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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E6DE8 it is the complementary color #619217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E6DE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E6DE8 shade: #A36DE3, #B47FF6, #C591FF, #D6A3FF and #E7B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E6DE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E6DE8 shade: #9E6DE8, #8D5BD5, #7C49C2, #6B37AF and #5A259C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E6DE8 shade: #9E6DE8, #BF6DE8, #E06DE8, #E86DCE and #E86DAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E6DE8 shade: #9E6DE8, #7D6DE8 and #6D6DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E6DE8 shade matches the following richer shades: #9E6DE8 and #9B5FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E6DE8 shade: #9E6DE8, #A17BDA, #A388CD, #A696BF and #A9A3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E6DE8 shade: #6D7FE8, #7B6DE8, #9C6DE8, #BD6DE8 and #DE6DE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E6DE8 shade: #6E26DD, #8649E2, #9E6DE8, #B691ED and #CDB4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E6DE8 shade: #9E6DE8, #E86DA0 and #6FE86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E6DE8 shade: #9E6DE8, #E89C6D and #6DE89C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E6DE8 shade: #9E6DE8, #E86DA0, #B9E86D and #6DE8B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E6DE8 shade: #9E6DE8, #E86D7B, #B9E86D and #6DE8D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

Complementary color

CMYK 34 / 0 / 84 / 43

HEX #619217

RGB 97 146 23

HSL 83.9, 0.73%, 0.33%

LAB 55.24, -34.69, 53.82

 

CMYK 28 / 52 / 0 / 11

HEX #A36DE3

RGB 163 109 227

HSL 267.46, 0.68%, 0.66%

LAB 56.36, 44.57, -52.3

 

CMYK 27 / 48 / 0 / 4

HEX #B47FF6

RGB 180 127 246

HSL 266.72, 0.87%, 0.73%

LAB 62.96, 43.64, -52.26

 

CMYK 23 / 43 / 0 / 0

HEX #C591FF

RGB 197 145 255

HSL 268.36, 1%, 0.78%

LAB 69, 40.47, -47.54

 

CMYK 16 / 36 / 0 / 0

HEX #D6A3FF

RGB 214 163 255

HSL 273.26, 1%, 0.82%

LAB 74.64, 35.53, -38.59

 

CMYK 9 / 29 / 0 / 0

HEX #E7B5FF

RGB 231 181 255

HSL 280.54, 1%, 0.85%

LAB 80.32, 30.97, -29.68

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 34 / 57 / 0 / 16

HEX #8D5BD5

RGB 141 91 213

HSL 264.59, 0.59%, 0.6%

LAB 49.43, 45.56, -55.59

 

CMYK 36 / 62 / 0 / 24

HEX #7C49C2

RGB 124 73 194

HSL 265.29, 0.5%, 0.52%

LAB 42.68, 46.59, -55.62

 

CMYK 39 / 69 / 0 / 31

HEX #6B37AF

RGB 107 55 175

HSL 266, 0.52%, 0.45%

LAB 35.89, 47.52, -55.52

 

CMYK 42 / 76 / 0 / 39

HEX #5A259C

RGB 90 37 156

HSL 266.72, 0.62%, 0.38%

LAB 29.15, 48.15, -55.15

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 18 / 53 / 0 / 9

HEX #BF6DE8

RGB 191 109 232

HSL 280, 0.73%, 0.67%

LAB 59.74, 52.9, -49.52

 

CMYK 3 / 53 / 0 / 9

HEX #E06DE8

RGB 224 109 232

HSL 296.1, 0.73%, 0.67%

LAB 63.84, 61.54, -42.78

 

CMYK 0 / 53 / 11 / 9

HEX #E86DCE

RGB 232 109 206

HSL 312.68, 0.73%, 0.67%

LAB 63.79, 59.38, -28.23

 

CMYK 0 / 53 / 25 / 9

HEX #E86DAD

RGB 232 109 173

HSL 328.78, 0.73%, 0.67%

LAB 62.6, 54.59, -11.33

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 46 / 53 / 0 / 9

HEX #7D6DE8

RGB 125 109 232

HSL 247.8, 0.73%, 0.67%

LAB 53.08, 36.85, -60.54

 

CMYK 53 / 53 / 0 / 9

HEX #6D6DE8

RGB 109 109 232

HSL 240, 0.73%, 0.67%

LAB 51.85, 33.51, -62.59

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 37 / 61 / 0 / 4

HEX #9B5FF5

RGB 155 95 245

HSL 264, 0.88%, 0.67%

LAB 53.76, 54.58, -66.58

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 26 / 44 / 0 / 15

HEX #A17BDA

RGB 161 123 218

HSL 264, 0.56%, 0.67%

LAB 58.79, 34.06, -43.4

 

CMYK 20 / 34 / 0 / 20

HEX #A388CD

RGB 163 136 205

HSL 263.48, 0.41%, 0.67%

LAB 61.48, 24.16, -31.88

 

CMYK 13 / 21 / 0 / 25

HEX #A696BF

RGB 166 150 191

HSL 263.41, 0.24%, 0.67%

LAB 64.71, 14, -19.05

 

CMYK 5 / 8 / 0 / 31

HEX #A9A3B1

RGB 169 163 177

HSL 265.71, 0.08%, 0.67%

LAB 67.88, 4.84, -6.45

 

CMYK 53 / 45 / 0 / 9

HEX #6D7FE8

RGB 109 127 232

HSL 231.22, 0.73%, 0.67%

LAB 56.34, 22.69, -55.38

 

CMYK 47 / 53 / 0 / 9

HEX #7B6DE8

RGB 123 109 232

HSL 246.83, 0.73%, 0.67%

LAB 52.92, 36.42, -60.81

 

CMYK 33 / 53 / 0 / 9

HEX #9C6DE8

RGB 156 109 232

HSL 262.93, 0.73%, 0.67%

LAB 55.92, 44.05, -55.84

 

CMYK 19 / 53 / 0 / 9

HEX #BD6DE8

RGB 189 109 232

HSL 279.02, 0.73%, 0.67%

LAB 59.51, 52.38, -49.91

 

CMYK 4 / 53 / 0 / 9

HEX #DE6DE8

RGB 222 109 232

HSL 295.12, 0.73%, 0.67%

LAB 63.58, 61.02, -43.21

 

CMYK 50 / 83 / 0 / 13

HEX #6E26DD

RGB 110 38 221

HSL 263.61, 0.73%, 0.51%

LAB 37.7, 66.79, -79.41

 

CMYK 41 / 68 / 0 / 11

HEX #8649E2

RGB 134 73 226

HSL 263.92, 0.73%, 0.59%

LAB 46.08, 56.77, -68.45

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 23 / 39 / 0 / 7

HEX #B691ED

RGB 182 145 237

HSL 264.13, 0.72%, 0.75%

LAB 66.76, 32.13, -41.31

 

CMYK 16 / 26 / 0 / 5

HEX #CDB4F3

RGB 205 180 243

HSL 263.81, 0.72%, 0.83%

LAB 77.34, 21, -28.02

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 0 / 53 / 31 / 9

HEX #E86DA0

RGB 232 109 160

HSL 335.12, 0.73%, 0.67%

LAB 62.2, 52.92, -4.49

 

CMYK 52 / 0 / 53 / 9

HEX #6FE86D

RGB 111 232 109

HSL 119.02, 0.73%, 0.67%

LAB 83.02, -57.9, 49.14

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 0 / 33 / 53 / 9

HEX #E89C6D

RGB 232 156 109

HSL 22.93, 0.73%, 0.67%

LAB 70.9, 23.42, 36.03

 

CMYK 53 / 0 / 33 / 9

HEX #6DE89C

RGB 109 232 156

HSL 142.93, 0.73%, 0.67%

LAB 83.63, -51.16, 26.76

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 0 / 53 / 31 / 9

HEX #E86DA0

RGB 232 109 160

HSL 335.12, 0.73%, 0.67%

LAB 62.2, 52.92, -4.49

 

CMYK 20 / 0 / 53 / 9

HEX #B9E86D

RGB 185 232 109

HSL 82.93, 0.73%, 0.67%

LAB 86.57, -34.16, 54.23

 

CMYK 53 / 0 / 22 / 9

HEX #6DE8B5

RGB 109 232 181

HSL 155.12, 0.73%, 0.67%

LAB 84.12, -46.23, 14.48

 

CMYK 32 / 53 / 0 / 9

HEX #9E6DE8

RGB 158 109 232

HSL 263.9, 0.73%, 0.67%

LAB 56.12, 44.54, -55.51

 

CMYK 0 / 53 / 47 / 9

HEX #E86D7B

RGB 232 109 123

HSL 353.17, 0.73%, 0.67%

LAB 61.24, 48.88, 15.45

 

CMYK 20 / 0 / 53 / 9

HEX #B9E86D

RGB 185 232 109

HSL 82.93, 0.73%, 0.67%

LAB 86.57, -34.16, 54.23

 

CMYK 53 / 0 / 6 / 9

HEX #6DE8D9

RGB 109 232 217

HSL 172.68, 0.73%, 0.67%

LAB 84.98, -37.97, -3.2

 

Description

Color code: HEX #9E6DE8 | qconv.com Color code: HEX #9E6DE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 109 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 109 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 53 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 53% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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