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Color name
HEX #9E3ECD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E3ECD it is the complementary color #61C132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E3ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E3ECD shade: #A33EC8, #B450DB, #C562EE, #D674FF and #E786FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E3ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E3ECD shade: #9E3ECD, #8D2CBA, #7C1AA7, #6B0894 and #5A0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E3ECD shade: #9D3CCC, #C43CCC, #CC3CAE, #CC3C87 and #CC3C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E3ECD shade: #9D3CCC, #763CCC, #4F3CCC and #3C3CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E3ECD shade matches the following richer shades: #9D3CCC, #A428E0 and #AA14F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E3ECD shade: #9D3CCC, #9650B9, #8F63A5, #887791 and #828B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E3ECD shade: #4F3CCC, #763CCC, #9C3CCC, #C33CCC and #CC3CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E3ECD shade: #6D2591, #862DB2, #9D3CCC, #AD5DD5 and #BE7DDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E3ECD shade: #9E3ECD, #CC3C4F and #3CCC62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E3ECD shade: #9E3ECD, #CC9C3C and #3CCC9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E3ECD shade: #9E3ECD, #CC3C4F, #6CCC3C and #3CCCB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E3ECD shade: #9E3ECD, #CC543C, #6CCC3C and #3CB4CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

Complementary color

CMYK 50 / 0 / 74 / 24

HEX #61C132

RGB 97 193 50

HSL 100.28, 0.59%, 0.48%

LAB 70.11, -52.65, 59.4

 

CMYK 19 / 69 / 0 / 22

HEX #A33EC8

RGB 163 62 200

HSL 283.91, 0.56%, 0.51%

LAB 46.18, 61.69, -53.21

 

CMYK 18 / 63 / 0 / 14

HEX #B450DB

RGB 180 80 219

HSL 283.17, 0.66%, 0.59%

LAB 52.46, 61.51, -53.89

 

CMYK 17 / 59 / 0 / 7

HEX #C562EE

RGB 197 98 238

HSL 282.43, 0.8%, 0.66%

LAB 58.77, 61.04, -54.37

 

CMYK 16 / 55 / 0 / 0

HEX #D674FF

RGB 214 116 255

HSL 282.3, 1%, 0.73%

LAB 64.97, 60.01, -53.78

 

CMYK 9 / 47 / 0 / 0

HEX #E786FF

RGB 231 134 255

HSL 288.1, 1%, 0.76%

LAB 70.36, 55.57, -45.15

 

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

CMYK 24 / 76 / 0 / 27

HEX #8D2CBA

RGB 141 44 186

HSL 280.99, 0.62%, 0.45%

LAB 39.6, 61.42, -55.81

 

CMYK 26 / 84 / 0 / 35

HEX #7C1AA7

RGB 124 26 167

HSL 281.7, 0.73%, 0.38%

LAB 33.59, 60.33, -54.37

 

CMYK 28 / 95 / 0 / 42

HEX #6B0894

RGB 107 8 148

HSL 282.43, 0.9%, 0.31%

LAB 27.95, 57.84, -52.11

 

CMYK 30 / 100 / 0 / 49

HEX #5A0081

RGB 90 0 129

HSL 281.86, 1%, 0.25%

LAB 22.86, 53.26, -48.67

 

CMYK 23 / 71 / 0 / 20

HEX #9D3CCC

RGB 157 60 204

HSL 280.42, 0.59%, 0.52%

LAB 45.3, 62.07, -56.97

 

CMYK 4 / 71 / 0 / 20

HEX #C43CCC

RGB 196 60 204

HSL 296.67, 0.59%, 0.52%

LAB 51.07, 70.25, -47.42

 

CMYK 0 / 71 / 15 / 20

HEX #CC3CAE

RGB 204 60 174

HSL 312.5, 0.59%, 0.52%

LAB 50.83, 67.41, -30.28

 

CMYK 0 / 71 / 34 / 20

HEX #CC3C87

RGB 204 60 135

HSL 328.75, 0.59%, 0.52%

LAB 49.28, 62.41, -9.49

 

CMYK 0 / 71 / 53 / 20

HEX #CC3C60

RGB 204 60 96

HSL 345, 0.59%, 0.52%

LAB 48.15, 58.65, 12.57

 

CMYK 23 / 71 / 0 / 20

HEX #9D3CCC

RGB 157 60 204

HSL 280.42, 0.59%, 0.52%

LAB 45.3, 62.07, -56.97

 

CMYK 42 / 71 / 0 / 20

HEX #763CCC

RGB 118 60 204

HSL 264.17, 0.59%, 0.52%

LAB 40.32, 54.58, -65.29

 

CMYK 61 / 71 / 0 / 20

HEX #4F3CCC

RGB 79 60 204

HSL 247.92, 0.59%, 0.52%

LAB 36.47, 48.41, -71.74

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCC

RGB 60 60 204

HSL 240, 0.59%, 0.52%

LAB 35.11, 46.13, -74.03

 

CMYK 23 / 71 / 0 / 20

HEX #9D3CCC

RGB 157 60 204

HSL 280.42, 0.59%, 0.52%

LAB 45.3, 62.07, -56.97

 

CMYK 27 / 82 / 0 / 12

HEX #A428E0

RGB 164 40 224

HSL 280.43, 0.75%, 0.52%

LAB 45.35, 74.19, -68.33

 

CMYK 30 / 92 / 0 / 4

HEX #AA14F4

RGB 170 20 244

HSL 280.18, 0.91%, 0.52%

LAB 46.42, 82.94, -77.87

 

CMYK 23 / 71 / 0 / 20

HEX #9D3CCC

RGB 157 60 204

HSL 280.42, 0.59%, 0.52%

LAB 45.3, 62.07, -56.97

 

CMYK 19 / 57 / 0 / 27

HEX #9650B9

RGB 150 80 185

HSL 280, 0.43%, 0.52%

LAB 46.61, 47.05, -43.9

 

CMYK 13 / 40 / 0 / 35

HEX #8F63A5

RGB 143 99 165

HSL 280, 0.27%, 0.52%

LAB 48.86, 30.11, -28.71

 

CMYK 6 / 18 / 0 / 43

HEX #887791

RGB 136 119 145

HSL 279.23, 0.11%, 0.52%

LAB 52.37, 11.66, -11.67

 

CMYK 6 / 0 / 10 / 45

HEX #828B7D

RGB 130 139 125

HSL 98.57, 0.06%, 0.52%

LAB 56.77, -6.03, 6.36

 

CMYK 61 / 71 / 0 / 20

HEX #4F3CCC

RGB 79 60 204

HSL 247.92, 0.59%, 0.52%

LAB 36.47, 48.41, -71.74

 

CMYK 42 / 71 / 0 / 20

HEX #763CCC

RGB 118 60 204

HSL 264.17, 0.59%, 0.52%

LAB 40.32, 54.58, -65.29

 

CMYK 24 / 71 / 0 / 20

HEX #9C3CCC

RGB 156 60 204

HSL 280, 0.59%, 0.52%

LAB 45.16, 61.87, -57.2

 

CMYK 4 / 71 / 0 / 20

HEX #C33CCC

RGB 195 60 204

HSL 296.25, 0.59%, 0.52%

LAB 50.91, 70.04, -47.67

 

CMYK 0 / 71 / 14 / 20

HEX #CC3CAF

RGB 204 60 175

HSL 312.08, 0.59%, 0.52%

LAB 50.88, 67.55, -30.8

 

CMYK 25 / 74 / 0 / 43

HEX #6D2591

RGB 109 37 145

HSL 280, 0.59%, 0.36%

LAB 30.92, 49.13, -45.41

 

CMYK 25 / 75 / 0 / 30

HEX #862DB2

RGB 134 45 178

HSL 280.15, 0.6%, 0.44%

LAB 38.13, 58.05, -53.51

 

CMYK 23 / 71 / 0 / 20

HEX #9D3CCC

RGB 157 60 204

HSL 280.42, 0.59%, 0.52%

LAB 45.3, 62.07, -56.97

 

CMYK 19 / 56 / 0 / 16

HEX #AD5DD5

RGB 173 93 213

HSL 280, 0.59%, 0.6%

LAB 53.51, 52.37, -48.86

 

CMYK 14 / 43 / 0 / 13

HEX #BE7DDD

RGB 190 125 221

HSL 280.63, 0.59%, 0.68%

LAB 62.37, 41.89, -39.26

 

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

CMYK 0 / 71 / 61 / 20

HEX #CC3C4F

RGB 204 60 79

HSL 352.08, 0.59%, 0.52%

LAB 47.8, 57.43, 22.43

 

CMYK 71 / 0 / 52 / 20

HEX #3CCC62

RGB 60 204 98

HSL 135.83, 0.59%, 0.52%

LAB 72.91, -60.08, 41.74

 

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

CMYK 0 / 24 / 71 / 20

HEX #CC9C3C

RGB 204 156 60

HSL 40, 0.59%, 0.52%

LAB 67.23, 8.3, 55.04

 

CMYK 71 / 0 / 24 / 20

HEX #3CCC9C

RGB 60 204 156

HSL 160, 0.59%, 0.52%

LAB 73.9, -49.13, 13.1

 

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

CMYK 0 / 71 / 61 / 20

HEX #CC3C4F

RGB 204 60 79

HSL 352.08, 0.59%, 0.52%

LAB 47.8, 57.43, 22.43

 

CMYK 47 / 0 / 71 / 20

HEX #6CCC3C

RGB 108 204 60

HSL 100, 0.59%, 0.52%

LAB 74, -52.9, 59.86

 

CMYK 71 / 0 / 9 / 20

HEX #3CCCB9

RGB 60 204 185

HSL 172.08, 0.59%, 0.52%

LAB 74.6, -41.92, -1.51

 

CMYK 23 / 70 / 0 / 20

HEX #9E3ECD

RGB 158 62 205

HSL 280.28, 0.59%, 0.52%

LAB 45.8, 61.66, -56.74

 

CMYK 0 / 59 / 71 / 20

HEX #CC543C

RGB 204 84 60

HSL 10, 0.59%, 0.52%

LAB 51.27, 46.21, 37.75

 

CMYK 47 / 0 / 71 / 20

HEX #6CCC3C

RGB 108 204 60

HSL 100, 0.59%, 0.52%

LAB 74, -52.9, 59.86

 

CMYK 71 / 12 / 0 / 20

HEX #3CB4CC

RGB 60 180 204

HSL 190, 0.59%, 0.52%

LAB 67.99, -25.11, -21.77

 

Description

Color code: HEX #9E3ECD | qconv.com Color code: HEX #9E3ECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 62 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 62 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 70 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 70% 0% 20% C M Y K

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Provide designers and agencies with accurate color values.

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