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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DE99A it is the complementary color #621665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DE99A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DE99A shade: #A2E995, #B3FBA8, #C4FFBB, #D5FFCE and #E6FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DE99A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DE99A shade: #9DE99A, #8CD787, #7BC574, #6AB361 and #59A14E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DE99A shade: #9DE89A, #B2E89A, #C7E89A, #DCE89A and #E8DF9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DE99A shade: #9DE89A, #9AE8AC, #9AE8C1, #9AE8D7 and #9AE5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DE99A shade matches the following richer shades: #9DE89A, #94F290 and #8BFC86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DE99A shade: #9DE89A, #A6DFA4, #AFD5AE, #B9CBB8 and #C2C1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DE99A shade: #C8E89A, #B3E89A, #9EE89A, #9AE8AB and #9AE8C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DE99A shade: #5BDA56, #7CE178, #9DE89A, #BEF0BC and #DFF7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DE99A shade: #9DE99A, #9ADDE8 and #E89ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DE99A shade: #9DE99A, #9A9EE8 and #E89A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DE99A shade: #9DE99A, #9ADDE8, #E59AE8 and #E8A69A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DE99A shade: #9DE99A, #9AC5E8, #E59AE8 and #E8BD9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

Complementary color

CMYK 3 / 78 / 0 / 60

HEX #621665

RGB 98 22 101

HSL 297.72, 0.64%, 0.24%

LAB 24.03, 43.54, -28.7

 

CMYK 30 / 0 / 36 / 9

HEX #A2E995

RGB 162 233 149

HSL 110.71, 0.66%, 0.75%

LAB 86.07, -37.78, 33.98

 

CMYK 29 / 0 / 33 / 2

HEX #B3FBA8

RGB 179 251 168

HSL 112.05, 0.91%, 0.82%

LAB 92.31, -37.57, 32.87

 

CMYK 23 / 0 / 27 / 0

HEX #C4FFBB

RGB 196 255 187

HSL 112.06, 1%, 0.87%

LAB 94.67, -30.95, 26.65

 

CMYK 16 / 0 / 19 / 0

HEX #D5FFCE

RGB 213 255 206

HSL 111.43, 1%, 0.9%

LAB 96.05, -22.28, 19.05

 

CMYK 10 / 0 / 12 / 0

HEX #E6FFE1

RGB 230 255 225

HSL 110, 1%, 0.94%

LAB 97.54, -13.45, 11.6

 

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

CMYK 35 / 0 / 37 / 16

HEX #8CD787

RGB 140 215 135

HSL 116.25, 0.5%, 0.69%

LAB 79.57, -38.85, 32.31

 

CMYK 38 / 0 / 41 / 23

HEX #7BC574

RGB 123 197 116

HSL 114.81, 0.41%, 0.61%

LAB 73.16, -39.07, 33.52

 

CMYK 41 / 0 / 46 / 30

HEX #6AB361

RGB 106 179 97

HSL 113.41, 0.35%, 0.54%

LAB 66.65, -39.24, 34.77

 

CMYK 45 / 0 / 52 / 37

HEX #59A14E

RGB 89 161 78

HSL 112.05, 0.35%, 0.47%

LAB 60.04, -39.34, 36.06

 

CMYK 32 / 0 / 34 / 9

HEX #9DE89A

RGB 157 232 154

HSL 117.69, 0.63%, 0.76%

LAB 85.61, -38.18, 30.79

 

CMYK 23 / 0 / 34 / 9

HEX #B2E89A

RGB 178 232 154

HSL 101.54, 0.63%, 0.76%

LAB 86.76, -31.24, 32.52

 

CMYK 14 / 0 / 34 / 9

HEX #C7E89A

RGB 199 232 154

HSL 85.38, 0.63%, 0.76%

LAB 88.06, -23.84, 34.48

 

CMYK 5 / 0 / 34 / 9

HEX #DCE89A

RGB 220 232 154

HSL 69.23, 0.63%, 0.76%

LAB 89.52, -16.1, 36.67

 

CMYK 0 / 4 / 34 / 9

HEX #E8DF9A

RGB 232 223 154

HSL 53.08, 0.63%, 0.76%

LAB 88.1, -7.05, 34.97

 

CMYK 32 / 0 / 34 / 9

HEX #9DE89A

RGB 157 232 154

HSL 117.69, 0.63%, 0.76%

LAB 85.61, -38.18, 30.79

 

CMYK 34 / 0 / 26 / 9

HEX #9AE8AC

RGB 154 232 172

HSL 133.85, 0.63%, 0.76%

LAB 85.79, -36.11, 21.76

 

CMYK 34 / 0 / 17 / 9

HEX #9AE8C1

RGB 154 232 193

HSL 150, 0.63%, 0.76%

LAB 86.22, -32.18, 11.43

 

CMYK 34 / 0 / 7 / 9

HEX #9AE8D7

RGB 154 232 215

HSL 166.92, 0.63%, 0.76%

LAB 86.75, -27.61, 0.65

 

CMYK 34 / 1 / 0 / 9

HEX #9AE5E8

RGB 154 229 232

HSL 182.31, 0.63%, 0.76%

LAB 86.37, -22.32, -8.84

 

CMYK 32 / 0 / 34 / 9

HEX #9DE89A

RGB 157 232 154

HSL 117.69, 0.63%, 0.76%

LAB 85.61, -38.18, 30.79

 

CMYK 39 / 0 / 40 / 5

HEX #94F290

RGB 148 242 144

HSL 117.55, 0.79%, 0.76%

LAB 87.88, -46.84, 38.71

 

CMYK 45 / 0 / 47 / 1

HEX #8BFC86

RGB 139 252 134

HSL 117.46, 0.95%, 0.76%

LAB 90.24, -54.96, 46.49

 

CMYK 32 / 0 / 34 / 9

HEX #9DE89A

RGB 157 232 154

HSL 117.69, 0.63%, 0.76%

LAB 85.61, -38.18, 30.79

 

CMYK 26 / 0 / 26 / 13

HEX #A6DFA4

RGB 166 223 164

HSL 117.97, 0.48%, 0.76%

LAB 83.74, -29.49, 23.19

 

CMYK 18 / 0 / 18 / 16

HEX #AFD5AE

RGB 175 213 174

HSL 118.46, 0.32%, 0.76%

LAB 81.71, -19.92, 15.21

 

CMYK 9 / 0 / 9 / 20

HEX #B9CBB8

RGB 185 203 184

HSL 116.84, 0.15%, 0.76%

LAB 79.89, -9.65, 7.4

 

CMYK 0 / 1 / 0 / 24

HEX #C2C1C2

RGB 194 193 194

HSL 300, 0.01%, 0.76%

LAB 78.17, 0.54, -0.39

 

CMYK 14 / 0 / 34 / 9

HEX #C8E89A

RGB 200 232 154

HSL 84.62, 0.63%, 0.76%

LAB 88.13, -23.48, 34.58

 

CMYK 23 / 0 / 34 / 9

HEX #B3E89A

RGB 179 232 154

HSL 100.77, 0.63%, 0.76%

LAB 86.82, -30.9, 32.61

 

CMYK 32 / 0 / 34 / 9

HEX #9EE89A

RGB 158 232 154

HSL 116.92, 0.63%, 0.76%

LAB 85.66, -37.86, 30.87

 

CMYK 34 / 0 / 26 / 9

HEX #9AE8AB

RGB 154 232 171

HSL 133.08, 0.63%, 0.76%

LAB 85.77, -36.28, 22.25

 

CMYK 34 / 0 / 17 / 9

HEX #9AE8C0

RGB 154 232 192

HSL 149.23, 0.63%, 0.76%

LAB 86.2, -32.38, 11.93

 

CMYK 58 / 0 / 61 / 15

HEX #5BDA56

RGB 91 218 86

HSL 117.73, 0.64%, 0.6%

LAB 77.9, -60.32, 53.35

 

CMYK 45 / 0 / 47 / 12

HEX #7CE178

RGB 124 225 120

HSL 117.71, 0.64%, 0.68%

LAB 81.56, -50.16, 42.22

 

CMYK 32 / 0 / 34 / 9

HEX #9DE89A

RGB 157 232 154

HSL 117.69, 0.63%, 0.76%

LAB 85.61, -38.18, 30.79

 

CMYK 21 / 0 / 22 / 6

HEX #BEF0BC

RGB 190 240 188

HSL 117.69, 0.63%, 0.84%

LAB 90.27, -25.68, 20.01

 

CMYK 10 / 0 / 10 / 3

HEX #DFF7DE

RGB 223 247 222

HSL 117.6, 0.61%, 0.92%

LAB 94.94, -12.34, 9.36

 

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

CMYK 34 / 5 / 0 / 9

HEX #9ADDE8

RGB 154 221 232

HSL 188.46, 0.63%, 0.76%

LAB 84.18, -18.33, -12.11

 

CMYK 0 / 34 / 19 / 9

HEX #E89ABD

RGB 232 154 189

HSL 333.08, 0.63%, 0.76%

LAB 72.19, 34.04, -6.04

 

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

CMYK 34 / 32 / 0 / 9

HEX #9A9EE8

RGB 154 158 232

HSL 236.92, 0.63%, 0.76%

LAB 67.39, 15.63, -37.74

 

CMYK 0 / 34 / 32 / 9

HEX #E89A9E

RGB 232 154 158

HSL 356.92, 0.63%, 0.76%

LAB 71.38, 29.7, 9.95

 

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

CMYK 34 / 5 / 0 / 9

HEX #9ADDE8

RGB 154 221 232

HSL 188.46, 0.63%, 0.76%

LAB 84.18, -18.33, -12.11

 

CMYK 1 / 34 / 0 / 9

HEX #E59AE8

RGB 229 154 232

HSL 297.69, 0.63%, 0.76%

LAB 73.28, 40.32, -28.08

 

CMYK 0 / 28 / 34 / 9

HEX #E8A69A

RGB 232 166 154

HSL 9.23, 0.63%, 0.76%

LAB 74.04, 22.8, 15.9

 

CMYK 33 / 0 / 34 / 9

HEX #9DE99A

RGB 157 233 154

HSL 117.72, 0.64%, 0.76%

LAB 85.9, -38.63, 31.17

 

CMYK 34 / 15 / 0 / 9

HEX #9AC5E8

RGB 154 197 232

HSL 206.92, 0.63%, 0.76%

LAB 77.66, -5.91, -21.94

 

CMYK 1 / 34 / 0 / 9

HEX #E59AE8

RGB 229 154 232

HSL 297.69, 0.63%, 0.76%

LAB 73.28, 40.32, -28.08

 

CMYK 0 / 19 / 34 / 9

HEX #E8BD9A

RGB 232 189 154

HSL 26.92, 0.63%, 0.76%

LAB 79.55, 10.56, 23.51

 

Description

Color code: HEX #9DE99A | qconv.com Color code: HEX #9DE99A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 233 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 233 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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