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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E2EC3 it is the complementary color #61D13C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E2EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E2EC3 shade: #A32EBE, #B440D1, #C552E4, #D664F7 and #E776FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E2EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E2EC3 shade: #9E2EC3, #8D1CB0, #7C0A9D, #6B008A and #5A0077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E2EC3 shade: #9D2DC2, #C22DBE, #C22D96, #C22D6E and #C22D46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E2EC3 shade: #9D2DC2, #752DC2, #4D2DC2 and #2D2DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E2EC3 shade matches the following richer shades: #9D2DC2, #A71AD5 and #B006E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E2EC3 shade: #9D2DC2, #9340AE, #89549B, #7F6787 and #767B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E2EC3 shade: #4D2DC2, #752DC2, #9D2DC2, #C22DBF and #C22D98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E2EC3 shade: #671D7F, #8225A0, #9D2DC2, #B045D3 and #BE66DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E2EC3 shade: #9E2EC3, #C22D34 and #2DC261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E2EC3 shade: #9E2EC3, #C29D2D and #2DC29D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E2EC3 shade: #9E2EC3, #C22D34, #52C22D and #2DC2BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E2EC3 shade: #9E2EC3, #C2522D, #52C22D and #2D9DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

Complementary color

CMYK 54 / 0 / 71 / 18

HEX #61D13C

RGB 97 209 60

HSL 105.1, 0.62%, 0.53%

LAB 75.12, -57.92, 60.88

 

CMYK 14 / 76 / 0 / 25

HEX #A32EBE

RGB 163 46 190

HSL 288.75, 0.61%, 0.46%

LAB 43.45, 65.72, -51.78

 

CMYK 14 / 69 / 0 / 18

HEX #B440D1

RGB 180 64 209

HSL 288, 0.61%, 0.54%

LAB 49.46, 66.26, -52.99

 

CMYK 14 / 64 / 0 / 11

HEX #C552E4

RGB 197 82 228

HSL 287.26, 0.73%, 0.61%

LAB 55.59, 66.26, -53.84

 

CMYK 13 / 60 / 0 / 3

HEX #D664F7

RGB 214 100 247

HSL 286.53, 0.9%, 0.68%

LAB 61.76, 65.94, -54.47

 

CMYK 9 / 54 / 0 / 0

HEX #E776FF

RGB 231 118 255

HSL 289.49, 1%, 0.73%

LAB 67.4, 63.35, -49.8

 

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

CMYK 20 / 84 / 0 / 31

HEX #8D1CB0

RGB 141 28 176

HSL 285.81, 0.73%, 0.4%

LAB 37.17, 64.4, -53.83

 

CMYK 21 / 94 / 0 / 38

HEX #7C0A9D

RGB 124 10 157

HSL 286.53, 0.88%, 0.33%

LAB 31.66, 61.77, -51.45

 

CMYK 22 / 100 / 0 / 46

HEX #6B008A

RGB 107 0 138

HSL 286.52, 1%, 0.27%

LAB 26.62, 57.34, -48.06

 

CMYK 24 / 100 / 0 / 53

HEX #5A0077

RGB 90 0 119

HSL 285.38, 1%, 0.23%

LAB 21.96, 51.26, -43.76

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 0 / 77 / 2 / 24

HEX #C22DBE

RGB 194 45 190

HSL 301.61, 0.62%, 0.47%

LAB 48.34, 72.24, -43.67

 

CMYK 0 / 77 / 23 / 24

HEX #C22D96

RGB 194 45 150

HSL 317.72, 0.62%, 0.47%

LAB 46.38, 66.55, -23.09

 

CMYK 0 / 77 / 43 / 24

HEX #C22D6E

RGB 194 45 110

HSL 333.83, 0.62%, 0.47%

LAB 44.9, 62.07, -0.92

 

CMYK 0 / 77 / 64 / 24

HEX #C22D46

RGB 194 45 70

HSL 349.93, 0.62%, 0.47%

LAB 43.93, 59, 22.54

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 40 / 77 / 0 / 24

HEX #752DC2

RGB 117 45 194

HSL 268.99, 0.62%, 0.47%

LAB 37.03, 58.62, -64.83

 

CMYK 60 / 77 / 0 / 24

HEX #4D2DC2

RGB 77 45 194

HSL 252.89, 0.62%, 0.47%

LAB 32.59, 52.95, -72.29

 

CMYK 77 / 77 / 0 / 24

HEX #2D2DC2

RGB 45 45 194

HSL 240, 0.62%, 0.47%

LAB 30.23, 49.87, -76.26

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 22 / 88 / 0 / 16

HEX #A71AD5

RGB 167 26 213

HSL 285.24, 0.78%, 0.47%

LAB 43.88, 75.82, -64.38

 

CMYK 24 / 97 / 0 / 9

HEX #B006E8

RGB 176 6 232

HSL 285.13, 0.95%, 0.47%

LAB 45.89, 83, -71.91

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 16 / 63 / 0 / 32

HEX #9340AE

RGB 147 64 174

HSL 285.27, 0.46%, 0.47%

LAB 42.65, 51.87, -43.78

 

CMYK 12 / 46 / 0 / 39

HEX #89549B

RGB 137 84 155

HSL 284.79, 0.3%, 0.47%

LAB 44.27, 34.62, -30.01

 

CMYK 6 / 24 / 0 / 47

HEX #7F6787

RGB 127 103 135

HSL 285, 0.13%, 0.47%

LAB 46.92, 15.78, -14.07

 

CMYK 4 / 0 / 6 / 52

HEX #767B74

RGB 118 123 116

HSL 102.86, 0.03%, 0.47%

LAB 51.01, -3.28, 3.17

 

CMYK 60 / 77 / 0 / 24

HEX #4D2DC2

RGB 77 45 194

HSL 252.89, 0.62%, 0.47%

LAB 32.59, 52.95, -72.29

 

CMYK 40 / 77 / 0 / 24

HEX #752DC2

RGB 117 45 194

HSL 268.99, 0.62%, 0.47%

LAB 37.03, 58.62, -64.83

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 0 / 77 / 2 / 24

HEX #C22DBF

RGB 194 45 191

HSL 301.21, 0.62%, 0.47%

LAB 48.4, 72.4, -44.17

 

CMYK 0 / 77 / 22 / 24

HEX #C22D98

RGB 194 45 152

HSL 316.91, 0.62%, 0.47%

LAB 46.46, 66.81, -24.16

 

CMYK 19 / 77 / 0 / 50

HEX #671D7F

RGB 103 29 127

HSL 285.31, 0.63%, 0.31%

LAB 27.56, 47.21, -39.68

 

CMYK 19 / 77 / 0 / 37

HEX #8225A0

RGB 130 37 160

HSL 285.37, 0.62%, 0.39%

LAB 35.22, 56.53, -47.47

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 17 / 67 / 0 / 17

HEX #B045D3

RGB 176 69 211

HSL 285.21, 0.62%, 0.55%

LAB 49.73, 63.78, -53.75

 

CMYK 13 / 53 / 0 / 14

HEX #BE66DB

RGB 190 102 219

HSL 285.13, 0.62%, 0.63%

LAB 57.62, 53.49, -45.61

 

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

CMYK 0 / 77 / 73 / 24

HEX #C22D34

RGB 194 45 52

HSL 357.18, 0.62%, 0.47%

LAB 43.65, 58.09, 33.09

 

CMYK 77 / 0 / 50 / 24

HEX #2DC261

RGB 45 194 97

HSL 140.94, 0.62%, 0.47%

LAB 69.47, -58.97, 37.92

 

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

CMYK 0 / 19 / 77 / 24

HEX #C29D2D

RGB 194 157 45

HSL 45.1, 0.62%, 0.47%

LAB 66.35, 2.69, 59.79

 

CMYK 77 / 0 / 19 / 24

HEX #2DC29D

RGB 45 194 157

HSL 165.1, 0.62%, 0.47%

LAB 70.58, -46.7, 7.81

 

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

CMYK 0 / 77 / 73 / 24

HEX #C22D34

RGB 194 45 52

HSL 357.18, 0.62%, 0.47%

LAB 43.65, 58.09, 33.09

 

CMYK 58 / 0 / 77 / 24

HEX #52C22D

RGB 82 194 45

HSL 105.1, 0.62%, 0.47%

LAB 69.87, -57.45, 60.65

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 19 / 76 / 0 / 24

HEX #9E2EC3

RGB 158 46 195

HSL 285.1, 0.62%, 0.47%

LAB 43.01, 65.71, -55.45

 

CMYK 0 / 58 / 77 / 24

HEX #C2522D

RGB 194 82 45

HSL 14.9, 0.62%, 0.47%

LAB 49.12, 42.79, 42.92

 

CMYK 58 / 0 / 77 / 24

HEX #52C22D

RGB 82 194 45

HSL 105.1, 0.62%, 0.47%

LAB 69.87, -57.45, 60.65

 

CMYK 77 / 19 / 0 / 24

HEX #2D9DC2

RGB 45 157 194

HSL 194.9, 0.62%, 0.47%

LAB 60.4, -18.28, -27.9

 

Description

Color code: HEX #9E2EC3 | qconv.com Color code: HEX #9E2EC3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 46 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 46 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 76 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 76% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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