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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E793C it is the complementary color #6186C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E793C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E793C shade: #A37937, #B48B4A, #C59D5D, #D6AF70 and #E7C183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E793C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E793C shade: #9E793C, #8D6729, #7C5516, #6B4303 and #5A3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E793C shade: #9E793C, #9E5F3C, #9E443C and #9E3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E793C shade: #9E793C, #9E943C, #8F9E3C, #749E3C and #599E3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E793C shade matches the following richer shades: #9E793C, #B07E2A, #C28218 and #D48607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E793C shade: #9E793C, #8D754E, #7B715F, #696C71 and #586883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E793C shade: #9E443C, #9E5E3C, #9E793C, #9E933C and #909E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E793C shade: #634B25, #816230, #9E793C, #BA904A and #C5A268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E793C shade: #9E793C, #4E9E3C and #513C9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E793C shade: #9E793C, #3C9E79 and #793C9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E793C shade: #9E793C, #4E9E3C, #3C629E and #8C3C9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E793C shade: #9E793C, #3C9E47, #3C629E and #9E3C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

Complementary color

CMYK 50 / 31 / 0 / 24

HEX #6186C3

RGB 97 134 195

HSL 217.35, 0.45%, 0.57%

LAB 55.62, 4.26, -35.75

 

CMYK 0 / 26 / 66 / 36

HEX #A37937

RGB 163 121 55

HSL 36.67, 0.5%, 0.43%

LAB 53.75, 9.27, 41.62

 

CMYK 0 / 23 / 59 / 29

HEX #B48B4A

RGB 180 139 74

HSL 36.79, 0.42%, 0.5%

LAB 60.48, 8.06, 40.25

 

CMYK 0 / 20 / 53 / 23

HEX #C59D5D

RGB 197 157 93

HSL 36.92, 0.47%, 0.57%

LAB 67.11, 7.05, 38.86

 

CMYK 0 / 18 / 48 / 16

HEX #D6AF70

RGB 214 175 112

HSL 37.06, 0.55%, 0.64%

LAB 73.63, 6.2, 37.51

 

CMYK 0 / 16 / 43 / 9

HEX #E7C183

RGB 231 193 131

HSL 37.2, 0.68%, 0.71%

LAB 80.05, 5.47, 36.23

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 27 / 71 / 45

HEX #8D6729

RGB 141 103 41

HSL 37.2, 0.55%, 0.36%

LAB 46.34, 8.7, 39.71

 

CMYK 0 / 31 / 82 / 51

HEX #7C5516

RGB 124 85 22

HSL 37.06, 0.7%, 0.29%

LAB 39.31, 10.36, 40.61

 

CMYK 0 / 37 / 97 / 58

HEX #6B4303

RGB 107 67 3

HSL 36.92, 0.95%, 0.22%

LAB 32.14, 12.42, 40.57

 

CMYK 0 / 46 / 100 / 65

HEX #5A3100

RGB 90 49 0

HSL 32.67, 1%, 0.18%

LAB 24.86, 15.08, 34.8

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 40 / 62 / 38

HEX #9E5F3C

RGB 158 95 60

HSL 21.43, 0.45%, 0.43%

LAB 46.68, 22.21, 30.64

 

CMYK 0 / 57 / 62 / 38

HEX #9E443C

RGB 158 68 60

HSL 4.9, 0.45%, 0.43%

LAB 40.78, 36.87, 23.33

 

CMYK 0 / 62 / 62 / 38

HEX #9E3C3C

RGB 158 60 60

HSL 0, 0.45%, 0.43%

LAB 39.29, 40.79, 21.42

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 6 / 62 / 38

HEX #9E943C

RGB 158 148 60

HSL 53.88, 0.45%, 0.43%

LAB 60.58, -7.59, 46.61

 

CMYK 9 / 0 / 62 / 38

HEX #8F9E3C

RGB 143 158 60

HSL 69.18, 0.45%, 0.43%

LAB 62.19, -19.36, 48

 

CMYK 27 / 0 / 62 / 38

HEX #749E3C

RGB 116 158 60

HSL 85.71, 0.45%, 0.43%

LAB 60.33, -30.41, 45.44

 

CMYK 44 / 0 / 62 / 38

HEX #599E3C

RGB 89 158 60

HSL 102.24, 0.45%, 0.43%

LAB 58.89, -40.17, 43.42

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 28 / 76 / 31

HEX #B07E2A

RGB 176 126 42

HSL 37.61, 0.61%, 0.43%

LAB 56.41, 11.58, 50.79

 

CMYK 0 / 33 / 88 / 24

HEX #C28218

RGB 194 130 24

HSL 37.41, 0.78%, 0.43%

LAB 59.43, 16.77, 60.55

 

CMYK 0 / 37 / 97 / 17

HEX #D48607

RGB 212 134 7

HSL 37.17, 0.94%, 0.43%

LAB 62.56, 22.18, 67.27

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 17 / 45 / 45

HEX #8D754E

RGB 141 117 78

HSL 37.14, 0.29%, 0.43%

LAB 50.61, 3.8, 24.99

 

CMYK 0 / 8 / 23 / 52

HEX #7B715F

RGB 123 113 95

HSL 38.57, 0.13%, 0.43%

LAB 48.07, 0.72, 11.41

 

CMYK 7 / 4 / 0 / 56

HEX #696C71

RGB 105 108 113

HSL 217.5, 0.04%, 0.43%

LAB 45.53, -0.08, -3.19

 

CMYK 33 / 21 / 0 / 49

HEX #586883

RGB 88 104 131

HSL 217.67, 0.2%, 0.43%

LAB 43.67, 0.87, -16.93

 

CMYK 0 / 57 / 62 / 38

HEX #9E443C

RGB 158 68 60

HSL 4.9, 0.45%, 0.43%

LAB 40.78, 36.87, 23.33

 

CMYK 0 / 41 / 62 / 38

HEX #9E5E3C

RGB 158 94 60

HSL 20.82, 0.45%, 0.43%

LAB 46.45, 22.77, 30.36

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 7 / 62 / 38

HEX #9E933C

RGB 158 147 60

HSL 53.27, 0.45%, 0.43%

LAB 60.3, -7.05, 46.31

 

CMYK 9 / 0 / 62 / 38

HEX #909E3C

RGB 144 158 60

HSL 68.57, 0.45%, 0.43%

LAB 62.26, -18.93, 48.11

 

CMYK 0 / 24 / 63 / 61

HEX #634B25

RGB 99 75 37

HSL 36.77, 0.46%, 0.27%

LAB 33.6, 5.28, 26.22

 

CMYK 0 / 24 / 63 / 49

HEX #816230

RGB 129 98 48

HSL 37.04, 0.46%, 0.35%

LAB 43.68, 6.54, 32.79

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 0 / 23 / 60 / 27

HEX #BA904A

RGB 186 144 74

HSL 37.5, 0.45%, 0.51%

LAB 62.41, 7.91, 42.66

 

CMYK 0 / 18 / 47 / 23

HEX #C5A268

RGB 197 162 104

HSL 37.42, 0.44%, 0.59%

LAB 68.54, 5.37, 34.9

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 51 / 0 / 62 / 38

HEX #4E9E3C

RGB 78 158 60

HSL 108.98, 0.45%, 0.43%

LAB 58.41, -43.62, 42.76

 

CMYK 49 / 62 / 0 / 38

HEX #513C9E

RGB 81 60 158

HSL 252.86, 0.45%, 0.43%

LAB 32.81, 34.6, -50.45

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 62 / 0 / 23 / 38

HEX #3C9E79

RGB 60 158 121

HSL 157.35, 0.45%, 0.43%

LAB 58.78, -37.67, 10.98

 

CMYK 23 / 62 / 0 / 38

HEX #793C9E

RGB 121 60 158

HSL 277.35, 0.45%, 0.43%

LAB 37.42, 43.93, -42.79

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 51 / 0 / 62 / 38

HEX #4E9E3C

RGB 78 158 60

HSL 108.98, 0.45%, 0.43%

LAB 58.41, -43.62, 42.76

 

CMYK 62 / 38 / 0 / 38

HEX #3C629E

RGB 60 98 158

HSL 216.73, 0.45%, 0.43%

LAB 41.48, 5.86, -36.64

 

CMYK 11 / 62 / 0 / 38

HEX #8C3C9E

RGB 140 60 158

HSL 288.98, 0.45%, 0.43%

LAB 40.04, 48.74, -38.45

 

CMYK 0 / 23 / 62 / 38

HEX #9E793C

RGB 158 121 60

HSL 37.35, 0.45%, 0.43%

LAB 53.24, 7.38, 38.38

 

CMYK 62 / 0 / 55 / 38

HEX #3C9E47

RGB 60 158 71

HSL 126.73, 0.45%, 0.43%

LAB 57.91, -47.03, 36.75

 

CMYK 62 / 38 / 0 / 38

HEX #3C629E

RGB 60 98 158

HSL 216.73, 0.45%, 0.43%

LAB 41.48, 5.86, -36.64

 

CMYK 0 / 62 / 7 / 38

HEX #9E3C93

RGB 158 60 147

HSL 306.73, 0.45%, 0.43%

LAB 42.17, 51.48, -28.29

 

Description

Color code: HEX #9E793C | qconv.com Color code: HEX #9E793C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 121 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 121 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 62 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 62% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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