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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAEE5 it is the complementary color #62511A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAEE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAEE5 shade: #A2AEE0, #B3C0F3, #C4D2FF, #D5E4FF and #E6F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAEE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAEE5 shade: #9DAEE5, #8C9CD2, #7B8ABF, #6A78AC and #596699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAEE5 shade: #9EAFE5, #A09EE5, #B39EE5, #C69EE5 and #DA9EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAEE5 shade: #9EAFE5 and #9E9EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAEE5 shade matches the following richer shades: #9EAFE5, #94A9EF and #8AA4F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAEE5 shade: #9EAFE5, #A8B4DB, #B2B9D1, #BCBEC7 and #C5C3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAEE5 shade: #9ED5E5, #9EC2E5, #9EB0E5, #9F9EE5 and #B29EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAEE5 shade: #5D79D3, #7D94DC, #9EAFE5, #BECAED and #DFE4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAEE5 shade: #9DAEE5, #E19EE5 and #CCE59E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAEE5 shade: #9DAEE5, #E59EB0 and #B0E59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAEE5 shade: #9DAEE5, #E19EE5, #E5D39E and #A1E59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAEE5 shade: #9DAEE5, #E59ED3, #E5D39E and #9EE5B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

Complementary color

CMYK 0 / 17 / 73 / 62

HEX #62511A

RGB 98 81 26

HSL 45.83, 0.58%, 0.24%

LAB 35.12, 0.3, 33.67

 

CMYK 28 / 22 / 0 / 12

HEX #A2AEE0

RGB 162 174 224

HSL 228.39, 0.5%, 0.76%

LAB 71.78, 6.92, -26.52

 

CMYK 26 / 21 / 0 / 5

HEX #B3C0F3

RGB 179 192 243

HSL 227.81, 0.73%, 0.83%

LAB 78.32, 6.59, -26.69

 

CMYK 23 / 18 / 0 / 0

HEX #C4D2FF

RGB 196 210 255

HSL 225.76, 1%, 0.88%

LAB 84.51, 4.7, -23.55

 

CMYK 16 / 11 / 0 / 0

HEX #D5E4FF

RGB 213 228 255

HSL 218.57, 1%, 0.92%

LAB 90.25, 0.39, -14.76

 

CMYK 10 / 4 / 0 / 0

HEX #E6F6FF

RGB 230 246 255

HSL 201.6, 1%, 0.95%

LAB 95.98, -3.53, -6.12

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 33 / 26 / 0 / 18

HEX #8C9CD2

RGB 140 156 210

HSL 226.29, 0.44%, 0.69%

LAB 64.97, 7.11, -29.43

 

CMYK 36 / 28 / 0 / 25

HEX #7B8ABF

RGB 123 138 191

HSL 226.76, 0.35%, 0.62%

LAB 58.18, 7.57, -29.37

 

CMYK 38 / 30 / 0 / 33

HEX #6A78AC

RGB 106 120 172

HSL 227.27, 0.28%, 0.55%

LAB 51.24, 8.1, -29.35

 

CMYK 42 / 33 / 0 / 40

HEX #596699

RGB 89 102 153

HSL 227.81, 0.26%, 0.47%

LAB 44.13, 8.74, -29.38

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 30 / 31 / 0 / 10

HEX #A09EE5

RGB 160 158 229

HSL 241.69, 0.58%, 0.76%

LAB 67.71, 16.55, -35.56

 

CMYK 22 / 31 / 0 / 10

HEX #B39EE5

RGB 179 158 229

HSL 257.75, 0.58%, 0.76%

LAB 69.25, 22.12, -33.05

 

CMYK 14 / 31 / 0 / 10

HEX #C69EE5

RGB 198 158 229

HSL 273.8, 0.58%, 0.76%

LAB 70.95, 27.92, -30.28

 

CMYK 5 / 31 / 0 / 10

HEX #DA9EE5

RGB 218 158 229

HSL 290.7, 0.58%, 0.76%

LAB 72.9, 34.17, -27.12

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 31 / 31 / 0 / 10

HEX #9E9EE5

RGB 158 158 229

HSL 240, 0.58%, 0.76%

LAB 67.56, 15.98, -35.8

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 38 / 29 / 0 / 6

HEX #94A9EF

RGB 148 169 239

HSL 226.15, 0.74%, 0.76%

LAB 70.11, 9.62, -37.37

 

CMYK 45 / 34 / 0 / 2

HEX #8AA4F9

RGB 138 164 249

HSL 225.95, 0.9%, 0.76%

LAB 68.6, 12.69, -45.22

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 23 / 18 / 0 / 14

HEX #A8B4DB

RGB 168 180 219

HSL 225.88, 0.41%, 0.76%

LAB 73.6, 4.23, -20.99

 

CMYK 15 / 11 / 0 / 18

HEX #B2B9D1

RGB 178 185 209

HSL 226.45, 0.25%, 0.76%

LAB 75.31, 2.44, -12.9

 

CMYK 6 / 5 / 0 / 22

HEX #BCBEC7

RGB 188 190 199

HSL 229.09, 0.09%, 0.76%

LAB 77.07, 1.03, -4.77

 

CMYK 0 / 1 / 4 / 23

HEX #C5C3BD

RGB 197 195 189

HSL 45, 0.06%, 0.76%

LAB 78.8, -0.38, 3.25

 

CMYK 31 / 7 / 0 / 10

HEX #9ED5E5

RGB 158 213 229

HSL 193.52, 0.58%, 0.76%

LAB 82.12, -13.88, -13.58

 

CMYK 31 / 15 / 0 / 10

HEX #9EC2E5

RGB 158 194 229

HSL 209.58, 0.58%, 0.76%

LAB 76.99, -3.92, -21.32

 

CMYK 31 / 23 / 0 / 10

HEX #9EB0E5

RGB 158 176 229

HSL 224.79, 0.58%, 0.76%

LAB 72.21, 5.88, -28.61

 

CMYK 31 / 31 / 0 / 10

HEX #9F9EE5

RGB 159 158 229

HSL 240.85, 0.58%, 0.76%

LAB 67.64, 16.26, -35.68

 

CMYK 22 / 31 / 0 / 10

HEX #B29EE5

RGB 178 158 229

HSL 256.9, 0.58%, 0.76%

LAB 69.17, 21.82, -33.19

 

CMYK 56 / 43 / 0 / 17

HEX #5D79D3

RGB 93 121 211

HSL 225.76, 0.57%, 0.6%

LAB 52.63, 16.27, -49.57

 

CMYK 43 / 33 / 0 / 14

HEX #7D94DC

RGB 125 148 220

HSL 225.47, 0.58%, 0.68%

LAB 62.26, 10.39, -39.27

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 20 / 15 / 0 / 7

HEX #BECAED

RGB 190 202 237

HSL 224.68, 0.57%, 0.84%

LAB 81.46, 3.15, -18.64

 

CMYK 9 / 7 / 0 / 4

HEX #DFE4F6

RGB 223 228 246

HSL 226.96, 0.56%, 0.92%

LAB 90.7, 1.73, -9.31

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 2 / 31 / 0 / 10

HEX #E19EE5

RGB 225 158 229

HSL 296.62, 0.58%, 0.76%

LAB 73.62, 36.38, -25.95

 

CMYK 11 / 0 / 31 / 10

HEX #CCE59E

RGB 204 229 158

HSL 81.13, 0.58%, 0.76%

LAB 87.65, -20.03, 31.97

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 0 / 31 / 23 / 10

HEX #E59EB0

RGB 229 158 176

HSL 344.79, 0.58%, 0.76%

LAB 72.39, 28.92, 1.41

 

CMYK 23 / 0 / 31 / 10

HEX #B0E59E

RGB 176 229 158

HSL 104.79, 0.58%, 0.76%

LAB 85.87, -29.93, 29.28

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 2 / 31 / 0 / 10

HEX #E19EE5

RGB 225 158 229

HSL 296.62, 0.58%, 0.76%

LAB 73.62, 36.38, -25.95

 

CMYK 0 / 8 / 31 / 10

HEX #E5D39E

RGB 229 211 158

HSL 44.79, 0.58%, 0.76%

LAB 84.85, -1.59, 28.55

 

CMYK 30 / 0 / 31 / 10

HEX #A1E59E

RGB 161 229 158

HSL 117.46, 0.58%, 0.76%

LAB 85.04, -34.9, 28.01

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 0 / 31 / 8 / 10

HEX #E59ED3

RGB 229 158 211

HSL 315.21, 0.58%, 0.76%

LAB 73.43, 34.45, -16.36

 

CMYK 0 / 8 / 31 / 10

HEX #E5D39E

RGB 229 211 158

HSL 44.79, 0.58%, 0.76%

LAB 84.85, -1.59, 28.55

 

CMYK 31 / 0 / 23 / 10

HEX #9EE5B0

RGB 158 229 176

HSL 135.21, 0.58%, 0.76%

LAB 85.22, -32.79, 18.93

 

Description

Color code: HEX #9DAEE5 | qconv.com Color code: HEX #9DAEE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 174 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 174 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 24 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 24% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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