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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E0FDB it is the complementary color #61F024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E0FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E0FDB shade: #A30FD6, #B421E9, #C533FC, #D645FF and #E757FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E0FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E0FDB shade: #9E0FDB, #8D00C8, #7C00B5, #6B00A2 and #5A008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E0FDB shade: #9E0FDB, #D50FDB, #DB0FAA, #DB0F73 and #DB0F3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E0FDB shade: #9E0FDB, #670FDB, #300FDB and #0F0FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E0FDB shade matches the following richer shades: #9E0FDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E0FDB shade: #9E0FDB, #9622C8, #8F35B5, #8748A2 and #7F5B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E0FDB shade: #310FDB, #670FDB, #9E0FDB, #D40FDB and #DB0FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E0FDB shade: #66098E, #820CB4, #9E0FDB, #B224EF and #C04AF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E0FDB shade: #9E0FDB, #DB0F23 and #0FDB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E0FDB shade: #9E0FDB, #DB9E0F and #0FDB9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E0FDB shade: #9E0FDB, #DB0F23, #4CDB0F and #0FDBC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E0FDB shade: #9E0FDB, #DB380F, #4CDB0F and #0FB2DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

Complementary color

CMYK 60 / 0 / 85 / 6

HEX #61F024

RGB 97 240 36

HSL 102.06, 0.87%, 0.54%

LAB 84.48, -69.97, 76.57

 

CMYK 24 / 93 / 0 / 16

HEX #A30FD6

RGB 163 15 214

HSL 284.62, 0.87%, 0.45%

LAB 42.74, 77.17, -66.85

 

CMYK 23 / 86 / 0 / 9

HEX #B421E9

RGB 180 33 233

HSL 284.1, 0.82%, 0.52%

LAB 47.85, 79.99, -69.26

 

CMYK 22 / 80 / 0 / 1

HEX #C533FC

RGB 197 51 252

HSL 283.58, 0.97%, 0.59%

LAB 53.24, 81.73, -71.06

 

CMYK 16 / 73 / 0 / 0

HEX #D645FF

RGB 214 69 255

HSL 286.77, 1%, 0.64%

LAB 57.82, 79.73, -65.2

 

CMYK 9 / 66 / 0 / 0

HEX #E757FF

RGB 231 87 255

HSL 291.43, 1%, 0.67%

LAB 62.53, 76.68, -57.53

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 30 / 100 / 0 / 22

HEX #8D00C8

RGB 141 0 200

HSL 282.3, 1%, 0.39%

LAB 37.54, 73.45, -67.37

 

CMYK 31 / 100 / 0 / 29

HEX #7C00B5

RGB 124 0 181

HSL 281.1, 1%, 0.35%

LAB 33.18, 67.79, -63.41

 

CMYK 34 / 100 / 0 / 36

HEX #6B00A2

RGB 107 0 162

HSL 279.63, 1%, 0.32%

LAB 28.73, 62.03, -59.39

 

CMYK 37 / 100 / 0 / 44

HEX #5A008F

RGB 90 0 143

HSL 277.76, 1%, 0.28%

LAB 24.18, 56.16, -55.28

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 3 / 93 / 0 / 14

HEX #D50FDB

RGB 213 15 219

HSL 298.24, 0.87%, 0.46%

LAB 51.38, 85.48, -55.34

 

CMYK 0 / 93 / 22 / 14

HEX #DB0FAA

RGB 219 15 170

HSL 314.41, 0.87%, 0.46%

LAB 49.86, 80, -29.24

 

CMYK 0 / 93 / 47 / 14

HEX #DB0F73

RGB 219 15 115

HSL 330.59, 0.87%, 0.46%

LAB 47.8, 74.55, 0.81

 

CMYK 0 / 93 / 73 / 14

HEX #DB0F3C

RGB 219 15 60

HSL 346.76, 0.87%, 0.46%

LAB 46.62, 71.29, 33.06

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 53 / 93 / 0 / 14

HEX #670FDB

RGB 103 15 219

HSL 265.88, 0.87%, 0.46%

LAB 34.68, 71.58, -83.28

 

CMYK 78 / 93 / 0 / 14

HEX #300FDB

RGB 48 15 219

HSL 249.71, 0.87%, 0.46%

LAB 29.62, 68.5, -91.82

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 25 / 83 / 0 / 22

HEX #9622C8

RGB 150 34 200

HSL 281.93, 0.71%, 0.46%

LAB 40.89, 68.92, -61.84

 

CMYK 21 / 71 / 0 / 29

HEX #8F35B5

RGB 143 53 181

HSL 282.19, 0.55%, 0.46%

LAB 40.77, 57.29, -50.96

 

CMYK 17 / 56 / 0 / 36

HEX #8748A2

RGB 135 72 162

HSL 282, 0.38%, 0.46%

LAB 41.84, 42.19, -38.04

 

CMYK 11 / 36 / 0 / 44

HEX #7F5B8F

RGB 127 91 143

HSL 281.54, 0.22%, 0.46%

LAB 44.2, 24.7, -23.03

 

CMYK 78 / 93 / 0 / 14

HEX #310FDB

RGB 49 15 219

HSL 250, 0.87%, 0.46%

LAB 29.69, 68.53, -91.72

 

CMYK 53 / 93 / 0 / 14

HEX #670FDB

RGB 103 15 219

HSL 265.88, 0.87%, 0.46%

LAB 34.68, 71.58, -83.28

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 3 / 93 / 0 / 14

HEX #D40FDB

RGB 212 15 219

HSL 297.94, 0.87%, 0.46%

LAB 51.21, 85.32, -55.62

 

CMYK 0 / 93 / 22 / 14

HEX #DB0FAB

RGB 219 15 171

HSL 314.12, 0.87%, 0.46%

LAB 49.91, 80.12, -29.76

 

CMYK 28 / 94 / 0 / 44

HEX #66098E

RGB 102 9 142

HSL 281.95, 0.88%, 0.3%

LAB 26.66, 55.73, -50.53

 

CMYK 28 / 93 / 0 / 29

HEX #820CB4

RGB 130 12 180

HSL 282.14, 0.88%, 0.38%

LAB 34.61, 66.72, -60.45

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 26 / 85 / 0 / 6

HEX #B224EF

RGB 178 36 239

HSL 281.97, 0.86%, 0.54%

LAB 48.21, 80.15, -72.08

 

CMYK 21 / 69 / 0 / 5

HEX #C04AF2

RGB 192 74 242

HSL 282.14, 0.87%, 0.62%

LAB 54.57, 71.18, -63.37

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 0 / 93 / 84 / 14

HEX #DB0F23

RGB 219 15 35

HSL 354.12, 0.87%, 0.46%

LAB 46.34, 70.53, 46.94

 

CMYK 93 / 0 / 65 / 14

HEX #0FDB4C

RGB 15 219 76

HSL 137.94, 0.87%, 0.46%

LAB 76.85, -72.22, 56.06

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 0 / 28 / 93 / 14

HEX #DB9E0F

RGB 219 158 15

HSL 42.06, 0.87%, 0.46%

LAB 69.15, 12.39, 71.14

 

CMYK 93 / 0 / 28 / 14

HEX #0FDB9E

RGB 15 219 158

HSL 162.06, 0.87%, 0.46%

LAB 78.01, -58.48, 17.72

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 0 / 93 / 84 / 14

HEX #DB0F23

RGB 219 15 35

HSL 354.12, 0.87%, 0.46%

LAB 46.34, 70.53, 46.94

 

CMYK 65 / 0 / 93 / 14

HEX #4CDB0F

RGB 76 219 15

HSL 102.06, 0.87%, 0.46%

LAB 77.42, -68.41, 73.83

 

CMYK 93 / 0 / 10 / 14

HEX #0FDBC6

RGB 15 219 198

HSL 173.82, 0.87%, 0.46%

LAB 78.95, -48.44, -2.18

 

CMYK 28 / 93 / 0 / 14

HEX #9E0FDB

RGB 158 15 219

HSL 282.06, 0.87%, 0.46%

LAB 42.35, 77.42, -70.4

 

CMYK 0 / 74 / 93 / 14

HEX #DB380F

RGB 219 56 15

HSL 12.06, 0.87%, 0.46%

LAB 49.4, 61.2, 57.54

 

CMYK 65 / 0 / 93 / 14

HEX #4CDB0F

RGB 76 219 15

HSL 102.06, 0.87%, 0.46%

LAB 77.42, -68.41, 73.83

 

CMYK 93 / 19 / 0 / 14

HEX #0FB2DB

RGB 15 178 219

HSL 192.06, 0.87%, 0.46%

LAB 67.32, -22.9, -31.11

 

Description

Color code: HEX #9E0FDB | qconv.com Color code: HEX #9E0FDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 15 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 15 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 93 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 93% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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