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Color name
HEX #9E6E38

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E6E38 it is the complementary color #6191C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E6E38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E6E38 shade: #A36E33, #B48046, #C59259, #D6A46C and #E7B67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E6E38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E6E38 shade: #9E6E38, #8D5C25, #7C4A12, #6B3800 and #5A2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E6E38 shade: #9E6E37, #9E5237 and #9E3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E6E38 shade: #9E6E37, #9E8937, #979E37, #7B9E37 and #5F9E37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E6E38 shade matches the following richer shades: #9E6E37, #AF6F26, #C17015 and #D27103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E6E38 shade: #9E6E37, #8D6D49, #7B6C5A, #6A6B6B and #596A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E6E38 shade: #9E3739, #9E5137, #9E6C37, #9E8837 and #999E37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E6E38 shade: #614322, #7F582C, #9E6E37, #BC8342 and #C79761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E6E38 shade: #9E6E38, #549E37 and #43379E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E6E38 shade: #9E6E38, #379E6C and #6C379E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E6E38 shade: #9E6E38, #549E37, #37699E and #81379E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E6E38 shade: #9E6E38, #379E39, #37699E and #9E379C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

Complementary color

CMYK 51 / 27 / 0 / 22

HEX #6191C7

RGB 97 145 199

HSL 211.76, 0.48%, 0.58%

LAB 58.9, -0.92, -32.89

 

CMYK 0 / 33 / 69 / 36

HEX #A36E33

RGB 163 110 51

HSL 31.61, 0.52%, 0.42%

LAB 50.89, 15.26, 40.46

 

CMYK 0 / 29 / 61 / 29

HEX #B48046

RGB 180 128 70

HSL 31.64, 0.44%, 0.49%

LAB 57.64, 13.88, 38.96

 

CMYK 0 / 26 / 55 / 23

HEX #C59259

RGB 197 146 89

HSL 31.67, 0.48%, 0.56%

LAB 64.28, 12.71, 37.47

 

CMYK 0 / 23 / 50 / 16

HEX #D6A46C

RGB 214 164 108

HSL 31.7, 0.56%, 0.63%

LAB 70.82, 11.71, 36.05

 

CMYK 0 / 21 / 45 / 9

HEX #E7B67F

RGB 231 182 127

HSL 31.73, 0.68%, 0.7%

LAB 77.27, 10.86, 34.71

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

CMYK 0 / 35 / 74 / 45

HEX #8D5C25

RGB 141 92 37

HSL 31.73, 0.58%, 0.35%

LAB 43.43, 14.89, 38.59

 

CMYK 0 / 40 / 85 / 51

HEX #7C4A12

RGB 124 74 18

HSL 31.7, 0.75%, 0.28%

LAB 36.42, 16.77, 39.61

 

CMYK 0 / 48 / 100 / 58

HEX #6B3800

RGB 107 56 0

HSL 31.4, 1%, 0.21%

LAB 29.3, 19, 39.71

 

CMYK 0 / 58 / 100 / 65

HEX #5A2600

RGB 90 38 0

HSL 25.33, 1%, 0.18%

LAB 22.16, 21.73, 32.08

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 48 / 65 / 38

HEX #9E5237

RGB 158 82 55

HSL 15.73, 0.48%, 0.42%

LAB 43.62, 29.11, 29.79

 

CMYK 0 / 65 / 65 / 38

HEX #9E3737

RGB 158 55 55

HSL 0, 0.48%, 0.42%

LAB 38.34, 42.77, 23.29

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 13 / 65 / 38

HEX #9E8937

RGB 158 137 55

HSL 47.77, 0.48%, 0.42%

LAB 57.5, -1.94, 45.57

 

CMYK 4 / 0 / 65 / 38

HEX #979E37

RGB 151 158 55

HSL 64.08, 0.48%, 0.42%

LAB 62.77, -16.28, 50.99

 

CMYK 22 / 0 / 65 / 38

HEX #7B9E37

RGB 123 158 55

HSL 80.39, 0.48%, 0.42%

LAB 60.73, -28.05, 48.21

 

CMYK 40 / 0 / 65 / 38

HEX #5F9E37

RGB 95 158 55

HSL 96.7, 0.48%, 0.42%

LAB 59.12, -38.63, 46.01

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 37 / 78 / 31

HEX #AF6F26

RGB 175 111 38

HSL 31.97, 0.64%, 0.42%

LAB 52.53, 19.36, 48.69

 

CMYK 0 / 42 / 89 / 24

HEX #C17015

RGB 193 112 21

HSL 31.74, 0.8%, 0.42%

LAB 55.05, 26.13, 57.88

 

CMYK 0 / 46 / 99 / 18

HEX #D27103

RGB 210 113 3

HSL 31.88, 0.97%, 0.42%

LAB 57.58, 32.49, 64.51

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 0 / 12 / 27 / 52

HEX #7B6C5A

RGB 123 108 90

HSL 32.73, 0.15%, 0.42%

LAB 46.54, 2.86, 12.25

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 29 / 15 / 0 / 51

HEX #596A7D

RGB 89 106 125

HSL 211.67, 0.17%, 0.42%

LAB 44.11, -1.63, -12.66

 

CMYK 0 / 65 / 64 / 38

HEX #9E3739

RGB 158 55 57

HSL 358.83, 0.48%, 0.42%

LAB 38.37, 42.9, 22.1

 

CMYK 0 / 49 / 65 / 38

HEX #9E5137

RGB 158 81 55

HSL 15.15, 0.48%, 0.42%

LAB 43.4, 29.65, 29.52

 

CMYK 0 / 32 / 65 / 38

HEX #9E6C37

RGB 158 108 55

HSL 30.87, 0.48%, 0.42%

LAB 49.82, 14.43, 37.05

 

CMYK 0 / 14 / 65 / 38

HEX #9E8837

RGB 158 136 55

HSL 47.18, 0.48%, 0.42%

LAB 57.22, -1.38, 45.28

 

CMYK 3 / 0 / 65 / 38

HEX #999E37

RGB 153 158 55

HSL 62.91, 0.48%, 0.42%

LAB 62.93, -15.41, 51.21

 

CMYK 0 / 31 / 65 / 62

HEX #614322

RGB 97 67 34

HSL 31.43, 0.48%, 0.26%

LAB 31.05, 9.03, 24.88

 

CMYK 0 / 31 / 65 / 50

HEX #7F582C

RGB 127 88 44

HSL 31.81, 0.49%, 0.34%

LAB 40.69, 11.23, 31.44

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 30 / 65 / 26

HEX #BC8342

RGB 188 131 66

HSL 31.97, 0.48%, 0.5%

LAB 59.27, 15.39, 43.12

 

CMYK 0 / 24 / 51 / 22

HEX #C79761

RGB 199 151 97

HSL 31.76, 0.48%, 0.58%

LAB 65.86, 11.52, 35.26

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

CMYK 47 / 0 / 65 / 38

HEX #549E37

RGB 84 158 55

HSL 103.11, 0.48%, 0.42%

LAB 58.62, -42.29, 45.31

 

CMYK 58 / 65 / 0 / 38

HEX #43379E

RGB 67 55 158

HSL 246.99, 0.48%, 0.42%

LAB 30.39, 34.94, -54.45

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

CMYK 65 / 0 / 32 / 38

HEX #379E6C

RGB 55 158 108

HSL 150.87, 0.48%, 0.42%

LAB 58.37, -41.57, 17.64

 

CMYK 32 / 65 / 0 / 38

HEX #6C379E

RGB 108 55 158

HSL 270.87, 0.48%, 0.42%

LAB 34.78, 43.42, -47.12

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

CMYK 47 / 0 / 65 / 38

HEX #549E37

RGB 84 158 55

HSL 103.11, 0.48%, 0.42%

LAB 58.62, -42.29, 45.31

 

CMYK 65 / 34 / 0 / 38

HEX #37699E

RGB 55 105 158

HSL 210.87, 0.48%, 0.42%

LAB 43.34, 0.52, -33.72

 

CMYK 18 / 65 / 0 / 38

HEX #81379E

RGB 129 55 158

HSL 283.11, 0.48%, 0.42%

LAB 37.6, 48.38, -42.43

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E38

RGB 158 110 56

HSL 31.76, 0.48%, 0.42%

LAB 50.34, 13.36, 37.12

 

CMYK 65 / 0 / 64 / 38

HEX #379E39

RGB 55 158 57

HSL 121.17, 0.48%, 0.42%

LAB 57.62, -49.9, 43.03

 

CMYK 65 / 34 / 0 / 38

HEX #37699E

RGB 55 105 158

HSL 210.87, 0.48%, 0.42%

LAB 43.34, 0.52, -33.72

 

CMYK 0 / 65 / 1 / 38

HEX #9E379C

RGB 158 55 156

HSL 301.17, 0.48%, 0.42%

LAB 41.85, 55.15, -34.22

 

Description

Color code: HEX #9E6E38 | qconv.com Color code: HEX #9E6E38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 110 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 110 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 65 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 65% 38% C M Y K

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