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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DD6B0 it is the complementary color #62294F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DD6B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DD6B0 shade: #A2D6AB, #B3E8BE, #C4FAD1, #D5FFE4 and #E6FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DD6B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DD6B0 shade: #9DD6B0, #8CC49D, #7BB28A, #6AA077 and #598E64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DD6B0 shade: #9DD6B0, #9DD6A1, #A9D69D, #B8D69D and #C8D69D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DD6B0 shade: #9DD6B0, #9DD6BF, #9DD6CF, #9DCED6 and #9DBFD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DD6B0 shade matches the following richer shades: #9DD6B0, #92E1AD, #87ECA9 and #7CF7A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DD6B0 shade: #9DD6B0, #A9CBB4, #B4C0B8, #BFB4BB and #CAA9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DD6B0 shade: #A9D69D, #9DD6A1, #9DD6B0, #9DD6BF and #9DD6CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DD6B0 shade: #63BE81, #80CA99, #9DD6B0, #BBE2C8 and #D8EEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DD6B0 shade: #9DD6B0, #9DB8D6 and #D69DA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DD6B0 shade: #9DD6B0, #B09DD6 and #D6B09D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DD6B0 shade: #9DD6B0, #9DB8D6, #D69DC3 and #D6BC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DD6B0 shade: #9DD6B0, #9DA7D6, #D69DC3 and #D6CC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

Complementary color

CMYK 0 / 58 / 19 / 62

HEX #62294F

RGB 98 41 79

HSL 320, 0.41%, 0.27%

LAB 26, 30.92, -11.11

 

CMYK 24 / 0 / 20 / 16

HEX #A2D6AB

RGB 162 214 171

HSL 130.38, 0.39%, 0.74%

LAB 81.13, -25.28, 15.87

 

CMYK 23 / 0 / 18 / 9

HEX #B3E8BE

RGB 179 232 190

HSL 132.45, 0.54%, 0.81%

LAB 87.49, -25.08, 14.99

 

CMYK 22 / 0 / 16 / 2

HEX #C4FAD1

RGB 196 250 209

HSL 134.44, 0.84%, 0.87%

LAB 93.76, -24.9, 14.14

 

CMYK 16 / 0 / 11 / 0

HEX #D5FFE4

RGB 213 255 228

HSL 141.43, 1%, 0.92%

LAB 96.52, -18.48, 8.45

 

CMYK 10 / 0 / 3 / 0

HEX #E6FFF7

RGB 230 255 247

HSL 160.8, 1%, 0.95%

LAB 98.06, -9.56, 1.05

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 29 / 0 / 20 / 23

HEX #8CC49D

RGB 140 196 157

HSL 138.21, 0.32%, 0.66%

LAB 74.5, -26.2, 13.84

 

CMYK 31 / 0 / 22 / 30

HEX #7BB28A

RGB 123 178 138

HSL 136.36, 0.26%, 0.59%

LAB 67.94, -26.45, 14.8

 

CMYK 34 / 0 / 26 / 37

HEX #6AA077

RGB 106 160 119

HSL 134.44, 0.22%, 0.52%

LAB 61.25, -26.72, 15.83

 

CMYK 37 / 0 / 30 / 44

HEX #598E64

RGB 89 142 100

HSL 132.45, 0.23%, 0.45%

LAB 54.44, -27, 16.95

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 0 / 25 / 16

HEX #9DD6A1

RGB 157 214 161

HSL 124.21, 0.41%, 0.73%

LAB 80.65, -28.67, 20.42

 

CMYK 21 / 0 / 27 / 16

HEX #A9D69D

RGB 169 214 157

HSL 107.37, 0.41%, 0.73%

LAB 81.27, -25.31, 23.49

 

CMYK 14 / 0 / 27 / 16

HEX #B8D69D

RGB 184 214 157

HSL 91.58, 0.41%, 0.73%

LAB 82.23, -20.03, 24.95

 

CMYK 7 / 0 / 27 / 16

HEX #C8D69D

RGB 200 214 157

HSL 74.74, 0.41%, 0.73%

LAB 83.34, -14.2, 26.65

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 0 / 11 / 16

HEX #9DD6BF

RGB 157 214 191

HSL 155.79, 0.41%, 0.73%

LAB 81.3, -23.03, 5.47

 

CMYK 27 / 0 / 3 / 16

HEX #9DD6CF

RGB 157 214 207

HSL 172.63, 0.41%, 0.73%

LAB 81.71, -19.67, -2.46

 

CMYK 27 / 4 / 0 / 16

HEX #9DCED6

RGB 157 206 214

HSL 188.42, 0.41%, 0.73%

LAB 79.71, -14.05, -9.17

 

CMYK 27 / 11 / 0 / 16

HEX #9DBFD6

RGB 157 191 214

HSL 204.21, 0.41%, 0.73%

LAB 75.63, -6.2, -15.27

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 35 / 0 / 23 / 12

HEX #92E1AD

RGB 146 225 173

HSL 140.51, 0.57%, 0.73%

LAB 83.43, -35.1, 17.91

 

CMYK 43 / 0 / 28 / 7

HEX #87ECA9

RGB 135 236 169

HSL 140.2, 0.73%, 0.73%

LAB 86.01, -43.89, 23.48

 

CMYK 50 / 0 / 33 / 3

HEX #7CF7A5

RGB 124 247 165

HSL 140, 0.88%, 0.73%

LAB 88.7, -52.1, 29.1

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 17 / 0 / 11 / 20

HEX #A9CBB4

RGB 169 203 180

HSL 139.41, 0.25%, 0.73%

LAB 78.72, -15.83, 7.72

 

CMYK 6 / 0 / 4 / 25

HEX #B4C0B8

RGB 180 192 184

HSL 140, 0.09%, 0.73%

LAB 76.6, -5.64, 2.6

 

CMYK 0 / 6 / 2 / 25

HEX #BFB4BB

RGB 191 180 187

HSL 321.82, 0.08%, 0.73%

LAB 74.39, 5.17, -2.16

 

CMYK 0 / 16 / 5 / 21

HEX #CAA9BF

RGB 202 169 191

HSL 320, 0.24%, 0.73%

LAB 72.69, 15.75, -6.74

 

CMYK 21 / 0 / 27 / 16

HEX #A9D69D

RGB 169 214 157

HSL 107.37, 0.41%, 0.73%

LAB 81.27, -25.31, 23.49

 

CMYK 27 / 0 / 25 / 16

HEX #9DD6A1

RGB 157 214 161

HSL 124.21, 0.41%, 0.73%

LAB 80.65, -28.67, 20.42

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 0 / 11 / 16

HEX #9DD6BF

RGB 157 214 191

HSL 155.79, 0.41%, 0.73%

LAB 81.3, -23.03, 5.47

 

CMYK 27 / 0 / 4 / 16

HEX #9DD6CE

RGB 157 214 206

HSL 171.58, 0.41%, 0.73%

LAB 81.68, -19.88, -1.97

 

CMYK 48 / 0 / 32 / 25

HEX #63BE81

RGB 99 190 129

HSL 139.78, 0.41%, 0.57%

LAB 70.22, -40.86, 22.63

 

CMYK 37 / 0 / 24 / 21

HEX #80CA99

RGB 128 202 153

HSL 140.27, 0.41%, 0.65%

LAB 75.53, -33.54, 17.33

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 17 / 0 / 12 / 11

HEX #BBE2C8

RGB 187 226 200

HSL 140, 0.4%, 0.81%

LAB 86.57, -17.72, 8.5

 

CMYK 9 / 0 / 6 / 7

HEX #D8EEDF

RGB 216 238 223

HSL 139.09, 0.39%, 0.89%

LAB 92.17, -9.99, 4.79

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 14 / 0 / 16

HEX #9DB8D6

RGB 157 184 214

HSL 211.58, 0.41%, 0.73%

LAB 73.74, -2.44, -18.12

 

CMYK 0 / 27 / 25 / 16

HEX #D69DA1

RGB 214 157 161

HSL 355.79, 0.41%, 0.73%

LAB 70.16, 21.8, 6.29

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 18 / 27 / 0 / 16

HEX #B09DD6

RGB 176 157 214

HSL 260, 0.41%, 0.73%

LAB 68.17, 18.35, -26.48

 

CMYK 0 / 18 / 27 / 16

HEX #D6B09D

RGB 214 176 157

HSL 20, 0.41%, 0.73%

LAB 74.69, 10.96, 14.91

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 14 / 0 / 16

HEX #9DB8D6

RGB 157 184 214

HSL 211.58, 0.41%, 0.73%

LAB 73.74, -2.44, -18.12

 

CMYK 0 / 27 / 9 / 16

HEX #D69DC3

RGB 214 157 195

HSL 320, 0.41%, 0.73%

LAB 71.11, 27.17, -11.17

 

CMYK 0 / 12 / 27 / 16

HEX #D6BC9D

RGB 214 188 157

HSL 32.63, 0.41%, 0.73%

LAB 77.7, 4.55, 19.1

 

CMYK 27 / 0 / 18 / 16

HEX #9DD6B0

RGB 157 214 176

HSL 140, 0.41%, 0.73%

LAB 80.96, -25.97, 12.94

 

CMYK 27 / 22 / 0 / 16

HEX #9DA7D6

RGB 157 167 214

HSL 229.47, 0.41%, 0.73%

LAB 69.23, 6.9, -24.99

 

CMYK 0 / 27 / 9 / 16

HEX #D69DC3

RGB 214 157 195

HSL 320, 0.41%, 0.73%

LAB 71.11, 27.17, -11.17

 

CMYK 0 / 5 / 27 / 16

HEX #D6CC9D

RGB 214 204 157

HSL 49.47, 0.41%, 0.73%

LAB 81.79, -3.83, 24.72

 

Description

Color code: HEX #9DD6B0 | qconv.com Color code: HEX #9DD6B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 214 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 214 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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