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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EA21F it is the complementary color #615DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EA21F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EA21F shade: #A3A21A, #B4B42D, #C5C640, #D6D853 and #E7EA66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EA21F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EA21F shade: #9EA21F, #8D900C, #7C7E00, #6B6C00 and #5A5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EA21F shade: #9EA21F, #A2831F, #A25F1F, #A23C1F and #A21F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EA21F shade: #9EA21F, #7BA21F, #57A21F, #34A21F and #1FA22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EA21F shade matches the following richer shades: #9EA21F and #ADB20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EA21F shade: #9EA21F, #90932E, #81833E, #72734E and #63645D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EA21F shade: #A25E1F, #A2811F, #A0A21F, #7DA21F and #5AA21F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EA21F shade: #5B5D11, #7C8018, #9EA21F, #C0C525 and #D4D93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EA21F shade: #9EA21F, #1FA23B and #701FA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EA21F shade: #9EA21F, #1FA0A2 and #A21FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EA21F shade: #9EA21F, #1FA23B, #211FA2 and #A21F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EA21F shade: #9EA21F, #1FA263, #211FA2 and #A21F5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

Complementary color

CMYK 57 / 58 / 0 / 12

HEX #615DE0

RGB 97 93 224

HSL 241.83, 0.68%, 0.62%

LAB 46.65, 38.35, -66.54

 

CMYK 0 / 1 / 84 / 36

HEX #A3A21A

RGB 163 162 26

HSL 59.56, 0.72%, 0.37%

LAB 64.73, -14.43, 63.09

 

CMYK 0 / 0 / 75 / 29

HEX #B4B42D

RGB 180 180 45

HSL 60, 0.6%, 0.44%

LAB 71.24, -15.55, 63.89

 

CMYK 1 / 0 / 68 / 22

HEX #C5C640

RGB 197 198 64

HSL 60.45, 0.54%, 0.51%

LAB 77.66, -16.47, 63.8

 

CMYK 1 / 0 / 62 / 15

HEX #D6D853

RGB 214 216 83

HSL 60.9, 0.63%, 0.59%

LAB 83.98, -17.23, 63.22

 

CMYK 1 / 0 / 56 / 8

HEX #E7EA66

RGB 231 234 102

HSL 61.36, 0.76%, 0.66%

LAB 90.23, -17.86, 62.37

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 2 / 0 / 92 / 44

HEX #8D900C

RGB 141 144 12

HSL 61.36, 0.85%, 0.31%

LAB 57.69, -15.24, 59.54

 

CMYK 2 / 0 / 100 / 51

HEX #7C7E00

RGB 124 126 0

HSL 60.95, 1%, 0.25%

LAB 50.93, -13.72, 55.83

 

CMYK 1 / 0 / 100 / 58

HEX #6B6C00

RGB 107 108 0

HSL 60.56, 1%, 0.21%

LAB 44.02, -11.93, 50.09

 

CMYK 0 / 0 / 100 / 65

HEX #5A5A00

RGB 90 90 0

HSL 60, 1%, 0.18%

LAB 36.9, -10.08, 44.18

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 0 / 19 / 81 / 36

HEX #A2831F

RGB 162 131 31

HSL 45.8, 0.68%, 0.38%

LAB 56.1, 1.99, 54.13

 

CMYK 0 / 41 / 81 / 36

HEX #A25F1F

RGB 162 95 31

HSL 29.31, 0.68%, 0.38%

LAB 46.93, 22.34, 45.74

 

CMYK 0 / 63 / 81 / 36

HEX #A23C1F

RGB 162 60 31

HSL 13.28, 0.68%, 0.38%

LAB 39.6, 40.74, 38.73

 

CMYK 0 / 81 / 81 / 36

HEX #A21F1F

RGB 162 31 31

HSL 0, 0.68%, 0.38%

LAB 35.52, 51.91, 34.66

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 46 / 0 / 81 / 36

HEX #57A21F

RGB 87 162 31

HSL 94.35, 0.68%, 0.38%

LAB 59.86, -44.72, 55.57

 

CMYK 68 / 0 / 81 / 36

HEX #34A21F

RGB 52 162 31

HSL 110.38, 0.68%, 0.38%

LAB 58.67, -54.16, 54.03

 

CMYK 81 / 0 / 72 / 36

HEX #1FA22D

RGB 31 162 45

HSL 126.41, 0.68%, 0.38%

LAB 58.34, -56.63, 48.72

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 3 / 0 / 92 / 30

HEX #ADB20F

RGB 173 178 15

HSL 61.84, 0.84%, 0.38%

LAB 70.01, -18.45, 69.85

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 2 / 0 / 69 / 42

HEX #90932E

RGB 144 147 46

HSL 61.78, 0.52%, 0.38%

LAB 58.97, -14.17, 50.64

 

CMYK 2 / 0 / 53 / 49

HEX #81833E

RGB 129 131 62

HSL 61.74, 0.36%, 0.38%

LAB 53.22, -11.02, 36.61

 

CMYK 1 / 0 / 32 / 55

HEX #72734E

RGB 114 115 78

HSL 61.62, 0.19%, 0.38%

LAB 47.48, -6.79, 20.4

 

CMYK 1 / 0 / 7 / 61

HEX #63645D

RGB 99 100 93

HSL 68.57, 0.04%, 0.38%

LAB 42.09, -1.81, 3.83

 

CMYK 0 / 42 / 81 / 36

HEX #A25E1F

RGB 162 94 31

HSL 28.85, 0.68%, 0.38%

LAB 46.69, 22.9, 45.52

 

CMYK 0 / 20 / 81 / 36

HEX #A2811F

RGB 162 129 31

HSL 44.89, 0.68%, 0.38%

LAB 55.56, 3.1, 53.65

 

CMYK 1 / 0 / 81 / 36

HEX #A0A21F

RGB 160 162 31

HSL 60.92, 0.68%, 0.38%

LAB 64.49, -15.6, 61.48

 

CMYK 23 / 0 / 81 / 36

HEX #7DA21F

RGB 125 162 31

HSL 76.95, 0.68%, 0.38%

LAB 61.91, -30.59, 58.2

 

CMYK 44 / 0 / 81 / 36

HEX #5AA21F

RGB 90 162 31

HSL 92.98, 0.68%, 0.38%

LAB 59.99, -43.73, 55.74

 

CMYK 2 / 0 / 82 / 64

HEX #5B5D11

RGB 91 93 17

HSL 61.58, 0.69%, 0.22%

LAB 38.01, -10.7, 40

 

CMYK 3 / 0 / 81 / 50

HEX #7C8018

RGB 124 128 24

HSL 62.31, 0.68%, 0.3%

LAB 51.6, -14.17, 51.02

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 3 / 0 / 81 / 23

HEX #C0C525

RGB 192 197 37

HSL 61.88, 0.68%, 0.46%

LAB 76.84, -19.23, 71.58

 

CMYK 2 / 0 / 73 / 15

HEX #D4D93A

RGB 212 217 58

HSL 61.89, 0.68%, 0.54%

LAB 83.93, -19.89, 72.41

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 81 / 0 / 64 / 36

HEX #1FA23B

RGB 31 162 59

HSL 132.82, 0.68%, 0.38%

LAB 58.46, -55.17, 42.93

 

CMYK 31 / 81 / 0 / 36

HEX #701FA2

RGB 112 31 162

HSL 277.1, 0.68%, 0.38%

LAB 31.88, 55.73, -54.21

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 81 / 1 / 0 / 36

HEX #1FA0A2

RGB 31 160 162

HSL 180.92, 0.68%, 0.38%

LAB 59.93, -31.58, -10.59

 

CMYK 0 / 81 / 1 / 36

HEX #A21FA0

RGB 162 31 160

HSL 300.92, 0.68%, 0.38%

LAB 39.91, 64.75, -39.65

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 81 / 0 / 64 / 36

HEX #1FA23B

RGB 31 162 59

HSL 132.82, 0.68%, 0.38%

LAB 58.46, -55.17, 42.93

 

CMYK 80 / 81 / 0 / 36

HEX #211FA2

RGB 33 31 162

HSL 240.92, 0.68%, 0.38%

LAB 23.38, 46.04, -68.5

 

CMYK 0 / 81 / 17 / 36

HEX #A21F86

RGB 162 31 134

HSL 312.82, 0.68%, 0.38%

LAB 38.52, 60.87, -26

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 81 / 0 / 39 / 36

HEX #1FA263

RGB 31 162 99

HSL 151.15, 0.68%, 0.38%

LAB 59, -48.74, 23.36

 

CMYK 80 / 81 / 0 / 36

HEX #211FA2

RGB 33 31 162

HSL 240.92, 0.68%, 0.38%

LAB 23.38, 46.04, -68.5

 

CMYK 0 / 81 / 42 / 36

HEX #A21F5E

RGB 162 31 94

HSL 331.15, 0.68%, 0.38%

LAB 36.87, 56.06, -3.38

 

Description

Color code: HEX #9EA21F | qconv.com Color code: HEX #9EA21F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 162 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 162 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 81 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 81% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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