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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DDAC0 it is the complementary color #62253F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DDAC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DDAC0 shade: #A2DABB, #B3ECCE, #C4FEE1, #D5FFF4 and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DDAC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DDAC0 shade: #9DDAC0, #8CC8AD, #7BB69A, #6AA487 and #599274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DDAC0 shade: #9EDAC1, #9EDAB1, #9EDAA0, #ACDA9E and #BCDA9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DDAC0 shade: #9EDAC1, #9EDAD1, #9ED3DA, #9EC3DA and #9EB3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DDAC0 shade matches the following richer shades: #9EDAC1, #94E5C2, #89EFC4 and #7EFAC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DDAC0 shade: #9EDAC1, #A9CFBF, #B4C5BD, #BFBABC and #C9AFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DDAC0 shade: #9EDAA0, #9EDAB0, #9EDAC0, #9EDAD0 and #9ED4DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DDAC0 shade: #63C39A, #80CFAD, #9EDAC1, #BCE5D4 and #DAF1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DDAC0 shade: #9DDAC0, #9EACDA and #DAA89E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DDAC0 shade: #9DDAC0, #C09EDA and #DAC09E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DDAC0 shade: #9DDAC0, #9EACDA, #DA9EB8 and #DACC9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DDAC0 shade: #9DDAC0, #A29EDA, #DA9EB8 and #D6DA9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

Complementary color

CMYK 0 / 62 / 36 / 62

HEX #62253F

RGB 98 37 63

HSL 334.43, 0.45%, 0.26%

LAB 24.57, 30.59, -2.52

 

CMYK 26 / 0 / 14 / 15

HEX #A2DABB

RGB 162 218 187

HSL 146.79, 0.43%, 0.75%

LAB 82.6, -24.24, 9.48

 

CMYK 24 / 0 / 13 / 7

HEX #B3ECCE

RGB 179 236 206

HSL 148.42, 0.6%, 0.81%

LAB 88.94, -24.05, 8.7

 

CMYK 23 / 0 / 11 / 0

HEX #C4FEE1

RGB 196 254 225

HSL 150, 0.97%, 0.88%

LAB 95.18, -23.88, 7.94

 

CMYK 16 / 0 / 4 / 0

HEX #D5FFF4

RGB 213 255 244

HSL 164.29, 1%, 0.92%

LAB 96.9, -15.48, 0.78

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

CMYK 30 / 0 / 14 / 22

HEX #8CC8AD

RGB 140 200 173

HSL 153, 0.35%, 0.67%

LAB 76.01, -25, 7.37

 

CMYK 32 / 0 / 15 / 29

HEX #7BB69A

RGB 123 182 154

HSL 151.53, 0.29%, 0.6%

LAB 69.47, -25.23, 8.21

 

CMYK 35 / 0 / 18 / 36

HEX #6AA487

RGB 106 164 135

HSL 150, 0.24%, 0.53%

LAB 62.81, -25.48, 9.11

 

CMYK 39 / 0 / 21 / 43

HEX #599274

RGB 89 146 116

HSL 148.42, 0.24%, 0.46%

LAB 56.03, -25.75, 10.09

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC1

RGB 158 218 193

HSL 155, 0.45%, 0.74%

LAB 82.52, -24.29, 6.16

 

CMYK 28 / 0 / 19 / 15

HEX #9EDAB1

RGB 158 218 177

HSL 139, 0.45%, 0.74%

LAB 82.16, -27.4, 14.11

 

CMYK 28 / 0 / 27 / 15

HEX #9EDAA0

RGB 158 218 160

HSL 122, 0.45%, 0.74%

LAB 81.81, -30.41, 22.56

 

CMYK 21 / 0 / 28 / 15

HEX #ACDA9E

RGB 172 218 158

HSL 106, 0.45%, 0.74%

LAB 82.58, -26.05, 24.79

 

CMYK 14 / 0 / 28 / 15

HEX #BCDA9E

RGB 188 218 158

HSL 90, 0.45%, 0.74%

LAB 83.6, -20.42, 26.34

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC1

RGB 158 218 193

HSL 155, 0.45%, 0.74%

LAB 82.52, -24.29, 6.16

 

CMYK 28 / 0 / 4 / 15

HEX #9EDAD1

RGB 158 218 209

HSL 171, 0.45%, 0.74%

LAB 82.92, -20.94, -1.75

 

CMYK 28 / 3 / 0 / 15

HEX #9ED3DA

RGB 158 211 218

HSL 187, 0.45%, 0.74%

LAB 81.25, -15.41, -9.01

 

CMYK 28 / 11 / 0 / 15

HEX #9EC3DA

RGB 158 195 218

HSL 203, 0.45%, 0.74%

LAB 76.9, -7.09, -15.52

 

CMYK 28 / 18 / 0 / 15

HEX #9EB3DA

RGB 158 179 218

HSL 219, 0.45%, 0.74%

LAB 72.61, 1.53, -22.01

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC1

RGB 158 218 193

HSL 155, 0.45%, 0.74%

LAB 82.52, -24.29, 6.16

 

CMYK 35 / 0 / 15 / 10

HEX #94E5C2

RGB 148 229 194

HSL 154.07, 0.61%, 0.74%

LAB 85.11, -32.29, 9.29

 

CMYK 43 / 0 / 18 / 6

HEX #89EFC4

RGB 137 239 196

HSL 154.71, 0.76%, 0.74%

LAB 87.5, -39.44, 11.58

 

CMYK 50 / 0 / 21 / 2

HEX #7EFAC5

RGB 126 250 197

HSL 154.35, 0.93%, 0.74%

LAB 90.25, -46.76, 14.9

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC1

RGB 158 218 193

HSL 155, 0.45%, 0.74%

LAB 82.52, -24.29, 6.16

 

CMYK 18 / 0 / 8 / 19

HEX #A9CFBF

RGB 169 207 191

HSL 154.74, 0.28%, 0.74%

LAB 80.08, -15.75, 3.79

 

CMYK 9 / 0 / 4 / 23

HEX #B4C5BD

RGB 180 197 189

HSL 151.76, 0.13%, 0.74%

LAB 78.06, -7.32, 2.02

 

CMYK 0 / 3 / 2 / 25

HEX #BFBABC

RGB 191 186 188

HSL 336, 0.04%, 0.74%

LAB 75.96, 2.12, -0.4

 

CMYK 0 / 13 / 7 / 21

HEX #C9AFBA

RGB 201 175 186

HSL 334.62, 0.19%, 0.74%

LAB 73.95, 11.24, -2.15

 

CMYK 28 / 0 / 27 / 15

HEX #9EDAA0

RGB 158 218 160

HSL 122, 0.45%, 0.74%

LAB 81.81, -30.41, 22.56

 

CMYK 28 / 0 / 19 / 15

HEX #9EDAB0

RGB 158 218 176

HSL 138, 0.45%, 0.74%

LAB 82.13, -27.58, 14.61

 

CMYK 28 / 0 / 12 / 15

HEX #9EDAC0

RGB 158 218 192

HSL 154, 0.45%, 0.74%

LAB 82.5, -24.49, 6.66

 

CMYK 28 / 0 / 5 / 15

HEX #9EDAD0

RGB 158 218 208

HSL 170, 0.45%, 0.74%

LAB 82.9, -21.15, -1.25

 

CMYK 28 / 3 / 0 / 15

HEX #9ED4DA

RGB 158 212 218

HSL 186, 0.45%, 0.74%

LAB 81.52, -15.92, -8.61

 

CMYK 49 / 0 / 21 / 24

HEX #63C39A

RGB 99 195 154

HSL 154.38, 0.44%, 0.58%

LAB 72.24, -38.05, 11.99

 

CMYK 38 / 0 / 16 / 19

HEX #80CFAD

RGB 128 207 173

HSL 154.18, 0.45%, 0.66%

LAB 77.42, -31.89, 9.3

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC1

RGB 158 218 193

HSL 155, 0.45%, 0.74%

LAB 82.52, -24.29, 6.16

 

CMYK 18 / 0 / 7 / 10

HEX #BCE5D4

RGB 188 229 212

HSL 155.12, 0.44%, 0.82%

LAB 87.72, -16.62, 3.87

 

CMYK 10 / 0 / 4 / 5

HEX #DAF1E7

RGB 218 241 231

HSL 153.91, 0.45%, 0.9%

LAB 93.27, -9.38, 2.25

 

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

CMYK 28 / 21 / 0 / 15

HEX #9EACDA

RGB 158 172 218

HSL 226, 0.45%, 0.74%

LAB 70.76, 5.39, -24.84

 

CMYK 0 / 23 / 28 / 15

HEX #DAA89E

RGB 218 168 158

HSL 10, 0.45%, 0.74%

LAB 73.14, 16.93, 12.24

 

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

CMYK 12 / 28 / 0 / 15

HEX #C09EDA

RGB 192 158 218

HSL 274, 0.45%, 0.74%

LAB 69.98, 23.71, -25.78

 

CMYK 0 / 12 / 28 / 15

HEX #DAC09E

RGB 218 192 158

HSL 34, 0.45%, 0.74%

LAB 79.08, 4.11, 20.54

 

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

CMYK 28 / 21 / 0 / 15

HEX #9EACDA

RGB 158 172 218

HSL 226, 0.45%, 0.74%

LAB 70.76, 5.39, -24.84

 

CMYK 0 / 28 / 16 / 15

HEX #DA9EB8

RGB 218 158 184

HSL 334, 0.45%, 0.74%

LAB 71.43, 26.2, -4.56

 

CMYK 0 / 6 / 28 / 15

HEX #DACC9E

RGB 218 204 158

HSL 46, 0.45%, 0.74%

LAB 82.14, -2.17, 24.73

 

CMYK 28 / 0 / 12 / 15

HEX #9DDAC0

RGB 157 218 192

HSL 154.43, 0.45%, 0.74%

LAB 82.44, -24.79, 6.57

 

CMYK 26 / 28 / 0 / 15

HEX #A29EDA

RGB 162 158 218

HSL 244, 0.45%, 0.74%

LAB 67.42, 14.42, -29.93

 

CMYK 0 / 28 / 16 / 15

HEX #DA9EB8

RGB 218 158 184

HSL 334, 0.45%, 0.74%

LAB 71.43, 26.2, -4.56

 

CMYK 2 / 0 / 28 / 15

HEX #D6DA9E

RGB 214 218 158

HSL 64, 0.45%, 0.74%

LAB 85.46, -10.86, 29.16

 

Description

Color code: HEX #9DDAC0 | qconv.com Color code: HEX #9DDAC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 218 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 218 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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