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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E1EA3 it is the complementary color #61E15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E1EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E1EA3 shade: #A31E9E, #B430B1, #C542C4, #D654D7 and #E766EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E1EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E1EA3 shade: #9E1EA3, #8D0C90, #7C007D, #6B006A and #5A0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E1EA3 shade: #9E1EA3, #A31E84, #A31E60, #A31E3C and #A31E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E1EA3 shade: #9E1EA3, #7A1EA3, #561EA3, #321EA3 and #1E1EA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E1EA3 shade matches the following richer shades: #9E1EA3 and #AD0EB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E1EA3 shade: #9E1EA3, #902D94, #813D84, #734D74 and #645C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E1EA3 shade: #551EA3, #791EA3, #9D1EA3, #A31E86 and #A31E63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E1EA3 shade: #5B115E, #7C1780, #9E1EA3, #C024C6 and #D439DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E1EA3 shade: #9E1EA3, #A3321E and #1EA367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E1EA3 shade: #9E1EA3, #A39D1E and #1EA39D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E1EA3 shade: #9E1EA3, #A3321E, #24A31E and #1E8FA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E1EA3 shade: #9E1EA3, #A35A1E, #24A31E and #1E67A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

Complementary color

CMYK 57 / 0 / 59 / 12

HEX #61E15C

RGB 97 225 92

HSL 117.74, 0.69%, 0.62%

LAB 80.27, -60.77, 53.49

 

CMYK 0 / 82 / 3 / 36

HEX #A31E9E

RGB 163 30 158

HSL 302.26, 0.69%, 0.38%

LAB 39.89, 64.88, -38.47

 

CMYK 0 / 73 / 2 / 29

HEX #B430B1

RGB 180 48 177

HSL 301.36, 0.58%, 0.45%

LAB 45.62, 66.34, -40.51

 

CMYK 0 / 66 / 1 / 23

HEX #C542C4

RGB 197 66 196

HSL 300.46, 0.53%, 0.52%

LAB 51.56, 66.98, -42.03

 

CMYK 0 / 61 / 0 / 16

HEX #D654D7

RGB 214 84 215

HSL 299.54, 0.62%, 0.59%

LAB 57.6, 67.09, -43.17

 

CMYK 1 / 56 / 0 / 8

HEX #E766EA

RGB 231 102 234

HSL 298.64, 0.76%, 0.66%

LAB 63.7, 66.87, -44.06

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 2 / 92 / 0 / 44

HEX #8D0C90

RGB 141 12 144

HSL 298.64, 0.85%, 0.31%

LAB 33.86, 62.04, -39.8

 

CMYK 1 / 100 / 0 / 51

HEX #7C007D

RGB 124 0 125

HSL 299.52, 1%, 0.25%

LAB 28.81, 57.77, -36.2

 

CMYK 0 / 100 / 1 / 58

HEX #6B006A

RGB 107 0 106

HSL 300.56, 1%, 0.21%

LAB 24.21, 51.7, -31.57

 

CMYK 0 / 100 / 3 / 65

HEX #5A0057

RGB 90 0 87

HSL 302, 1%, 0.18%

LAB 19.48, 45.45, -26.77

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 0 / 82 / 19 / 36

HEX #A31E84

RGB 163 30 132

HSL 313.98, 0.69%, 0.38%

LAB 38.52, 61.08, -24.76

 

CMYK 0 / 82 / 41 / 36

HEX #A31E60

RGB 163 30 96

HSL 330.23, 0.69%, 0.38%

LAB 37.04, 56.8, -4.39

 

CMYK 0 / 82 / 63 / 36

HEX #A31E3C

RGB 163 30 60

HSL 346.47, 0.69%, 0.38%

LAB 36.06, 53.86, 17.41

 

CMYK 0 / 82 / 82 / 36

HEX #A31E1E

RGB 163 30 30

HSL 0, 0.69%, 0.38%

LAB 35.61, 52.47, 35.39

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 25 / 82 / 0 / 36

HEX #7A1EA3

RGB 122 30 163

HSL 281.5, 0.69%, 0.38%

LAB 33.37, 58, -52.32

 

CMYK 47 / 82 / 0 / 36

HEX #561EA3

RGB 86 30 163

HSL 265.26, 0.69%, 0.38%

LAB 28.25, 52.28, -60.9

 

CMYK 69 / 82 / 0 / 36

HEX #321EA3

RGB 50 30 163

HSL 249.02, 0.69%, 0.38%

LAB 24.48, 48.13, -67.24

 

CMYK 82 / 82 / 0 / 36

HEX #1E1EA3

RGB 30 30 163

HSL 240, 0.69%, 0.38%

LAB 23.17, 46.69, -69.47

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 3 / 92 / 0 / 30

HEX #AD0EB3

RGB 173 14 179

HSL 297.82, 0.85%, 0.38%

LAB 41.93, 72.91, -47.66

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 3 / 70 / 0 / 42

HEX #902D94

RGB 144 45 148

HSL 297.67, 0.53%, 0.38%

LAB 37.74, 54.34, -36.02

 

CMYK 2 / 54 / 0 / 48

HEX #813D84

RGB 129 61 132

HSL 297.46, 0.37%, 0.38%

LAB 37.24, 40.02, -27.16

 

CMYK 1 / 34 / 0 / 55

HEX #734D74

RGB 115 77 116

HSL 298.46, 0.2%, 0.38%

LAB 38.22, 23.08, -15.9

 

CMYK 1 / 9 / 0 / 60

HEX #645C65

RGB 100 92 101

HSL 293.33, 0.05%, 0.38%

LAB 40.09, 5.06, -3.98

 

CMYK 48 / 82 / 0 / 36

HEX #551EA3

RGB 85 30 163

HSL 264.81, 0.69%, 0.38%

LAB 28.13, 52.14, -61.11

 

CMYK 26 / 82 / 0 / 36

HEX #791EA3

RGB 121 30 163

HSL 281.05, 0.69%, 0.38%

LAB 33.22, 57.82, -52.58

 

CMYK 4 / 82 / 0 / 36

HEX #9D1EA3

RGB 157 30 163

HSL 297.29, 0.69%, 0.38%

LAB 39.14, 64.5, -42.73

 

CMYK 0 / 82 / 18 / 36

HEX #A31E86

RGB 163 30 134

HSL 313.08, 0.69%, 0.38%

LAB 38.61, 61.35, -25.84

 

CMYK 0 / 82 / 39 / 36

HEX #A31E63

RGB 163 30 99

HSL 328.87, 0.69%, 0.38%

LAB 37.14, 57.11, -6.15

 

CMYK 3 / 82 / 0 / 63

HEX #5B115E

RGB 91 17 94

HSL 297.66, 0.69%, 0.22%

LAB 21.7, 42.33, -27.89

 

CMYK 3 / 82 / 0 / 50

HEX #7C1780

RGB 124 23 128

HSL 297.71, 0.7%, 0.3%

LAB 30.54, 53.78, -35.34

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 3 / 82 / 0 / 22

HEX #C024C6

RGB 192 36 198

HSL 297.78, 0.69%, 0.46%

LAB 47.68, 75.37, -49.39

 

CMYK 3 / 74 / 0 / 15

HEX #D439DA

RGB 212 57 218

HSL 297.76, 0.69%, 0.54%

LAB 54.01, 76.84, -50.58

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 0 / 69 / 82 / 36

HEX #A3321E

RGB 163 50 30

HSL 9.02, 0.69%, 0.38%

LAB 38.13, 45.48, 37.87

 

CMYK 82 / 0 / 37 / 36

HEX #1EA367

RGB 30 163 103

HSL 152.93, 0.69%, 0.38%

LAB 59.39, -48.41, 21.69

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 0 / 4 / 82 / 36

HEX #A39D1E

RGB 163 157 30

HSL 57.29, 0.69%, 0.38%

LAB 63.34, -11.69, 60.85

 

CMYK 82 / 0 / 4 / 36

HEX #1EA39D

RGB 30 163 157

HSL 177.29, 0.69%, 0.38%

LAB 60.7, -34.6, -6.62

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 0 / 69 / 82 / 36

HEX #A3321E

RGB 163 50 30

HSL 9.02, 0.69%, 0.38%

LAB 38.13, 45.48, 37.87

 

CMYK 78 / 0 / 82 / 36

HEX #24A31E

RGB 36 163 30

HSL 117.29, 0.69%, 0.38%

LAB 58.66, -57.39, 54.2

 

CMYK 82 / 12 / 0 / 36

HEX #1E8FA3

RGB 30 143 163

HSL 189.02, 0.69%, 0.38%

LAB 54.62, -22.86, -19.19

 

CMYK 3 / 82 / 0 / 36

HEX #9E1EA3

RGB 158 30 163

HSL 297.74, 0.69%, 0.38%

LAB 39.31, 64.69, -42.45

 

CMYK 0 / 45 / 82 / 36

HEX #A35A1E

RGB 163 90 30

HSL 27.07, 0.69%, 0.38%

LAB 45.9, 25.53, 45.26

 

CMYK 78 / 0 / 82 / 36

HEX #24A31E

RGB 36 163 30

HSL 117.29, 0.69%, 0.38%

LAB 58.66, -57.39, 54.2

 

CMYK 82 / 37 / 0 / 36

HEX #1E67A3

RGB 30 103 163

HSL 207.07, 0.69%, 0.38%

LAB 42.19, 0.01, -38.55

 

Description

Color code: HEX #9E1EA3 | qconv.com Color code: HEX #9E1EA3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 30 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 30 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 82 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 82% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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