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Color name
HEX #9E8C0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E8C0A it is the complementary color #6173F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E8C0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E8C0A shade: #A38C05, #B49E18, #C5B02B, #D6C23E and #E7D451

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E8C0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E8C0A shade: #9E8C0A, #8D7A00, #7C6800, #6B5600 and #5A4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E8C0A shade: #9E8C0A, #9E640A, #9E3C0A, #9E140A and #9E0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E8C0A shade: #9E8C0A, #889E0A, #609E0A, #389E0A and #109E0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E8C0A shade matches the following richer shades: #9E8C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E8C0A shade: #9E8C0A, #908117, #827725, #756D32 and #676240

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E8C0A shade: #9E3B0A, #9E620A, #9E8A0A, #8A9E0A and #629E0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E8C0A shade: #504705, #776907, #9E8C0A, #C4AE0C and #EBD00F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E8C0A shade: #9E8C0A, #0A9E13 and #4F0A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E8C0A shade: #9E8C0A, #0A9E8A and #8A0A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E8C0A shade: #9E8C0A, #0A9E13, #0A1D9E and #9E0A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E8C0A shade: #9E8C0A, #0A9E40, #0A1D9E and #9E0A67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

Complementary color

CMYK 60 / 53 / 0 / 4

HEX #6173F5

RGB 97 115 245

HSL 232.7, 0.88%, 0.67%

LAB 53.38, 31.82, -67.42

 

CMYK 0 / 14 / 97 / 36

HEX #A38C05

RGB 163 140 5

HSL 51.27, 0.94%, 0.33%

LAB 58.56, -3.12, 62.19

 

CMYK 0 / 12 / 87 / 29

HEX #B49E18

RGB 180 158 24

HSL 51.54, 0.76%, 0.4%

LAB 65.14, -4.77, 64.54

 

CMYK 0 / 11 / 78 / 23

HEX #C5B02B

RGB 197 176 43

HSL 51.82, 0.64%, 0.47%

LAB 71.62, -6.17, 65.43

 

CMYK 0 / 9 / 71 / 16

HEX #D6C23E

RGB 214 194 62

HSL 52.11, 0.65%, 0.54%

LAB 78.01, -7.34, 65.38

 

CMYK 0 / 8 / 65 / 9

HEX #E7D451

RGB 231 212 81

HSL 52.4, 0.76%, 0.61%

LAB 84.31, -8.33, 64.82

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 0 / 13 / 100 / 45

HEX #8D7A00

RGB 141 122 0

HSL 51.91, 1%, 0.28%

LAB 51.36, -3.52, 56.87

 

CMYK 0 / 16 / 100 / 51

HEX #7C6800

RGB 124 104 0

HSL 50.32, 1%, 0.24%

LAB 44.5, -1.43, 51.2

 

CMYK 0 / 20 / 100 / 58

HEX #6B5600

RGB 107 86 0

HSL 48.22, 1%, 0.21%

LAB 37.45, 0.78, 45.37

 

CMYK 0 / 24 / 100 / 65

HEX #5A4400

RGB 90 68 0

HSL 45.33, 1%, 0.18%

LAB 30.18, 3.14, 39.35

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 0 / 37 / 94 / 38

HEX #9E640A

RGB 158 100 10

HSL 36.49, 0.88%, 0.33%

LAB 47.5, 17.16, 52.89

 

CMYK 0 / 62 / 94 / 38

HEX #9E3C0A

RGB 158 60 10

HSL 20.27, 0.88%, 0.33%

LAB 38.76, 38.7, 46.62

 

CMYK 0 / 87 / 94 / 38

HEX #9E140A

RGB 158 20 10

HSL 4.05, 0.88%, 0.33%

LAB 33.54, 53.03, 43.1

 

CMYK 0 / 94 / 94 / 38

HEX #9E0A0A

RGB 158 10 10

HSL 0, 0.88%, 0.33%

LAB 32.94, 54.77, 42.71

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 14 / 0 / 94 / 38

HEX #889E0A

RGB 136 158 10

HSL 68.92, 0.88%, 0.33%

LAB 61.4, -24.63, 62.61

 

CMYK 39 / 0 / 94 / 38

HEX #609E0A

RGB 96 158 10

HSL 85.14, 0.88%, 0.33%

LAB 58.94, -40.72, 59.6

 

CMYK 65 / 0 / 94 / 38

HEX #389E0A

RGB 56 158 10

HSL 101.35, 0.88%, 0.33%

LAB 57.38, -52.8, 57.68

 

CMYK 90 / 0 / 94 / 38

HEX #109E0A

RGB 16 158 10

HSL 117.57, 0.88%, 0.33%

LAB 56.67, -58.99, 56.8

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 0 / 10 / 84 / 44

HEX #908117

RGB 144 129 23

HSL 52.56, 0.72%, 0.33%

LAB 53.7, -5.5, 53.85

 

CMYK 0 / 8 / 72 / 49

HEX #827725

RGB 130 119 37

HSL 52.9, 0.56%, 0.33%

LAB 49.58, -5.83, 44.51

 

CMYK 0 / 7 / 57 / 54

HEX #756D32

RGB 117 109 50

HSL 52.84, 0.4%, 0.33%

LAB 45.56, -5.26, 33.59

 

CMYK 0 / 5 / 38 / 60

HEX #676240

RGB 103 98 64

HSL 52.31, 0.23%, 0.33%

LAB 41.2, -3.72, 20.09

 

CMYK 0 / 63 / 94 / 38

HEX #9E3B0A

RGB 158 59 10

HSL 19.86, 0.88%, 0.33%

LAB 38.58, 39.18, 46.49

 

CMYK 0 / 38 / 94 / 38

HEX #9E620A

RGB 158 98 10

HSL 35.68, 0.88%, 0.33%

LAB 47.01, 18.3, 52.53

 

CMYK 0 / 13 / 94 / 38

HEX #9E8A0A

RGB 158 138 10

HSL 51.89, 0.88%, 0.33%

LAB 57.53, -4.26, 60.41

 

CMYK 13 / 0 / 94 / 38

HEX #8A9E0A

RGB 138 158 10

HSL 68.11, 0.88%, 0.33%

LAB 61.55, -23.76, 62.79

 

CMYK 38 / 0 / 94 / 38

HEX #629E0A

RGB 98 158 10

HSL 84.32, 0.88%, 0.33%

LAB 59.04, -39.99, 59.73

 

CMYK 0 / 11 / 94 / 69

HEX #504705

RGB 80 71 5

HSL 52.8, 0.88%, 0.17%

LAB 29.97, -3.71, 36.68

 

CMYK 0 / 12 / 94 / 53

HEX #776907

RGB 119 105 7

HSL 52.5, 0.89%, 0.25%

LAB 44.29, -4.27, 49.13

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 0 / 11 / 94 / 23

HEX #C4AE0C

RGB 196 174 12

HSL 52.83, 0.88%, 0.41%

LAB 70.89, -6.31, 71.81

 

CMYK 0 / 11 / 94 / 8

HEX #EBD00F

RGB 235 208 15

HSL 52.64, 0.88%, 0.49%

LAB 83.34, -6.79, 82.34

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 94 / 0 / 88 / 38

HEX #0A9E13

RGB 10 158 19

HSL 123.65, 0.88%, 0.33%

LAB 56.65, -59.08, 55.1

 

CMYK 50 / 94 / 0 / 38

HEX #4F0A9E

RGB 79 10 158

HSL 267.97, 0.88%, 0.33%

LAB 24.79, 56.26, -63.59

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 94 / 0 / 13 / 38

HEX #0A9E8A

RGB 10 158 138

HSL 171.89, 0.88%, 0.33%

LAB 58.37, -39.19, 0.68

 

CMYK 13 / 94 / 0 / 38

HEX #8A0A9E

RGB 138 10 158

HSL 291.89, 0.88%, 0.33%

LAB 34.17, 64.15, -47.88

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 94 / 0 / 88 / 38

HEX #0A9E13

RGB 10 158 19

HSL 123.65, 0.88%, 0.33%

LAB 56.65, -59.08, 55.1

 

CMYK 94 / 82 / 0 / 38

HEX #0A1D9E

RGB 10 29 158

HSL 232.3, 0.88%, 0.33%

LAB 21.62, 44.75, -69

 

CMYK 0 / 94 / 6 / 38

HEX #9E0A94

RGB 158 10 148

HSL 304.05, 0.88%, 0.33%

LAB 37.16, 66.03, -36.79

 

CMYK 0 / 11 / 94 / 38

HEX #9E8C0A

RGB 158 140 10

HSL 52.7, 0.88%, 0.33%

LAB 58.08, -5.35, 60.83

 

CMYK 94 / 0 / 59 / 38

HEX #0A9E40

RGB 10 158 64

HSL 141.89, 0.88%, 0.33%

LAB 56.97, -55.08, 38.83

 

CMYK 94 / 82 / 0 / 38

HEX #0A1D9E

RGB 10 29 158

HSL 232.3, 0.88%, 0.33%

LAB 21.62, 44.75, -69

 

CMYK 0 / 94 / 35 / 38

HEX #9E0A67

RGB 158 10 103

HSL 322.3, 0.88%, 0.33%

LAB 34.93, 60.26, -12.13

 

Description

Color code: HEX #9E8C0A | qconv.com Color code: HEX #9E8C0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 140 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 140 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 94 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 94% 38% C M Y K

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