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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DDF42 it is the complementary color #6220BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DDF42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DDF42 shade: #A2DF3D, #B3F150, #C4FF63, #D5FF76 and #E6FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DDF42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DDF42 shade: #9DDF42, #8CCD2F, #7BBB1C, #6AA909 and #599700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DDF42 shade: #9DDF43, #C7DF43, #DFCC43, #DFA243 and #DF7843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DDF42 shade: #9DDF43, #73DF43, #49DF43, #43DF67 and #43DF91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DDF42 shade matches the following richer shades: #9DDF43 and #A0F031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DDF42 shade: #9DDF43, #9ACD55, #98BB66, #95A978 and #92988A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DDF42 shade: #DFCD43, #C7DF43, #9EDF43, #74DF43 and #4BDF43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DDF42 shade: #73B11E, #8AD524, #9DDF43, #B0E566 and #C2EB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DDF42 shade: #9DDF42, #43DFA3 and #DF43DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DDF42 shade: #9DDF42, #439EDF and #DF439E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DDF42 shade: #9DDF42, #43DFA3, #8443DF and #DF437F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DDF42 shade: #9DDF42, #43DFD2, #8443DF and #DF4350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

Complementary color

CMYK 48 / 83 / 0 / 26

HEX #6220BD

RGB 98 32 189

HSL 265.22, 0.71%, 0.43%

LAB 32.49, 59.62, -69.43

 

CMYK 27 / 0 / 73 / 13

HEX #A2DF3D

RGB 162 223 61

HSL 82.59, 0.72%, 0.56%

LAB 82.27, -42.34, 68.65

 

CMYK 26 / 0 / 67 / 5

HEX #B3F150

RGB 179 241 80

HSL 83.11, 0.85%, 0.63%

LAB 88.48, -42.75, 68.42

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 16 / 0 / 54 / 0

HEX #D5FF76

RGB 213 255 118

HSL 78.39, 1%, 0.73%

LAB 94.73, -33.46, 60.16

 

CMYK 10 / 0 / 46 / 0

HEX #E6FF89

RGB 230 255 137

HSL 72.71, 1%, 0.77%

LAB 96.06, -25.31, 53.36

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

CMYK 32 / 0 / 77 / 20

HEX #8CCD2F

RGB 140 205 47

HSL 84.68, 0.63%, 0.49%

LAB 75.73, -43.38, 66.48

 

CMYK 34 / 0 / 85 / 27

HEX #7BBB1C

RGB 123 187 28

HSL 84.15, 0.74%, 0.42%

LAB 69.35, -42.71, 65.51

 

CMYK 37 / 0 / 95 / 34

HEX #6AA909

RGB 106 169 9

HSL 83.63, 0.9%, 0.35%

LAB 62.89, -41.77, 63.15

 

CMYK 41 / 0 / 100 / 41

HEX #599700

RGB 89 151 0

HSL 84.64, 1%, 0.3%

LAB 56.34, -40.51, 58.91

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF43

RGB 157 223 67

HSL 85.38, 0.71%, 0.57%

LAB 82.03, -43.8, 66.22

 

CMYK 11 / 0 / 70 / 13

HEX #C7DF43

RGB 199 223 67

HSL 69.23, 0.71%, 0.57%

LAB 84.65, -27.66, 69.71

 

CMYK 0 / 9 / 70 / 13

HEX #DFCC43

RGB 223 204 67

HSL 52.69, 0.71%, 0.57%

LAB 81.44, -8.38, 67.17

 

CMYK 0 / 27 / 70 / 13

HEX #DFA243

RGB 223 162 67

HSL 36.54, 0.71%, 0.57%

LAB 70.83, 13.61, 56.36

 

CMYK 0 / 46 / 70 / 13

HEX #DF7843

RGB 223 120 67

HSL 20.38, 0.71%, 0.57%

LAB 61.24, 35.92, 46.06

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF43

RGB 157 223 67

HSL 85.38, 0.71%, 0.57%

LAB 82.03, -43.8, 66.22

 

CMYK 48 / 0 / 70 / 13

HEX #73DF43

RGB 115 223 67

HSL 101.54, 0.71%, 0.57%

LAB 80.08, -57.58, 63.61

 

CMYK 67 / 0 / 70 / 13

HEX #49DF43

RGB 73 223 67

HSL 117.69, 0.71%, 0.57%

LAB 78.81, -67.66, 61.9

 

CMYK 70 / 0 / 54 / 13

HEX #43DF67

RGB 67 223 103

HSL 133.85, 0.71%, 0.57%

LAB 79.01, -64.8, 46.82

 

CMYK 70 / 0 / 35 / 13

HEX #43DF91

RGB 67 223 145

HSL 150, 0.71%, 0.57%

LAB 79.62, -57.88, 26.8

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF43

RGB 157 223 67

HSL 85.38, 0.71%, 0.57%

LAB 82.03, -43.8, 66.22

 

CMYK 33 / 0 / 80 / 6

HEX #A0F031

RGB 160 240 49

HSL 85.13, 0.86%, 0.57%

LAB 87, -50.82, 76.69

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF43

RGB 157 223 67

HSL 85.38, 0.71%, 0.57%

LAB 82.03, -43.8, 66.22

 

CMYK 25 / 0 / 59 / 20

HEX #9ACD55

RGB 154 205 85

HSL 85.5, 0.55%, 0.57%

LAB 76.79, -35.56, 53.28

 

CMYK 19 / 0 / 45 / 27

HEX #98BB66

RGB 152 187 102

HSL 84.71, 0.38%, 0.57%

LAB 71.67, -26.07, 39.09

 

CMYK 12 / 0 / 29 / 34

HEX #95A978

RGB 149 169 120

HSL 84.49, 0.22%, 0.57%

LAB 66.61, -15.76, 23.05

 

CMYK 4 / 0 / 9 / 40

HEX #92988A

RGB 146 152 138

HSL 85.71, 0.06%, 0.57%

LAB 62, -4.83, 6.61

 

CMYK 0 / 8 / 70 / 13

HEX #DFCD43

RGB 223 205 67

HSL 53.08, 0.71%, 0.57%

LAB 81.71, -8.89, 67.43

 

CMYK 11 / 0 / 70 / 13

HEX #C7DF43

RGB 199 223 67

HSL 69.23, 0.71%, 0.57%

LAB 84.65, -27.66, 69.71

 

CMYK 29 / 0 / 70 / 13

HEX #9EDF43

RGB 158 223 67

HSL 85, 0.71%, 0.57%

LAB 82.08, -43.44, 66.3

 

CMYK 48 / 0 / 70 / 13

HEX #74DF43

RGB 116 223 67

HSL 101.15, 0.71%, 0.57%

LAB 80.12, -57.29, 63.67

 

CMYK 66 / 0 / 70 / 13

HEX #4BDF43

RGB 75 223 67

HSL 116.92, 0.71%, 0.57%

LAB 78.85, -67.28, 61.96

 

CMYK 35 / 0 / 83 / 31

HEX #73B11E

RGB 115 177 30

HSL 85.31, 0.71%, 0.41%

LAB 65.89, -41.28, 61.82

 

CMYK 35 / 0 / 83 / 16

HEX #8AD524

RGB 138 213 36

HSL 85.42, 0.71%, 0.49%

LAB 77.95, -47.95, 71.44

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF43

RGB 157 223 67

HSL 85.38, 0.71%, 0.57%

LAB 82.03, -43.8, 66.22

 

CMYK 23 / 0 / 55 / 10

HEX #B0E566

RGB 176 229 102

HSL 85.04, 0.71%, 0.65%

LAB 85.11, -36.77, 55.56

 

CMYK 17 / 0 / 41 / 8

HEX #C2EB8A

RGB 194 235 138

HSL 85.36, 0.71%, 0.73%

LAB 88.31, -29.11, 42.72

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

CMYK 70 / 0 / 27 / 13

HEX #43DFA3

RGB 67 223 163

HSL 156.92, 0.71%, 0.57%

LAB 79.96, -54.18, 17.91

 

CMYK 0 / 70 / 1 / 13

HEX #DF43DC

RGB 223 67 220

HSL 301.15, 0.71%, 0.57%

LAB 56.95, 76.29, -46.94

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

CMYK 70 / 29 / 0 / 13

HEX #439EDF

RGB 67 158 223

HSL 205, 0.71%, 0.57%

LAB 62.49, -6.16, -40.77

 

CMYK 0 / 70 / 29 / 13

HEX #DF439E

RGB 223 67 158

HSL 325, 0.71%, 0.57%

LAB 54.21, 67.68, -15.42

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

CMYK 70 / 0 / 27 / 13

HEX #43DFA3

RGB 67 223 163

HSL 156.92, 0.71%, 0.57%

LAB 79.96, -54.18, 17.91

 

CMYK 41 / 70 / 0 / 13

HEX #8443DF

RGB 132 67 223

HSL 265, 0.71%, 0.57%

LAB 44.59, 58.54, -69.18

 

CMYK 0 / 70 / 43 / 13

HEX #DF437F

RGB 223 67 127

HSL 336.92, 0.71%, 0.57%

LAB 53.21, 64.36, 1.49

 

CMYK 30 / 0 / 70 / 13

HEX #9DDF42

RGB 157 223 66

HSL 85.22, 0.71%, 0.57%

LAB 82.02, -43.87, 66.58

 

CMYK 70 / 0 / 6 / 13

HEX #43DFD2

RGB 67 223 210

HSL 175, 0.71%, 0.57%

LAB 81.08, -42.72, -5.36

 

CMYK 41 / 70 / 0 / 13

HEX #8443DF

RGB 132 67 223

HSL 265, 0.71%, 0.57%

LAB 44.59, 58.54, -69.18

 

CMYK 0 / 70 / 64 / 13

HEX #DF4350

RGB 223 67 80

HSL 355, 0.71%, 0.57%

LAB 52.15, 60.77, 28.13

 

Description

Color code: HEX #9DDF42 | qconv.com Color code: HEX #9DDF42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 223 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 223 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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