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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DBC09 it is the complementary color #6243F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DBC09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DBC09 shade: #A2BC04, #B3CE17, #C4E02A, #D5F23D and #E6FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DBC09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DBC09 shade: #9DBC09, #8CAA00, #7B9800, #6A8600 and #597400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DBC09 shade: #9EBD08, #BDAC08, #BD7B08, #BD4A08 and #BD1A08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DBC09 shade: #9EBD08, #6DBD08, #3CBD08, #0CBD08 and #08BD36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DBC09 shade matches the following richer shades: #9EBD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DBC09 shade: #9EBD08, #94AD19, #899D29, #7F8D39 and #747D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DBC09 shade: #BD7B08, #BDAB08, #9FBD08, #6FBD08 and #3FBD08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DBC09 shade: #5C6F05, #7D9607, #9EBD08, #BFE50A and #D0F424

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DBC09 shade: #9DBC09, #08BD4B and #9308BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DBC09 shade: #9DBC09, #089FBD and #BD089F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DBC09 shade: #9DBC09, #08BD4B, #2708BD and #BD087B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DBC09 shade: #9DBC09, #08BD81, #2708BD and #BD0845

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

Complementary color

CMYK 60 / 73 / 0 / 4

HEX #6243F6

RGB 98 67 246

HSL 250.39, 0.91%, 0.61%

LAB 43.16, 59.61, -84.65

 

CMYK 14 / 0 / 98 / 26

HEX #A2BC04

RGB 162 188 4

HSL 68.48, 0.96%, 0.38%

LAB 72, -28.22, 72.34

 

CMYK 13 / 0 / 89 / 19

HEX #B3CE17

RGB 179 206 23

HSL 68.85, 0.8%, 0.45%

LAB 78.34, -29.4, 75.4

 

CMYK 13 / 0 / 81 / 12

HEX #C4E02A

RGB 196 224 42

HSL 69.23, 0.75%, 0.52%

LAB 84.59, -30.4, 77.15

 

CMYK 12 / 0 / 75 / 5

HEX #D5F23D

RGB 213 242 61

HSL 69.61, 0.87%, 0.59%

LAB 90.77, -31.23, 77.89

 

CMYK 10 / 0 / 69 / 0

HEX #E6FF50

RGB 230 255 80

HSL 68.57, 1%, 0.66%

LAB 95.55, -29.62, 76.64

 

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

CMYK 18 / 0 / 100 / 33

HEX #8CAA00

RGB 140 170 0

HSL 70.59, 1%, 0.33%

LAB 65.22, -28.92, 67.02

 

CMYK 19 / 0 / 100 / 40

HEX #7B9800

RGB 123 152 0

HSL 71.45, 1%, 0.3%

LAB 58.67, -27.46, 61.56

 

CMYK 21 / 0 / 100 / 47

HEX #6A8600

RGB 106 134 0

HSL 72.54, 1%, 0.26%

LAB 51.97, -25.98, 55.98

 

CMYK 23 / 0 / 100 / 55

HEX #597400

RGB 89 116 0

HSL 73.97, 1%, 0.23%

LAB 45.1, -24.49, 50.27

 

CMYK 16 / 0 / 96 / 26

HEX #9EBD08

RGB 158 189 8

HSL 70.28, 0.92%, 0.39%

LAB 72.02, -30.31, 71.8

 

CMYK 0 / 9 / 96 / 26

HEX #BDAC08

RGB 189 172 8

HSL 54.36, 0.92%, 0.39%

LAB 69.71, -8.41, 71.12

 

CMYK 0 / 35 / 96 / 26

HEX #BD7B08

RGB 189 123 8

HSL 38.12, 0.92%, 0.39%

LAB 57.08, 18.15, 61.96

 

CMYK 0 / 61 / 96 / 26

HEX #BD4A08

RGB 189 74 8

HSL 21.88, 0.92%, 0.39%

LAB 46.62, 43.8, 54.95

 

CMYK 0 / 86 / 96 / 26

HEX #BD1A08

RGB 189 26 8

HSL 5.97, 0.92%, 0.39%

LAB 40.53, 60.5, 51.34

 

CMYK 16 / 0 / 96 / 26

HEX #9EBD08

RGB 158 189 8

HSL 70.28, 0.92%, 0.39%

LAB 72.02, -30.31, 71.8

 

CMYK 42 / 0 / 96 / 26

HEX #6DBD08

RGB 109 189 8

HSL 86.52, 0.92%, 0.39%

LAB 69.23, -48.95, 68.42

 

CMYK 68 / 0 / 96 / 26

HEX #3CBD08

RGB 60 189 8

HSL 102.76, 0.92%, 0.39%

LAB 67.56, -62.24, 66.37

 

CMYK 94 / 0 / 96 / 26

HEX #0CBD08

RGB 12 189 8

HSL 118.67, 0.92%, 0.39%

LAB 66.89, -68.09, 65.55

 

CMYK 96 / 0 / 71 / 26

HEX #08BD36

RGB 8 189 54

HSL 135.25, 0.92%, 0.39%

LAB 67.06, -65.86, 54.26

 

CMYK 16 / 0 / 96 / 26

HEX #9EBD08

RGB 158 189 8

HSL 70.28, 0.92%, 0.39%

LAB 72.02, -30.31, 71.8

 

CMYK 16 / 0 / 96 / 26

HEX #9EBD08

RGB 158 189 8

HSL 70.28, 0.92%, 0.39%

LAB 72.02, -30.31, 71.8

 

CMYK 14 / 0 / 86 / 32

HEX #94AD19

RGB 148 173 25

HSL 70.14, 0.75%, 0.39%

LAB 66.71, -26.5, 64.54

 

CMYK 13 / 0 / 74 / 38

HEX #899D29

RGB 137 157 41

HSL 70.34, 0.59%, 0.39%

LAB 61.3, -22.64, 54.68

 

CMYK 10 / 0 / 60 / 45

HEX #7F8D39

RGB 127 141 57

HSL 70, 0.42%, 0.39%

LAB 55.94, -17.67, 42.15

 

CMYK 7 / 0 / 42 / 51

HEX #747D49

RGB 116 125 73

HSL 70.38, 0.26%, 0.39%

LAB 50.52, -12.18, 27.21

 

CMYK 0 / 35 / 96 / 26

HEX #BD7B08

RGB 189 123 8

HSL 38.12, 0.92%, 0.39%

LAB 57.08, 18.15, 61.96

 

CMYK 0 / 10 / 96 / 26

HEX #BDAB08

RGB 189 171 8

HSL 54.03, 0.92%, 0.39%

LAB 69.44, -7.89, 70.92

 

CMYK 16 / 0 / 96 / 26

HEX #9FBD08

RGB 159 189 8

HSL 69.94, 0.92%, 0.39%

LAB 72.08, -29.89, 71.88

 

CMYK 41 / 0 / 96 / 26

HEX #6FBD08

RGB 111 189 8

HSL 85.86, 0.92%, 0.39%

LAB 69.32, -48.27, 68.53

 

CMYK 67 / 0 / 96 / 26

HEX #3FBD08

RGB 63 189 8

HSL 101.77, 0.92%, 0.39%

LAB 67.63, -61.63, 66.45

 

CMYK 17 / 0 / 95 / 56

HEX #5C6F05

RGB 92 111 5

HSL 70.75, 0.91%, 0.23%

LAB 43.73, -20.45, 48.14

 

CMYK 17 / 0 / 95 / 41

HEX #7D9607

RGB 125 150 7

HSL 70.49, 0.91%, 0.31%

LAB 58.22, -25.49, 60.2

 

CMYK 16 / 0 / 96 / 26

HEX #9EBD08

RGB 158 189 8

HSL 70.28, 0.92%, 0.39%

LAB 72.02, -30.31, 71.8

 

CMYK 17 / 0 / 96 / 10

HEX #BFE50A

RGB 191 229 10

HSL 70.41, 0.92%, 0.47%

LAB 85.57, -35.38, 83.02

 

CMYK 15 / 0 / 85 / 4

HEX #D0F424

RGB 208 244 36

HSL 70.38, 0.9%, 0.55%

LAB 90.89, -34.97, 84.13

 

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

CMYK 96 / 0 / 60 / 26

HEX #08BD4B

RGB 8 189 75

HSL 142.21, 0.92%, 0.39%

LAB 67.24, -63.57, 45.65

 

CMYK 22 / 96 / 0 / 26

HEX #9308BD

RGB 147 8 189

HSL 286.08, 0.92%, 0.39%

LAB 37.93, 71.25, -60.24

 

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

CMYK 96 / 16 / 0 / 26

HEX #089FBD

RGB 8 159 189

HSL 189.94, 0.92%, 0.39%

LAB 60.36, -23.61, -25.19

 

CMYK 0 / 96 / 16 / 26

HEX #BD089F

RGB 189 8 159

HSL 309.94, 0.92%, 0.39%

LAB 43.5, 73.55, -33.05

 

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

CMYK 96 / 0 / 60 / 26

HEX #08BD4B

RGB 8 189 75

HSL 142.21, 0.92%, 0.39%

LAB 67.24, -63.57, 45.65

 

CMYK 79 / 96 / 0 / 26

HEX #2708BD

RGB 39 8 189

HSL 250.28, 0.92%, 0.39%

LAB 24.57, 62.01, -82.72

 

CMYK 0 / 96 / 35 / 26

HEX #BD087B

RGB 189 8 123

HSL 321.88, 0.92%, 0.39%

LAB 41.88, 69.37, -13.59

 

CMYK 16 / 0 / 95 / 26

HEX #9DBC09

RGB 157 188 9

HSL 70.39, 0.91%, 0.39%

LAB 71.66, -30.24, 71.38

 

CMYK 96 / 0 / 32 / 26

HEX #08BD81

RGB 8 189 129

HSL 160.11, 0.92%, 0.39%

LAB 68.04, -54.06, 19.35

 

CMYK 79 / 96 / 0 / 26

HEX #2708BD

RGB 39 8 189

HSL 250.28, 0.92%, 0.39%

LAB 24.57, 62.01, -82.72

 

CMYK 0 / 96 / 63 / 26

HEX #BD0845

RGB 189 8 69

HSL 339.78, 0.92%, 0.39%

LAB 40.28, 65.08, 18.21

 

Description

Color code: HEX #9DBC09 | qconv.com Color code: HEX #9DBC09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 188 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 188 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 95 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 95% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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