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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF098 it is the complementary color #620F67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF098 shade: #A2F093, #B3FFA6, #C4FFB9, #D5FFCC and #E6FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF098 shade: #9DF098, #8CDE85, #7BCC72, #6ABA5F and #59A84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF098 shade: #9DF098, #B5F098, #CCF098, #E4F098 and #F0E498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF098 shade: #9DF098, #98F0AB, #98F0C2, #98F0DA and #98EEF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF098 shade matches the following richer shades: #9DF098 and #94F98E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF098 shade: #9DF098, #A5E6A1, #AEDDAB, #B6D3B4 and #BFCABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF098 shade: #CDF098, #B5F098, #9EF098, #98F0A9 and #98F0C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF098 shade: #58E650, #7BEB74, #9DF098, #BFF5BC and #E2FAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF098 shade: #9DF098, #98E4F0 and #F098C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF098 shade: #9DF098, #989EF0 and #F0989E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF098 shade: #9DF098, #98E4F0, #EA98F0 and #F0A498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF098 shade: #9DF098, #98CAF0, #EA98F0 and #F0BE98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

Complementary color

CMYK 5 / 85 / 0 / 60

HEX #620F67

RGB 98 15 103

HSL 296.59, 0.75%, 0.23%

LAB 23.4, 46.12, -31.02

 

CMYK 33 / 0 / 39 / 6

HEX #A2F093

RGB 162 240 147

HSL 110.32, 0.76%, 0.76%

LAB 88.02, -41.2, 37.53

 

CMYK 30 / 0 / 35 / 0

HEX #B3FFA6

RGB 179 255 166

HSL 111.24, 1%, 0.83%

LAB 93.39, -39.66, 35.3

 

CMYK 23 / 0 / 27 / 0

HEX #C4FFB9

RGB 196 255 185

HSL 110.57, 1%, 0.86%

LAB 94.64, -31.27, 27.61

 

CMYK 16 / 0 / 20 / 0

HEX #D5FFCC

RGB 213 255 204

HSL 109.41, 1%, 0.9%

LAB 96.01, -22.61, 20.01

 

CMYK 10 / 0 / 13 / 0

HEX #E6FFDF

RGB 230 255 223

HSL 106.88, 1%, 0.94%

LAB 97.5, -13.79, 12.56

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 0 / 40 / 13

HEX #8CDE85

RGB 140 222 133

HSL 115.28, 0.57%, 0.7%

LAB 81.57, -42.26, 35.94

 

CMYK 40 / 0 / 44 / 20

HEX #7BCC72

RGB 123 204 114

HSL 114, 0.47%, 0.62%

LAB 75.21, -42.44, 37.16

 

CMYK 43 / 0 / 49 / 27

HEX #6ABA5F

RGB 106 186 95

HSL 112.75, 0.4%, 0.55%

LAB 68.76, -42.56, 38.42

 

CMYK 47 / 0 / 55 / 34

HEX #59A84C

RGB 89 168 76

HSL 111.52, 0.38%, 0.48%

LAB 62.21, -42.59, 39.68

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 25 / 0 / 37 / 6

HEX #B5F098

RGB 181 240 152

HSL 100.23, 0.75%, 0.77%

LAB 89.12, -34.21, 36.67

 

CMYK 15 / 0 / 37 / 6

HEX #CCF098

RGB 204 240 152

HSL 84.55, 0.75%, 0.77%

LAB 90.52, -26.12, 38.76

 

CMYK 5 / 0 / 37 / 6

HEX #E4F098

RGB 228 240 152

HSL 68.18, 0.75%, 0.77%

LAB 92.17, -17.25, 41.22

 

CMYK 0 / 5 / 37 / 6

HEX #F0E498

RGB 240 228 152

HSL 51.82, 0.75%, 0.77%

LAB 89.99, -6.73, 38.58

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 0 / 29 / 6

HEX #98F0AB

RGB 152 240 171

HSL 132.95, 0.75%, 0.77%

LAB 87.94, -40.49, 25.21

 

CMYK 37 / 0 / 19 / 6

HEX #98F0C2

RGB 152 240 194

HSL 148.64, 0.75%, 0.77%

LAB 88.4, -36.26, 13.98

 

CMYK 37 / 0 / 9 / 6

HEX #98F0DA

RGB 152 240 218

HSL 165, 0.75%, 0.77%

LAB 88.95, -31.31, 2.28

 

CMYK 37 / 1 / 0 / 6

HEX #98EEF0

RGB 152 238 240

HSL 181.36, 0.75%, 0.77%

LAB 88.98, -25.36, -9.19

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 41 / 0 / 43 / 2

HEX #94F98E

RGB 148 249 142

HSL 116.64, 0.9%, 0.77%

LAB 89.86, -50.07, 42.23

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 28 / 0 / 30 / 10

HEX #A5E6A1

RGB 165 230 161

HSL 116.52, 0.58%, 0.77%

LAB 85.59, -33.59, 27.25

 

CMYK 21 / 0 / 23 / 13

HEX #AEDDAB

RGB 174 221 171

HSL 116.4, 0.42%, 0.77%

LAB 83.78, -24.7, 19.67

 

CMYK 14 / 0 / 15 / 17

HEX #B6D3B4

RGB 182 211 180

HSL 116.13, 0.26%, 0.77%

LAB 81.75, -15.48, 12.15

 

CMYK 5 / 0 / 6 / 21

HEX #BFCABE

RGB 191 202 190

HSL 115, 0.1%, 0.77%

LAB 80.2, -5.97, 4.68

 

CMYK 15 / 0 / 37 / 6

HEX #CDF098

RGB 205 240 152

HSL 83.86, 0.75%, 0.77%

LAB 90.58, -25.76, 38.86

 

CMYK 25 / 0 / 37 / 6

HEX #B5F098

RGB 181 240 152

HSL 100.23, 0.75%, 0.77%

LAB 89.12, -34.21, 36.67

 

CMYK 34 / 0 / 37 / 6

HEX #9EF098

RGB 158 240 152

HSL 115.91, 0.75%, 0.77%

LAB 87.9, -41.73, 34.84

 

CMYK 37 / 0 / 30 / 6

HEX #98F0A9

RGB 152 240 169

HSL 131.59, 0.75%, 0.77%

LAB 87.9, -40.83, 26.18

 

CMYK 37 / 0 / 20 / 6

HEX #98F0C1

RGB 152 240 193

HSL 147.95, 0.75%, 0.77%

LAB 88.37, -36.45, 14.47

 

CMYK 62 / 0 / 65 / 10

HEX #58E650

RGB 88 230 80

HSL 116.8, 0.75%, 0.61%

LAB 81.43, -65.81, 59.77

 

CMYK 48 / 0 / 51 / 8

HEX #7BEB74

RGB 123 235 116

HSL 116.47, 0.75%, 0.69%

LAB 84.43, -54.99, 47.68

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 22 / 0 / 23 / 4

HEX #BFF5BC

RGB 191 245 188

HSL 116.84, 0.74%, 0.85%

LAB 91.69, -27.74, 21.99

 

CMYK 10 / 0 / 10 / 2

HEX #E2FAE0

RGB 226 250 224

HSL 115.38, 0.72%, 0.93%

LAB 95.96, -12.49, 9.82

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 5 / 0 / 6

HEX #98E4F0

RGB 152 228 240

HSL 188.18, 0.75%, 0.77%

LAB 86.23, -20.45, -13.28

 

CMYK 0 / 37 / 20 / 6

HEX #F098C1

RGB 240 152 193

HSL 332.05, 0.75%, 0.77%

LAB 72.78, 38.45, -7.28

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 34 / 0 / 6

HEX #989EF0

RGB 152 158 240

HSL 235.91, 0.75%, 0.77%

LAB 67.59, 17.19, -41.82

 

CMYK 0 / 37 / 34 / 6

HEX #F0989E

RGB 240 152 158

HSL 355.91, 0.75%, 0.77%

LAB 71.86, 33.7, 10.77

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 5 / 0 / 6

HEX #98E4F0

RGB 152 228 240

HSL 188.18, 0.75%, 0.77%

LAB 86.23, -20.45, -13.28

 

CMYK 3 / 37 / 0 / 6

HEX #EA98F0

RGB 234 152 240

HSL 295.91, 0.75%, 0.77%

LAB 73.7, 44.38, -31.75

 

CMYK 0 / 32 / 37 / 6

HEX #F0A498

RGB 240 164 152

HSL 8.18, 0.75%, 0.77%

LAB 74.41, 26.66, 17.64

 

CMYK 35 / 0 / 37 / 6

HEX #9DF098

RGB 157 240 152

HSL 116.59, 0.75%, 0.77%

LAB 87.85, -42.04, 34.77

 

CMYK 37 / 16 / 0 / 6

HEX #98CAF0

RGB 152 202 240

HSL 205.91, 0.75%, 0.77%

LAB 79.16, -7.09, -23.95

 

CMYK 3 / 37 / 0 / 6

HEX #EA98F0

RGB 234 152 240

HSL 295.91, 0.75%, 0.77%

LAB 73.7, 44.38, -31.75

 

CMYK 0 / 21 / 37 / 6

HEX #F0BE98

RGB 240 190 152

HSL 25.91, 0.75%, 0.77%

LAB 80.53, 12.89, 26.03

 

Description

Color code: HEX #9DF098 | qconv.com Color code: HEX #9DF098 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 240 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 240 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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