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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E794A it is the complementary color #6186B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E794A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E794A shade: #A37945, #B48B58, #C59D6B, #D6AF7E and #E7C191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E794A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E794A shade: #9E794A, #8D6737, #7C5524, #6B4311 and #5A3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E794A shade: #9C7749, #9C6149, #9C4B49 and #9C4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E794A shade: #9C7749, #9C8D49, #939C49, #7D9C49 and #679C49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E794A shade matches the following richer shades: #9C7749, #AE7936, #C17C24 and #D37E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E794A shade: #9C7749, #89755C, #76736E, #647181 and #516E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E794A shade: #9C4A49, #9C6049, #9C7649, #9C8C49 and #959C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E794A shade: #634C2F, #80623C, #9C7749, #B28C5C and #BFA078

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E794A shade: #9E794A, #5E9C49 and #55499C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E794A shade: #9E794A, #499C76 and #76499C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E794A shade: #9E794A, #5E9C49, #496E9C and #87499C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E794A shade: #9E794A, #499C4D, #496E9C and #9C4997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

Complementary color

CMYK 46 / 26 / 0 / 29

HEX #6186B5

RGB 97 134 181

HSL 213.57, 0.36%, 0.55%

LAB 55, 0.01, -28.73

 

CMYK 0 / 26 / 58 / 36

HEX #A37945

RGB 163 121 69

HSL 33.19, 0.41%, 0.45%

LAB 53.91, 10.31, 34.58

 

CMYK 0 / 23 / 51 / 29

HEX #B48B58

RGB 180 139 88

HSL 33.26, 0.38%, 0.53%

LAB 60.67, 9.26, 33.12

 

CMYK 0 / 20 / 46 / 23

HEX #C59D6B

RGB 197 157 107

HSL 33.33, 0.44%, 0.6%

LAB 67.31, 8.39, 31.74

 

CMYK 0 / 18 / 41 / 16

HEX #D6AF7E

RGB 214 175 126

HSL 33.41, 0.52%, 0.67%

LAB 73.84, 7.64, 30.45

 

CMYK 0 / 16 / 37 / 9

HEX #E7C191

RGB 231 193 145

HSL 33.49, 0.64%, 0.74%

LAB 80.28, 6.99, 29.24

 

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

CMYK 0 / 27 / 61 / 45

HEX #8D6737

RGB 141 103 55

HSL 33.49, 0.44%, 0.38%

LAB 46.5, 9.68, 32.67

 

CMYK 0 / 31 / 71 / 51

HEX #7C5524

RGB 124 85 36

HSL 33.41, 0.55%, 0.31%

LAB 39.43, 11.08, 34.18

 

CMYK 0 / 37 / 84 / 58

HEX #6B4311

RGB 107 67 17

HSL 33.33, 0.73%, 0.24%

LAB 32.21, 12.86, 35.34

 

CMYK 0 / 46 / 100 / 65

HEX #5A3100

RGB 90 49 0

HSL 32.67, 1%, 0.18%

LAB 24.86, 15.08, 34.8

 

CMYK 0 / 24 / 53 / 39

HEX #9C7749

RGB 156 119 73

HSL 33.25, 0.36%, 0.45%

LAB 52.67, 8.72, 30.71

 

CMYK 0 / 38 / 53 / 39

HEX #9C6149

RGB 156 97 73

HSL 17.35, 0.36%, 0.45%

LAB 47.1, 21.32, 23.66

 

CMYK 0 / 52 / 53 / 39

HEX #9C4B49

RGB 156 75 73

HSL 1.45, 0.36%, 0.45%

LAB 42.13, 33.52, 17.11

 

CMYK 0 / 53 / 53 / 39

HEX #9C4949

RGB 156 73 73

HSL 0, 0.36%, 0.45%

LAB 41.71, 34.58, 16.55

 

CMYK 0 / 24 / 53 / 39

HEX #9C7749

RGB 156 119 73

HSL 33.25, 0.36%, 0.45%

LAB 52.67, 8.72, 30.71

 

CMYK 0 / 10 / 53 / 39

HEX #9C8D49

RGB 156 141 73

HSL 49.16, 0.36%, 0.45%

LAB 58.6, -3.62, 37.94

 

CMYK 6 / 0 / 53 / 39

HEX #939C49

RGB 147 156 73

HSL 66.51, 0.36%, 0.45%

LAB 62.05, -15.54, 41.82

 

CMYK 20 / 0 / 53 / 39

HEX #7D9C49

RGB 125 156 73

HSL 82.41, 0.36%, 0.45%

LAB 60.44, -24.62, 39.53

 

CMYK 34 / 0 / 53 / 39

HEX #679C49

RGB 103 156 73

HSL 98.31, 0.36%, 0.45%

LAB 59.11, -33, 37.61

 

CMYK 0 / 24 / 53 / 39

HEX #9C7749

RGB 156 119 73

HSL 33.25, 0.36%, 0.45%

LAB 52.67, 8.72, 30.71

 

CMYK 0 / 30 / 69 / 32

HEX #AE7936

RGB 174 121 54

HSL 33.5, 0.53%, 0.45%

LAB 55.01, 14.1, 43.86

 

CMYK 0 / 36 / 81 / 24

HEX #C17C24

RGB 193 124 36

HSL 33.63, 0.69%, 0.45%

LAB 57.92, 19.97, 55.32

 

CMYK 0 / 40 / 92 / 17

HEX #D37E11

RGB 211 126 17

HSL 33.71, 0.85%, 0.45%

LAB 60.61, 26.18, 64.11

 

CMYK 0 / 24 / 53 / 39

HEX #9C7749

RGB 156 119 73

HSL 33.25, 0.36%, 0.45%

LAB 52.67, 8.72, 30.71

 

CMYK 0 / 15 / 33 / 46

HEX #89755C

RGB 137 117 92

HSL 33.33, 0.2%, 0.45%

LAB 50.47, 3.84, 16.69

 

CMYK 0 / 3 / 7 / 54

HEX #76736E

RGB 118 115 110

HSL 37.5, 0.04%, 0.45%

LAB 48.56, 0.18, 3.17

 

CMYK 22 / 12 / 0 / 49

HEX #647181

RGB 100 113 129

HSL 213.1, 0.13%, 0.45%

LAB 47.11, -1.09, -10.44

 

CMYK 45 / 25 / 0 / 42

HEX #516E93

RGB 81 110 147

HSL 213.64, 0.29%, 0.45%

LAB 45.64, -0.18, -23.5

 

CMYK 0 / 53 / 53 / 39

HEX #9C4A49

RGB 156 74 73

HSL 0.72, 0.36%, 0.45%

LAB 41.92, 34.05, 16.83

 

CMYK 0 / 38 / 53 / 39

HEX #9C6049

RGB 156 96 73

HSL 16.63, 0.36%, 0.45%

LAB 46.86, 21.89, 23.35

 

CMYK 0 / 24 / 53 / 39

HEX #9C7649

RGB 156 118 73

HSL 32.53, 0.36%, 0.45%

LAB 52.4, 9.29, 30.39

 

CMYK 0 / 10 / 53 / 39

HEX #9C8C49

RGB 156 140 73

HSL 48.43, 0.36%, 0.45%

LAB 58.33, -3.07, 37.61

 

CMYK 4 / 0 / 53 / 39

HEX #959C49

RGB 149 156 73

HSL 65.06, 0.36%, 0.45%

LAB 62.21, -14.69, 42.05

 

CMYK 0 / 23 / 53 / 61

HEX #634C2F

RGB 99 76 47

HSL 33.46, 0.36%, 0.29%

LAB 34.04, 5.64, 20.89

 

CMYK 0 / 23 / 53 / 50

HEX #80623C

RGB 128 98 60

HSL 33.53, 0.36%, 0.37%

LAB 43.73, 7.15, 26.17

 

CMYK 0 / 24 / 53 / 39

HEX #9C7749

RGB 156 119 73

HSL 33.25, 0.36%, 0.45%

LAB 52.67, 8.72, 30.71

 

CMYK 0 / 21 / 48 / 30

HEX #B28C5C

RGB 178 140 92

HSL 33.49, 0.36%, 0.53%

LAB 60.78, 8.25, 31.05

 

CMYK 0 / 16 / 37 / 25

HEX #BFA078

RGB 191 160 120

HSL 33.8, 0.36%, 0.61%

LAB 67.71, 5.75, 25.13

 

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

CMYK 40 / 0 / 53 / 39

HEX #5E9C49

RGB 94 156 73

HSL 104.82, 0.36%, 0.45%

LAB 58.64, -36.15, 36.94

 

CMYK 46 / 53 / 0 / 39

HEX #55499C

RGB 85 73 156

HSL 248.67, 0.36%, 0.45%

LAB 36.17, 26.86, -43.81

 

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

CMYK 53 / 0 / 24 / 39

HEX #499C76

RGB 73 156 118

HSL 152.53, 0.36%, 0.45%

LAB 58.51, -34.53, 12.34

 

CMYK 24 / 53 / 0 / 39

HEX #76499C

RGB 118 73 156

HSL 272.53, 0.36%, 0.45%

LAB 39.61, 35.54, -38.12

 

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

CMYK 40 / 0 / 53 / 39

HEX #5E9C49

RGB 94 156 73

HSL 104.82, 0.36%, 0.45%

LAB 58.64, -36.15, 36.94

 

CMYK 53 / 29 / 0 / 39

HEX #496E9C

RGB 73 110 156

HSL 213.25, 0.36%, 0.45%

LAB 45.59, 0.6, -28.94

 

CMYK 13 / 53 / 0 / 39

HEX #87499C

RGB 135 73 156

HSL 284.82, 0.36%, 0.45%

LAB 41.71, 40.34, -34.65

 

CMYK 0 / 23 / 53 / 38

HEX #9E794A

RGB 158 121 74

HSL 33.57, 0.36%, 0.45%

LAB 53.43, 8.55, 31.16

 

CMYK 53 / 0 / 51 / 39

HEX #499C4D

RGB 73 156 77

HSL 122.89, 0.36%, 0.45%

LAB 57.78, -42.08, 33.65

 

CMYK 53 / 29 / 0 / 39

HEX #496E9C

RGB 73 110 156

HSL 213.25, 0.36%, 0.45%

LAB 45.59, 0.6, -28.94

 

CMYK 0 / 53 / 3 / 39

HEX #9C4997

RGB 156 73 151

HSL 303.61, 0.36%, 0.45%

LAB 44.33, 45.45, -27.34

 

Description

Color code: HEX #9E794A | qconv.com Color code: HEX #9E794A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 121 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 121 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 53 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 53% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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