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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E0F10 it is the complementary color #61F0EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E0F10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E0F10 shade: #A30F0B, #B4211E, #C53331, #D64544 and #E75757

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E0F10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E0F10 shade: #9E0F10, #8D0000, #7C0000, #6B0000 and #5A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E0F10 shade: #9E0E0F and #9E0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E0F10 shade: #9E0E0F, #9E0E36, #9E0E5D, #9E0E84 and #920E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E0F10 shade matches the following richer shades: #9E0E0F and #AC0001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E0F10 shade: #9E0E0F, #901C1D, #822A2B, #743839 and #664647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E0F10 shade: #9E0E5D, #9E0E37, #9E0E11, #9E320E and #9E590E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E0F10 shade: #530708, #780B0B, #9E0E0F, #C41213 and #E91617

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E0F10 shade: #9E0F10, #849E0E and #0E4A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E0F10 shade: #9E0F10, #119E0E and #0E119E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E0F10 shade: #9E0F10, #849E0E, #0E9E9C and #290E9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E0F10 shade: #9E0F10, #599E0E, #0E9E9C and #540E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

Complementary color

CMYK 60 / 0 / 0 / 6

HEX #61F0EF

RGB 97 240 239

HSL 179.58, 0.83%, 0.66%

LAB 87.53, -38.18, -11.03

 

CMYK 0 / 91 / 93 / 36

HEX #A30F0B

RGB 163 15 11

HSL 1.58, 0.87%, 0.34%

LAB 34.3, 55.4, 43.72

 

CMYK 0 / 82 / 83 / 29

HEX #B4211E

RGB 180 33 30

HSL 1.2, 0.71%, 0.41%

LAB 39.39, 56.67, 40.24

 

CMYK 0 / 74 / 75 / 23

HEX #C53331

RGB 197 51 49

HSL 0.81, 0.6%, 0.48%

LAB 44.89, 56.91, 36.39

 

CMYK 0 / 68 / 68 / 16

HEX #D64544

RGB 214 69 68

HSL 0.41, 0.64%, 0.55%

LAB 50.65, 56.52, 32.93

 

CMYK 0 / 62 / 62 / 9

HEX #E75757

RGB 231 87 87

HSL 0, 0.75%, 0.62%

LAB 56.58, 55.77, 29.95

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0F

RGB 158 14 15

HSL 359.58, 0.84%, 0.34%

LAB 33.17, 54.25, 40.69

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0E

RGB 158 14 14

HSL 0, 0.84%, 0.34%

LAB 33.17, 54.23, 41.15

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0F

RGB 158 14 15

HSL 359.58, 0.84%, 0.34%

LAB 33.17, 54.25, 40.69

 

CMYK 0 / 91 / 66 / 38

HEX #9E0E36

RGB 158 14 54

HSL 343.33, 0.84%, 0.34%

LAB 33.67, 55.66, 17.96

 

CMYK 0 / 91 / 41 / 38

HEX #9E0E5D

RGB 158 14 93

HSL 327.08, 0.84%, 0.34%

LAB 34.75, 58.67, -5.98

 

CMYK 0 / 91 / 16 / 38

HEX #9E0E84

RGB 158 14 132

HSL 310.83, 0.84%, 0.34%

LAB 36.46, 63.24, -28.05

 

CMYK 8 / 91 / 0 / 38

HEX #920E9E

RGB 146 14 158

HSL 295, 0.84%, 0.34%

LAB 35.78, 64.92, -45.21

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0F

RGB 158 14 15

HSL 359.58, 0.84%, 0.34%

LAB 33.17, 54.25, 40.69

 

CMYK 0 / 100 / 99 / 33

HEX #AC0001

RGB 172 0 1

HSL 359.65, 1%, 0.34%

LAB 35.54, 59.65, 49.48

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0F

RGB 158 14 15

HSL 359.58, 0.84%, 0.34%

LAB 33.17, 54.25, 40.69

 

CMYK 0 / 81 / 80 / 44

HEX #901C1D

RGB 144 28 29

HSL 359.48, 0.67%, 0.34%

LAB 31.46, 47.23, 30.46

 

CMYK 0 / 68 / 67 / 49

HEX #822A2B

RGB 130 42 43

HSL 359.32, 0.51%, 0.34%

LAB 30.82, 37.87, 20.3

 

CMYK 0 / 52 / 51 / 55

HEX #743839

RGB 116 56 57

HSL 359, 0.35%, 0.34%

LAB 31.43, 26.41, 11.63

 

CMYK 0 / 31 / 30 / 60

HEX #664647

RGB 102 70 71

HSL 358.13, 0.19%, 0.34%

LAB 33.26, 13.91, 4.91

 

CMYK 0 / 91 / 41 / 38

HEX #9E0E5D

RGB 158 14 93

HSL 327.08, 0.84%, 0.34%

LAB 34.75, 58.67, -5.98

 

CMYK 0 / 91 / 65 / 38

HEX #9E0E37

RGB 158 14 55

HSL 342.92, 0.84%, 0.34%

LAB 33.69, 55.71, 17.33

 

CMYK 0 / 91 / 89 / 38

HEX #9E0E11

RGB 158 14 17

HSL 358.75, 0.84%, 0.34%

LAB 33.19, 54.28, 39.75

 

CMYK 0 / 68 / 91 / 38

HEX #9E320E

RGB 158 50 14

HSL 15, 0.84%, 0.34%

LAB 37.08, 43.31, 44.03

 

CMYK 0 / 44 / 91 / 38

HEX #9E590E

RGB 158 89 14

HSL 31.25, 0.84%, 0.34%

LAB 44.87, 23.46, 49.91

 

CMYK 0 / 92 / 90 / 67

HEX #530708

RGB 83 7 8

HSL 359.21, 0.84%, 0.18%

LAB 15.53, 33.35, 20.73

 

CMYK 0 / 91 / 91 / 53

HEX #780B0B

RGB 120 11 11

HSL 0, 0.83%, 0.26%

LAB 24.5, 43.86, 31.94

 

CMYK 0 / 91 / 91 / 38

HEX #9E0E0F

RGB 158 14 15

HSL 359.58, 0.84%, 0.34%

LAB 33.17, 54.25, 40.69

 

CMYK 0 / 91 / 90 / 23

HEX #C41213

RGB 196 18 19

HSL 359.66, 0.83%, 0.42%

LAB 41.56, 63.94, 48.7

 

CMYK 0 / 91 / 90 / 9

HEX #E91617

RGB 233 22 23

HSL 359.72, 0.83%, 0.5%

LAB 49.45, 73, 56.13

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 16 / 0 / 91 / 38

HEX #849E0E

RGB 132 158 14

HSL 70.83, 0.84%, 0.34%

LAB 61.13, -26.27, 61.65

 

CMYK 91 / 53 / 0 / 38

HEX #0E4A9E

RGB 14 74 158

HSL 215, 0.84%, 0.34%

LAB 32.83, 15.73, -50.59

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 89 / 0 / 91 / 38

HEX #119E0E

RGB 17 158 14

HSL 118.75, 0.84%, 0.34%

LAB 56.69, -58.79, 56.16

 

CMYK 91 / 89 / 0 / 38

HEX #0E119E

RGB 14 17 158

HSL 238.75, 0.84%, 0.34%

LAB 19.89, 50.31, -71.88

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 16 / 0 / 91 / 38

HEX #849E0E

RGB 132 158 14

HSL 70.83, 0.84%, 0.34%

LAB 61.13, -26.27, 61.65

 

CMYK 91 / 0 / 1 / 38

HEX #0E9E9C

RGB 14 158 156

HSL 179.17, 0.84%, 0.34%

LAB 58.93, -33.67, -8.71

 

CMYK 74 / 91 / 0 / 38

HEX #290E9E

RGB 41 14 158

HSL 251.25, 0.84%, 0.34%

LAB 21.03, 52.35, -69.94

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 44 / 0 / 91 / 38

HEX #599E0E

RGB 89 158 14

HSL 88.75, 0.84%, 0.34%

LAB 58.61, -43.09, 58.55

 

CMYK 91 / 0 / 1 / 38

HEX #0E9E9C

RGB 14 158 156

HSL 179.17, 0.84%, 0.34%

LAB 58.93, -33.67, -8.71

 

CMYK 47 / 91 / 0 / 38

HEX #540E9E

RGB 84 14 158

HSL 269.17, 0.84%, 0.34%

LAB 25.77, 55.9, -61.96

 

Description

Color code: HEX #9E0F10 | qconv.com Color code: HEX #9E0F10 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 15 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 15 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 90 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 90% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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