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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DE3DD it is the complementary color #621C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DE3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DE3DD shade: #A2E3D8, #B3F5EB, #C4FFFE, #D5FFFF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DE3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DE3DD shade: #9DE3DD, #8CD1CA, #7BBFB7, #6AADA4 and #599B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DE3DD shade: #9BE2DC, #9BE2C9, #9BE2B6, #9BE2A3 and #A7E29B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DE3DD shade: #9BE2DC, #9BD5E2, #9BC2E2, #9BAFE2 and #9B9CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DE3DD shade matches the following richer shades: #9BE2DC, #91EDE5 and #86F7ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DE3DD shade: #9BE2DC, #A5D8D4, #B0CECB, #BAC4C3 and #C4B9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DE3DD shade: #9BE2B5, #9BE2C8, #9BE2DB, #9BD7E2 and #9BC4E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DE3DD shade: #5BD0C6, #7BD9D1, #9BE2DC, #BBECE7 and #DBF5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DE3DD shade: #9DE3DD, #A29BE2 and #E2BF9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DE3DD shade: #9DE3DD, #DB9BE2 and #E2DB9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DE3DD shade: #9DE3DD, #A29BE2, #E29BA2 and #DBE29B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DE3DD shade: #9DE3DD, #B89BE2, #E29BA2 and #C6E29B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

Complementary color

CMYK 0 / 71 / 65 / 62

HEX #621C22

RGB 98 28 34

HSL 354.86, 0.56%, 0.25%

LAB 22.1, 31.96, 13.86

 

CMYK 29 / 0 / 5 / 11

HEX #A2E3D8

RGB 162 227 216

HSL 169.85, 0.54%, 0.76%

LAB 85.79, -22.71, -1.22

 

CMYK 27 / 0 / 4 / 4

HEX #B3F5EB

RGB 179 245 235

HSL 170.91, 0.77%, 0.83%

LAB 92.08, -22.57, -1.85

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFE

RGB 196 255 254

HSL 178.98, 1%, 0.88%

LAB 96.17, -18.56, -5.57

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

CMYK 33 / 0 / 3 / 18

HEX #8CD1CA

RGB 140 209 202

HSL 173.91, 0.43%, 0.68%

LAB 79.29, -23.15, -3.45

 

CMYK 36 / 0 / 4 / 25

HEX #7BBFB7

RGB 123 191 183

HSL 172.94, 0.35%, 0.62%

LAB 72.82, -23.29, -2.79

 

CMYK 39 / 0 / 5 / 32

HEX #6AADA4

RGB 106 173 164

HSL 171.94, 0.29%, 0.55%

LAB 66.24, -23.42, -2.1

 

CMYK 43 / 0 / 6 / 39

HEX #599B91

RGB 89 155 145

HSL 170.91, 0.27%, 0.48%

LAB 59.54, -23.54, -1.36

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DC

RGB 155 226 220

HSL 174.93, 0.55%, 0.75%

LAB 85.27, -23.32, -4.15

 

CMYK 31 / 0 / 11 / 11

HEX #9BE2C9

RGB 155 226 201

HSL 158.87, 0.55%, 0.75%

LAB 84.78, -27.42, 5.17

 

CMYK 31 / 0 / 19 / 11

HEX #9BE2B6

RGB 155 226 182

HSL 142.82, 0.55%, 0.75%

LAB 84.35, -31.19, 14.55

 

CMYK 31 / 0 / 28 / 11

HEX #9BE2A3

RGB 155 226 163

HSL 126.76, 0.55%, 0.75%

LAB 83.97, -34.6, 23.93

 

CMYK 26 / 0 / 31 / 11

HEX #A7E29B

RGB 167 226 155

HSL 109.86, 0.55%, 0.75%

LAB 84.47, -32.01, 28.84

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DC

RGB 155 226 220

HSL 174.93, 0.55%, 0.75%

LAB 85.27, -23.32, -4.15

 

CMYK 31 / 6 / 0 / 11

HEX #9BD5E2

RGB 155 213 226

HSL 190.99, 0.55%, 0.75%

LAB 81.86, -15.42, -12.38

 

CMYK 31 / 14 / 0 / 11

HEX #9BC2E2

RGB 155 194 226

HSL 207.04, 0.55%, 0.75%

LAB 76.71, -5.51, -20.14

 

CMYK 31 / 23 / 0 / 11

HEX #9BAFE2

RGB 155 175 226

HSL 223.1, 0.55%, 0.75%

LAB 71.64, 4.83, -27.88

 

CMYK 31 / 31 / 0 / 11

HEX #9B9CE2

RGB 155 156 226

HSL 239.15, 0.55%, 0.75%

LAB 66.7, 15.5, -35.51

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DC

RGB 155 226 220

HSL 174.93, 0.55%, 0.75%

LAB 85.27, -23.32, -4.15

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE5

RGB 145 237 229

HSL 174.78, 0.72%, 0.75%

LAB 88.09, -29.22, -4.78

 

CMYK 46 / 0 / 4 / 3

HEX #86F7ED

RGB 134 247 237

HSL 174.69, 0.88%, 0.75%

LAB 90.64, -34.66, -5.24

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DC

RGB 155 226 220

HSL 174.93, 0.55%, 0.75%

LAB 85.27, -23.32, -4.15

 

CMYK 24 / 0 / 2 / 15

HEX #A5D8D4

RGB 165 216 212

HSL 175.29, 0.4%, 0.75%

LAB 82.84, -17.22, -3.41

 

CMYK 15 / 0 / 1 / 19

HEX #B0CECB

RGB 176 206 203

HSL 174, 0.23%, 0.75%

LAB 80.56, -10.57, -1.88

 

CMYK 5 / 0 / 1 / 23

HEX #BAC4C3

RGB 186 196 195

HSL 174, 0.08%, 0.75%

LAB 78.38, -3.61, -0.7

 

CMYK 0 / 6 / 5 / 23

HEX #C4B9BA

RGB 196 185 186

HSL 354.55, 0.09%, 0.75%

LAB 76.06, 4.06, 0.88

 

CMYK 31 / 0 / 20 / 11

HEX #9BE2B5

RGB 155 226 181

HSL 141.97, 0.55%, 0.75%

LAB 84.33, -31.38, 15.04

 

CMYK 31 / 0 / 12 / 11

HEX #9BE2C8

RGB 155 226 200

HSL 158.03, 0.55%, 0.75%

LAB 84.76, -27.63, 5.67

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DB

RGB 155 226 219

HSL 174.08, 0.55%, 0.75%

LAB 85.24, -23.54, -3.66

 

CMYK 31 / 5 / 0 / 11

HEX #9BD7E2

RGB 155 215 226

HSL 189.3, 0.55%, 0.75%

LAB 82.41, -16.44, -11.56

 

CMYK 31 / 13 / 0 / 11

HEX #9BC4E2

RGB 155 196 226

HSL 205.35, 0.55%, 0.75%

LAB 77.24, -6.57, -19.33

 

CMYK 56 / 0 / 5 / 18

HEX #5BD0C6

RGB 91 208 198

HSL 174.87, 0.55%, 0.59%

LAB 76.93, -35.26, -5.01

 

CMYK 43 / 0 / 4 / 15

HEX #7BD9D1

RGB 123 217 209

HSL 174.89, 0.55%, 0.67%

LAB 80.98, -29.81, -4.79

 

CMYK 31 / 0 / 3 / 11

HEX #9BE2DC

RGB 155 226 220

HSL 174.93, 0.55%, 0.75%

LAB 85.27, -23.32, -4.15

 

CMYK 21 / 0 / 2 / 7

HEX #BBECE7

RGB 187 236 231

HSL 173.88, 0.56%, 0.83%

LAB 90.01, -16.62, -2.75

 

CMYK 11 / 0 / 1 / 4

HEX #DBF5F2

RGB 219 245 242

HSL 173.08, 0.57%, 0.91%

LAB 94.64, -9.01, -1.45

 

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

CMYK 28 / 31 / 0 / 11

HEX #A29BE2

RGB 162 155 226

HSL 245.92, 0.55%, 0.75%

LAB 66.99, 18.08, -35.02

 

CMYK 0 / 15 / 31 / 11

HEX #E2BF9B

RGB 226 191 155

HSL 30.42, 0.55%, 0.75%

LAB 79.5, 7.32, 22.82

 

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

CMYK 3 / 31 / 0 / 11

HEX #DB9BE2

RGB 219 155 226

HSL 294.08, 0.55%, 0.75%

LAB 72.22, 35.52, -26.51

 

CMYK 0 / 3 / 31 / 11

HEX #E2DB9B

RGB 226 219 155

HSL 54.08, 0.55%, 0.75%

LAB 86.6, -7.2, 32.4

 

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

CMYK 28 / 31 / 0 / 11

HEX #A29BE2

RGB 162 155 226

HSL 245.92, 0.55%, 0.75%

LAB 66.99, 18.08, -35.02

 

CMYK 0 / 31 / 28 / 11

HEX #E29BA2

RGB 226 155 162

HSL 354.08, 0.55%, 0.75%

LAB 71.02, 27.47, 7.14

 

CMYK 3 / 0 / 31 / 11

HEX #DBE29B

RGB 219 226 155

HSL 65.92, 0.55%, 0.75%

LAB 87.88, -13.37, 34

 

CMYK 31 / 0 / 3 / 11

HEX #9DE3DD

RGB 157 227 221

HSL 174.86, 0.56%, 0.75%

LAB 85.67, -23.03, -4.07

 

CMYK 19 / 31 / 0 / 11

HEX #B89BE2

RGB 184 155 226

HSL 264.51, 0.55%, 0.75%

LAB 68.84, 24.63, -32

 

CMYK 0 / 31 / 28 / 11

HEX #E29BA2

RGB 226 155 162

HSL 354.08, 0.55%, 0.75%

LAB 71.02, 27.47, 7.14

 

CMYK 12 / 0 / 31 / 11

HEX #C6E29B

RGB 198 226 155

HSL 83.66, 0.55%, 0.75%

LAB 86.39, -21.16, 31.74

 

Description

Color code: HEX #9DE3DD | qconv.com Color code: HEX #9DE3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 227 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 227 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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