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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E27D0 it is the complementary color #61D82F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E27D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E27D0 shade: #A327CB, #B439DE, #C54BF1, #D65DFF and #E76FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E27D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E27D0 shade: #9E27D0, #8D15BD, #7C03AA, #6B0097 and #5A0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E27D0 shade: #9C27CD, #C927CD, #CD27A5, #CD2778 and #CD274B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E27D0 shade: #9C27CD, #6F27CD, #4227CD and #2727CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E27D0 shade matches the following richer shades: #9C27CD and #A413E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E27D0 shade: #9C27CD, #943AB9, #8C4EA6, #846292 and #7C767E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E27D0 shade: #4227CD, #6F27CD, #9B27CD, #C827CD and #CD27A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E27D0 shade: #671988, #8220AA, #9C27CD, #AE42DB and #BD65E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E27D0 shade: #9E27D0, #CD2737 and #27CD59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E27D0 shade: #9E27D0, #CD9B27 and #27CD9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E27D0 shade: #9E27D0, #CD2737, #59CD27 and #27CDBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E27D0 shade: #9E27D0, #CD4827, #59CD27 and #27ACCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

Complementary color

CMYK 55 / 0 / 78 / 15

HEX #61D82F

RGB 97 216 47

HSL 102.25, 0.68%, 0.52%

LAB 77.2, -61.28, 67.2

 

CMYK 20 / 81 / 0 / 20

HEX #A327CB

RGB 163 39 203

HSL 285.37, 0.68%, 0.47%

LAB 43.58, 70.28, -59.13

 

CMYK 19 / 74 / 0 / 13

HEX #B439DE

RGB 180 57 222

HSL 284.73, 0.71%, 0.55%

LAB 49.38, 71.28, -60.55

 

CMYK 18 / 69 / 0 / 5

HEX #C54BF1

RGB 197 75 241

HSL 284.1, 0.86%, 0.62%

LAB 55.33, 71.61, -61.55

 

CMYK 16 / 64 / 0 / 0

HEX #D65DFF

RGB 214 93 255

HSL 284.81, 1%, 0.68%

LAB 61.08, 70.55, -59.97

 

CMYK 9 / 56 / 0 / 0

HEX #E76FFF

RGB 231 111 255

HSL 290, 1%, 0.72%

LAB 66.2, 66.59, -51.7

 

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

CMYK 25 / 89 / 0 / 26

HEX #8D15BD

RGB 141 21 189

HSL 282.86, 0.8%, 0.41%

LAB 37.61, 68.46, -60.8

 

CMYK 27 / 98 / 0 / 33

HEX #7C03AA

RGB 124 3 170

HSL 283.47, 0.97%, 0.34%

LAB 32.37, 65.25, -58.15

 

CMYK 29 / 100 / 0 / 41

HEX #6B0097

RGB 107 0 151

HSL 282.52, 1%, 0.3%

LAB 27.74, 59.84, -54.3

 

CMYK 32 / 100 / 0 / 48

HEX #5A0084

RGB 90 0 132

HSL 280.91, 1%, 0.26%

LAB 23.13, 53.87, -50.12

 

CMYK 24 / 81 / 0 / 20

HEX #9C27CD

RGB 156 39 205

HSL 282.29, 0.68%, 0.48%

LAB 42.65, 69.48, -61.85

 

CMYK 2 / 81 / 0 / 20

HEX #C927CD

RGB 201 39 205

HSL 298.55, 0.68%, 0.48%

LAB 49.83, 77.45, -49.92

 

CMYK 0 / 81 / 20 / 20

HEX #CD27A5

RGB 205 39 165

HSL 314.46, 0.68%, 0.48%

LAB 48.44, 72.55, -28.68

 

CMYK 0 / 81 / 41 / 20

HEX #CD2778

RGB 205 39 120

HSL 330.72, 0.68%, 0.48%

LAB 46.69, 67.51, -4.2

 

CMYK 0 / 81 / 63 / 20

HEX #CD274B

RGB 205 39 75

HSL 346.99, 0.68%, 0.48%

LAB 45.55, 64.08, 21.98

 

CMYK 24 / 81 / 0 / 20

HEX #9C27CD

RGB 156 39 205

HSL 282.29, 0.68%, 0.48%

LAB 42.65, 69.48, -61.85

 

CMYK 46 / 81 / 0 / 20

HEX #6F27CD

RGB 111 39 205

HSL 266.02, 0.68%, 0.48%

LAB 36.44, 62.69, -72.25

 

CMYK 68 / 81 / 0 / 20

HEX #4227CD

RGB 66 39 205

HSL 249.76, 0.68%, 0.48%

LAB 31.85, 57.77, -79.98

 

CMYK 81 / 81 / 0 / 20

HEX #2727CD

RGB 39 39 205

HSL 240, 0.68%, 0.48%

LAB 30.13, 55.97, -82.87

 

CMYK 24 / 81 / 0 / 20

HEX #9C27CD

RGB 156 39 205

HSL 282.29, 0.68%, 0.48%

LAB 42.65, 69.48, -61.85

 

CMYK 27 / 92 / 0 / 12

HEX #A413E1

RGB 164 19 225

HSL 282.23, 0.84%, 0.48%

LAB 43.94, 78.77, -71.19

 

CMYK 24 / 81 / 0 / 20

HEX #9C27CD

RGB 156 39 205

HSL 282.29, 0.68%, 0.48%

LAB 42.65, 69.48, -61.85

 

CMYK 20 / 69 / 0 / 27

HEX #943AB9

RGB 148 58 185

HSL 282.52, 0.52%, 0.48%

LAB 42.5, 57.08, -50.49

 

CMYK 16 / 53 / 0 / 35

HEX #8C4EA6

RGB 140 78 166

HSL 282.27, 0.36%, 0.48%

LAB 43.91, 41.23, -37.09

 

CMYK 10 / 33 / 0 / 43

HEX #846292

RGB 132 98 146

HSL 282.5, 0.2%, 0.48%

LAB 46.6, 22.89, -21.08

 

CMYK 2 / 6 / 0 / 51

HEX #7C767E

RGB 124 118 126

HSL 285, 0.03%, 0.48%

LAB 50.39, 3.89, -3.56

 

CMYK 68 / 81 / 0 / 20

HEX #4227CD

RGB 66 39 205

HSL 249.76, 0.68%, 0.48%

LAB 31.85, 57.77, -79.98

 

CMYK 46 / 81 / 0 / 20

HEX #6F27CD

RGB 111 39 205

HSL 266.02, 0.68%, 0.48%

LAB 36.44, 62.69, -72.25

 

CMYK 24 / 81 / 0 / 20

HEX #9B27CD

RGB 155 39 205

HSL 281.93, 0.68%, 0.48%

LAB 42.5, 69.31, -62.1

 

CMYK 2 / 81 / 0 / 20

HEX #C827CD

RGB 200 39 205

HSL 298.19, 0.68%, 0.48%

LAB 49.66, 77.27, -50.19

 

CMYK 0 / 81 / 19 / 20

HEX #CD27A6

RGB 205 39 166

HSL 314.1, 0.68%, 0.48%

LAB 48.49, 72.68, -29.21

 

CMYK 24 / 82 / 0 / 47

HEX #671988

RGB 103 25 136

HSL 282.16, 0.69%, 0.32%

LAB 27.73, 50.56, -45.05

 

CMYK 24 / 81 / 0 / 33

HEX #8220AA

RGB 130 32 170

HSL 282.61, 0.68%, 0.4%

LAB 35.36, 60.2, -53.25

 

CMYK 24 / 81 / 0 / 20

HEX #9C27CD

RGB 156 39 205

HSL 282.29, 0.68%, 0.48%

LAB 42.65, 69.48, -61.85

 

CMYK 21 / 70 / 0 / 14

HEX #AE42DB

RGB 174 66 219

HSL 282.35, 0.68%, 0.56%

LAB 49.51, 66.16, -58.68

 

CMYK 16 / 55 / 0 / 12

HEX #BD65E1

RGB 189 101 225

HSL 282.58, 0.67%, 0.64%

LAB 57.62, 54.95, -48.99

 

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

CMYK 0 / 81 / 73 / 20

HEX #CD2737

RGB 205 39 55

HSL 354.22, 0.68%, 0.48%

LAB 45.23, 63.1, 33.7

 

CMYK 81 / 0 / 57 / 20

HEX #27CD59

RGB 39 205 89

HSL 138.07, 0.68%, 0.48%

LAB 72.77, -64.55, 45.76

 

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

CMYK 0 / 24 / 81 / 20

HEX #CD9B27

RGB 205 155 39

HSL 41.93, 0.68%, 0.48%

LAB 66.95, 8.4, 62.85

 

CMYK 81 / 0 / 24 / 20

HEX #27CD9B

RGB 39 205 155

HSL 161.93, 0.68%, 0.48%

LAB 73.84, -52.26, 13.51

 

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

CMYK 0 / 81 / 73 / 20

HEX #CD2737

RGB 205 39 55

HSL 354.22, 0.68%, 0.48%

LAB 45.23, 63.1, 33.7

 

CMYK 57 / 0 / 81 / 20

HEX #59CD27

RGB 89 205 39

HSL 101.93, 0.68%, 0.48%

LAB 73.5, -59.89, 65.93

 

CMYK 81 / 0 / 8 / 20

HEX #27CDBC

RGB 39 205 188

HSL 173.86, 0.68%, 0.48%

LAB 74.65, -43.83, -3.1

 

CMYK 24 / 81 / 0 / 18

HEX #9E27D0

RGB 158 39 208

HSL 282.25, 0.68%, 0.48%

LAB 43.17, 70.39, -62.72

 

CMYK 0 / 65 / 81 / 20

HEX #CD4827

RGB 205 72 39

HSL 11.93, 0.68%, 0.48%

LAB 49.2, 51.09, 46.61

 

CMYK 57 / 0 / 81 / 20

HEX #59CD27

RGB 89 205 39

HSL 101.93, 0.68%, 0.48%

LAB 73.5, -59.89, 65.93

 

CMYK 81 / 16 / 0 / 20

HEX #27ACCD

RGB 39 172 205

HSL 191.93, 0.68%, 0.48%

LAB 65.23, -23.06, -26.58

 

Description

Color code: HEX #9E27D0 | qconv.com Color code: HEX #9E27D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 39 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 39 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 81 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 81% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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