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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAC80 it is the complementary color #62537F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAC80 shade: #A2AC7B, #B3BE8E, #C4D0A1, #D5E2B4 and #E6F4C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAC80 shade: #9DAC80, #8C9A6D, #7B885A, #6A7647 and #596434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAC80 shade: #9DAC80, #A9AC80, #ACA380, #AC9780 and #AC8C80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAC80 shade: #9DAC80, #91AC80, #85AC80, #80AC87 and #80AC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAC80 shade matches the following richer shades: #9DAC80, #A2BD6F, #A8CE5E, #ADDF4D and #B2F03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAC80 shade: #9DAC80, #989B91, #928AA2, #8D79B3 and #8768C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAC80 shade: #ACA380, #A9AC80, #9DAC80, #92AC80 and #86AC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAC80 shade: #748456, #8A9C67, #9DAC80, #B0BC99 and #C3CDB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAC80 shade: #9DAC80, #80AC97 and #A980AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAC80 shade: #9DAC80, #809DAC and #AC809D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAC80 shade: #9DAC80, #80AC97, #8F80AC and #AC8094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAC80 shade: #9DAC80, #80ACA5, #8F80AC and #AC8087

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

Complementary color

CMYK 23 / 35 / 0 / 50

HEX #62537F

RGB 98 83 127

HSL 260.45, 0.21%, 0.41%

LAB 38.4, 16.07, -22.56

 

CMYK 6 / 0 / 28 / 33

HEX #A2AC7B

RGB 162 172 123

HSL 72.24, 0.23%, 0.58%

LAB 68.47, -11.88, 24.09

 

CMYK 6 / 0 / 25 / 25

HEX #B3BE8E

RGB 179 190 142

HSL 73.75, 0.27%, 0.65%

LAB 75.05, -11.98, 23.03

 

CMYK 6 / 0 / 23 / 18

HEX #C4D0A1

RGB 196 208 161

HSL 75.32, 0.33%, 0.72%

LAB 81.52, -12.06, 22.02

 

CMYK 6 / 0 / 20 / 11

HEX #D5E2B4

RGB 213 226 180

HSL 76.96, 0.44%, 0.8%

LAB 87.89, -12.13, 21.07

 

CMYK 6 / 0 / 18 / 4

HEX #E6F4C7

RGB 230 244 199

HSL 78.67, 0.67%, 0.87%

LAB 94.16, -12.2, 20.16

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 9 / 0 / 29 / 40

HEX #8C9A6D

RGB 140 154 109

HSL 78.67, 0.18%, 0.52%

LAB 61.47, -13.02, 22.02

 

CMYK 10 / 0 / 34 / 47

HEX #7B885A

RGB 123 136 90

HSL 76.96, 0.2%, 0.44%

LAB 54.61, -12.95, 23.18

 

CMYK 10 / 0 / 40 / 54

HEX #6A7647

RGB 106 118 71

HSL 75.32, 0.25%, 0.37%

LAB 47.59, -12.85, 24.41

 

CMYK 11 / 0 / 48 / 61

HEX #596434

RGB 89 100 52

HSL 73.75, 0.32%, 0.3%

LAB 40.39, -12.67, 25.72

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 2 / 0 / 26 / 33

HEX #A9AC80

RGB 169 172 128

HSL 64.09, 0.21%, 0.59%

LAB 69.11, -8.44, 22.34

 

CMYK 0 / 5 / 26 / 33

HEX #ACA380

RGB 172 163 128

HSL 47.73, 0.21%, 0.59%

LAB 66.92, -2.45, 19.39

 

CMYK 0 / 12 / 26 / 33

HEX #AC9780

RGB 172 151 128

HSL 31.36, 0.21%, 0.59%

LAB 63.72, 4.11, 14.98

 

CMYK 0 / 19 / 26 / 33

HEX #AC8C80

RGB 172 140 128

HSL 16.36, 0.21%, 0.59%

LAB 60.86, 10.24, 10.97

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 16 / 0 / 26 / 33

HEX #91AC80

RGB 145 172 128

HSL 96.82, 0.21%, 0.59%

LAB 67.34, -17.56, 19.64

 

CMYK 23 / 0 / 26 / 33

HEX #85AC80

RGB 133 172 128

HSL 113.18, 0.21%, 0.59%

LAB 66.56, -21.89, 18.44

 

CMYK 26 / 0 / 22 / 33

HEX #80AC87

RGB 128 172 135

HSL 129.55, 0.21%, 0.59%

LAB 66.4, -22.37, 14.34

 

CMYK 26 / 0 / 15 / 33

HEX #80AC92

RGB 128 172 146

HSL 144.55, 0.21%, 0.59%

LAB 66.65, -20.25, 8.63

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 14 / 0 / 41 / 26

HEX #A2BD6F

RGB 162 189 111

HSL 80.77, 0.37%, 0.59%

LAB 73.04, -22.14, 36.38

 

CMYK 18 / 0 / 54 / 19

HEX #A8CE5E

RGB 168 206 94

HSL 80.36, 0.53%, 0.59%

LAB 78.04, -29.89, 50.86

 

CMYK 22 / 0 / 65 / 13

HEX #ADDF4D

RGB 173 223 77

HSL 80.55, 0.7%, 0.59%

LAB 83.02, -37.21, 63.76

 

CMYK 26 / 0 / 75 / 6

HEX #B2F03C

RGB 178 240 60

HSL 80.67, 0.86%, 0.59%

LAB 88.02, -43.84, 74.83

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 2 / 0 / 6 / 39

HEX #989B91

RGB 152 155 145

HSL 78, 0.05%, 0.59%

LAB 63.48, -2.97, 4.86

 

CMYK 10 / 15 / 0 / 36

HEX #928AA2

RGB 146 138 162

HSL 260, 0.11%, 0.59%

LAB 58.88, 7.8, -11.62

 

CMYK 21 / 32 / 0 / 30

HEX #8D79B3

RGB 141 121 179

HSL 260.69, 0.28%, 0.59%

LAB 54.65, 19.88, -27.87

 

CMYK 31 / 47 / 0 / 23

HEX #8768C4

RGB 135 104 196

HSL 260.22, 0.44%, 0.59%

LAB 50.73, 32.32, -43.83

 

CMYK 0 / 5 / 26 / 33

HEX #ACA380

RGB 172 163 128

HSL 47.73, 0.21%, 0.59%

LAB 66.92, -2.45, 19.39

 

CMYK 2 / 0 / 26 / 33

HEX #A9AC80

RGB 169 172 128

HSL 64.09, 0.21%, 0.59%

LAB 69.11, -8.44, 22.34

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 15 / 0 / 26 / 33

HEX #92AC80

RGB 146 172 128

HSL 95.45, 0.21%, 0.59%

LAB 67.41, -17.19, 19.74

 

CMYK 22 / 0 / 26 / 33

HEX #86AC80

RGB 134 172 128

HSL 111.82, 0.21%, 0.59%

LAB 66.62, -21.54, 18.54

 

CMYK 12 / 0 / 35 / 48

HEX #748456

RGB 116 132 86

HSL 80.87, 0.21%, 0.43%

LAB 52.83, -14.22, 22.96

 

CMYK 12 / 0 / 34 / 39

HEX #8A9C67

RGB 138 156 103

HSL 80.38, 0.21%, 0.51%

LAB 61.79, -15.73, 25.7

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 6 / 0 / 19 / 26

HEX #B0BC99

RGB 176 188 153

HSL 80.57, 0.21%, 0.67%

LAB 74.51, -10.37, 16.34

 

CMYK 5 / 0 / 13 / 20

HEX #C3CDB2

RGB 195 205 178

HSL 82.22, 0.21%, 0.75%

LAB 81, -8.21, 12.29

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 26 / 0 / 12 / 33

HEX #80AC97

RGB 128 172 151

HSL 151.36, 0.21%, 0.59%

LAB 66.77, -19.23, 6.03

 

CMYK 2 / 26 / 0 / 33

HEX #A980AC

RGB 169 128 172

HSL 295.91, 0.21%, 0.59%

LAB 58.84, 23.54, -17.19

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 26 / 9 / 0 / 33

HEX #809DAC

RGB 128 157 172

HSL 200.45, 0.21%, 0.59%

LAB 63.08, -6.57, -11.12

 

CMYK 0 / 26 / 9 / 33

HEX #AC809D

RGB 172 128 157

HSL 320.45, 0.21%, 0.59%

LAB 58.64, 21.76, -8.85

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 26 / 0 / 12 / 33

HEX #80AC97

RGB 128 172 151

HSL 151.36, 0.21%, 0.59%

LAB 66.77, -19.23, 6.03

 

CMYK 17 / 26 / 0 / 33

HEX #8F80AC

RGB 143 128 172

HSL 260.45, 0.21%, 0.59%

LAB 56.34, 14.79, -21.22

 

CMYK 0 / 26 / 14 / 33

HEX #AC8094

RGB 172 128 148

HSL 332.73, 0.21%, 0.59%

LAB 58.37, 20.19, -4.08

 

CMYK 9 / 0 / 26 / 33

HEX #9DAC80

RGB 157 172 128

HSL 80.45, 0.21%, 0.59%

LAB 68.19, -13.06, 20.94

 

CMYK 26 / 0 / 4 / 33

HEX #80ACA5

RGB 128 172 165

HSL 170.45, 0.21%, 0.59%

LAB 67.13, -16.23, -1.2

 

CMYK 17 / 26 / 0 / 33

HEX #8F80AC

RGB 143 128 172

HSL 260.45, 0.21%, 0.59%

LAB 56.34, 14.79, -21.22

 

CMYK 0 / 26 / 22 / 33

HEX #AC8087

RGB 172 128 135

HSL 350.45, 0.21%, 0.59%

LAB 58, 18.06, 2.87

 

Description

Color code: HEX #9DAC80 | qconv.com Color code: HEX #9DAC80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 172 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 172 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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