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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E89C7 it is the complementary color #617638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E89C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E89C7 shade: #A389C2, #B49BD5, #C5ADE8, #D6BFFB and #E7D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E89C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E89C7 shade: #9E89C7, #8D77B4, #7C65A1, #6B538E and #5A417B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E89C7 shade: #9E89C7, #AF89C7, #BF89C7, #C789BE and #C789AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E89C7 shade: #9E89C7, #8D89C7 and #8989C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E89C7 shade matches the following richer shades: #9E89C7, #997BD5, #956DE3 and #905FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E89C7 shade: #9E89C7, #A297B9, #A7A5AB, #ABB39D and #B0C18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E89C7 shade: #8995C7, #8D89C7, #9D89C7, #AE89C7 and #BF89C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E89C7 shade: #7051AC, #876DBA, #9E89C7, #B5A5D4 and #CCC1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E89C7 shade: #9E89C7, #C789A6 and #8DC789

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E89C7 shade: #9E89C7, #C79D89 and #89C79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E89C7 shade: #9E89C7, #C789A6, #B2C789 and #89C7AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E89C7 shade: #9E89C7, #C78993, #B2C789 and #89C7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

Complementary color

CMYK 18 / 0 / 53 / 54

HEX #617638

RGB 97 118 56

HSL 80.32, 0.36%, 0.34%

LAB 46.69, -18.53, 31.35

 

CMYK 16 / 29 / 0 / 24

HEX #A389C2

RGB 163 137 194

HSL 267.37, 0.32%, 0.65%

LAB 61.28, 21.07, -26

 

CMYK 15 / 27 / 0 / 16

HEX #B49BD5

RGB 180 155 213

HSL 265.86, 0.41%, 0.72%

LAB 67.98, 20.51, -26.18

 

CMYK 15 / 25 / 0 / 9

HEX #C5ADE8

RGB 197 173 232

HSL 264.41, 0.56%, 0.79%

LAB 74.56, 19.98, -26.38

 

CMYK 15 / 24 / 0 / 2

HEX #D6BFFB

RGB 214 191 251

HSL 263, 0.88%, 0.87%

LAB 81.03, 19.5, -26.6

 

CMYK 9 / 18 / 0 / 0

HEX #E7D1FF

RGB 231 209 255

HSL 268.7, 1%, 0.91%

LAB 86.9, 16.02, -19.67

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 22 / 34 / 0 / 29

HEX #8D77B4

RGB 141 119 180

HSL 261.64, 0.29%, 0.59%

LAB 54.19, 21.29, -29.16

 

CMYK 23 / 37 / 0 / 37

HEX #7C65A1

RGB 124 101 161

HSL 263, 0.24%, 0.51%

LAB 47.19, 22.01, -29.11

 

CMYK 25 / 42 / 0 / 44

HEX #6B538E

RGB 107 83 142

HSL 264.41, 0.26%, 0.44%

LAB 40.02, 22.82, -29.1

 

CMYK 27 / 47 / 0 / 52

HEX #5A417B

RGB 90 65 123

HSL 265.86, 0.31%, 0.37%

LAB 32.67, 23.74, -29.12

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 12 / 31 / 0 / 22

HEX #AF89C7

RGB 175 137 199

HSL 276.77, 0.36%, 0.66%

LAB 62.62, 26, -26.67

 

CMYK 4 / 31 / 0 / 22

HEX #BF89C7

RGB 191 137 199

HSL 292.26, 0.36%, 0.66%

LAB 64.23, 31.15, -24.04

 

CMYK 0 / 31 / 5 / 22

HEX #C789BE

RGB 199 137 190

HSL 308.71, 0.36%, 0.66%

LAB 64.76, 32.09, -18.1

 

CMYK 0 / 31 / 13 / 22

HEX #C789AD

RGB 199 137 173

HSL 325.16, 0.36%, 0.66%

LAB 64.2, 29.13, -9.36

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 29 / 31 / 0 / 22

HEX #8D89C7

RGB 141 137 199

HSL 243.87, 0.36%, 0.66%

LAB 59.6, 15.49, -31.58

 

CMYK 31 / 31 / 0 / 22

HEX #8989C7

RGB 137 137 199

HSL 240, 0.36%, 0.66%

LAB 59.28, 14.31, -32.1

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 28 / 42 / 0 / 16

HEX #997BD5

RGB 153 123 213

HSL 260, 0.52%, 0.66%

LAB 57.79, 30.6, -42.22

 

CMYK 34 / 52 / 0 / 11

HEX #956DE3

RGB 149 109 227

HSL 260.34, 0.68%, 0.66%

LAB 54.94, 41.07, -54.64

 

CMYK 40 / 61 / 0 / 5

HEX #905FF1

RGB 144 95 241

HSL 260.14, 0.84%, 0.66%

LAB 52.36, 51.26, -66.66

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 12 / 18 / 0 / 27

HEX #A297B9

RGB 162 151 185

HSL 259.41, 0.2%, 0.66%

LAB 64.42, 10.81, -16.16

 

CMYK 2 / 4 / 0 / 33

HEX #A7A5AB

RGB 167 165 171

HSL 260, 0.03%, 0.66%

LAB 68.07, 1.87, -2.85

 

CMYK 4 / 0 / 12 / 30

HEX #ABB39D

RGB 171 179 157

HSL 81.82, 0.13%, 0.66%

LAB 71.78, -6.82, 10.28

 

CMYK 9 / 0 / 26 / 24

HEX #B0C18F

RGB 176 193 143

HSL 80.4, 0.29%, 0.66%

LAB 75.67, -14.5, 23.3

 

CMYK 31 / 25 / 0 / 22

HEX #8995C7

RGB 137 149 199

HSL 228.39, 0.36%, 0.66%

LAB 62.45, 7.38, -27.19

 

CMYK 29 / 31 / 0 / 22

HEX #8D89C7

RGB 141 137 199

HSL 243.87, 0.36%, 0.66%

LAB 59.6, 15.49, -31.58

 

CMYK 21 / 31 / 0 / 22

HEX #9D89C7

RGB 157 137 199

HSL 259.35, 0.36%, 0.66%

LAB 60.94, 20.34, -29.39

 

CMYK 13 / 31 / 0 / 22

HEX #AE89C7

RGB 174 137 199

HSL 275.81, 0.36%, 0.66%

LAB 62.52, 25.68, -26.83

 

CMYK 4 / 31 / 0 / 22

HEX #BF89C7

RGB 191 137 199

HSL 292.26, 0.36%, 0.66%

LAB 64.23, 31.15, -24.04

 

CMYK 35 / 53 / 0 / 33

HEX #7051AC

RGB 112 81 172

HSL 260.44, 0.36%, 0.5%

LAB 41.7, 33.39, -44.35

 

CMYK 27 / 41 / 0 / 27

HEX #876DBA

RGB 135 109 186

HSL 260.26, 0.36%, 0.58%

LAB 51.42, 26.84, -36.98

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 15 / 22 / 0 / 17

HEX #B5A5D4

RGB 181 165 212

HSL 260.43, 0.35%, 0.74%

LAB 70.52, 15.03, -21.75

 

CMYK 9 / 14 / 0 / 12

HEX #CCC1E1

RGB 204 193 225

HSL 260.63, 0.35%, 0.82%

LAB 79.85, 9.89, -14.53

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 0 / 31 / 17 / 22

HEX #C789A6

RGB 199 137 166

HSL 331.94, 0.36%, 0.66%

LAB 63.99, 27.98, -5.72

 

CMYK 29 / 0 / 31 / 22

HEX #8DC789

RGB 141 199 137

HSL 116.13, 0.36%, 0.66%

LAB 75.02, -30.84, 25.22

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 0 / 21 / 31 / 22

HEX #C79D89

RGB 199 157 137

HSL 19.35, 0.36%, 0.66%

LAB 68.07, 12.73, 16.41

 

CMYK 31 / 0 / 21 / 22

HEX #89C79D

RGB 137 199 157

HSL 139.35, 0.36%, 0.66%

LAB 75.2, -28.6, 14.8

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 0 / 31 / 17 / 22

HEX #C789A6

RGB 199 137 166

HSL 331.94, 0.36%, 0.66%

LAB 63.99, 27.98, -5.72

 

CMYK 11 / 0 / 31 / 22

HEX #B2C789

RGB 178 199 137

HSL 80.32, 0.36%, 0.66%

LAB 77.35, -17.65, 28.75

 

CMYK 31 / 0 / 15 / 22

HEX #89C7AA

RGB 137 199 170

HSL 151.94, 0.36%, 0.66%

LAB 75.49, -26.04, 8.22

 

CMYK 21 / 31 / 0 / 22

HEX #9E89C7

RGB 158 137 199

HSL 260.32, 0.36%, 0.66%

LAB 61.03, 20.65, -29.25

 

CMYK 0 / 31 / 26 / 22

HEX #C78993

RGB 199 137 147

HSL 350.32, 0.36%, 0.66%

LAB 63.46, 25.09, 4.28

 

CMYK 11 / 0 / 31 / 22

HEX #B2C789

RGB 178 199 137

HSL 80.32, 0.36%, 0.66%

LAB 77.35, -17.65, 28.75

 

CMYK 31 / 0 / 5 / 22

HEX #89C7BD

RGB 137 199 189

HSL 170.32, 0.36%, 0.66%

LAB 75.97, -21.96, -1.35

 

Description

Color code: HEX #9E89C7 | qconv.com Color code: HEX #9E89C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 137 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 137 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 31 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 31% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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