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Color name
HEX #9E239C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E239C it is the complementary color #61DC63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E239C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E239C shade: #A32397, #B435AA, #C547BD, #D659D0 and #E76BE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E239C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E239C shade: #9E239C, #8D1189, #7C0076, #6B0063 and #5A0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E239C shade: #9E229C, #9E227B, #9E2259, #9E2238 and #9E2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E239C shade: #9E229C, #7F229E, #5E229E, #3C229E and #22229E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E239C shade matches the following richer shades: #9E229C, #AE13AC and #BE03BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E239C shade: #9E229C, #8F328D, #7F427E, #6F516F and #606160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E239C shade: #5C229E, #7D229E, #9E229E, #9E227D and #9E225C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E239C shade: #5B145A, #7D1B7B, #9E229C, #C02ABE and #D43FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E239C shade: #9E239C, #9E3B22 and #229E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E239C shade: #9E239C, #9E9E22 and #229E9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E239C shade: #9E239C, #9E3B22, #229E22 and #22869E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E239C shade: #9E239C, #9E6022, #229E22 and #22609E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

Complementary color

CMYK 56 / 0 / 55 / 14

HEX #61DC63

RGB 97 220 99

HSL 120.98, 0.64%, 0.62%

LAB 78.83, -58.12, 48.64

 

CMYK 0 / 79 / 7 / 36

HEX #A32397

RGB 163 35 151

HSL 305.63, 0.65%, 0.39%

LAB 39.95, 62.48, -34.13

 

CMYK 0 / 71 / 6 / 29

HEX #B435AA

RGB 180 53 170

HSL 304.72, 0.55%, 0.46%

LAB 45.84, 63.55, -36.03

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 0 / 58 / 3 / 16

HEX #D659D0

RGB 214 89 208

HSL 302.88, 0.6%, 0.59%

LAB 58.03, 63.8, -38.52

 

CMYK 0 / 54 / 2 / 9

HEX #E76BE3

RGB 231 107 227

HSL 301.94, 0.72%, 0.66%

LAB 64.2, 63.45, -39.37

 

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

CMYK 0 / 88 / 3 / 45

HEX #8D1189

RGB 141 17 137

HSL 301.94, 0.78%, 0.31%

LAB 33.71, 60.07, -35.7

 

CMYK 0 / 100 / 5 / 51

HEX #7C0076

RGB 124 0 118

HSL 302.9, 1%, 0.24%

LAB 28.36, 56.67, -32.48

 

CMYK 0 / 100 / 7 / 58

HEX #6B0063

RGB 107 0 99

HSL 304.49, 1%, 0.21%

LAB 23.76, 50.59, -27.72

 

CMYK 0 / 100 / 11 / 65

HEX #5A0050

RGB 90 0 80

HSL 306.67, 1%, 0.18%

LAB 19.03, 44.33, -22.75

 

CMYK 0 / 78 / 1 / 38

HEX #9E229C

RGB 158 34 156

HSL 300.97, 0.65%, 0.38%

LAB 39.26, 62.49, -38.31

 

CMYK 0 / 78 / 22 / 38

HEX #9E227B

RGB 158 34 123

HSL 316.94, 0.65%, 0.38%

LAB 37.56, 57.58, -20.73

 

CMYK 0 / 78 / 44 / 38

HEX #9E2259

RGB 158 34 89

HSL 333.39, 0.65%, 0.38%

LAB 36.24, 53.61, -1.19

 

CMYK 0 / 78 / 65 / 38

HEX #9E2238

RGB 158 34 56

HSL 349.35, 0.65%, 0.38%

LAB 35.4, 50.96, 18.91

 

CMYK 0 / 78 / 78 / 38

HEX #9E2222

RGB 158 34 34

HSL 0, 0.65%, 0.38%

LAB 35.06, 49.88, 32.19

 

CMYK 0 / 78 / 1 / 38

HEX #9E229C

RGB 158 34 156

HSL 300.97, 0.65%, 0.38%

LAB 39.26, 62.49, -38.31

 

CMYK 20 / 78 / 0 / 38

HEX #7F229E

RGB 127 34 158

HSL 285, 0.65%, 0.38%

LAB 34.24, 56.59, -47.85

 

CMYK 41 / 78 / 0 / 38

HEX #5E229E

RGB 94 34 158

HSL 269.03, 0.65%, 0.38%

LAB 29.39, 50.63, -55.95

 

CMYK 62 / 78 / 0 / 38

HEX #3C229E

RGB 60 34 158

HSL 252.58, 0.65%, 0.38%

LAB 25.48, 45.73, -62.52

 

CMYK 78 / 78 / 0 / 38

HEX #22229E

RGB 34 34 158

HSL 240, 0.65%, 0.38%

LAB 23.51, 43.21, -65.83

 

CMYK 0 / 78 / 1 / 38

HEX #9E229C

RGB 158 34 156

HSL 300.97, 0.65%, 0.38%

LAB 39.26, 62.49, -38.31

 

CMYK 0 / 89 / 1 / 32

HEX #AE13AC

RGB 174 19 172

HSL 300.77, 0.8%, 0.38%

LAB 41.91, 71.31, -43.52

 

CMYK 0 / 98 / 2 / 25

HEX #BE03BB

RGB 190 3 187

HSL 300.96, 0.97%, 0.38%

LAB 45.08, 78.05, -47.15

 

CMYK 0 / 78 / 1 / 38

HEX #9E229C

RGB 158 34 156

HSL 300.97, 0.65%, 0.38%

LAB 39.26, 62.49, -38.31

 

CMYK 0 / 65 / 1 / 44

HEX #8F328D

RGB 143 50 141

HSL 301.29, 0.48%, 0.38%

LAB 37.92, 50.81, -31.47

 

CMYK 0 / 48 / 1 / 50

HEX #7F427E

RGB 127 66 126

HSL 300.98, 0.32%, 0.38%

LAB 37.69, 35.54, -22.78

 

CMYK 0 / 27 / 0 / 56

HEX #6F516F

RGB 111 81 111

HSL 300, 0.16%, 0.38%

LAB 38.57, 18.14, -12.32

 

CMYK 1 / 0 / 1 / 62

HEX #606160

RGB 96 97 96

HSL 120, 0.01%, 0.38%

LAB 41.03, -0.6, 0.43

 

CMYK 42 / 78 / 0 / 38

HEX #5C229E

RGB 92 34 158

HSL 268.06, 0.65%, 0.38%

LAB 29.13, 50.3, -56.39

 

CMYK 21 / 78 / 0 / 38

HEX #7D229E

RGB 125 34 158

HSL 284.03, 0.65%, 0.38%

LAB 33.93, 56.21, -48.38

 

CMYK 0 / 78 / 0 / 38

HEX #9E229E

RGB 158 34 158

HSL 300, 0.65%, 0.38%

LAB 39.38, 62.81, -39.33

 

CMYK 0 / 78 / 21 / 38

HEX #9E227D

RGB 158 34 125

HSL 315.97, 0.65%, 0.38%

LAB 37.65, 57.85, -21.83

 

CMYK 0 / 78 / 42 / 38

HEX #9E225C

RGB 158 34 92

HSL 331.94, 0.65%, 0.38%

LAB 36.34, 53.91, -2.97

 

CMYK 0 / 78 / 1 / 64

HEX #5B145A

RGB 91 20 90

HSL 300.85, 0.64%, 0.22%

LAB 21.81, 40.55, -25.06

 

CMYK 0 / 78 / 2 / 51

HEX #7D1B7B

RGB 125 27 123

HSL 301.22, 0.64%, 0.3%

LAB 30.82, 51.96, -31.73

 

CMYK 0 / 78 / 1 / 38

HEX #9E229C

RGB 158 34 156

HSL 300.97, 0.65%, 0.38%

LAB 39.26, 62.49, -38.31

 

CMYK 0 / 78 / 1 / 25

HEX #C02ABE

RGB 192 42 190

HSL 300.8, 0.64%, 0.46%

LAB 47.73, 72.65, -44.67

 

CMYK 0 / 70 / 1 / 17

HEX #D43FD2

RGB 212 63 210

HSL 300.81, 0.63%, 0.54%

LAB 54.24, 73.66, -45.65

 

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

CMYK 0 / 63 / 78 / 38

HEX #9E3B22

RGB 158 59 34

HSL 12.1, 0.65%, 0.38%

LAB 38.75, 39.83, 36.06

 

CMYK 78 / 0 / 31 / 38

HEX #229E6D

RGB 34 158 109

HSL 156.29, 0.65%, 0.38%

LAB 57.94, -44.68, 16.43

 

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

CMYK 0 / 0 / 78 / 38

HEX #9E9E22

RGB 158 158 34

HSL 60, 0.65%, 0.38%

LAB 63.21, -14.3, 59.39

 

CMYK 78 / 0 / 0 / 38

HEX #229E9E

RGB 34 158 158

HSL 180, 0.65%, 0.38%

LAB 59.22, -31.56, -9.38

 

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

CMYK 0 / 63 / 78 / 38

HEX #9E3B22

RGB 158 59 34

HSL 12.1, 0.65%, 0.38%

LAB 38.75, 39.83, 36.06

 

CMYK 78 / 0 / 78 / 38

HEX #229E22

RGB 34 158 34

HSL 120, 0.65%, 0.38%

LAB 56.99, -55.83, 51.34

 

CMYK 78 / 15 / 0 / 38

HEX #22869E

RGB 34 134 158

HSL 191.61, 0.65%, 0.38%

LAB 51.68, -19.39, -20.8

 

CMYK 0 / 78 / 1 / 38

HEX #9E239C

RGB 158 35 156

HSL 300.98, 0.64%, 0.38%

LAB 39.36, 62.2, -38.15

 

CMYK 0 / 39 / 78 / 38

HEX #9E6022

RGB 158 96 34

HSL 30, 0.65%, 0.38%

LAB 46.65, 20.12, 43.97

 

CMYK 78 / 0 / 78 / 38

HEX #229E22

RGB 34 158 34

HSL 120, 0.65%, 0.38%

LAB 56.99, -55.83, 51.34

 

CMYK 78 / 39 / 0 / 38

HEX #22609E

RGB 34 96 158

HSL 210, 0.65%, 0.38%

LAB 39.87, 2.94, -39.25

 

Description

Color code: HEX #9E239C | qconv.com Color code: HEX #9E239C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 35 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 35 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 38% C M Y K

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Provide designers and agencies with accurate color values.

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