.67, -4.36, 8.97

 

CMYK 0 / 1 / 11 / 36

HEX #A4A292

RGB 164 162 146

HSL 53.33, 0.09%, 0.61%

LAB 66.37, -2.16, 8.58

 

CMYK 0 / 4 / 11 / 36

HEX #A49D92

RGB 164 157 146

HSL 36.67, 0.09%, 0.61%

LAB 65.03, 0.58, 6.65

 

CMYK 0 / 7 / 11 / 36

HEX #A49892

RGB 164 152 146

HSL 20, 0.09%, 0.61%

LAB 63.69, 3.34, 4.73

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 7 / 0 / 11 / 36

HEX #98A492

RGB 152 164 146

HSL 100, 0.09%, 0.61%

LAB 65.98, -7.68, 7.89

 

CMYK 10 / 0 / 11 / 36

HEX #93A492

RGB 147 164 146

HSL 116.67, 0.09%, 0.61%

LAB 65.62, -9.49, 7.32

 

CMYK 11 / 0 / 9 / 36

HEX #92A496

RGB 146 164 150

HSL 133.33, 0.09%, 0.61%

LAB 65.64, -9.09, 5.12

 

CMYK 11 / 0 / 5 / 36

HEX #92A49B

RGB 146 164 155

HSL 150, 0.09%, 0.61%

LAB 65.77, -8.12, 2.51

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 12 / 0 / 28 / 29

HEX #9FB482

RGB 159 180 130

HSL 85.2, 0.25%, 0.61%

LAB 70.61, -16.15, 23.17

 

CMYK 17 / 0 / 42 / 23

HEX #A2C472

RGB 162 196 114

HSL 84.88, 0.41%, 0.61%

LAB 75.06, -25.21, 37.42

 

CMYK 22 / 0 / 54 / 17

HEX #A5D462

RGB 165 212 98

HSL 84.74, 0.57%, 0.61%

LAB 79.6, -33.45, 50.78

 

CMYK 26 / 0 / 64 / 11

HEX #A8E452

RGB 168 228 82

HSL 84.66, 0.73%, 0.61%

LAB 84.18, -40.94, 62.92

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 5 / 9 / 0 / 36

HEX #9A94A2

RGB 154 148 162

HSL 265.71, 0.07%, 0.61%

LAB 62.22, 4.93, -6.56

 

CMYK 15 / 26 / 0 / 30

HEX #9784B2

RGB 151 132 178

HSL 264.78, 0.23%, 0.61%

LAB 58.32, 16.47, -21.57

 

CMYK 24 / 40 / 0 / 24

HEX #9474C2

RGB 148 116 194

HSL 264.62, 0.39%, 0.61%

LAB 54.74, 28.54, -36.27

 

CMYK 31 / 52 / 0 / 18

HEX #9164D2

RGB 145 100 210

HSL 264.55, 0.55%, 0.61%

LAB 51.6, 40.8, -50.4

 

CMYK 0 / 1 / 11 / 36

HEX #A4A292

RGB 164 162 146

HSL 53.33, 0.09%, 0.61%

LAB 66.37, -2.16, 8.58

 

CMYK 1 / 0 / 11 / 36

HEX #A2A492

RGB 162 164 146

HSL 66.67, 0.09%, 0.61%

LAB 66.75, -3.99, 9.1

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 7 / 0 / 11 / 36

HEX #98A492

RGB 152 164 146

HSL 100, 0.09%, 0.61%

LAB 65.98, -7.68, 7.89

 

CMYK 10 / 0 / 11 / 36

HEX #93A492

RGB 147 164 146

HSL 116.67, 0.09%, 0.61%

LAB 65.62, -9.49, 7.32

 

CMYK 6 / 0 / 16 / 51

HEX #747C68

RGB 116 124 104

HSL 84, 0.09%, 0.45%

LAB 50.84, -6.88, 9.92

 

CMYK 6 / 0 / 14 / 43

HEX #88917C

RGB 136 145 124

HSL 85.71, 0.09%, 0.53%

LAB 58.92, -7.26, 10.05

 

CMYK 4 / 0 / 11 / 36

HEX #9DA492

RGB 157 164 146

HSL 83.33, 0.09%, 0.61%

LAB 66.36, -5.85, 8.48

 

CMYK 3 / 0 / 8 / 28

HEX #B1B7A9

RGB 177 183 169

HSL 85.71, 0.09%, 0.69%

LAB 73.6, -4.67, 6.38

 

CMYK 2 / 0 / 5 / 21

HEX #C5CABF

RGB 197 202 191

HSL 87.27, 0.09%, 0.77%

LAB 80.67, -3.71, 4.88

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 11 / 0 / 4 / 36

HEX #92A49D

RGB 146 164 157

HSL 156.67, 0.09%, 0.61%

LAB 65.82, -7.72, 1.48

 

CMYK 0 / 11 / 0 / 36

HEX #A492A4

RGB 164 146 164

HSL 300, 0.09%, 0.61%

LAB 62.62, 10.01, -7.01

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 11 / 4 / 0 / 36

HEX #929DA4

RGB 146 157 164

HSL 203.33, 0.09%, 0.61%

LAB 64.08, -2.46, -5

 

CMYK 0 / 11 / 4 / 36

HEX #A4929D

RGB 164 146 157

HSL 323.33, 0.09%, 0.61%

LAB 62.41, 8.68, -3.35

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 11 / 0 / 4 / 36

HEX #92A49D

RGB 146 164 157

HSL 156.67, 0.09%, 0.61%

LAB 65.82, -7.72, 1.48

 

CMYK 7 / 11 / 0 / 36

HEX #9992A4

RGB 153 146 164

HSL 263.33, 0.09%, 0.61%

LAB 61.66, 6.12, -8.53

 

CMYK 0 / 11 / 7 / 36

HEX #A49299

RGB 164 146 153

HSL 336.67, 0.09%, 0.61%

LAB 62.3, 7.94, -1.25

 

CMYK 4 / 0 / 10 / 36

HEX #9DA493

RGB 157 164 147

HSL 84.71, 0.09%, 0.61%

LAB 66.39, -5.67, 7.96

 

CMYK 11 / 0 / 1 / 36

HEX #92A4A2

RGB 146 164 162

HSL 173.33, 0.09%, 0.61%

LAB 65.96, -6.7, -1.12

 

CMYK 7 / 11 / 0 / 36

HEX #9992A4

RGB 153 146 164

HSL 263.33, 0.09%, 0.61%

LAB 61.66, 6.12, -8.53

 

CMYK 0 / 11 / 10 / 36

HEX #A49294

RGB 164 146 148

HSL 353.33, 0.09%, 0.61%

LAB 62.16, 7.04, 1.38

 

Description

Color code: HEX #9DA493 | qconv.com Color code: HEX #9DA493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 164 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 164 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 10 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 10% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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