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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E21A5 it is the complementary color #61DE5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E21A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E21A5 shade: #A321A0, #B433B3, #C545C6, #D657D9 and #E769EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E21A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E21A5 shade: #9E21A5, #8D0F92, #7C007F, #6B006C and #5A0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E21A5 shade: #9F20A6, #A62089, #A62065, #A62041 and #A62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E21A5 shade: #9F20A6, #7B20A6, #5720A6, #3320A6 and #2020A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E21A5 shade matches the following richer shades: #9F20A6, #AD10B6 and #BB00C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E21A5 shade: #9F20A6, #903095, #824185, #735175 and #656165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E21A5 shade: #5620A6, #7920A6, #9D20A6, #A6208B and #A62067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E21A5 shade: #5D1361, #7E1A83, #9F20A6, #C027C8 and #D140D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E21A5 shade: #9E21A5, #A63220 and #20A667

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E21A5 shade: #9E21A5, #A69D20 and #20A69D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E21A5 shade: #9E21A5, #A63220, #29A620 and #2094A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E21A5 shade: #9E21A5, #A65A20, #29A620 and #206CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

Complementary color

CMYK 56 / 0 / 59 / 13

HEX #61DE5A

RGB 97 222 90

HSL 116.82, 0.67%, 0.61%

LAB 79.34, -59.9, 53.3

 

CMYK 0 / 80 / 2 / 36

HEX #A321A0

RGB 163 33 160

HSL 301.38, 0.66%, 0.38%

LAB 40.27, 64.44, -39.08

 

CMYK 0 / 72 / 1 / 29

HEX #B433B3

RGB 180 51 179

HSL 300.47, 0.56%, 0.45%

LAB 46.08, 65.68, -40.97

 

CMYK 1 / 65 / 0 / 22

HEX #C545C6

RGB 197 69 198

HSL 299.53, 0.53%, 0.52%

LAB 52.07, 66.17, -42.37

 

CMYK 1 / 60 / 0 / 15

HEX #D657D9

RGB 214 87 217

HSL 298.62, 0.63%, 0.6%

LAB 58.15, 66.18, -43.43

 

CMYK 2 / 56 / 0 / 7

HEX #E769EC

RGB 231 105 236

HSL 297.71, 0.78%, 0.67%

LAB 64.28, 65.89, -44.25

 

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

CMYK 3 / 90 / 0 / 43

HEX #8D0F92

RGB 141 15 146

HSL 297.71, 0.81%, 0.32%

LAB 34.15, 61.88, -40.56

 

CMYK 2 / 100 / 0 / 50

HEX #7C007F

RGB 124 0 127

HSL 298.58, 1%, 0.25%

LAB 28.95, 58.09, -37.25

 

CMYK 1 / 100 / 0 / 58

HEX #6B006C

RGB 107 0 108

HSL 299.44, 1%, 0.21%

LAB 24.35, 52.02, -32.65

 

CMYK 0 / 100 / 1 / 65

HEX #5A0059

RGB 90 0 89

HSL 300.67, 1%, 0.18%

LAB 19.62, 45.78, -27.89

 

CMYK 4 / 81 / 0 / 35

HEX #9F20A6

RGB 159 32 166

HSL 296.87, 0.68%, 0.39%

LAB 39.84, 64.88, -43.39

 

CMYK 0 / 81 / 17 / 35

HEX #A62089

RGB 166 32 137

HSL 312.99, 0.68%, 0.39%

LAB 39.49, 61.93, -26.28

 

CMYK 0 / 81 / 39 / 35

HEX #A62065

RGB 166 32 101

HSL 329.1, 0.68%, 0.39%

LAB 37.98, 57.55, -6.1

 

CMYK 0 / 81 / 61 / 35

HEX #A62041

RGB 166 32 65

HSL 345.22, 0.68%, 0.39%

LAB 36.97, 54.48, 15.51

 

CMYK 0 / 81 / 81 / 35

HEX #A62020

RGB 166 32 32

HSL 0, 0.68%, 0.39%

LAB 36.45, 52.86, 35.3

 

CMYK 4 / 81 / 0 / 35

HEX #9F20A6

RGB 159 32 166

HSL 296.87, 0.68%, 0.39%

LAB 39.84, 64.88, -43.39

 

CMYK 26 / 81 / 0 / 35

HEX #7B20A6

RGB 123 32 166

HSL 280.75, 0.68%, 0.39%

LAB 33.98, 58.15, -53.15

 

CMYK 48 / 81 / 0 / 35

HEX #5720A6

RGB 87 32 166

HSL 264.63, 0.68%, 0.39%

LAB 28.93, 52.39, -61.59

 

CMYK 69 / 81 / 0 / 35

HEX #3320A6

RGB 51 32 166

HSL 248.51, 0.68%, 0.39%

LAB 25.23, 48.18, -67.82

 

CMYK 81 / 81 / 0 / 35

HEX #2020A6

RGB 32 32 166

HSL 240, 0.68%, 0.39%

LAB 23.98, 46.76, -69.94

 

CMYK 4 / 81 / 0 / 35

HEX #9F20A6

RGB 159 32 166

HSL 296.87, 0.68%, 0.39%

LAB 39.84, 64.88, -43.39

 

CMYK 5 / 91 / 0 / 29

HEX #AD10B6

RGB 173 16 182

HSL 296.75, 0.84%, 0.39%

LAB 42.2, 73.12, -48.99

 

CMYK 6 / 100 / 0 / 22

HEX #BB00C6

RGB 187 0 198

HSL 296.67, 1%, 0.39%

LAB 45.14, 79.48, -53.51

 

CMYK 4 / 81 / 0 / 35

HEX #9F20A6

RGB 159 32 166

HSL 296.87, 0.68%, 0.39%

LAB 39.84, 64.88, -43.39

 

CMYK 3 / 68 / 0 / 42

HEX #903095

RGB 144 48 149

HSL 297.03, 0.51%, 0.39%

LAB 38.22, 53.33, -35.87

 

CMYK 2 / 51 / 0 / 48

HEX #824185

RGB 130 65 133

HSL 297.35, 0.34%, 0.39%

LAB 38.23, 38.4, -26.21

 

CMYK 2 / 31 / 0 / 54

HEX #735175

RGB 115 81 117

HSL 296.67, 0.18%, 0.39%

LAB 39.27, 20.87, -14.93

 

CMYK 0 / 4 / 0 / 60

HEX #656165

RGB 101 97 101

HSL 300, 0.02%, 0.39%

LAB 41.62, 2.41, -1.71

 

CMYK 48 / 81 / 0 / 35

HEX #5620A6

RGB 86 32 166

HSL 264.18, 0.68%, 0.39%

LAB 28.81, 52.25, -61.8

 

CMYK 27 / 81 / 0 / 35

HEX #7920A6

RGB 121 32 166

HSL 279.85, 0.68%, 0.39%

LAB 33.67, 57.8, -53.66

 

CMYK 5 / 81 / 0 / 35

HEX #9D20A6

RGB 157 32 166

HSL 295.97, 0.68%, 0.39%

LAB 39.5, 64.48, -43.96

 

CMYK 0 / 81 / 16 / 35

HEX #A6208B

RGB 166 32 139

HSL 312.09, 0.68%, 0.39%

LAB 39.59, 62.2, -27.36

 

CMYK 0 / 81 / 38 / 35

HEX #A62067

RGB 166 32 103

HSL 328.21, 0.68%, 0.39%

LAB 38.06, 57.76, -7.26

 

CMYK 4 / 80 / 0 / 62

HEX #5D1361

RGB 93 19 97

HSL 296.92, 0.67%, 0.23%

LAB 22.5, 42.68, -28.57

 

CMYK 4 / 80 / 0 / 49

HEX #7E1A83

RGB 126 26 131

HSL 297.14, 0.67%, 0.31%

LAB 31.38, 53.87, -35.85

 

CMYK 4 / 81 / 0 / 35

HEX #9F20A6

RGB 159 32 166

HSL 296.87, 0.68%, 0.39%

LAB 39.84, 64.88, -43.39

 

CMYK 4 / 81 / 0 / 22

HEX #C027C8

RGB 192 39 200

HSL 297.02, 0.67%, 0.47%

LAB 48.04, 74.98, -49.97

 

CMYK 4 / 71 / 0 / 15

HEX #D140D9

RGB 209 64 217

HSL 296.86, 0.67%, 0.55%

LAB 54.27, 73.82, -49.62

 

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

CMYK 0 / 70 / 81 / 35

HEX #A63220

RGB 166 50 32

HSL 8.06, 0.68%, 0.39%

LAB 38.71, 46.59, 37.57

 

CMYK 81 / 0 / 38 / 35

HEX #20A667

RGB 32 166 103

HSL 151.79, 0.68%, 0.39%

LAB 60.39, -49.33, 23.04

 

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

CMYK 0 / 5 / 81 / 35

HEX #A69D20

RGB 166 157 32

HSL 55.97, 0.68%, 0.39%

LAB 63.61, -10.28, 60.62

 

CMYK 81 / 0 / 5 / 35

HEX #20A69D

RGB 32 166 157

HSL 175.97, 0.68%, 0.39%

LAB 61.67, -35.81, -5.18

 

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

CMYK 0 / 70 / 81 / 35

HEX #A63220

RGB 166 50 32

HSL 8.06, 0.68%, 0.39%

LAB 38.71, 46.59, 37.57

 

CMYK 75 / 0 / 81 / 35

HEX #29A620

RGB 41 166 32

HSL 115.97, 0.68%, 0.39%

LAB 59.75, -57.45, 54.66

 

CMYK 81 / 11 / 0 / 35

HEX #2094A6

RGB 32 148 166

HSL 188.06, 0.68%, 0.39%

LAB 56.33, -24.26, -18.3

 

CMYK 4 / 80 / 0 / 35

HEX #9E21A5

RGB 158 33 165

HSL 296.82, 0.67%, 0.39%

LAB 39.7, 64.25, -43.03

 

CMYK 0 / 46 / 81 / 35

HEX #A65A20

RGB 166 90 32

HSL 25.97, 0.68%, 0.39%

LAB 46.34, 26.89, 44.96

 

CMYK 75 / 0 / 81 / 35

HEX #29A620

RGB 41 166 32

HSL 115.97, 0.68%, 0.39%

LAB 59.75, -57.45, 54.66

 

CMYK 81 / 35 / 0 / 35

HEX #206CA6

RGB 32 108 166

HSL 205.97, 0.68%, 0.39%

LAB 43.92, -1.73, -37.57

 

Description

Color code: HEX #9E21A5 | qconv.com Color code: HEX #9E21A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 33 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 33 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 80 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 80% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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