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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF691 it is the complementary color #62096E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF691. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF691 shade: #A2F68C, #B3FF9F, #C4FFB2, #D5FFC5 and #E6FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF691. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF691 shade: #9DF691, #8CE47E, #7BD26B, #6AC058 and #59AE45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF691 shade: #9EF692, #B9F692, #D4F692, #EFF692 and #F6E292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF691 shade: #9EF692, #92F6A1, #92F6BC, #92F6D7 and #92F6F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF691 shade matches the following richer shades: #9EF692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF691 shade: #9EF692, #A5EC9B, #ACE3A5, #B4D9AE and #BBD0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF691 shade: #D4F692, #BAF692, #9FF692, #92F69F and #92F6BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF691 shade: #5AF046, #7CF36C, #9EF692, #C0F9B8 and #E2FCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF691 shade: #9DF691, #92EFF6 and #F692C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF691 shade: #9DF691, #929FF6 and #F6929F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF691 shade: #9DF691, #92EFF6, #E892F6 and #F69992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF691 shade: #9DF691, #92D1F6, #E892F6 and #F6B792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

Complementary color

CMYK 11 / 92 / 0 / 57

HEX #62096E

RGB 98 9 110

HSL 292.87, 0.85%, 0.23%

LAB 23.4, 48.84, -35.57

 

CMYK 34 / 0 / 43 / 4

HEX #A2F68C

RGB 162 246 140

HSL 107.55, 0.85%, 0.76%

LAB 89.62, -44.78, 43.03

 

CMYK 30 / 0 / 38 / 0

HEX #B3FF9F

RGB 179 255 159

HSL 107.5, 1%, 0.81%

LAB 93.28, -40.67, 38.62

 

CMYK 23 / 0 / 30 / 0

HEX #C4FFB2

RGB 196 255 178

HSL 105.97, 1%, 0.85%

LAB 94.51, -32.33, 30.97

 

CMYK 16 / 0 / 23 / 0

HEX #D5FFC5

RGB 213 255 197

HSL 103.45, 1%, 0.89%

LAB 95.87, -23.73, 23.39

 

CMYK 10 / 0 / 15 / 0

HEX #E6FFD8

RGB 230 255 216

HSL 98.46, 1%, 0.92%

LAB 97.35, -14.95, 15.93

 

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

CMYK 39 / 0 / 45 / 11

HEX #8CE47E

RGB 140 228 126

HSL 111.76, 0.65%, 0.69%

LAB 83.21, -45.83, 41.52

 

CMYK 41 / 0 / 49 / 18

HEX #7BD26B

RGB 123 210 107

HSL 110.68, 0.53%, 0.62%

LAB 76.9, -45.95, 42.74

 

CMYK 45 / 0 / 54 / 25

HEX #6AC058

RGB 106 192 88

HSL 109.62, 0.45%, 0.55%

LAB 70.5, -45.99, 43.96

 

CMYK 49 / 0 / 60 / 32

HEX #59AE45

RGB 89 174 69

HSL 108.57, 0.43%, 0.48%

LAB 64.02, -45.89, 45.11

 

CMYK 36 / 0 / 41 / 4

HEX #9EF692

RGB 158 246 146

HSL 112.8, 0.85%, 0.77%

LAB 89.51, -45.22, 39.92

 

CMYK 25 / 0 / 41 / 4

HEX #B9F692

RGB 185 246 146

HSL 96.6, 0.85%, 0.77%

LAB 90.92, -36.38, 42.01

 

CMYK 14 / 0 / 41 / 4

HEX #D4F692

RGB 212 246 146

HSL 80.4, 0.85%, 0.77%

LAB 92.57, -26.78, 44.45

 

CMYK 3 / 0 / 41 / 4

HEX #EFF692

RGB 239 246 146

HSL 64.2, 0.85%, 0.77%

LAB 94.46, -16.67, 47.24

 

CMYK 0 / 8 / 41 / 4

HEX #F6E292

RGB 246 226 146

HSL 48, 0.85%, 0.77%

LAB 89.89, -4.04, 41.55

 

CMYK 36 / 0 / 41 / 4

HEX #9EF692

RGB 158 246 146

HSL 112.8, 0.85%, 0.77%

LAB 89.51, -45.22, 39.92

 

CMYK 41 / 0 / 35 / 4

HEX #92F6A1

RGB 146 246 161

HSL 129, 0.85%, 0.77%

LAB 89.2, -46.52, 31.95

 

CMYK 41 / 0 / 24 / 4

HEX #92F6BC

RGB 146 246 188

HSL 145.2, 0.85%, 0.77%

LAB 89.7, -41.77, 18.87

 

CMYK 41 / 0 / 13 / 4

HEX #92F6D7

RGB 146 246 215

HSL 161.4, 0.85%, 0.77%

LAB 90.29, -36.31, 5.74

 

CMYK 41 / 0 / 2 / 4

HEX #92F6F2

RGB 146 246 242

HSL 177.6, 0.85%, 0.77%

LAB 90.98, -30.21, -7.29

 

CMYK 36 / 0 / 41 / 4

HEX #9EF692

RGB 158 246 146

HSL 112.8, 0.85%, 0.77%

LAB 89.51, -45.22, 39.92

 

CMYK 36 / 0 / 41 / 4

HEX #9EF692

RGB 158 246 146

HSL 112.8, 0.85%, 0.77%

LAB 89.51, -45.22, 39.92

 

CMYK 30 / 0 / 34 / 7

HEX #A5EC9B

RGB 165 236 155

HSL 112.59, 0.68%, 0.77%

LAB 87.17, -37.27, 32.43

 

CMYK 24 / 0 / 27 / 11

HEX #ACE3A5

RGB 172 227 165

HSL 113.23, 0.53%, 0.77%

LAB 85.21, -29.24, 24.74

 

CMYK 17 / 0 / 20 / 15

HEX #B4D9AE

RGB 180 217 174

HSL 111.63, 0.36%, 0.77%

LAB 83.12, -20.2, 17.23

 

CMYK 10 / 0 / 12 / 18

HEX #BBD0B8

RGB 187 208 184

HSL 112.5, 0.2%, 0.77%

LAB 81.37, -11.53, 9.53

 

CMYK 14 / 0 / 41 / 4

HEX #D4F692

RGB 212 246 146

HSL 80.4, 0.85%, 0.77%

LAB 92.57, -26.78, 44.45

 

CMYK 24 / 0 / 41 / 4

HEX #BAF692

RGB 186 246 146

HSL 96, 0.85%, 0.77%

LAB 90.97, -36.04, 42.09

 

CMYK 35 / 0 / 41 / 4

HEX #9FF692

RGB 159 246 146

HSL 112.2, 0.85%, 0.77%

LAB 89.56, -44.91, 39.99

 

CMYK 41 / 0 / 35 / 4

HEX #92F69F

RGB 146 246 159

HSL 127.8, 0.85%, 0.77%

LAB 89.17, -46.84, 32.91

 

CMYK 41 / 0 / 24 / 4

HEX #92F6BA

RGB 146 246 186

HSL 144, 0.85%, 0.77%

LAB 89.66, -42.15, 19.85

 

CMYK 63 / 0 / 71 / 6

HEX #5AF046

RGB 90 240 70

HSL 112.94, 0.85%, 0.61%

LAB 84.45, -69.61, 66.77

 

CMYK 49 / 0 / 56 / 5

HEX #7CF36C

RGB 124 243 108

HSL 112.89, 0.85%, 0.69%

LAB 86.74, -58.78, 54.13

 

CMYK 36 / 0 / 41 / 4

HEX #9EF692

RGB 158 246 146

HSL 112.8, 0.85%, 0.77%

LAB 89.51, -45.22, 39.92

 

CMYK 23 / 0 / 26 / 2

HEX #C0F9B8

RGB 192 249 184

HSL 112.62, 0.84%, 0.85%

LAB 92.76, -29.94, 25.51

 

CMYK 10 / 0 / 12 / 1

HEX #E2FCDE

RGB 226 252 222

HSL 112, 0.83%, 0.93%

LAB 96.44, -13.82, 11.52

 

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

CMYK 41 / 3 / 0 / 4

HEX #92EFF6

RGB 146 239 246

HSL 184.2, 0.85%, 0.77%

LAB 89.16, -25.89, -12.08

 

CMYK 0 / 41 / 19 / 4

HEX #F692C7

RGB 246 146 199

HSL 328.2, 0.85%, 0.77%

LAB 72.41, 44.46, -11.07

 

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

CMYK 41 / 35 / 0 / 4

HEX #929FF6

RGB 146 159 246

HSL 232.2, 0.85%, 0.77%

LAB 67.7, 16.68, -44.97

 

CMYK 0 / 41 / 35 / 4

HEX #F6929F

RGB 246 146 159

HSL 352.2, 0.85%, 0.77%

LAB 71.32, 39.12, 9.54

 

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

CMYK 41 / 3 / 0 / 4

HEX #92EFF6

RGB 146 239 246

HSL 184.2, 0.85%, 0.77%

LAB 89.16, -25.89, -12.08

 

CMYK 6 / 41 / 0 / 4

HEX #E892F6

RGB 232 146 246

HSL 291.6, 0.85%, 0.77%

LAB 72.47, 48.02, -36.93

 

CMYK 0 / 38 / 41 / 4

HEX #F69992

RGB 246 153 146

HSL 4.2, 0.85%, 0.77%

LAB 72.53, 34.02, 18.43

 

CMYK 36 / 0 / 41 / 4

HEX #9DF691

RGB 157 246 145

HSL 112.87, 0.85%, 0.77%

LAB 89.45, -45.67, 40.33

 

CMYK 41 / 15 / 0 / 4

HEX #92D1F6

RGB 146 209 246

HSL 202.2, 0.85%, 0.77%

LAB 80.94, -10.79, -24.47

 

CMYK 6 / 41 / 0 / 4

HEX #E892F6

RGB 232 146 246

HSL 291.6, 0.85%, 0.77%

LAB 72.47, 48.02, -36.93

 

CMYK 0 / 26 / 41 / 4

HEX #F6B792

RGB 246 183 146

HSL 22.2, 0.85%, 0.77%

LAB 79.35, 18.24, 27.72

 

Description

Color code: HEX #9DF691 | qconv.com Color code: HEX #9DF691 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 246 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 246 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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