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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E5FD2 it is the complementary color #61A02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E5FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E5FD2 shade: #A35FCD, #B471E0, #C583F3, #D695FF and #E7A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E5FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E5FD2 shade: #9E5FD2, #8D4DBF, #7C3BAC, #6B2999 and #5A1786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E5FD2 shade: #9E5FD2, #BD5FD2, #D25FC8, #D25FA9 and #D25F8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E5FD2 shade: #9E5FD2, #7F5FD2, #605FD2 and #5F5FD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E5FD2 shade matches the following richer shades: #9E5FD2, #A04FE2 and #A13EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E5FD2 shade: #9E5FD2, #9C70C1, #9B80B1, #9991A0 and #98A190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E5FD2 shade: #5F5FD2, #7E5FD2, #9C5FD2, #BB5FD2 and #D25FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E5FD2 shade: #7531AE, #8A3FC9, #9E5FD2, #B180DB and #C5A0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E5FD2 shade: #9E5FD2, #D25F7E and #5FD26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E5FD2 shade: #9E5FD2, #D29C5F and #5FD29C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E5FD2 shade: #9E5FD2, #D25F7E, #95D25F and #5FD2B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E5FD2 shade: #9E5FD2, #D2635F, #95D25F and #5FCED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

Complementary color

CMYK 39 / 0 / 72 / 37

HEX #61A02D

RGB 97 160 45

HSL 92.87, 0.56%, 0.4%

LAB 59.77, -39.61, 50.85

 

CMYK 20 / 54 / 0 / 20

HEX #A35FCD

RGB 163 95 205

HSL 277.09, 0.52%, 0.59%

LAB 52.26, 47.01, -46.36

 

CMYK 20 / 50 / 0 / 12

HEX #B471E0

RGB 180 113 224

HSL 276.22, 0.64%, 0.66%

LAB 58.88, 46.18, -46.5

 

CMYK 19 / 46 / 0 / 5

HEX #C583F3

RGB 197 131 243

HSL 275.36, 0.82%, 0.73%

LAB 65.42, 45.35, -46.61

 

CMYK 16 / 42 / 0 / 0

HEX #D695FF

RGB 214 149 255

HSL 276.79, 1%, 0.79%

LAB 71.56, 43.06, -43.39

 

CMYK 9 / 35 / 0 / 0

HEX #E7A7FF

RGB 231 167 255

HSL 283.64, 1%, 0.83%

LAB 77.19, 38.44, -34.51

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 26 / 60 / 0 / 25

HEX #8D4DBF

RGB 141 77 191

HSL 273.68, 0.47%, 0.53%

LAB 45.27, 47.7, -49.61

 

CMYK 28 / 66 / 0 / 33

HEX #7C3BAC

RGB 124 59 172

HSL 274.51, 0.49%, 0.45%

LAB 38.54, 48.41, -49.36

 

CMYK 30 / 73 / 0 / 40

HEX #6B2999

RGB 107 41 153

HSL 275.36, 0.58%, 0.38%

LAB 31.83, 48.81, -48.85

 

CMYK 33 / 83 / 0 / 47

HEX #5A1786

RGB 90 23 134

HSL 276.22, 0.71%, 0.31%

LAB 25.28, 48.47, -47.86

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 10 / 55 / 0 / 18

HEX #BD5FD2

RGB 189 95 210

HSL 289.04, 0.56%, 0.6%

LAB 55.74, 54.9, -43.49

 

CMYK 0 / 55 / 5 / 18

HEX #D25FC8

RGB 210 95 200

HSL 305.22, 0.56%, 0.6%

LAB 58.09, 58.73, -33.92

 

CMYK 0 / 55 / 20 / 18

HEX #D25FA9

RGB 210 95 169

HSL 321.39, 0.56%, 0.6%

LAB 56.83, 53.87, -18.05

 

CMYK 0 / 55 / 34 / 18

HEX #D25F8A

RGB 210 95 138

HSL 337.57, 0.56%, 0.6%

LAB 55.81, 49.75, -1.48

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 40 / 55 / 0 / 18

HEX #7F5FD2

RGB 127 95 210

HSL 256.7, 0.56%, 0.6%

LAB 48.7, 39.24, -55.14

 

CMYK 54 / 55 / 0 / 18

HEX #605FD2

RGB 96 95 210

HSL 240.52, 0.56%, 0.6%

LAB 46.08, 32.53, -59.5

 

CMYK 55 / 55 / 0 / 18

HEX #5F5FD2

RGB 95 95 210

HSL 240, 0.56%, 0.6%

LAB 46, 32.33, -59.62

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 29 / 65 / 0 / 11

HEX #A04FE2

RGB 160 79 226

HSL 273.06, 0.72%, 0.6%

LAB 50.16, 59.06, -61.68

 

CMYK 34 / 74 / 0 / 5

HEX #A13EF3

RGB 161 62 243

HSL 272.82, 0.88%, 0.6%

LAB 48.88, 70.35, -73.34

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 19 / 42 / 0 / 24

HEX #9C70C1

RGB 156 112 193

HSL 272.59, 0.4%, 0.6%

LAB 54.56, 32.97, -35.93

 

CMYK 12 / 28 / 0 / 31

HEX #9B80B1

RGB 155 128 177

HSL 273.06, 0.24%, 0.6%

LAB 57.64, 19.87, -22.01

 

CMYK 4 / 9 / 0 / 37

HEX #9991A0

RGB 153 145 160

HSL 272, 0.07%, 0.6%

LAB 61.27, 5.86, -6.84

 

CMYK 6 / 0 / 11 / 37

HEX #98A190

RGB 152 161 144

HSL 91.76, 0.08%, 0.6%

LAB 65.1, -6.42, 7.75

 

CMYK 55 / 55 / 0 / 18

HEX #5F5FD2

RGB 95 95 210

HSL 240, 0.56%, 0.6%

LAB 46, 32.33, -59.62

 

CMYK 40 / 55 / 0 / 18

HEX #7E5FD2

RGB 126 95 210

HSL 256.17, 0.56%, 0.6%

LAB 48.6, 39.01, -55.3

 

CMYK 26 / 55 / 0 / 18

HEX #9C5FD2

RGB 156 95 210

HSL 271.83, 0.56%, 0.6%

LAB 51.73, 46.34, -50.11

 

CMYK 11 / 55 / 0 / 18

HEX #BB5FD2

RGB 187 95 210

HSL 288, 0.56%, 0.6%

LAB 55.48, 54.37, -43.92

 

CMYK 0 / 55 / 4 / 18

HEX #D25FCA

RGB 210 95 202

HSL 304.17, 0.56%, 0.6%

LAB 58.18, 59.07, -34.92

 

CMYK 33 / 72 / 0 / 32

HEX #7531AE

RGB 117 49 174

HSL 272.64, 0.56%, 0.44%

LAB 36.05, 52.15, -54.61

 

CMYK 31 / 69 / 0 / 21

HEX #8A3FC9

RGB 138 63 201

HSL 272.61, 0.56%, 0.52%

LAB 43.03, 56.25, -59.04

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 19 / 42 / 0 / 14

HEX #B180DB

RGB 177 128 219

HSL 272.31, 0.56%, 0.68%

LAB 61.57, 36.04, -39.49

 

CMYK 14 / 30 / 0 / 11

HEX #C5A0E4

RGB 197 160 228

HSL 272.65, 0.56%, 0.76%

LAB 71.29, 26.29, -29.22

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 0 / 55 / 40 / 18

HEX #D25F7E

RGB 210 95 126

HSL 343.83, 0.56%, 0.6%

LAB 55.47, 48.37, 5.1

 

CMYK 55 / 0 / 47 / 18

HEX #5FD26F

RGB 95 210 111

HSL 128.35, 0.56%, 0.6%

LAB 75.87, -53.17, 39.26

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 0 / 26 / 55 / 18

HEX #D29C5F

RGB 210 156 95

HSL 31.83, 0.56%, 0.6%

LAB 68.24, 13.23, 39.53

 

CMYK 55 / 0 / 26 / 18

HEX #5FD29C

RGB 95 210 156

HSL 151.83, 0.56%, 0.6%

LAB 76.63, -45.16, 17.07

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 0 / 55 / 40 / 18

HEX #D25F7E

RGB 210 95 126

HSL 343.83, 0.56%, 0.6%

LAB 55.47, 48.37, 5.1

 

CMYK 29 / 0 / 55 / 18

HEX #95D25F

RGB 149 210 95

HSL 91.83, 0.56%, 0.6%

LAB 78.06, -38.68, 50.13

 

CMYK 55 / 0 / 15 / 18

HEX #5FD2B3

RGB 95 210 179

HSL 163.83, 0.56%, 0.6%

LAB 77.15, -40.07, 5.53

 

CMYK 25 / 55 / 0 / 18

HEX #9E5FD2

RGB 158 95 210

HSL 272.87, 0.56%, 0.6%

LAB 51.96, 46.85, -49.74

 

CMYK 0 / 53 / 55 / 18

HEX #D2635F

RGB 210 99 95

HSL 2.09, 0.56%, 0.6%

LAB 55.53, 43.46, 23.34

 

CMYK 29 / 0 / 55 / 18

HEX #95D25F

RGB 149 210 95

HSL 91.83, 0.56%, 0.6%

LAB 78.06, -38.68, 50.13

 

CMYK 55 / 2 / 0 / 18

HEX #5FCED2

RGB 95 206 210

HSL 182.09, 0.56%, 0.6%

LAB 76.82, -30.37, -11.62

 

Description

Color code: HEX #9E5FD2 | qconv.com Color code: HEX #9E5FD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 95 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 95 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 55 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 55% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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