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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DC557 it is the complementary color #623AA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DC557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DC557 shade: #A2C552, #B3D765, #C4E978, #D5FB8B and #E6FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DC557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DC557 shade: #9DC557, #8CB344, #7BA131, #6A8F1E and #597D0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DC557 shade: #9DC557, #BBC557, #C5B257, #C59457 and #C57757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DC557 shade: #9DC557, #80C557, #62C557, #57C56A and #57C588

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DC557 shade matches the following richer shades: #9DC557, #A2D745, #A7EA33 and #ACFC21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DC557 shade: #9DC557, #98B369, #93A17C, #8E8F8E and #897DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DC557 shade: #C5B157, #BCC557, #9FC557, #81C557 and #64C557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DC557 shade: #739733, #8AB63E, #9DC557, #AFD076 and #C1DA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DC557 shade: #9DC557, #57C594 and #C057C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DC557 shade: #9DC557, #579FC5 and #C5579F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DC557 shade: #9DC557, #57C594, #7E57C5 and #C55789

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DC557 shade: #9DC557, #57C5B5, #7E57C5 and #C55768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

Complementary color

CMYK 42 / 65 / 0 / 34

HEX #623AA8

RGB 98 58 168

HSL 261.82, 0.49%, 0.44%

LAB 34.9, 42.23, -53

 

CMYK 18 / 0 / 58 / 23

HEX #A2C552

RGB 162 197 82

HSL 78.26, 0.5%, 0.55%

LAB 74.97, -29.03, 52.69

 

CMYK 17 / 0 / 53 / 16

HEX #B3D765

RGB 179 215 101

HSL 78.95, 0.59%, 0.62%

LAB 81.36, -29.27, 51.69

 

CMYK 16 / 0 / 48 / 9

HEX #C4E978

RGB 196 233 120

HSL 79.65, 0.72%, 0.69%

LAB 87.66, -29.43, 50.6

 

CMYK 15 / 0 / 45 / 2

HEX #D5FB8B

RGB 213 251 139

HSL 80.36, 0.93%, 0.76%

LAB 93.89, -29.55, 49.49

 

CMYK 10 / 0 / 38 / 0

HEX #E6FF9E

RGB 230 255 158

HSL 75.46, 1%, 0.81%

LAB 96.33, -23.05, 43.66

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 22 / 0 / 62 / 30

HEX #8CB344

RGB 140 179 68

HSL 81.08, 0.45%, 0.48%

LAB 68.19, -30.29, 50.97

 

CMYK 24 / 0 / 70 / 37

HEX #7BA131

RGB 123 161 49

HSL 80.36, 0.53%, 0.41%

LAB 61.59, -29.93, 51.61

 

CMYK 26 / 0 / 79 / 44

HEX #6A8F1E

RGB 106 143 30

HSL 79.65, 0.65%, 0.34%

LAB 54.87, -29.39, 51.6

 

CMYK 29 / 0 / 91 / 51

HEX #597D0B

RGB 89 125 11

HSL 78.95, 0.84%, 0.27%

LAB 48.03, -28.58, 50.28

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 5 / 0 / 56 / 23

HEX #BBC557

RGB 187 197 87

HSL 65.45, 0.49%, 0.56%

LAB 76.79, -18.58, 52.98

 

CMYK 0 / 10 / 56 / 23

HEX #C5B257

RGB 197 178 87

HSL 49.64, 0.49%, 0.56%

LAB 72.49, -4.68, 48.28

 

CMYK 0 / 25 / 56 / 23

HEX #C59457

RGB 197 148 87

HSL 33.27, 0.49%, 0.56%

LAB 64.75, 11.45, 39.09

 

CMYK 0 / 40 / 56 / 23

HEX #C57757

RGB 197 119 87

HSL 17.45, 0.49%, 0.56%

LAB 57.8, 27.33, 30.47

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 35 / 0 / 56 / 23

HEX #80C557

RGB 128 197 87

HSL 97.64, 0.49%, 0.56%

LAB 73.03, -41.1, 47.67

 

CMYK 50 / 0 / 56 / 23

HEX #62C557

RGB 98 197 87

HSL 114, 0.49%, 0.56%

LAB 71.7, -50.47, 45.78

 

CMYK 56 / 0 / 46 / 23

HEX #57C56A

RGB 87 197 106

HSL 130.36, 0.49%, 0.56%

LAB 71.55, -50.76, 36.25

 

CMYK 56 / 0 / 31 / 23

HEX #57C588

RGB 87 197 136

HSL 146.73, 0.49%, 0.56%

LAB 72.05, -45.5, 21.32

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 25 / 0 / 68 / 16

HEX #A2D745

RGB 162 215 69

HSL 81.78, 0.65%, 0.56%

LAB 80.02, -38.32, 63.52

 

CMYK 29 / 0 / 78 / 8

HEX #A7EA33

RGB 167 234 51

HSL 81.97, 0.81%, 0.56%

LAB 85.66, -45.73, 75.05

 

CMYK 32 / 0 / 87 / 1

HEX #ACFC21

RGB 172 252 33

HSL 81.92, 0.97%, 0.56%

LAB 91.01, -52.05, 83.92

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 15 / 0 / 41 / 30

HEX #98B369

RGB 152 179 105

HSL 81.89, 0.33%, 0.56%

LAB 69.42, -21.76, 34.73

 

CMYK 9 / 0 / 23 / 37

HEX #93A17C

RGB 147 161 124

HSL 82.7, 0.16%, 0.56%

LAB 64.28, -11.71, 17.65

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 14 / 22 / 0 / 37

HEX #897DA0

RGB 137 125 160

HSL 260.57, 0.16%, 0.56%

LAB 54.58, 11.79, -17.04

 

CMYK 0 / 10 / 56 / 23

HEX #C5B157

RGB 197 177 87

HSL 49.09, 0.49%, 0.56%

LAB 72.23, -4.15, 47.97

 

CMYK 5 / 0 / 56 / 23

HEX #BCC557

RGB 188 197 87

HSL 64.91, 0.49%, 0.56%

LAB 76.87, -18.17, 53.09

 

CMYK 19 / 0 / 56 / 23

HEX #9FC557

RGB 159 197 87

HSL 80.73, 0.49%, 0.56%

LAB 74.82, -29.75, 50.21

 

CMYK 35 / 0 / 56 / 23

HEX #81C557

RGB 129 197 87

HSL 97.09, 0.49%, 0.56%

LAB 73.08, -40.76, 47.75

 

CMYK 49 / 0 / 56 / 23

HEX #64C557

RGB 100 197 87

HSL 112.91, 0.49%, 0.56%

LAB 71.78, -49.91, 45.89

 

CMYK 24 / 0 / 66 / 41

HEX #739733

RGB 115 151 51

HSL 81.6, 0.5%, 0.4%

LAB 58.05, -28.21, 46.93

 

CMYK 24 / 0 / 66 / 29

HEX #8AB63E

RGB 138 182 62

HSL 82, 0.49%, 0.48%

LAB 68.9, -32.95, 54.25

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 16 / 0 / 43 / 18

HEX #AFD076

RGB 175 208 118

HSL 82, 0.49%, 0.64%

LAB 79.35, -25.65, 41.01

 

CMYK 11 / 0 / 32 / 15

HEX #C1DA95

RGB 193 218 149

HSL 81.74, 0.48%, 0.72%

LAB 83.78, -19.88, 31.29

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 56 / 0 / 25 / 23

HEX #57C594

RGB 87 197 148

HSL 153.27, 0.49%, 0.56%

LAB 72.29, -43.03, 15.24

 

CMYK 3 / 56 / 0 / 23

HEX #C057C5

RGB 192 87 197

HSL 297.27, 0.49%, 0.56%

LAB 54.08, 57.06, -38.66

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 56 / 19 / 0 / 23

HEX #579FC5

RGB 87 159 197

HSL 200.73, 0.49%, 0.56%

LAB 62.38, -11.6, -26.41

 

CMYK 0 / 56 / 19 / 23

HEX #C5579F

RGB 197 87 159

HSL 320.73, 0.49%, 0.56%

LAB 53.16, 52.24, -17.99

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 56 / 0 / 25 / 23

HEX #57C594

RGB 87 197 148

HSL 153.27, 0.49%, 0.56%

LAB 72.29, -43.03, 15.24

 

CMYK 36 / 56 / 0 / 23

HEX #7E57C5

RGB 126 87 197

HSL 261.27, 0.49%, 0.56%

LAB 46.02, 40.09, -51.97

 

CMYK 0 / 56 / 30 / 23

HEX #C55789

RGB 197 87 137

HSL 332.73, 0.49%, 0.56%

LAB 52.39, 49.2, -6.15

 

CMYK 20 / 0 / 56 / 23

HEX #9DC557

RGB 157 197 87

HSL 81.82, 0.49%, 0.56%

LAB 74.69, -30.52, 50.03

 

CMYK 56 / 0 / 8 / 23

HEX #57C5B5

RGB 87 197 181

HSL 171.27, 0.49%, 0.56%

LAB 73.09, -35.3, -1.48

 

CMYK 36 / 56 / 0 / 23

HEX #7E57C5

RGB 126 87 197

HSL 261.27, 0.49%, 0.56%

LAB 46.02, 40.09, -51.97

 

CMYK 0 / 56 / 47 / 23

HEX #C55768

RGB 197 87 104

HSL 350.73, 0.49%, 0.56%

LAB 51.48, 45.48, 12.21

 

Description

Color code: HEX #9DC557 | qconv.com Color code: HEX #9DC557 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 197 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 197 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 56 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 56% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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