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Color name
HEX #9E535C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E535C it is the complementary color #61ACA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E535C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E535C shade: #A35357, #B4656A, #C5777D, #D68990 and #E79BA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E535C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E535C shade: #9E535C, #8D4149, #7C2F36, #6B1D23 and #5A0B10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E535C shade: #9D525B and #9D5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E535C shade: #9D525B, #9D526F, #9D5283, #9D5297 and #8E529D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E535C shade matches the following richer shades: #9D525B, #B03F4C, #C32B3E, #D7182F and #EA0520

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E535C shade: #9D525B, #89666A, #767979, #628C87 and #4FA096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E535C shade: #9D5284, #9D5270, #9D525C, #9D5C52 and #9D7052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E535C shade: #66363C, #81444B, #9D525B, #AF6871 and #BE848A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E535C shade: #9E535C, #989D52 and #527A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E535C shade: #9E535C, #5C9D52 and #525C9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E535C shade: #9E535C, #989D52, #529D93 and #57529D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E535C shade: #9E535C, #819D52, #529D93 and #6D529D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

Complementary color

CMYK 44 / 0 / 5 / 33

HEX #61ACA3

RGB 97 172 163

HSL 172.8, 0.31%, 0.53%

LAB 65.51, -25.53, -2.66

 

CMYK 0 / 49 / 47 / 36

HEX #A35357

RGB 163 83 87

HSL 357, 0.33%, 0.48%

LAB 45.17, 33.34, 12.89

 

CMYK 0 / 44 / 41 / 29

HEX #B4656A

RGB 180 101 106

HSL 356.2, 0.34%, 0.55%

LAB 51.9, 32.25, 11.23

 

CMYK 0 / 40 / 37 / 23

HEX #C5777D

RGB 197 119 125

HSL 355.38, 0.4%, 0.62%

LAB 58.55, 31.23, 9.82

 

CMYK 0 / 36 / 33 / 16

HEX #D68990

RGB 214 137 144

HSL 354.55, 0.48%, 0.69%

LAB 65.12, 30.3, 8.59

 

CMYK 0 / 33 / 29 / 9

HEX #E79BA3

RGB 231 155 163

HSL 353.68, 0.61%, 0.76%

LAB 71.61, 29.45, 7.49

 

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

CMYK 0 / 54 / 48 / 45

HEX #8D4149

RGB 141 65 73

HSL 353.68, 0.37%, 0.4%

LAB 37.71, 33.05, 10.7

 

CMYK 0 / 62 / 56 / 51

HEX #7C2F36

RGB 124 47 54

HSL 354.55, 0.45%, 0.34%

LAB 30.84, 34.1, 13

 

CMYK 0 / 73 / 67 / 58

HEX #6B1D23

RGB 107 29 35

HSL 355.38, 0.57%, 0.27%

LAB 24.08, 34.86, 16.1

 

CMYK 0 / 88 / 82 / 65

HEX #5A0B10

RGB 90 11 16

HSL 356.2, 0.78%, 0.2%

LAB 17.69, 34.71, 20.07

 

CMYK 0 / 48 / 42 / 38

HEX #9D525B

RGB 157 82 91

HSL 352.8, 0.31%, 0.47%

LAB 44.17, 32.01, 8.93

 

CMYK 0 / 48 / 48 / 38

HEX #9D5252

RGB 157 82 82

HSL 0, 0.31%, 0.47%

LAB 43.96, 31.02, 14.13

 

CMYK 0 / 48 / 42 / 38

HEX #9D525B

RGB 157 82 91

HSL 352.8, 0.31%, 0.47%

LAB 44.17, 32.01, 8.93

 

CMYK 0 / 48 / 29 / 38

HEX #9D526F

RGB 157 82 111

HSL 336.8, 0.31%, 0.47%

LAB 44.73, 34.58, -2.49

 

CMYK 0 / 48 / 17 / 38

HEX #9D5283

RGB 157 82 131

HSL 320.8, 0.31%, 0.47%

LAB 45.42, 37.64, -13.62

 

CMYK 0 / 48 / 4 / 38

HEX #9D5297

RGB 157 82 151

HSL 304.8, 0.31%, 0.47%

LAB 46.23, 41.12, -24.39

 

CMYK 10 / 48 / 0 / 38

HEX #8E529D

RGB 142 82 157

HSL 288, 0.31%, 0.47%

LAB 44.55, 37.69, -30.73

 

CMYK 0 / 48 / 42 / 38

HEX #9D525B

RGB 157 82 91

HSL 352.8, 0.31%, 0.47%

LAB 44.17, 32.01, 8.93

 

CMYK 0 / 64 / 57 / 31

HEX #B03F4C

RGB 176 63 76

HSL 353.1, 0.47%, 0.47%

LAB 43.22, 46.94, 17.31

 

CMYK 0 / 78 / 68 / 24

HEX #C32B3E

RGB 195 43 62

HSL 352.5, 0.64%, 0.47%

LAB 43.77, 59.46, 27.28

 

CMYK 0 / 89 / 78 / 16

HEX #D7182F

RGB 215 24 47

HSL 352.77, 0.8%, 0.47%

LAB 46.05, 68.62, 39.83

 

CMYK 0 / 98 / 86 / 8

HEX #EA0520

RGB 234 5 32

HSL 352.93, 0.96%, 0.47%

LAB 49.14, 75.03, 52.04

 

CMYK 0 / 48 / 42 / 38

HEX #9D525B

RGB 157 82 91

HSL 352.8, 0.31%, 0.47%

LAB 44.17, 32.01, 8.93

 

CMYK 0 / 26 / 23 / 46

HEX #89666A

RGB 137 102 106

HSL 353.14, 0.15%, 0.47%

LAB 46.79, 14.71, 3.24

 

CMYK 2 / 0 / 0 / 53

HEX #767979

RGB 118 121 121

HSL 180, 0.01%, 0.47%

LAB 50.58, -1.13, -0.4

 

CMYK 30 / 0 / 4 / 45

HEX #628C87

RGB 98 140 135

HSL 172.86, 0.18%, 0.47%

LAB 55.18, -15.54, -1.98

 

CMYK 51 / 0 / 6 / 37

HEX #4FA096

RGB 79 160 150

HSL 172.59, 0.34%, 0.47%

LAB 60.79, -27.27, -2.4

 

CMYK 0 / 48 / 16 / 38

HEX #9D5284

RGB 157 82 132

HSL 320, 0.31%, 0.47%

LAB 45.45, 37.8, -14.16

 

CMYK 0 / 48 / 29 / 38

HEX #9D5270

RGB 157 82 112

HSL 336, 0.31%, 0.47%

LAB 44.76, 34.73, -3.05

 

CMYK 0 / 48 / 41 / 38

HEX #9D525C

RGB 157 82 92

HSL 352, 0.31%, 0.47%

LAB 44.2, 32.13, 8.36

 

CMYK 0 / 41 / 48 / 38

HEX #9D5C52

RGB 157 92 82

HSL 8, 0.31%, 0.47%

LAB 46.22, 25.47, 17.2

 

CMYK 0 / 29 / 48 / 38

HEX #9D7052

RGB 157 112 82

HSL 24, 0.31%, 0.47%

LAB 51.11, 14.05, 23.7

 

CMYK 0 / 47 / 41 / 60

HEX #66363C

RGB 102 54 60

HSL 352.5, 0.31%, 0.31%

LAB 28.87, 22.12, 5.79

 

CMYK 0 / 47 / 42 / 49

HEX #81444B

RGB 129 68 75

HSL 353.11, 0.31%, 0.39%

LAB 36.57, 26.92, 7.58

 

CMYK 0 / 48 / 42 / 38

HEX #9D525B

RGB 157 82 91

HSL 352.8, 0.31%, 0.47%

LAB 44.17, 32.01, 8.93

 

CMYK 0 / 41 / 35 / 31

HEX #AF6871

RGB 175 104 113

HSL 352.39, 0.31%, 0.55%

LAB 52.07, 29.54, 7.25

 

CMYK 0 / 31 / 27 / 25

HEX #BE848A

RGB 190 132 138

HSL 353.79, 0.31%, 0.63%

LAB 61.03, 23.16, 5.78

 

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

CMYK 3 / 0 / 48 / 38

HEX #989D52

RGB 152 157 82

HSL 64, 0.31%, 0.47%

LAB 62.84, -13.08, 38.36

 

CMYK 48 / 22 / 0 / 38

HEX #527A9D

RGB 82 122 157

HSL 208, 0.31%, 0.47%

LAB 49.67, -4.01, -23.16

 

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

CMYK 41 / 0 / 48 / 38

HEX #5C9D52

RGB 92 157 82

HSL 112, 0.31%, 0.47%

LAB 58.97, -36.06, 32.72

 

CMYK 48 / 41 / 0 / 38

HEX #525C9D

RGB 82 92 157

HSL 232, 0.31%, 0.47%

LAB 41.03, 14.37, -36.67

 

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

CMYK 3 / 0 / 48 / 38

HEX #989D52

RGB 152 157 82

HSL 64, 0.31%, 0.47%

LAB 62.84, -13.08, 38.36

 

CMYK 48 / 0 / 6 / 38

HEX #529D93

RGB 82 157 147

HSL 172, 0.31%, 0.47%

LAB 59.9, -25.84, -1.99

 

CMYK 45 / 48 / 0 / 38

HEX #57529D

RGB 87 82 157

HSL 244, 0.31%, 0.47%

LAB 38.72, 21.99, -40.32

 

CMYK 0 / 47 / 42 / 38

HEX #9E535C

RGB 158 83 92

HSL 352.8, 0.31%, 0.47%

LAB 44.56, 31.97, 8.89

 

CMYK 18 / 0 / 48 / 38

HEX #819D52

RGB 129 157 82

HSL 82.4, 0.31%, 0.47%

LAB 61.12, -22.52, 35.87

 

CMYK 48 / 0 / 6 / 38

HEX #529D93

RGB 82 157 147

HSL 172, 0.31%, 0.47%

LAB 59.9, -25.84, -1.99

 

CMYK 31 / 48 / 0 / 38

HEX #6D529D

RGB 109 82 157

HSL 261.6, 0.31%, 0.47%

LAB 40.77, 27.95, -36.94

 

Description

Color code: HEX #9E535C | qconv.com Color code: HEX #9E535C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 83 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 83 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 42 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 42% 38% C M Y K

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Provide designers and agencies with accurate color values.

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