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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF073 it is the complementary color #620F8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF073 shade: #A2F06E, #B3FF81, #C4FF94, #D5FFA7 and #E6FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF073 shade: #9DF073, #8CDE60, #7BCC4D, #6ABA3A and #59A827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF073 shade: #9EF074, #BFF074, #E1F074, #F0DE74 and #F0BD74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF073 shade: #9EF074, #7CF074, #74F08D, #74F0AF and #74F0D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF073 shade matches the following richer shades: #9EF074 and #9AFC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF073 shade: #9EF074, #A2E480, #A6D78D, #AACB99 and #AEBEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF073 shade: #E2F074, #C0F074, #9FF074, #7EF074 and #74F08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF073 shade: #69E829, #84EC4F, #9EF074, #B8F499 and #D2F8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF073 shade: #9DF073, #74F0DD and #F074D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF073 shade: #9DF073, #749FF0 and #F0749F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF073 shade: #9DF073, #74F0DD, #C574F0 and #F07487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF073 shade: #9DF073, #74DDF0, #C574F0 and #F08774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

Complementary color

CMYK 30 / 89 / 0 / 45

HEX #620F8C

RGB 98 15 140

HSL 279.84, 0.81%, 0.3%

LAB 26.25, 53.47, -49.98

 

CMYK 33 / 0 / 54 / 6

HEX #A2F06E

RGB 162 240 110

HSL 96, 0.81%, 0.69%

LAB 87.55, -45.75, 54.6

 

CMYK 30 / 0 / 49 / 0

HEX #B3FF81

RGB 179 255 129

HSL 96.19, 1%, 0.75%

LAB 92.88, -44.44, 52.49

 

CMYK 23 / 0 / 42 / 0

HEX #C4FF94

RGB 196 255 148

HSL 93.08, 1%, 0.79%

LAB 94.05, -36.42, 45.17

 

CMYK 16 / 0 / 35 / 0

HEX #D5FFA7

RGB 213 255 167

HSL 88.64, 1%, 0.83%

LAB 95.35, -28.06, 37.75

 

CMYK 10 / 0 / 27 / 0

HEX #E6FFBA

RGB 230 255 186

HSL 81.74, 1%, 0.86%

LAB 96.77, -19.47, 30.36

 

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

CMYK 37 / 0 / 57 / 13

HEX #8CDE60

RGB 140 222 96

HSL 99.05, 0.66%, 0.62%

LAB 81.11, -46.86, 53.11

 

CMYK 40 / 0 / 62 / 20

HEX #7BCC4D

RGB 123 204 77

HSL 98.27, 0.55%, 0.55%

LAB 74.78, -46.76, 54.07

 

CMYK 43 / 0 / 69 / 27

HEX #6ABA3A

RGB 106 186 58

HSL 97.5, 0.52%, 0.48%

LAB 68.38, -46.5, 54.79

 

CMYK 47 / 0 / 77 / 34

HEX #59A827

RGB 89 168 39

HSL 96.74, 0.62%, 0.41%

LAB 61.89, -46.03, 54.99

 

CMYK 34 / 0 / 52 / 6

HEX #9EF074

RGB 158 240 116

HSL 99.68, 0.81%, 0.7%

LAB 87.41, -46.43, 51.65

 

CMYK 20 / 0 / 52 / 6

HEX #BFF074

RGB 191 240 116

HSL 83.71, 0.81%, 0.7%

LAB 89.23, -34.92, 54.26

 

CMYK 6 / 0 / 52 / 6

HEX #E1F074

RGB 225 240 116

HSL 67.26, 0.81%, 0.7%

LAB 91.5, -22.03, 57.5

 

CMYK 0 / 8 / 52 / 6

HEX #F0DE74

RGB 240 222 116

HSL 51.29, 0.81%, 0.7%

LAB 87.98, -7.21, 53.65

 

CMYK 0 / 21 / 52 / 6

HEX #F0BD74

RGB 240 189 116

HSL 35.32, 0.81%, 0.7%

LAB 79.72, 9.78, 43.64

 

CMYK 34 / 0 / 52 / 6

HEX #9EF074

RGB 158 240 116

HSL 99.68, 0.81%, 0.7%

LAB 87.41, -46.43, 51.65

 

CMYK 48 / 0 / 52 / 6

HEX #7CF074

RGB 124 240 116

HSL 116.13, 0.81%, 0.7%

LAB 85.94, -56.68, 49.53

 

CMYK 52 / 0 / 41 / 6

HEX #74F08D

RGB 116 240 141

HSL 132.1, 0.81%, 0.7%

LAB 85.98, -55.25, 37.49

 

CMYK 52 / 0 / 27 / 6

HEX #74F0AF

RGB 116 240 175

HSL 148.55, 0.81%, 0.7%

LAB 86.57, -49.25, 21.04

 

CMYK 52 / 0 / 13 / 6

HEX #74F0D0

RGB 116 240 208

HSL 164.52, 0.81%, 0.7%

LAB 87.28, -42.24, 4.91

 

CMYK 34 / 0 / 52 / 6

HEX #9EF074

RGB 158 240 116

HSL 99.68, 0.81%, 0.7%

LAB 87.41, -46.43, 51.65

 

CMYK 39 / 0 / 59 / 1

HEX #9AFC68

RGB 154 252 104

HSL 99.73, 0.96%, 0.7%

LAB 90.55, -53.92, 60.61

 

CMYK 34 / 0 / 52 / 6

HEX #9EF074

RGB 158 240 116

HSL 99.68, 0.81%, 0.7%

LAB 87.41, -46.43, 51.65

 

CMYK 29 / 0 / 44 / 11

HEX #A2E480

RGB 162 228 128

HSL 99.6, 0.65%, 0.7%

LAB 84.34, -38.42, 42.2

 

CMYK 23 / 0 / 34 / 16

HEX #A6D78D

RGB 166 215 141

HSL 99.73, 0.48%, 0.7%

LAB 81.09, -29.27, 31.5

 

CMYK 16 / 0 / 25 / 20

HEX #AACB99

RGB 170 203 153

HSL 99.6, 0.32%, 0.7%

LAB 78.2, -20.19, 21.4

 

CMYK 8 / 0 / 13 / 25

HEX #AEBEA6

RGB 174 190 166

HSL 100, 0.16%, 0.7%

LAB 75.19, -9.96, 10.26

HEX #AEBEA6

CMYK 6 / 0 / 52 / 6

HEX #E2F074

RGB 226 240 116

HSL 66.77, 0.81%, 0.7%

LAB 91.57, -21.64, 57.6

 

CMYK 20 / 0 / 52 / 6

HEX #C0F074

RGB 192 240 116

HSL 83.23, 0.81%, 0.7%

LAB 89.29, -34.56, 54.35

 

CMYK 34 / 0 / 52 / 6

HEX #9FF074

RGB 159 240 116

HSL 99.19, 0.81%, 0.7%

LAB 87.46, -46.1, 51.72

 

CMYK 48 / 0 / 52 / 6

HEX #7EF074

RGB 126 240 116

HSL 115.16, 0.81%, 0.7%

LAB 86.01, -56.13, 49.64

 

CMYK 52 / 0 / 42 / 6

HEX #74F08B

RGB 116 240 139

HSL 131.13, 0.81%, 0.7%

LAB 85.96, -55.56, 38.44

 

CMYK 55 / 0 / 82 / 9

HEX #69E829

RGB 105 232 41

HSL 99.9, 0.81%, 0.54%

LAB 82.31, -65.1, 73.62

 

CMYK 44 / 0 / 67 / 7

HEX #84EC4F

RGB 132 236 79

HSL 99.75, 0.81%, 0.62%

LAB 84.72, -56.59, 64.14

 

CMYK 34 / 0 / 52 / 6

HEX #9EF074

RGB 158 240 116

HSL 99.68, 0.81%, 0.7%

LAB 87.41, -46.43, 51.65

 

CMYK 25 / 0 / 37 / 4

HEX #B8F499

RGB 184 244 153

HSL 99.56, 0.81%, 0.78%

LAB 90.41, -34.89, 37.89

 

CMYK 15 / 0 / 23 / 3

HEX #D2F8BF

RGB 210 248 191

HSL 100, 0.8%, 0.86%

LAB 93.71, -22.32, 23.43

 

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

CMYK 52 / 0 / 8 / 6

HEX #74F0DD

RGB 116 240 221

HSL 170.81, 0.81%, 0.7%

LAB 87.61, -39.19, -1.42

 

CMYK 0 / 52 / 13 / 6

HEX #F074D1

RGB 240 116 209

HSL 315, 0.81%, 0.7%

LAB 66.23, 58.89, -26.08

 

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

CMYK 52 / 34 / 0 / 6

HEX #749FF0

RGB 116 159 240

HSL 219.19, 0.81%, 0.7%

LAB 65.59, 7.81, -45.12

 

CMYK 0 / 52 / 34 / 6

HEX #F0749F

RGB 240 116 159

HSL 339.19, 0.81%, 0.7%

LAB 64.58, 52.06, -0.28

 

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

CMYK 52 / 0 / 8 / 6

HEX #74F0DD

RGB 116 240 221

HSL 170.81, 0.81%, 0.7%

LAB 87.61, -39.19, -1.42

 

CMYK 18 / 52 / 0 / 6

HEX #C574F0

RGB 197 116 240

HSL 279.19, 0.81%, 0.7%

LAB 62.21, 52.57, -50.01

 

CMYK 0 / 52 / 44 / 6

HEX #F07487

RGB 240 116 135

HSL 350.81, 0.81%, 0.7%

LAB 63.97, 49.43, 12.55

 

CMYK 35 / 0 / 52 / 6

HEX #9DF073

RGB 157 240 115

HSL 99.84, 0.81%, 0.7%

LAB 87.35, -46.87, 52.03

 

CMYK 52 / 8 / 0 / 6

HEX #74DDF0

RGB 116 221 240

HSL 189.19, 0.81%, 0.7%

LAB 82.76, -25.36, -18.65

 

CMYK 18 / 52 / 0 / 6

HEX #C574F0

RGB 197 116 240

HSL 279.19, 0.81%, 0.7%

LAB 62.21, 52.57, -50.01

 

CMYK 0 / 44 / 52 / 6

HEX #F08774

RGB 240 135 116

HSL 9.19, 0.81%, 0.7%

LAB 67.36, 38.16, 27.86

 

Description

Color code: HEX #9DF073 | qconv.com Color code: HEX #9DF073 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 240 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 240 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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