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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E526E it is the complementary color #61AD91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E526E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E526E shade: #A35269, #B4647C, #C5768F, #D688A2 and #E79AB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E526E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E526E shade: #9E526E, #8D405B, #7C2E48, #6B1C35 and #5A0A22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E526E shade: #9E516D, #9E5159 and #9E5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E526E shade: #9E516D, #9E5182, #9E5197, #90519E and #7B519E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E526E shade matches the following richer shades: #9E516D, #B13E68, #C42A63, #D8175E and #EB0359

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E526E shade: #9E516D, #8A6472, #777877, #648B7D and #509F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E526E shade: #9E5197, #9E5183, #9E516E, #9E515A and #9E5D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E526E shade: #673547, #82435A, #9E516D, #B16782 and #BF8399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E526E shade: #9E526E, #9E9051 and #518D9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E526E shade: #9E526E, #6E9E51 and #516E9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E526E shade: #9E526E, #9E9051, #519E80 and #515F9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E526E shade: #9E526E, #959E51, #519E80 and #5A519E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

Complementary color

CMYK 44 / 0 / 16 / 32

HEX #61AD91

RGB 97 173 145

HSL 157.89, 0.32%, 0.53%

LAB 65.34, -30.3, 7.09

 

CMYK 0 / 50 / 36 / 36

HEX #A35269

RGB 163 82 105

HSL 342.96, 0.33%, 0.48%

LAB 45.42, 35.96, 2.28

 

CMYK 0 / 44 / 31 / 29

HEX #B4647C

RGB 180 100 124

HSL 342, 0.35%, 0.55%

LAB 52.14, 35.03, 0.92

 

CMYK 0 / 40 / 27 / 23

HEX #C5768F

RGB 197 118 143

HSL 341.01, 0.41%, 0.62%

LAB 58.8, 34.13, -0.23

 

CMYK 0 / 36 / 24 / 16

HEX #D688A2

RGB 214 136 162

HSL 340, 0.49%, 0.69%

LAB 65.37, 33.28, -1.23

 

CMYK 0 / 33 / 22 / 9

HEX #E79AB5

RGB 231 154 181

HSL 338.96, 0.62%, 0.75%

LAB 71.85, 32.49, -2.13

 

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

CMYK 0 / 55 / 35 / 45

HEX #8D405B

RGB 141 64 91

HSL 338.96, 0.38%, 0.4%

LAB 37.99, 35.69, -0.25

 

CMYK 0 / 63 / 42 / 51

HEX #7C2E48

RGB 124 46 72

HSL 340, 0.46%, 0.33%

LAB 31.13, 36.45, 1.62

 

CMYK 0 / 74 / 50 / 58

HEX #6B1C35

RGB 107 28 53

HSL 341.01, 0.59%, 0.26%

LAB 24.36, 36.8, 4.2

 

CMYK 0 / 89 / 62 / 65

HEX #5A0A22

RGB 90 10 34

HSL 342, 0.8%, 0.2%

LAB 17.95, 36.07, 8.02

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 49 / 49 / 38

HEX #9E5151

RGB 158 81 81

HSL 0, 0.32%, 0.47%

LAB 43.87, 31.86, 14.64

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 49 / 18 / 38

HEX #9E5182

RGB 158 81 130

HSL 321.82, 0.32%, 0.47%

LAB 45.31, 38.34, -13.16

 

CMYK 0 / 49 / 4 / 38

HEX #9E5197

RGB 158 81 151

HSL 305.45, 0.32%, 0.47%

LAB 46.16, 41.96, -24.48

 

CMYK 9 / 49 / 0 / 38

HEX #90519E

RGB 144 81 158

HSL 289.09, 0.32%, 0.47%

LAB 44.64, 39.05, -31.17

 

CMYK 22 / 49 / 0 / 38

HEX #7B519E

RGB 123 81 158

HSL 272.73, 0.32%, 0.47%

LAB 42.1, 32.84, -35.33

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 65 / 41 / 31

HEX #B13E68

RGB 177 62 104

HSL 338.09, 0.48%, 0.47%

LAB 43.93, 50.3, 1.01

 

CMYK 0 / 79 / 49 / 23

HEX #C42A63

RGB 196 42 99

HSL 337.79, 0.65%, 0.47%

LAB 44.65, 62.51, 5.58

 

CMYK 0 / 89 / 56 / 15

HEX #D8175E

RGB 216 23 94

HSL 337.93, 0.81%, 0.47%

LAB 47, 71.3, 12.56

 

CMYK 0 / 99 / 62 / 8

HEX #EB0359

RGB 235 3 89

HSL 337.76, 0.97%, 0.47%

LAB 50.04, 77.45, 20.4

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 28 / 17 / 46

HEX #8A6472

RGB 138 100 114

HSL 337.89, 0.16%, 0.47%

LAB 46.62, 17.61, -1.8

 

CMYK 1 / 0 / 1 / 53

HEX #777877

RGB 119 120 119

HSL 120, 0%, 0.47%

LAB 50.32, -0.58, 0.41

 

CMYK 28 / 0 / 10 / 45

HEX #648B7D

RGB 100 139 125

HSL 158.46, 0.16%, 0.47%

LAB 54.72, -16.67, 3.13

 

CMYK 50 / 0 / 18 / 38

HEX #509F82

RGB 80 159 130

HSL 157.97, 0.33%, 0.47%

LAB 59.99, -31.47, 7.73

 

CMYK 0 / 49 / 4 / 38

HEX #9E5197

RGB 158 81 151

HSL 305.45, 0.32%, 0.47%

LAB 46.16, 41.96, -24.48

 

CMYK 0 / 49 / 17 / 38

HEX #9E5183

RGB 158 81 131

HSL 321.04, 0.32%, 0.47%

LAB 45.35, 38.51, -13.71

 

CMYK 0 / 49 / 30 / 38

HEX #9E516E

RGB 158 81 110

HSL 337.4, 0.32%, 0.47%

LAB 44.63, 35.34, -2.01

 

CMYK 0 / 49 / 43 / 38

HEX #9E515A

RGB 158 81 90

HSL 352.99, 0.32%, 0.47%

LAB 44.08, 32.82, 9.43

 

CMYK 0 / 41 / 49 / 38

HEX #9E5D51

RGB 158 93 81

HSL 9.35, 0.32%, 0.47%

LAB 46.57, 25.21, 18.29

 

CMYK 0 / 49 / 31 / 60

HEX #673547

RGB 103 53 71

HSL 338.4, 0.32%, 0.31%

LAB 29.12, 24.68, -1.07

 

CMYK 0 / 48 / 31 / 49

HEX #82435A

RGB 130 67 90

HSL 338.1, 0.32%, 0.39%

LAB 36.93, 29.87, -1.38

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 42 / 27 / 31

HEX #B16782

RGB 177 103 130

HSL 338.11, 0.32%, 0.55%

LAB 52.57, 33.15, -2.05

 

CMYK 0 / 31 / 20 / 25

HEX #BF8399

RGB 191 131 153

HSL 338, 0.32%, 0.63%

LAB 61.32, 26.32, -2.37

 

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

CMYK 0 / 9 / 49 / 38

HEX #9E9051

RGB 158 144 81

HSL 49.09, 0.32%, 0.47%

LAB 59.72, -3.63, 35.18

 

CMYK 49 / 11 / 0 / 38

HEX #518D9E

RGB 81 141 158

HSL 193.25, 0.32%, 0.47%

LAB 55.35, -14.72, -15.07

 

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

CMYK 30 / 0 / 49 / 38

HEX #6E9E51

RGB 110 158 81

HSL 97.4, 0.32%, 0.47%

LAB 60.22, -30.41, 34.99

 

CMYK 49 / 30 / 0 / 38

HEX #516E9E

RGB 81 110 158

HSL 217.4, 0.32%, 0.47%

LAB 46.14, 3.21, -29.24

 

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

CMYK 0 / 9 / 49 / 38

HEX #9E9051

RGB 158 144 81

HSL 49.09, 0.32%, 0.47%

LAB 59.72, -3.63, 35.18

 

CMYK 49 / 0 / 19 / 38

HEX #519E80

RGB 81 158 128

HSL 156.62, 0.32%, 0.47%

LAB 59.67, -31.2, 8.41

 

CMYK 49 / 40 / 0 / 38

HEX #515F9E

RGB 81 95 158

HSL 229.09, 0.32%, 0.47%

LAB 41.85, 12.54, -35.98

 

CMYK 0 / 48 / 30 / 38

HEX #9E526E

RGB 158 82 110

HSL 337.89, 0.32%, 0.47%

LAB 44.84, 34.81, -1.7

 

CMYK 6 / 0 / 49 / 38

HEX #959E51

RGB 149 158 81

HSL 67.01, 0.32%, 0.47%

LAB 62.88, -14.96, 38.85

 

CMYK 49 / 0 / 19 / 38

HEX #519E80

RGB 81 158 128

HSL 156.62, 0.32%, 0.47%

LAB 59.67, -31.2, 8.41

 

CMYK 43 / 49 / 0 / 38

HEX #5A519E

RGB 90 81 158

HSL 247.01, 0.32%, 0.47%

LAB 38.77, 23.69, -40.82

 

Description

Color code: HEX #9E526E | qconv.com Color code: HEX #9E526E | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 82 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 82 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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