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Color name
HEX #9E7D23

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E7D23 it is the complementary color #6182DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E7D23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E7D23 shade: #A37D1E, #B48F31, #C5A144, #D6B357 and #E7C56A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E7D23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E7D23 shade: #9E7D23, #8D6B10, #7C5900, #6B4700 and #5A3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E7D23 shade: #9E7D22, #9E5C22, #9E3A22 and #9E2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E7D23 shade: #9E7D22, #9E9E22, #7D9E22, #5B9E22 and #3A9E22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E7D23 shade matches the following richer shades: #9E7D22, #AE8413 and #BE8C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E7D23 shade: #9E7D22, #8F7632, #7F6F42, #6F6751 and #606061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E7D23 shade: #9E3922, #9E5A22, #9E7B22, #9E9C22 and #7F9E22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E7D23 shade: #5B4814, #7D621B, #9E7D22, #C0982A and #D4AC3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E7D23 shade: #9E7D23, #2D9E22 and #4A229E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E7D23 shade: #9E7D23, #229E7B and #7B229E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E7D23 shade: #9E7D23, #2D9E22, #22469E and #94229E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E7D23 shade: #9E7D23, #229E3D, #22469E and #9E2284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

Complementary color

CMYK 56 / 41 / 0 / 14

HEX #6182DC

RGB 97 130 220

HSL 223.9, 0.64%, 0.62%

LAB 55.76, 14.56, -49.64

 

CMYK 0 / 23 / 82 / 36

HEX #A37D1E

RGB 163 125 30

HSL 42.86, 0.69%, 0.38%

LAB 54.6, 5.77, 53.17

 

CMYK 0 / 21 / 73 / 29

HEX #B48F31

RGB 180 143 49

HSL 43.05, 0.57%, 0.45%

LAB 61.28, 4.27, 52.84

 

CMYK 0 / 18 / 65 / 23

HEX #C5A144

RGB 197 161 68

HSL 43.26, 0.53%, 0.52%

LAB 67.86, 3.02, 51.94

 

CMYK 0 / 16 / 59 / 16

HEX #D6B357

RGB 214 179 87

HSL 43.46, 0.61%, 0.59%

LAB 74.33, 1.98, 50.8

 

CMYK 0 / 15 / 54 / 9

HEX #E7C56A

RGB 231 197 106

HSL 43.68, 0.72%, 0.66%

LAB 80.72, 1.09, 49.58

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 0 / 24 / 89 / 45

HEX #8D6B10

RGB 141 107 16

HSL 43.68, 0.8%, 0.31%

LAB 47.26, 5.34, 50.32

 

CMYK 0 / 28 / 100 / 51

HEX #7C5900

RGB 124 89 0

HSL 43.06, 1%, 0.24%

LAB 40.3, 7.37, 48.28

 

CMYK 0 / 34 / 100 / 58

HEX #6B4700

RGB 107 71 0

HSL 39.81, 1%, 0.21%

LAB 33.21, 9.89, 42.47

 

CMYK 0 / 41 / 100 / 65

HEX #5A3500

RGB 90 53 0

HSL 35.33, 1%, 0.18%

LAB 25.92, 12.58, 35.8

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D22

RGB 158 125 34

HSL 44.03, 0.65%, 0.38%

LAB 54.08, 3.62, 51.05

 

CMYK 0 / 42 / 78 / 38

HEX #9E5C22

RGB 158 92 34

HSL 28.06, 0.65%, 0.38%

LAB 45.69, 22.38, 43.03

 

CMYK 0 / 63 / 78 / 38

HEX #9E3A22

RGB 158 58 34

HSL 11.61, 0.65%, 0.38%

LAB 38.57, 40.3, 35.87

 

CMYK 0 / 78 / 78 / 38

HEX #9E2222

RGB 158 34 34

HSL 0, 0.65%, 0.38%

LAB 35.06, 49.88, 32.19

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D22

RGB 158 125 34

HSL 44.03, 0.65%, 0.38%

LAB 54.08, 3.62, 51.05

 

CMYK 0 / 0 / 78 / 38

HEX #9E9E22

RGB 158 158 34

HSL 60, 0.65%, 0.38%

LAB 63.21, -14.3, 59.39

 

CMYK 21 / 0 / 78 / 38

HEX #7D9E22

RGB 125 158 34

HSL 75.97, 0.65%, 0.38%

LAB 60.72, -28.54, 56.2

 

CMYK 42 / 0 / 78 / 38

HEX #5B9E22

RGB 91 158 34

HSL 92.42, 0.65%, 0.38%

LAB 58.78, -41.57, 53.69

 

CMYK 63 / 0 / 78 / 38

HEX #3A9E22

RGB 58 158 34

HSL 108.39, 0.65%, 0.38%

LAB 57.53, -51.25, 52.06

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D22

RGB 158 125 34

HSL 44.03, 0.65%, 0.38%

LAB 54.08, 3.62, 51.05

 

CMYK 0 / 24 / 89 / 32

HEX #AE8413

RGB 174 132 19

HSL 43.74, 0.8%, 0.38%

LAB 57.61, 6.58, 59.4

 

CMYK 0 / 26 / 98 / 25

HEX #BE8C03

RGB 190 140 3

HSL 43.96, 0.97%, 0.38%

LAB 61.4, 9.16, 65.84

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D22

RGB 158 125 34

HSL 44.03, 0.65%, 0.38%

LAB 54.08, 3.62, 51.05

 

CMYK 0 / 17 / 65 / 44

HEX #8F7632

RGB 143 118 50

HSL 43.87, 0.48%, 0.38%

LAB 50.72, 1.57, 40.12

 

CMYK 0 / 13 / 48 / 50

HEX #7F6F42

RGB 127 111 66

HSL 44.26, 0.32%, 0.38%

LAB 47.33, -0.28, 27.27

 

CMYK 0 / 7 / 27 / 56

HEX #6F6751

RGB 111 103 81

HSL 44, 0.16%, 0.38%

LAB 43.76, -0.7, 13.58

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 0 / 64 / 78 / 38

HEX #9E3922

RGB 158 57 34

HSL 11.13, 0.65%, 0.38%

LAB 38.39, 40.77, 35.69

 

CMYK 0 / 43 / 78 / 38

HEX #9E5A22

RGB 158 90 34

HSL 27.1, 0.65%, 0.38%

LAB 45.22, 23.51, 42.57

 

CMYK 0 / 22 / 78 / 38

HEX #9E7B22

RGB 158 123 34

HSL 43.06, 0.65%, 0.38%

LAB 53.55, 4.75, 50.55

 

CMYK 0 / 1 / 78 / 38

HEX #9E9C22

RGB 158 156 34

HSL 59.03, 0.65%, 0.38%

LAB 62.64, -13.26, 58.88

 

CMYK 20 / 0 / 78 / 38

HEX #7F9E22

RGB 127 158 34

HSL 75, 0.65%, 0.38%

LAB 60.85, -27.71, 56.37

 

CMYK 0 / 21 / 78 / 64

HEX #5B4814

RGB 91 72 20

HSL 43.94, 0.64%, 0.22%

LAB 31.6, 1.97, 32.68

 

CMYK 0 / 22 / 78 / 51

HEX #7D621B

RGB 125 98 27

HSL 43.47, 0.64%, 0.3%

LAB 43.02, 3.35, 42.08

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D22

RGB 158 125 34

HSL 44.03, 0.65%, 0.38%

LAB 54.08, 3.62, 51.05

 

CMYK 0 / 21 / 78 / 25

HEX #C0982A

RGB 192 152 42

HSL 44, 0.64%, 0.46%

LAB 64.83, 4.39, 59.39

 

CMYK 0 / 19 / 70 / 17

HEX #D4AC3F

RGB 212 172 63

HSL 43.89, 0.63%, 0.54%

LAB 72.14, 3.35, 59.06

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 72 / 0 / 78 / 38

HEX #2D9E22

RGB 45 158 34

HSL 114.68, 0.65%, 0.38%

LAB 57.2, -54.01, 51.62

 

CMYK 53 / 78 / 0 / 38

HEX #4A229E

RGB 74 34 158

HSL 259.35, 0.65%, 0.38%

LAB 26.93, 47.55, -60.08

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 78 / 0 / 22 / 38

HEX #229E7B

RGB 34 158 123

HSL 163.06, 0.65%, 0.38%

LAB 58.25, -41.33, 9.02

 

CMYK 22 / 78 / 0 / 38

HEX #7B229E

RGB 123 34 158

HSL 283.06, 0.65%, 0.38%

LAB 33.61, 55.82, -48.9

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 72 / 0 / 78 / 38

HEX #2D9E22

RGB 45 158 34

HSL 114.68, 0.65%, 0.38%

LAB 57.2, -54.01, 51.62

 

CMYK 78 / 56 / 0 / 38

HEX #22469E

RGB 34 70 158

HSL 222.58, 0.65%, 0.38%

LAB 32.23, 20.17, -51.53

 

CMYK 6 / 78 / 0 / 38

HEX #94229E

RGB 148 34 158

HSL 295.16, 0.65%, 0.38%

LAB 37.68, 60.76, -42.15

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 78 / 0 / 61 / 38

HEX #229E3D

RGB 34 158 61

HSL 133.06, 0.65%, 0.38%

LAB 57.2, -53.19, 40.59

 

CMYK 78 / 56 / 0 / 38

HEX #22469E

RGB 34 70 158

HSL 222.58, 0.65%, 0.38%

LAB 32.23, 20.17, -51.53

 

CMYK 0 / 78 / 16 / 38

HEX #9E2284

RGB 158 34 132

HSL 312.58, 0.65%, 0.38%

LAB 37.98, 58.83, -25.66

 

Description

Color code: HEX #9E7D23 | qconv.com Color code: HEX #9E7D23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 125 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 125 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 78 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 78% 38% C M Y K

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