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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DEE82 it is the complementary color #62117D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DEE82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DEE82 shade: #A2EE7D, #B3FF90, #C4FFA3, #D5FFB6 and #E6FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DEE82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DEE82 shade: #9DEE82, #8CDC6F, #7BCA5C, #6AB849 and #59A636

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DEE82 shade: #9CED81, #B9ED81, #D7ED81, #EDE781 and #EDCA81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DEE82 shade: #9CED81, #81ED83, #81EDA0, #81EDBE and #81EDDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DEE82 shade matches the following richer shades: #9CED81 and #96F975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DEE82 shade: #9CED81, #A2E28C, #A8D698, #ADCBA3 and #B3BFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DEE82 shade: #D6ED81, #B9ED81, #9CED81, #81ED83 and #81EDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DEE82 shade: #63E338, #7FE85D, #9CED81, #B8F2A5 and #D5F7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DEE82 shade: #9DEE82, #81EDE8 and #ED81C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DEE82 shade: #9DEE82, #819CED and #ED819C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DEE82 shade: #9DEE82, #81EDE8, #D281ED and #ED8186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DEE82 shade: #9DEE82, #81D2ED, #D281ED and #ED9C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

Complementary color

CMYK 22 / 86 / 0 / 51

HEX #62117D

RGB 98 17 125

HSL 285, 0.76%, 0.28%

LAB 25.19, 49.82, -42.28

 

CMYK 32 / 0 / 47 / 7

HEX #A2EE7D

RGB 162 238 125

HSL 100.35, 0.77%, 0.71%

LAB 87.15, -43.21, 47.15

 

CMYK 30 / 0 / 44 / 0

HEX #B3FF90

RGB 179 255 144

HSL 101.08, 1%, 0.78%

LAB 93.07, -42.66, 45.65

 

CMYK 23 / 0 / 36 / 0

HEX #C4FFA3

RGB 196 255 163

HSL 98.48, 1%, 0.82%

LAB 94.27, -34.48, 38.12

 

CMYK 16 / 0 / 29 / 0

HEX #D5FFB6

RGB 213 255 182

HSL 94.52, 1%, 0.86%

LAB 95.6, -25.99, 30.6

 

CMYK 10 / 0 / 21 / 0

HEX #E6FFC9

RGB 230 255 201

HSL 87.78, 1%, 0.89%

LAB 97.05, -17.3, 23.15

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 36 / 0 / 50 / 14

HEX #8CDC6F

RGB 140 220 111

HSL 104.04, 0.61%, 0.65%

LAB 80.69, -44.34, 45.65

 

CMYK 39 / 0 / 54 / 21

HEX #7BCA5C

RGB 123 202 92

HSL 103.09, 0.51%, 0.58%

LAB 74.33, -44.38, 46.81

 

CMYK 42 / 0 / 60 / 28

HEX #6AB849

RGB 106 184 73

HSL 102.16, 0.44%, 0.5%

LAB 67.89, -44.32, 47.9

 

CMYK 46 / 0 / 67 / 35

HEX #59A636

RGB 89 166 54

HSL 101.25, 0.51%, 0.43%

LAB 61.36, -44.1, 48.77

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 22 / 0 / 46 / 7

HEX #B9ED81

RGB 185 237 129

HSL 88.89, 0.75%, 0.72%

LAB 88.19, -34.34, 46.81

 

CMYK 9 / 0 / 46 / 7

HEX #D7ED81

RGB 215 237 129

HSL 72.22, 0.75%, 0.72%

LAB 90.14, -23.23, 49.65

 

CMYK 0 / 3 / 46 / 7

HEX #EDE781

RGB 237 231 129

HSL 56.67, 0.75%, 0.72%

LAB 90.2, -11.76, 50.1

 

CMYK 0 / 15 / 46 / 7

HEX #EDCA81

RGB 237 202 129

HSL 40.56, 0.75%, 0.72%

LAB 82.82, 2.97, 40.91

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 46 / 0 / 45 / 7

HEX #81ED83

RGB 129 237 131

HSL 121.11, 0.75%, 0.72%

LAB 85.44, -52.12, 41.8

 

CMYK 46 / 0 / 32 / 7

HEX #81EDA0

RGB 129 237 160

HSL 137.22, 0.75%, 0.72%

LAB 85.89, -47.54, 27.89

 

CMYK 46 / 0 / 20 / 7

HEX #81EDBE

RGB 129 237 190

HSL 153.89, 0.75%, 0.72%

LAB 86.48, -41.82, 13.21

 

CMYK 46 / 0 / 8 / 7

HEX #81EDDB

RGB 129 237 219

HSL 170, 0.75%, 0.72%

LAB 87.17, -35.43, -0.96

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 40 / 0 / 53 / 2

HEX #96F975

RGB 150 249 117

HSL 105, 0.92%, 0.72%

LAB 89.64, -52.61, 53.76

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 28 / 0 / 38 / 11

HEX #A2E28C

RGB 162 226 140

HSL 104.65, 0.6%, 0.72%

LAB 83.95, -35.9, 35.73

 

CMYK 21 / 0 / 29 / 16

HEX #A8D698

RGB 168 214 152

HSL 104.52, 0.43%, 0.72%

LAB 81.12, -26.44, 25.88

 

CMYK 15 / 0 / 20 / 20

HEX #ADCBA3

RGB 173 203 163

HSL 105, 0.28%, 0.72%

LAB 78.6, -17.49, 16.67

 

CMYK 6 / 0 / 8 / 25

HEX #B3BFAF

RGB 179 191 175

HSL 105, 0.11%, 0.72%

LAB 76.03, -7.11, 6.64

 

CMYK 10 / 0 / 46 / 7

HEX #D6ED81

RGB 214 237 129

HSL 72.78, 0.75%, 0.72%

LAB 90.07, -23.61, 49.55

 

CMYK 22 / 0 / 46 / 7

HEX #B9ED81

RGB 185 237 129

HSL 88.89, 0.75%, 0.72%

LAB 88.19, -34.34, 46.81

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 46 / 0 / 45 / 7

HEX #81ED83

RGB 129 237 131

HSL 121.11, 0.75%, 0.72%

LAB 85.44, -52.12, 41.8

 

CMYK 46 / 0 / 32 / 7

HEX #81EDA0

RGB 129 237 160

HSL 137.22, 0.75%, 0.72%

LAB 85.89, -47.54, 27.89

 

CMYK 56 / 0 / 75 / 11

HEX #63E338

RGB 99 227 56

HSL 104.91, 0.75%, 0.55%

LAB 80.67, -64.1, 67.8

 

CMYK 45 / 0 / 60 / 9

HEX #7FE85D

RGB 127 232 93

HSL 105.32, 0.75%, 0.64%

LAB 83.45, -55.27, 56.96

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 24 / 0 / 32 / 5

HEX #B8F2A5

RGB 184 242 165

HSL 105.19, 0.75%, 0.8%

LAB 90.05, -32.26, 31.4

 

CMYK 14 / 0 / 19 / 3

HEX #D5F7C9

RGB 213 247 201

HSL 104.35, 0.74%, 0.88%

LAB 93.83, -19.23, 18.51

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 46 / 0 / 2 / 7

HEX #81EDE8

RGB 129 237 232

HSL 177.22, 0.75%, 0.72%

LAB 87.51, -32.32, -7.27

 

CMYK 0 / 46 / 16 / 7

HEX #ED81C7

RGB 237 129 199

HSL 321.11, 0.75%, 0.72%

LAB 67.89, 50.15, -17.98

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 46 / 34 / 0 / 7

HEX #819CED

RGB 129 156 237

HSL 225, 0.75%, 0.72%

LAB 65.4, 11.65, -43.72

 

CMYK 0 / 46 / 34 / 7

HEX #ED819C

RGB 237 129 156

HSL 345, 0.75%, 0.72%

LAB 66.6, 44.27, 4.31

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 46 / 0 / 2 / 7

HEX #81EDE8

RGB 129 237 232

HSL 177.22, 0.75%, 0.72%

LAB 87.51, -32.32, -7.27

 

CMYK 11 / 46 / 0 / 7

HEX #D281ED

RGB 210 129 237

HSL 285, 0.75%, 0.72%

LAB 66.15, 48.77, -42.05

 

CMYK 0 / 46 / 43 / 7

HEX #ED8186

RGB 237 129 134

HSL 357.22, 0.75%, 0.72%

LAB 66.08, 41.82, 16

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 46 / 11 / 0 / 7

HEX #81D2ED

RGB 129 210 237

HSL 195, 0.75%, 0.72%

LAB 80.11, -17.8, -21.01

 

CMYK 11 / 46 / 0 / 7

HEX #D281ED

RGB 210 129 237

HSL 285, 0.75%, 0.72%

LAB 66.15, 48.77, -42.05

 

CMYK 0 / 34 / 46 / 7

HEX #ED9C81

RGB 237 156 129

HSL 15, 0.75%, 0.72%

LAB 71.8, 27.24, 26.57

 

Description

Color code: HEX #9DEE82 | qconv.com Color code: HEX #9DEE82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 238 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 238 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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