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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E92CC it is the complementary color #616D33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E92CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E92CC shade: #A392C7, #B4A4DA, #C5B6ED, #D6C8FF and #E7DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E92CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E92CC shade: #9E92CC, #8D80B9, #7C6EA6, #6B5C93 and #5A4A80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E92CC shade: #9F93CC, #AE93CC, #BD93CC, #CC93CB and #CC93BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E92CC shade: #9F93CC and #9393CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E92CC shade matches the following richer shades: #9F93CC, #9786D9, #9079E5 and #886DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E92CC shade: #9F93CC, #A6A0BF, #AEADB2, #B5B9A6 and #BDC699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E92CC shade: #93A6CC, #9397CC, #9E93CC, #AE93CC and #BD93CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E92CC shade: #6D5BB2, #8677BF, #9F93CC, #B8AFD9 and #D1CBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E92CC shade: #9E92CC, #CC93B5 and #9ECC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E92CC shade: #9E92CC, #CC9E93 and #93CC9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E92CC shade: #9E92CC, #CC93B5, #C1CC93 and #93CCAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E92CC shade: #9E92CC, #CC93A4, #C1CC93 and #93CCBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

Complementary color

CMYK 11 / 0 / 53 / 57

HEX #616D33

RGB 97 109 51

HSL 72.41, 0.36%, 0.31%

LAB 43.83, -14.24, 30.58

 

CMYK 18 / 27 / 0 / 22

HEX #A392C7

RGB 163 146 199

HSL 259.25, 0.32%, 0.68%

LAB 63.73, 17.07, -25.05

 

CMYK 17 / 25 / 0 / 15

HEX #B4A4DA

RGB 180 164 218

HSL 257.78, 0.42%, 0.75%

LAB 70.4, 16.58, -25.24

 

CMYK 17 / 23 / 0 / 7

HEX #C5B6ED

RGB 197 182 237

HSL 256.36, 0.6%, 0.82%

LAB 76.95, 16.13, -25.44

 

CMYK 16 / 22 / 0 / 0

HEX #D6C8FF

RGB 214 200 255

HSL 255.27, 1%, 0.89%

LAB 83.35, 15.5, -25.19

 

CMYK 9 / 15 / 0 / 0

HEX #E7DAFF

RGB 231 218 255

HSL 261.08, 1%, 0.93%

LAB 89.09, 11.27, -16.37

 

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

CMYK 24 / 31 / 0 / 27

HEX #8D80B9

RGB 141 128 185

HSL 253.68, 0.29%, 0.61%

LAB 56.69, 17.23, -28.15

 

CMYK 25 / 34 / 0 / 35

HEX #7C6EA6

RGB 124 110 166

HSL 255, 0.24%, 0.54%

LAB 49.73, 17.87, -28.1

 

CMYK 27 / 37 / 0 / 42

HEX #6B5C93

RGB 107 92 147

HSL 256.36, 0.23%, 0.47%

LAB 42.59, 18.59, -28.09

 

CMYK 30 / 42 / 0 / 50

HEX #5A4A80

RGB 90 74 128

HSL 257.78, 0.27%, 0.4%

LAB 35.26, 19.43, -28.14

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 15 / 28 / 0 / 20

HEX #AE93CC

RGB 174 147 204

HSL 268.42, 0.36%, 0.69%

LAB 65.14, 21.13, -25.59

 

CMYK 7 / 28 / 0 / 20

HEX #BD93CC

RGB 189 147 204

HSL 284.21, 0.36%, 0.69%

LAB 66.55, 25.96, -23.3

 

CMYK 0 / 28 / 0 / 20

HEX #CC93CB

RGB 204 147 203

HSL 301.05, 0.36%, 0.69%

LAB 68.03, 30.68, -20.36

 

CMYK 0 / 28 / 8 / 20

HEX #CC93BC

RGB 204 147 188

HSL 316.84, 0.36%, 0.69%

LAB 67.53, 27.96, -12.76

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 28 / 28 / 0 / 20

HEX #9393CC

RGB 147 147 204

HSL 240, 0.36%, 0.69%

LAB 62.87, 12.76, -29.28

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 30 / 38 / 0 / 15

HEX #9786D9

RGB 151 134 217

HSL 252.29, 0.52%, 0.69%

LAB 60.46, 24.7, -40.28

 

CMYK 37 / 47 / 0 / 10

HEX #9079E5

RGB 144 121 229

HSL 252.78, 0.68%, 0.69%

LAB 57.33, 33.5, -51.98

 

CMYK 44 / 55 / 0 / 5

HEX #886DF2

RGB 136 109 242

HSL 252.18, 0.84%, 0.69%

LAB 54.64, 42.08, -63.58

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 13 / 16 / 0 / 25

HEX #A6A0BF

RGB 166 160 191

HSL 251.61, 0.19%, 0.69%

LAB 67.28, 8.39, -15.15

 

CMYK 2 / 3 / 0 / 30

HEX #AEADB2

RGB 174 173 178

HSL 252, 0.03%, 0.69%

LAB 70.94, 1.31, -2.44

 

CMYK 2 / 0 / 10 / 27

HEX #B5B9A6

RGB 181 185 166

HSL 72.63, 0.12%, 0.69%

LAB 74.37, -4.81, 9.16

 

CMYK 5 / 0 / 23 / 22

HEX #BDC699

RGB 189 198 153

HSL 72, 0.28%, 0.69%

LAB 78.17, -10.73, 21.57

 

CMYK 28 / 19 / 0 / 20

HEX #93A6CC

RGB 147 166 204

HSL 220, 0.36%, 0.69%

LAB 67.9, 2.02, -21.56

 

CMYK 28 / 26 / 0 / 20

HEX #9397CC

RGB 147 151 204

HSL 235.79, 0.36%, 0.69%

LAB 63.91, 10.47, -27.67

 

CMYK 23 / 28 / 0 / 20

HEX #9E93CC

RGB 158 147 204

HSL 251.58, 0.36%, 0.69%

LAB 63.75, 16.1, -27.85

 

CMYK 15 / 28 / 0 / 20

HEX #AE93CC

RGB 174 147 204

HSL 268.42, 0.36%, 0.69%

LAB 65.14, 21.13, -25.59

 

CMYK 7 / 28 / 0 / 20

HEX #BD93CC

RGB 189 147 204

HSL 284.21, 0.36%, 0.69%

LAB 66.55, 25.96, -23.3

 

CMYK 39 / 49 / 0 / 30

HEX #6D5BB2

RGB 109 91 178

HSL 252.41, 0.36%, 0.53%

LAB 44.16, 28.27, -43.98

 

CMYK 30 / 38 / 0 / 25

HEX #8677BF

RGB 134 119 191

HSL 252.5, 0.36%, 0.61%

LAB 54.05, 21.93, -35.73

 

CMYK 22 / 28 / 0 / 20

HEX #9F93CC

RGB 159 147 204

HSL 252.63, 0.36%, 0.69%

LAB 63.83, 16.41, -27.72

 

CMYK 15 / 19 / 0 / 15

HEX #B8AFD9

RGB 184 175 217

HSL 252.86, 0.36%, 0.77%

LAB 73.45, 11.54, -20

 

CMYK 9 / 12 / 0 / 10

HEX #D1CBE6

RGB 209 203 230

HSL 253.33, 0.35%, 0.85%

LAB 82.9, 7.17, -12.59

 

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

CMYK 0 / 28 / 11 / 20

HEX #CC93B5

RGB 204 147 181

HSL 324.21, 0.36%, 0.69%

LAB 67.31, 26.75, -9.17

 

CMYK 23 / 0 / 28 / 20

HEX #9ECC93

RGB 158 204 147

HSL 108.42, 0.36%, 0.69%

LAB 77.62, -25.85, 23.64

 

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

CMYK 0 / 23 / 28 / 20

HEX #CC9E93

RGB 204 158 147

HSL 11.58, 0.36%, 0.69%

LAB 69.04, 15.48, 12.31

 

CMYK 28 / 0 / 23 / 20

HEX #93CC9E

RGB 147 204 158

HSL 131.58, 0.36%, 0.69%

LAB 77.2, -27.65, 17.13

 

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

CMYK 0 / 28 / 11 / 20

HEX #CC93B5

RGB 204 147 181

HSL 324.21, 0.36%, 0.69%

LAB 67.31, 26.75, -9.17

 

CMYK 5 / 0 / 28 / 20

HEX #C1CC93

RGB 193 204 147

HSL 71.58, 0.36%, 0.69%

LAB 79.97, -13.15, 27.22

 

CMYK 28 / 0 / 17 / 20

HEX #93CCAA

RGB 147 204 170

HSL 144.21, 0.36%, 0.69%

LAB 77.45, -25.4, 11.09

 

CMYK 23 / 28 / 0 / 20

HEX #9E92CC

RGB 158 146 204

HSL 252.41, 0.36%, 0.69%

LAB 63.5, 16.67, -28.24

 

CMYK 0 / 28 / 20 / 20

HEX #CC93A4

RGB 204 147 164

HSL 342.11, 0.36%, 0.69%

LAB 66.81, 23.99, -0.37

 

CMYK 5 / 0 / 28 / 20

HEX #C1CC93

RGB 193 204 147

HSL 71.58, 0.36%, 0.69%

LAB 79.97, -13.15, 27.22

 

CMYK 28 / 0 / 8 / 20

HEX #93CCBB

RGB 147 204 187

HSL 162.11, 0.36%, 0.69%

LAB 77.86, -21.95, 2.55

 

Description

Color code: HEX #9E92CC | qconv.com Color code: HEX #9E92CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 146 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 146 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 28 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 28% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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