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Color name
HEX #9DFBAD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DFBAD it is the complementary color #620452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DFBAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DFBAD shade: #A2FBA8, #B3FFBB, #C4FFCE, #D5FFE1 and #E6FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DFBAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DFBAD shade: #9DFBAD, #8CE99A, #7BD787, #6AC574 and #59B361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DFBAD shade: #9DFAAD, #A6FA9D, #BFFA9D, #D9FA9D and #F2FA9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DFBAD shade: #9DFAAD, #9DFAC6, #9DFADF, #9DFAF8 and #9DE3FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DFBAD shade matches the following richer shades: #9DFAAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DFBAD shade: #9DFAAD, #A5F2B2, #ADEAB7, #B5E2BD and #BED9C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DFBAD shade: #BFFA9D, #A6FA9D, #9DFAAC, #9DFAC5 and #9DFADE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DFBAD shade: #4DF76A, #75F98B, #9DFAAD, #C4FCCE and #ECFEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DFBAD shade: #9DFBAD, #9DD8FA and #FA9DB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DFBAD shade: #9DFBAD, #AC9DFA and #FAAC9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DFBAD shade: #9DFBAD, #9DD8FA, #FA9DEB and #FABF9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DFBAD shade: #9DFBAD, #9DBCFA, #FA9DEB and #FADB9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

Complementary color

CMYK 0 / 96 / 16 / 62

HEX #620452

RGB 98 4 82

HSL 310.21, 0.92%, 0.2%

LAB 21.18, 45.29, -20.6

 

CMYK 35 / 0 / 33 / 2

HEX #A2FBA8

RGB 162 251 168

HSL 124.04, 0.92%, 0.81%

LAB 91.46, -42.87, 31.58

 

CMYK 30 / 0 / 27 / 0

HEX #B3FFBB

RGB 179 255 187

HSL 126.32, 1%, 0.85%

LAB 93.75, -36.37, 25.23

 

CMYK 23 / 0 / 19 / 0

HEX #C4FFCE

RGB 196 255 206

HSL 130.17, 1%, 0.88%

LAB 95.04, -27.81, 17.49

 

CMYK 16 / 0 / 12 / 0

HEX #D5FFE1

RGB 213 255 225

HSL 137.14, 1%, 0.92%

LAB 96.45, -19.02, 9.89

 

CMYK 10 / 0 / 4 / 0

HEX #E6FFF4

RGB 230 255 244

HSL 153.6, 1%, 0.95%

LAB 97.98, -10.11, 2.48

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

CMYK 40 / 0 / 34 / 9

HEX #8CE99A

RGB 140 233 154

HSL 129.03, 0.68%, 0.73%

LAB 85.09, -43.78, 29.95

 

CMYK 43 / 0 / 37 / 16

HEX #7BD787

RGB 123 215 135

HSL 127.83, 0.53%, 0.66%

LAB 78.79, -44.01, 31.14

 

CMYK 46 / 0 / 41 / 23

HEX #6AC574

RGB 106 197 116

HSL 126.59, 0.44%, 0.59%

LAB 72.4, -44.19, 32.39

 

CMYK 50 / 0 / 46 / 30

HEX #59B361

RGB 89 179 97

HSL 125.33, 0.37%, 0.53%

LAB 65.93, -44.29, 33.71

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAD

RGB 157 250 173

HSL 130.32, 0.9%, 0.8%

LAB 91.03, -43.1, 28.44

 

CMYK 34 / 0 / 37 / 2

HEX #A6FA9D

RGB 166 250 157

HSL 114.19, 0.9%, 0.8%

LAB 91.19, -42.89, 36.76

 

CMYK 24 / 0 / 37 / 2

HEX #BFFA9D

RGB 191 250 157

HSL 98.06, 0.9%, 0.8%

LAB 92.52, -34.71, 38.74

 

CMYK 13 / 0 / 37 / 2

HEX #D9FA9D

RGB 217 250 157

HSL 81.29, 0.9%, 0.8%

LAB 94.12, -25.54, 41.13

 

CMYK 3 / 0 / 37 / 2

HEX #F2FA9D

RGB 242 250 157

HSL 65.16, 0.9%, 0.8%

LAB 95.87, -16.29, 43.72

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAD

RGB 157 250 173

HSL 130.32, 0.9%, 0.8%

LAB 91.03, -43.1, 28.44

 

CMYK 37 / 0 / 21 / 2

HEX #9DFAC6

RGB 157 250 198

HSL 146.45, 0.9%, 0.8%

LAB 91.51, -38.63, 16.34

 

CMYK 37 / 0 / 11 / 2

HEX #9DFADF

RGB 157 250 223

HSL 162.58, 0.9%, 0.8%

LAB 92.07, -33.58, 4.23

 

CMYK 37 / 0 / 1 / 2

HEX #9DFAF8

RGB 157 250 248

HSL 178.71, 0.9%, 0.8%

LAB 92.71, -28.01, -7.79

 

CMYK 37 / 9 / 0 / 2

HEX #9DE3FA

RGB 157 227 250

HSL 194.84, 0.9%, 0.8%

LAB 86.51, -16.22, -18.1

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAD

RGB 157 250 173

HSL 130.32, 0.9%, 0.8%

LAB 91.03, -43.1, 28.44

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAD

RGB 157 250 173

HSL 130.32, 0.9%, 0.8%

LAB 91.03, -43.1, 28.44

 

CMYK 32 / 0 / 26 / 5

HEX #A5F2B2

RGB 165 242 178

HSL 130.13, 0.75%, 0.8%

LAB 89.26, -36.28, 23.54

 

CMYK 26 / 0 / 22 / 8

HEX #ADEAB7

RGB 173 234 183

HSL 129.84, 0.59%, 0.8%

LAB 87.56, -29.2, 18.67

 

CMYK 20 / 0 / 16 / 11

HEX #B5E2BD

RGB 181 226 189

HSL 130.67, 0.44%, 0.8%

LAB 85.95, -21.69, 13.35

 

CMYK 12 / 0 / 11 / 15

HEX #BED9C2

RGB 190 217 194

HSL 128.89, 0.26%, 0.8%

LAB 84.21, -13.3, 8.31

 

CMYK 24 / 0 / 37 / 2

HEX #BFFA9D

RGB 191 250 157

HSL 98.06, 0.9%, 0.8%

LAB 92.52, -34.71, 38.74

 

CMYK 34 / 0 / 37 / 2

HEX #A6FA9D

RGB 166 250 157

HSL 114.19, 0.9%, 0.8%

LAB 91.19, -42.89, 36.76

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAC

RGB 157 250 172

HSL 129.68, 0.9%, 0.8%

LAB 91.02, -43.27, 28.93

 

CMYK 37 / 0 / 21 / 2

HEX #9DFAC5

RGB 157 250 197

HSL 145.81, 0.9%, 0.8%

LAB 91.49, -38.82, 16.83

 

CMYK 37 / 0 / 11 / 2

HEX #9DFADE

RGB 157 250 222

HSL 161.94, 0.9%, 0.8%

LAB 92.05, -33.79, 4.72

 

CMYK 69 / 0 / 57 / 3

HEX #4DF76A

RGB 77 247 106

HSL 130.24, 0.91%, 0.64%

LAB 86.57, -70.83, 54.5

 

CMYK 53 / 0 / 44 / 2

HEX #75F98B

RGB 117 249 139

HSL 130, 0.92%, 0.72%

LAB 88.64, -58.82, 41.89

 

CMYK 37 / 0 / 31 / 2

HEX #9DFAAD

RGB 157 250 173

HSL 130.32, 0.9%, 0.8%

LAB 91.03, -43.1, 28.44

 

CMYK 22 / 0 / 18 / 1

HEX #C4FCCE

RGB 196 252 206

HSL 130.71, 0.9%, 0.88%

LAB 94.23, -26.38, 16.35

 

CMYK 7 / 0 / 6 / 0

HEX #ECFEEF

RGB 236 254 239

HSL 130, 0.9%, 0.96%

LAB 98.01, -8.56, 5.14

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

CMYK 37 / 14 / 0 / 2

HEX #9DD8FA

RGB 157 216 250

HSL 201.94, 0.9%, 0.8%

LAB 83.54, -10.59, -22.6

 

CMYK 0 / 37 / 29 / 2

HEX #FA9DB2

RGB 250 157 178

HSL 346.45, 0.9%, 0.8%

LAB 74.61, 37.23, 3.81

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

CMYK 31 / 37 / 0 / 2

HEX #AC9DFA

RGB 172 157 250

HSL 249.68, 0.9%, 0.8%

LAB 69.32, 25.74, -44.47

 

CMYK 0 / 31 / 37 / 2

HEX #FAAC9D

RGB 250 172 157

HSL 9.68, 0.9%, 0.8%

LAB 77.44, 26.79, 19.3

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

CMYK 37 / 14 / 0 / 2

HEX #9DD8FA

RGB 157 216 250

HSL 201.94, 0.9%, 0.8%

LAB 83.54, -10.59, -22.6

 

CMYK 0 / 37 / 6 / 2

HEX #FA9DEB

RGB 250 157 235

HSL 309.68, 0.9%, 0.8%

LAB 76.34, 45.83, -24.83

 

CMYK 0 / 24 / 37 / 2

HEX #FABF9D

RGB 250 191 157

HSL 21.94, 0.9%, 0.8%

LAB 81.85, 16.8, 25.34

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAD

RGB 157 251 173

HSL 130.21, 0.92%, 0.8%

LAB 91.32, -43.54, 28.83

 

CMYK 37 / 25 / 0 / 2

HEX #9DBCFA

RGB 157 188 250

HSL 220, 0.9%, 0.8%

LAB 76.09, 4.36, -34

 

CMYK 0 / 37 / 6 / 2

HEX #FA9DEB

RGB 250 157 235

HSL 309.68, 0.9%, 0.8%

LAB 76.34, 45.83, -24.83

 

CMYK 0 / 12 / 37 / 2

HEX #FADB9D

RGB 250 219 157

HSL 40, 0.9%, 0.8%

LAB 88.65, 2.27, 34.45

 

Description

Color code: HEX #9DFBAD | qconv.com Color code: HEX #9DFBAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 251 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 251 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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